Last night I was looking at work by contemporary Icelandic artists when I discovered the work of Egill SÃ¦bjÃ¶rnsson. This video, Ping Pong Dance (2006), borders on being annoying while still holding onto that stoner “whoa” factor. “An installation with objects, video and sound. Ping pong balls fly out of the buckets and perform actions that seem impossible in reality.”
For more info on Egill SÃ¦bjÃ¶rnsson please check out his site.
The battle continues with a suit filed today in Massachusetts state court. From today’s New York Times:
“In their suit, the overseers, Jonathan O. Lee, Lois Foster and Meryl Rose, a member of the family whose donations created the museum in 1961, contend that Brandeisâ€™s plans to close the museum â€œcontradict the charitable intentionsâ€ of the museumâ€™s founders, â€œabrogate Brandeisâ€™s promises that the Rose would be maintained in perpetuityâ€ as a modern and contemporary art museum and violate its commitments to those who donated art to the museum. Brandeis officials were not immediately available for comment.”
Read the full story here.
Over the last few days two news stories have assessed the recession’s mostly grim impact on art galleries in various cities across the country. The L.A. Times’ Suzanne Muchnic delivered the more positive of the two by focusing on the surprising opportunities, real estate-wise and otherwise, that the recession has brought to some L.A. dealers. Muchnic provides a rundown on the spaces that have closed over the past several months, including Anna Helwing Gallery, Lizabeth Oliveria and D.E.N. in Culver City and Mary Goldman Gallery, Black Dragon, the Project and Mesler & Hug in Chinatown. Forum, located in West Hollywood, and Carl Berg Gallery, in mid-Wilshire, have also closed. But other dealers, like Susanne Vielmetter, have found that drastically lower rents in desirable areas are allowing them to make big moves that weren’t possible a few years ago. Read the full story here:
A similar story by the AP contained less hopeful information. Focusing on Scottsdale, AZ, Santa Fe, NM, Portland, OR and New York City, writer Amanda Lee Myers (citing Artnet magazine) reports that in the past two years, 24 galleries in Manhattan–most of them in Chelsea–have shut their doors. In Santa Fe, the article notes, between 10 and 15 galleries have closed this year.
Read the Associated Press story here:
â€œItâ€™s all self-inflicted,â€ Williams says of the tortured clowns. â€œI can understand that most people can repeat themselves and put themselves in compromising positions. I think thatâ€™s common to the human condition. But this makes me sad. I donâ€™t relate to the clown. Itâ€™s sad that heâ€™s doing that to himself. This exhibit as a whole makes me sad because this is what scares people. It makes it hard for me.â€
If you haven’t already read this, I recommend you do so. Gaining insight into the inner psyche of professional clowns is never a waste of time. Poor clowns. (Via Art21 blog).
Big Man Japan at times felt as if it was two different movies. One made me laugh so hard that the people viewing it with me actually thought I was in physical pain. The other part, so boring I started to fall asleep. The mockumentary written, directed, and starring Hitosi Matumoto follows Daisato, a middle-aged slacker that has inherited the role of being the latest Big Man. How big is Big Man? About Godzilla size once he has been shocked with enough electricity. This process not only makes him the size of a building but also leaves him with a Don King hairstyle. Daisato is the descendant of the original Big Man who helped protect Japan during World War I. Unlike his father and grandfather, who were considered national heroes, Daisato is criticized by the citizens of Japan as being a nuisance and out of shape. It isnâ€™t until he meets a devil-like monster that leaves Big Man running for his life do people actually tune into his poorly rated tv show.
The seventy-five minute long film is way too long, and that is coming from a person that loves epically long films. Although there were a few moments when I chuckled during the slower scenes, most of the humor lies within the filmâ€™s bizarre cast of monsters. They range from a smelly old monster from the suburbs to a nipple sucking child monster. The last 30 minutes of the film turns into a live action Ultraman-esque battle against the devil-like arch enemy. Accompanied by a team of American giants that yell â€œJusticeâ€ as they attempt to defeat Big Man Japanâ€™s archenemy the film ends with a critique of their performance.
Big Man Japan will be released on DVD Tuesday, July 28, 2009