Top 5 Weekend Picks! (12/12-12/14)

December 11, 2014 · Print This Article

1. Ground Floor at Hyde Park Art Center

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Co-curated by Dawoud Bey, Michelle Grabner, Caroline Picard, and Daniel Sauter, Allison Peters Quinn and Kate Lorenz, with work by Evan Baden, Hannah Barco, Greg Browe, Houston Cofield, Maggie Crowley, Barbara Diener, Assaf Evron, Andrew Holmquist, Kelly Lloyd, Jesse Malmed, Esau McGhee, Ben Murray, Celeste Rapone, Kyle Schlie, Tina Tahir, Keijaun Thomas, Daniel Tucker, Ramyar Vala, Julie Weber and Nicole Wilson

Hyde Park Art Center is located at 5020 S. Cornell Ave. Reception Friday, 6-8pm.

2. Orchid at Adds Donna

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Work by Alex Chitty.

Adds Donna is located at 4223 W. Lake St. Reception Sunday, 2-5pm.

3. Double Cherry at Threewalls

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Curated by Katie Vota, Jonathan Kusnerek, Megan Cline, Abbey Muzatko, and Meredith Donnelly.

Threewalls is located at 119 N. Peoria St. Reception Friday, 8-11pm.

4. Hold Together at Johalla Projects

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Work by Lisa Lindvay.

Johalla Projects is located at 1821 W. Hubbard St. Reception Friday, 6-9pm.

5. Effeminaries at Western Exhibitions

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Curated by Matt Morris with work by Cameron Crawford, Danielle Dean, Chris Edwards, Greg Ito, Kacie Lambert and Joel Parsons.

Western Exhibitions is located at 845 W. Washington Blvd. Reception Friday, 5-8pm.




Top 5 Weekend Picks! (6/20-6/22)

June 19, 2014 · Print This Article

1. Placemakers Summit (Part 1 & Part 2) at Mana Contemporary Chicago

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Part of VERSION14. Part 1 (Saturday) 1pm: Contested Territory with Multiuso, The Graffiti Institute and 96 Acres, 2pm: Tactical Urbanism 101 with Rik Adamski, 3pm: ArchiGO with Paul Durica and Nick Fraccaro, 4pm: A Free Frame with Robert Herbst, 5pm: Presentation TBA by Krisann Rehbein. Part 2 (Sunday) 1pm: Why Aren’t We All Developers By Now? with Charles Vinz, 2pm: Wicker Park Bocce Club with Alex Gara, 3pm: Space-taking and place-making with Sean Starowitz, 4pm: Fertile Substrate: the down and dirty job of placemaking with Nance Klehm, 5 pm: Hypercities, Bangkok with Logan Bay.

Mana Contemporary Chicago is located at 2233 S. Throop St. Discussions 1-6pm Saturday and Sunday.

2. don’t trust the floor at Slow

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Work by Claire Ashley, Tony Balko, Meg Duguid, Jason Dunda, Max Byron Garett, Kevin Jennings, Chuck Jones, Julie Potratz, Rebecca Walz and Ryan Michael Pfeiffer.

Slow is located at 2153 W. 21st St. Reception Saturday 6-9pm.

3. So It Goes at Sunday Project

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Work by Tim Mann, Ryan Nault, and Allison Wade.

Sunday Project is located at 1344 W. 18th Pl. #1F. Reception Sunday 3-6pm.

4. We do what we like and we like what we do at Western Exhibitions

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Work by Dan Attoe, Elijah Burgher, Lilli Carré, Ryan Travis Christian, Courttney Cooper, Nicholas Frank, Richard Hull, Dutes Miller, Rachel Niffenegger, Paul Nudd, Robyn O’Neil, Stan Shellabarger, Geoffrey Todd Smith, Deb Sokolow, and Ben Stone.

Western Exhibitions is located at 845 W. Washington Blvd. Reception Friday 5-8pm.

5. SOLO @ CIRCA at CircaModern

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Work by Allison Reimus.

CircaModern is located at 1114 N. Ashland Ave. Reception Friday 5-9pm.




Edition #32

June 11, 2014 · Print This Article

Trending: Florida!

