Errol Morris the director of “Thin Blue Line” and “Fog of War” new film about the Abu Ghraib photos asks:
Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed Americaâ€™s image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few â€œbad applesâ€? We set out to examine the context of these photographs. Why were they taken? What was happening outside the frame? We talked directly to the soldiers who took the photographs and who were in …
Up for grabs this week is a copy of Joseph Larkin’s “Arcade of Cruelty. You know the drill email me (firstname.lastname@example.org) and lucky number 11 will get the book.
via William Jones for Graphic Novel Reporter
“Crass-for-the-sake-of-crass comics usually go one way or the other; there isnâ€™t much middle ground. Either the author has a special touch that somehow makes the work funny despite the readerâ€™s better judgment or he doesnâ€™t, leaving a book filled with racist, homophobic, and/or simply offensive material, not only to the subject matter but good taste.
Joseph Patrick Larkin knows this, if the comic on page 237 of his Arcade of Cruelty is an indication. The comic is titled â€œJohnny Ryanâ€™s Response to 9/11,â€ and it takes the aforementioned cartoonist of Angry Youth Comix to task for missing the point, this time without the apologies Larkin often offers with his style-imitation strips. It features a disgusting character pointlessly spewing the dirtiest possible language and really has nothing to do with 9/11, or anything else for that matter.
Thatâ€™s not to say Larkin is an upstanding member of the comics world himself. The strip in question appears in a section devoted to 9/11 comics, and not in the artsy Art Spiegelman sense, but in the making-jokes-about-it-and-peopleâ€™s-opinions-of-it sort of way. The rest of the book is littered with his deranged sexual ponderings (including a slew of jokes about rape), defacement of childhood yearbooks, and plenty of self-loathing. But Larkin seems to have the touch, using a tongue-in-cheek approach to give many of his strips a heavy helping of irony, with many of them truly at the expense of their author.”
Albert Oehlen: A Vanguard With Decorum
May 14 5-9pm
May 14-June 27, 2009
Corbett vs Dempsey
1120 N. Ashland
Chicago, IL 60622
“This show will unveil Oehlen’s stunning new series under the banner A Vanguard with Decorum. The exhibition will include 15 intimate, graceful drawing-collages on paper, a huge drawing based on the title of the show, and a spectacular new painting. Clearly related in their reduced palette and graphic quality to the computer works, these new pieces introduce an unforseen modernist architecture while amping up the looping, curvaceous, linear intensity.” via the website
Manifest Urban Arts festival
Various locations, between Roosevelt and Congress and State and Michigan. Map it here.
Circus punk marching band Mucca Pazza kicks off the event at 640 S Wabash Ave at noon!
“Experience Manifest. Columbia College Chicagoâ€™s urban arts festival celebrates the work of seniors and graduate students from every department on campus. Manifest 2009 will feature an artwalk & sale, music on four stages, screenings, readings, live radio, Web casts, the TICTOC Performance Art Festival, the Transmission art car exhibition, Spectacle Fortuna‘s parade of creativity.” via the website
Weiner Takes All: A Dogumentary
Friday, May 15, 6:15 pm
Saturday, May 16, 5:45 pm
Monday, May 18, 8:15 pm
Gene Siskel Film Center
164 North State Street
Chicago, Illinois 60601
“The little-known world of wiener-dog racing is investigated with humor and charm in a film that appears to have (ahem) legs, based on the ecstatic audience response generated by its numerous festival screenings around the U.S.” via the Gene Siskel website
You can check out the trailer here.
Grand opening of the Art Insitute’s Modern Wing
Free admission May 16â€“22
Grand opening May 16, 9am-5pm
Art Institute of Chicago
111 S Michigan Ave
“Celebrate the Modern Wingâ€™s public unveiling with AIC on Saturday from 9 a.m. – 5 p.m. Good times include a dedication with architect Renzo Piano at 9 a.m., a ribbon-cutting ceremony at 10 a.m., and live music/dancing from acts like Swing Gitan, Maxwell Street Klezmer Band, and Hubbard Street Dance Chicago. The grand opening exhibit is Cy Twomblyâ€™s â€œNatural Worldâ€, which will be on display through September 13 at The Abbott Galleriesâ€”the Modern Wingâ€™s special exhibition space located on the first floor.” via the chicagoist
As part of the University of Chicago’s Artspeaks program, Kara Walker will talk with associate professor of history Amy Dru Stanley. Click the link above for full details; tickets are $20 to general public, $5 to students with i.d.
Wednesday, May 13, 2009 | 7:30 pm
Kent Hall, Room 107
University of Chicago
1020 E. 58th Street
From the University’s website:
“Walker will reflect on her work in a presentation and dialogue with Amy Dru Stanley, Associate Professor, Department of History, who’s research and teaching focus on capitalism, slavery and emancipation, and the historical experience of moral problems.
Known for exploring the raw intersection of race, gender and sexuality, Kara Walker unleashes the traditionally proper Victorian medium of the silhouetted figure. Her installations create a theatrical space in which her unruly cut-paper characters fornicate and inflict violent acts upon one another. With one foot in the historical realism of slavery and the other in the fantastical space of the romance novel, Walkerâ€™s nightmarish fictions simultaneously seduce and implicate its audience. A 1997 recipient of the John D. and Catherine T. MacArthur Foundation Achievement Award and a 2008 United States Artists Fellow, Kara Walkerâ€™s work has been exhibited at the Museum of Modern Art, the San Francisco Museum of Modern Art, the Solomon R. Guggenheim Museum and the Whitney Museum of American Art. Walker lives in New York where she is on the faculty of the MFA program at Columbia University.”
An upward trend (age-wise) at the auction houses is underway; this week’s New York magazine has an article by Alexandra Peers arguing that it’s not necessarily about age vs. youth, but due instead to past over-productivity on the part of many younger artists.
“Something much more subtle than a classic boom-bust cycle is going on. The art world is punishing the overly prolific, those artists who responded (in retrospect, perhaps too hastily) to stiff demand by upping supply. â€œThereâ€™s a winnowing,â€ says artnet.com critic Charlie Finch. Who was especially productive before the recession hit? Murakami and Hirst, still both under 50, get singled out by critics, as do Cecily Brown, Dana Schutz, and a host of contemporary Chinese artists. Artists whose work is plentiful or sells in editionsâ€”including many photographersâ€”are now seeing softer numbers than those for painters like John Currin. While veterans like Cy Twombly and Bruce Nauman continued to work at the same pace, others did more work to meet the needs of galleries that had satellites or partners all over the world.”