David Shrigley fans, take note: Shrigley will be signing copies of his new book What the Hell Are You Doing? The Essential David Shrigley TONIGHT at 7pm atÂ Quimbyâ€™s Bookstore, 1854 W. North Ave., Chicago. Tomorrow night, he’ll be speaking at Columbia College Chicago’s Stage Two from 6:30pm – 9:30pm, 618 S. Michigan Ave., 2nd Floor. Quimbyâ€™s will be there both nights to sell the hell out of his books. Should be good! And stay tuned over the coming months for Duncan’s interview with Shrigley on the podcast (dates still TBD). Full details on tonight and tomorrow’s events below:
WHAT THE HELL ARE YOU DOING? The Essential David Shrigley
â€œDavid Shrigley is probably the funniest gallery-type artist who ever
lived.â€ -Dave Eggers
â€œWith a casual gesture Shrigley points to that hideous shape whose
name Iâ€™ve never knownâ€”and then he names it. And the name is
profoundly, embarrassingly familiar. Iâ€™m laughing while frantically
searching for a pen, so desperate to capture the feeling he has
unearthed in me.â€ -Miranda July
David Shrigley is the rare artist that can comfortably walk the fine
line between pop culture and high art. While heâ€™s animated videos for
musicians such as Blur and Bonny Prince Billy, his work can also be
seen in world renowned museums such as MoMA and the Tate Modern, and
his highly distinctive style has been on display in galleries in New
York, Paris, Berlin, Melbourne, and beyond. He is also clearly a
The aptly named WHAT THE HELL ARE YOU DOING: The Essential David
Shrigley [W. W. Norton & Company; October 24th, 2011; $35.00
hardcover] is an outrageous compilation of his illustrations, comics,
photography and sculpture. His crude drawings and unexpected
compositions are at once childish and clever, and each depiction oddly
sincere. They capture the morbid humor of Edward Gorey, the absurdity
of a Monty Python sketch, and the peculiar perspective of a Charles
Addams cartoon. In short, this beautiful, full color collection is an
indispensible introduction to one of contemporary artâ€™s most
fascinating and provocative minds.
The pieces in this book are an eclectic and encompassing
representation of Shirgleyâ€™s interest in the surreal. From a
photograph of a hot dog (affixed with googly eyes and tucked
comfortably into bed) to childlike drawings of humanityâ€™s most
grotesque members (a man drinking a goblet of blood, captioned simply
with â€œCHEERS!â€) this book is a both a celebration of condemnation of
humanityâ€™s most base urges, fears, and delights.
WHAT THE HELL ARE YOU DOING? is remarkably bold, and Shrigley leaves
no topic untouched. Through colorful commentary, he explores
everything from clowns to caffeine, sexuality to God, and all the
delightfully inappropriate bits in between. You would be hard-pressed
to find, in any other work of art, a match to Shrigleyâ€™s satirical
brilliance. As Will Self points out in the introduction, â€œShrigleyâ€™s
photographic works suggest the refined eye of someone sent back from
the future beyond the looming apocalypse, charged with assembling
images that, while ostensibly of the mundane, nonetheless explain how
it came to pass that humanity destroyed itself.â€ By turns unsettling,
moving, and gut-wrenchingly funny, WHAT THE HELL ARE YOU DOING? is a
revealing glimpse into an offbeat, darkly comedic, and utterly
hilarious artistic mind. For more info: davidshrigley.com/.
Tues, Sept 20th, 7pm at Quimbyâ€™s Bookstore 1854 W. North Ave., Chicago
Wed, Sep 21st , 6:30pm – 9:30pm at Columbia College Chicago – Stage
Two 618 S. Michigan Ave., 2nd Floor.â€¦Quimbyâ€™s will be there to sell
These events are co-sponsored by Quimbyâ€™s Bookstore, Columbia College
and AIGA Chicago.
Quimby’s BookstoreÂ Â Â 1854 W. North Ave Chicago, IL 60622Â Â p:
773-342-0910Â f: 773-342-0998Â quimbys.com
This week: We talk to Maud Lavin about her most recent book and more!
Lifted from elsewhere:
In the past, more often than not, aggressive women have been rebuked, told to keep a lid on, turn the other cheek, get over it. Repression more than aggression was seen as womanâ€™s domain. But recently thereâ€™s been a noticeable cultural shift. With growing frequency, womenâ€™s aggression is now celebrated in contemporary cultureâ€”in movies and TV, online ventures, and art. InÂ Push Comes to Shove, Maud Lavin examines these new images of aggressive women and how they affect womenâ€™s lives.
Aggression, says Lavin, is necessary, large, messy, psychological, and physical. Aggression need not entail causing harm to another; we can think of it as the use of force to create changeâ€”fruitful, destructive, or both. And over the past twenty years, contemporary culture has shown women seizing this power. Lavin chooses provocative examples to explore the complexity of aggression: the surfer girls inÂ Blue Crush; Helen Mirren as Jane Tennison inÂ Prime Suspect; the homicidal women inÂ Kill BillÂ and artist Marlene McCartyâ€™s mural-sizedÂ Murder Girls; the erotica of Zane and the art of Kara Walker; the group dynamics of artists (including the artists group Toxic Titties) and activists; and YouTube videos of a woman boxer training and fighting.