Feeling a little tropical, Chicago? WTT? couldn’t be more proud to see our own cracked out home state finally trending somewhere aside from Buzzfeed.

McCraney addressing the “fancy people” at the Palmer House on June 2nd.

The Arts Alliance of Illinois is even feeling the heat, as they honored award-winning American playwright and McArthur Genius AND Miami native, Tarell Alvin McCraney, at their Voices of a Creative State 2014 luncheon on June 2nd. McCraney speech was (as you might expect from a New World School of the Arts grad) completely captivating, inspiring, and a formidable act for Gov. Quinn to follow. Not to mention he looks like $625,000 in that suit. If you hear me clap once.

The program image for the luncheon featured an image of McArney sporting the Miami area code “305” shaved into the side of his head. BOSS!

Had to sneak a photo in with the man of the afternoon.

Abraham Richie’s lively Roundtable conversation on #ArtinChi at Western Exhibitions in the West Loop. Peep the internets for posts from the event.

This past weekend Miami art non-profit Locust Projects brought their popular Roundtable Series and it’s moderator and creator, the lovely Amanda Sanfilippo, to Chicago for progressive conversations hosted by stakeholders in Chiacgo’s cultural scene. The Locust Roundtables were a part of EXPO Chicago’s /Dialogues program, in conjunction with the Association of Independent Colleges of Art and Design Conference at the School of the Art Institute of Chicago.

SPOTTED: Sanfilippo (right) & WTT? informant Alexis Bassett (left) at the Starwalker gala on Saturday night. We assume if you’re reading this you’ve probably seen enough images from the evening (or better yet, you were there!) so we’ll spare you any more shots.

Rapid Pulse continues tomorrow night with a performance by the much loved Mikey McParlane, who will be performing with Floridian transplant, filmmaker & musician, Jimmy Schaus (the performance will also include the hottest jogger in LS, Caleb Yono).

We spotted this sneak peek of McParlane’s rehearsal with Schaus last night on the artist’s instagram account.

And here’s a picture of Rick Ross just because.

The Weatherman Report

Judy Chicago, Queen Victoria (Great Ladies Series), 1973. Sprayed acrylic on canvas, 40 × 40 in. Collection of the Brooklyn Museum.

Starving Artist is Anything But

No one will go hungry at the CAC’s Starving Artist benefit June 21, 2014 to be held at their West Loop gallery space. Based on last year’s event, it appears that no one will go thirsty either. Tired of waiting in long lines for booze at benefit events? We counted at least three inventive alcoholic beverages from last year, including a popsicle made of Hennessey and that classic cocktail of old, jello shots. Enterprising gallerist Andrew Rafacz even managed to make an installation of his own by turning a ping pong table into a game of beer pong in 2013.

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Photos or it didn’t happen! Andrew Rafacz, gallerist and professional beer pong athlete.

The event will feature local artists Diana Gabriel, Luftwerk, Alexandra Noe and Edyta Stepien will work with Chefs Matthia Merges (Yusho) and Chris Pandel (Bristol and Balena) and Jared Van Camp (Element Collective). Score! WTT? freakin’ LOVES Yusho (can someone say double fried chicken and seafood too weird/ delicious to be located in Logan Square?). Looking at last year’s roundup, it’s unclear what is art and what’s food so hopefully we don’t see any tipsy art patrons trying to lick Luftwerk’s projections. Wait, who are we kidding? We TOTALLY hope that happens!

From 2013’s Starving Artist, “The Cave” installation by Andrea Morris of Cocomori.

Tickets are available on the organization’s website. Chicago Artists Coalition is located at 217 N. Carpenter Street. See you there?

