Amy Franceschini is an artist and educator whose work has at its core cross-disciplinary research with a focus on how humans impact the world we inhabit. Her work encourages new formats of exchange and production, many times in collaboration with other practitioners.
These works often provide a playful entry point and tools for an audience to gain insight into a deeper field of inquiry Â– not only to imagine, but to participate in and initiate change in the places we live. Amy founded the artistsâ€™ collective and design studio, Futurefarmers, in 1995 and Free Soil in 2004.
Her solo and collaborative work have been in international exhibitions at ZKM, Whitney Museum, the New York Museum of Modern Art and Yerba Buena Center for the Arts, San Francisco. She received her BFA from San Francisco State University, MFA from Stanford University, and is currently an Assistant Professor of Art + Architecture at University of San Francisco and visiting artist at California College of the Arts. She is the recipient of the Artadia, Cultural Innovation, Eureka Fellowship, Creative Capital and SFMOMA SECA Awards.
This week: Duncan and Richard talk to Madeleine Grynsztejn, the new Director of the Museum of Contemporary Art, Chicago!
Stolen liberally from the MCA website, with a bit of BAS embellishment:
Grynsztejn was born in Lima, Peru, and raised in Caracas, Venezuela, and London, England. She studied at the Sorbonne in Paris and received her BA in art history and French from Newcomb College of Tulane University, and her MA in art history from Columbia University. She is a former Helena Rubenstein Fellow at the Whitney Museum of American Art, and a 2007 graduate of the Getty Foundationâ€™s Museum Leadership Institute. Grynsztejn has written, lectured, and taught extensively on contemporary art. She served as a panelist for the National Endowment for the Arts and the Galeria de Arte Nacional in Caracas, among other agencies. She acted as a juror for the Emily Hall Tremaine Foundation, the American Academy in Rome, the Munich Kunstpreis in Germany, and the Tiffany Foundation Biennial Awards. She has also served on the advisory committees for the Brooklyn Academy of Music and the American Center in Paris. She is fluent in English, Spanish, and French. Her husband, Tom Shapiro, is a marketing consultant and a damn nice guy. Yes, Bad at Sports added the â€œdamn nice guyâ€ part, the MCA would never be so inappropriately casual in a blurb! How dare us. The nerve! It’s true though, he really is nice. Read more
This week (the) Amanda Browder and Tom talk with curator Manon Slome about the “No Longer Empty” series of exhibitions. Manon is one of the curators of this year long series of shows, each of which inhabits an abandoned New York City store front for one month. Along the way the three talk about the dismal state of affairs in Ol’ New York and how we can make lemonade out of these lemons.
Manon Slome (PhD) is an independent curator working in New York City. From 2002 to June 2008 she was the Chief Curator of the Chelsea Art Museum in New York since its inception in 2002. During that time, she has curated and overseen a program of some forty exhibitions, symposia and museum publications as well as monographs and scholarly essays. Ms. Slome became highly involved with the Israeli art scene during her research for the exhibition, Such Stuff as Dreams are Made onâ€, (2005) and has followed and researched the Israeli scene for the last 3 years. Prior to the CAM, Ms. Slome worked as a curator at the Guggenheim Museum for 7 years and was a holder of a Helena Rubestein curatorial fellowship at the Whitney Independent Study program. She is currently working on a book, The Aesthetics of Terror. Read more
This week Patricia and Brian chat with Lawrence Rinder, currently the director of the Berkeley Art Museum and Pacific Film Archive. Previously he was the Dean at California College of the Arts, curated for the Whitney Museum of American Art, and founded the Wattis Institute for Contemporary Art at CCA. He has curated numerous exhibitions including the 2002 Whitney Bienial. In this conversation, they discuss BAMPHA’s new building, arts education, the future of the museum, and the Bay Area art community. At the end Larry agrees to come back on the show in the future to discuss all the curatorial projects in his past thay didn’t have time to discuss. Read more