This week: While at CAA Duncan was up to some funny business in his hotel room. No, no, not that, he was (with the assistance of the talented Anthea Black) interviewing the multi-talented author, filmmaker, Chris Kraus.
Kraus spent her childhood in Connecticut and New Zealand. After obtaining a BA at a young age from Victoria University of Wellington, New Zealand, Kraus worked as a journalist for five years, and then moved to New York. Part of the city’s then-burgeoning art scene, Kraus made films and video art and staged performances and plays at many venues. In the late 1970s she was a member of The Artists Project, a City-funded public service venture of painters, poets, writers, filmmakers and dancers.
Her work as a performance and video artist satirized the Downtown scene’s gender politics and favored literary tropes, blending theatrical techniques with Dada, literary criticism, social activism, and performance art.
Semiotext(e) Native Agents Series
Kraus founded the Semiotexte Native Agents imprint to publish fiction, mostly by women, as an analogue to French theories of subjectivity. In addition to groundbreaking works of fiction by writers likeMichelle Tea and Ann Rower, Native Agents has published notable volumes of poetry and prose by Eileen Myles, Barbara Barg, and Fanny Howe, as well as memoirs and interviews by Kathy Acker, Bob Flanagan, David Rattray, and William Burroughs.