Women need aggression and need to use it consciously, Lavin writes. WithÂ Push Comes to Shove, she explores the crucial questions of how to manifest aggression, how to represent it, and how to keep open a cultural space for it.
The MDW FairÂ is landing again this fall, October 21-23 at the Geolofts.Â Formed in spring 2011 as a collaborative project between theÂ Public Media Institute,Â Roots & CultureÂ andÂ threewalls, the MDW Fair was conceived as a showcase for independent art initiatives, spaces, galleries and artist groups from the Chicago metropolitan area.
For the Fall Showcase, MDW invites proposals from spaces across the United States. Groups are required to send 10 images of the artist or pair of artists they wish to focus on at the fair. Images should be sent as a zip file along with a short mission statement/bio about the presenters and 500 words about the artist(s) for exhibition. Successful applicants will be notified by early October with details. All booth spaces are 300 sq feet/$300.
All proposals are due September 19th, 2011 by midnight.
Submissions for the MDW Fair can be emailed to:Â Â email@example.com
Questions about submissions can be submitted to Aron Gent at: firstname.lastname@example.org
Photos by Aron Gent, more can be seen hereÂ .
And…Happening at the same time, The Hand in Glove Conference!
Half-off registration for MDW Fair participants.
Student groups of 10 or more (self-organized or sponsored through schools), only $75.
If there’s one thing readers of the Bad at Sports blog share, besides a love of art, it’s an affection for podcasts. Duncan assures me that most of our listeners come through iTunes, which isn’t surprising. I probably interact with iTunes everyday, not because I want to, but because it’s ubiquitous. One thing I don’t do much of is spend time at the iTunes store. My podcasts load automatically, I stream my television, and I still purchase music the old fashioned way–on compact disc. Yet recently I’ve found a reason to love iTunes, and that’s iTunes U.
In case you are unfamiliar, iTunes U is just like iTunes but with less Katy Perry. Clicking on the Fine Arts tab will take you to sea of offerings from well-known universities such as Harvard and Yale as well as venerable institutions that we might not immediately consider educational, like MoMA. Before I found Bad at Sports, I listened to a dozen “art” podcasts I had browsed out of iTunes, one of which was simply two stoned guys walking around the Seattle Art Museum talking about the work they saw, but never letting their listeners in on the secret of which piece they were looking at. This kind of monkey-business won’t be found on iTunes U. Their definition of “fine art” is broad, including, of course, visual art, but also media studies, music, theater, and cooking. The variety of format is broad as well. There are regular podcasts like the one you already listen to each week, video lectures, but there are also fully-produced magazine-style shows that look as good as anything you’d see on your local PBS station.
By no means exhaustive, I’ve picked a few highlights that I thought would be of interest. The School of Visual Arts (SVA) has an impressive collection of video lectures about contemporary art and culture. These are organized in the most boring way possible, by department, with the name of the chairperson as your guide. I’m currently watching a symposium called “Where the Truth Lies” that discusses propaganda in documentary film. From The Experience Music Project (EMP) you’ll find 2009’s (and 2010 and 2011) Pop Conference on the theme of Dance Music Sex Romance: Pop and the Body Politic. Particularly interesting is the lecture by David Scott, “Gay for Play: The Love that Dare Not Speak Its Name Certainly Does Sell Records.” Here an audio only podcast is just fine. Lastly, while I usually try to steer clear of all things Florida, The University of Southern Florida has a great series called Lit2Go, which is fantastic. Really nothing more than a collection of classics read aloud by English professors, Lit2Go is a great time. I just finished re-“reading” Picture of Dorian Gray, a book that bears the distinction of being subject of Bad at Sports’ only book group.
When I was a little girl, my mother told me that in the future anyone could learn anythingÂ she wanted, all we would have to do is turn on the television and our greatest artists and teachers would come right into our living room. Maybe television didn’t quite live up to its promise, but it looks as if the Internet might.
Work by work by Anthony Lewellen, Beth Pearlman, Chris Silva, Doug Fogelson, Eric Mecum, Jourdon Gullett, Justus Roe, Kim Frieders Tibbetts, Lauren Feece, Liza Berkoff, Matthew Hoffman, Renee Robbins, Robert Stevenson, Ruben Aguirre, and Tom Torluemke
Believe Inn is located at 2043 N Winchester Ave. Reception is Friday from 7-10pm.
Work by Brian Hubble
Autumn Space is located at 1700 W Irving Park Rd. Reception is Saturday from 6-9pm.
Work by Edra Soto, Jon Bollo, Liz Nielsen, Erik Wenzel, Catie Olson, and EC Brown
Floor Length and Tux is located at 2332 W. Augusta #3. Reception is Saturday from 7-10pm.
Work by Stephen Collier
Manifest Exhibitions is located at 2950 N Allen Ave. Reception is Friday from 7-10pm.
Work by Bruce Nauman
Donald Young Gallery is located at 224 S. Michigan Ave., suite 266. Reception is Friday from 5-7pm.
Curated by Jessica Cochran and Mia Ruyter, with work by Joseph Grigely, Mark Booth, Alex Valentine, Karen Reimer, Jason Pickleman, Stephanie Brooks, Steven Miglio, Robert Ransick, Rachel Foster and Rebecca Foster.
What It Is is located at 1155 Lyman, Oak Park. Reception is Sunday from 3-8pm.