Reading is Fundamental

  • Conversation in Art Gallery Actually Has Tangible Result. As part of the Locust Projects Roundtable hosted by EXPO and Western Exhibitions, Chicago Artist Writers (CAW) wrote an on the spot review of Nicholas Gottlund exhibition at Paris London Hong Kong with Chicago’s king of conceptual art writing, Brandon Alvendia. Not for the anti-collaborative or the faint of heart.
  • The Aguilar Family Engages Openly. This 6-point perspective recap of the Aguilar Family’s experience at the Open Engagement conference last month in New York City is kind of like reading a Faulkner novel, except that it’s actually enjoyable. Short and sweet, take a minute to read both Part 1 and Park II on the Cultural Reproducers blog.
  • Become Required Reading! As artist Jason Lazarus once said on Facebook, “writing poetry is embarrassing and ecstatic.” Turns out it can also be profitable! Submit your writing to the Guild Literary Complex’s Gwendolyn Brooks Open Mic Poetry Award and you can win $500 and the satisfaction of knowing that you’ve made more money off your writing than most poets.
  • Money can’t buy taste. Or can it? What is good taste anyway? Not the Yusho kind. “If art matters, then we should care about quality. And that means having the courage to forge a standard of good taste,” an article posted to the BBC boldly proclaims. We’re not ready to lead the charge but we enjoyed this meditation on taste for the BBC by Tiffany Jenkins anyway.

Chicago Celebrates Life of Frankie Knuckles With Totally Epic Dance Party


Don’t Snooze on These Upcoming Exhibitions…

In the spirit of Stephanie Burke, here are our Top 3 most anticipated exhibitions opening in the next week.

Postcard image for Black Cauliflower.

Black Cauliflower. New work by Corkey Sinks & Jamie Steele opening June 14th, 6-9 PM and open through July 19th at Roots & Culture.

#BRUTEFORCEFIELD Work by Christopher Meerdo for his ACRE Exhibition, opening at The Hills Esthetic Center June 14th at 7PM. Open by appointment afterward.

Not sure what brutality has to do with puppies but we’re willing to find out.

Alex Chitty for Trunk Show. Opening Sunday, June 15th, from 2PM – 4PM on the rooftop Parking Lot at Home Depot, 1300 S Clinton St. (at Roosevelt). On view on the open road through Friday, July 18th. Follow @trunkshowtogo for updates on the gallery’s location.

Getting Chitty with it!




How We Work: An Interview with Kate Ruggeri

May 9, 2014 · Print This Article

Guest post by A.Martinez

Kate Ruggeri is a Chicago-based artist, DJ, and curator who has shown at Roots & Culture (Chicago), Green Gallery East (Milwaukee), Western Exhibitions (Chicago), and Important Projects (Oakland). She is one of those people who exudes a humble cool, yet is enthusiastic about all she’s committed to, and excited about life and the people and things in it. After a handful of years of staying in touch from afar, I wanted to connect more closely to ask Kate some questions about her life and her work before she moves to New Haven in July to pursue her MFA at Yale.

A.Martinez: Were art and making art important to you from a young age?

Kate Ruggeri: Oh, yeah. Totally. My parents were always really encouraging. In elementary school I started taking drawing classes outside of school. I won a few poster contests. I used to do this thing every year called The Olympics of The Visual Arts, which is a New York State program. Pretty much you assemble a team, work on a year long project, and then compete against other teams. When I got a little older I got really into dark room photography. You know, carrying a camera around all the time and developing film in your bathroom. My mom and I took figure drawing classes together. A lot of colleges have art classes for kids during the summer, so I was always doing that too.

Kate in her studio

Kate in her studio

Martinez: How long have you kept a journal? And what does this practice of journaling do for you and your art practice?

Ruggeri: Since elementary school. I think my first one has a little lock on it. I never really stopped. It’s actually super important, to clear your head, to drain it. I try to write every day. I feel very scattered if I don’t. For art making, it’s good for me to work through ideas and to understand impulses I have. Often I make something and I’m not sure why I made that decision or was drawn to that form. Writing brings everything to the surface. It brings clarity. Studio work is one way of thinking and writing is how I detangle everything. Not just artwise, but life wise. It’s all the same, of course.

Martinez: How long have you had your own studio space? What does it look like?

Ruggeri: After school I had a tiny studio in a building across from Moonshine on Division. It’s been torn down since. I’ve been in the spot I’m at now for a little over a year. It’s a co-op at Damen and Fulton. I moved in there after my old spot on Elston burned down. We have an entire floor that is divided amongst us. My studio’s a mess. I see other people’s studios sometimes, and they have a turntable and little plants and it’s very cozy. My place is like a construction zone. I like that better. It lets me focus on the work.

Martinez: What is a typical day in the studio like for you?

Ruggeri: Nights are better. I like working when no one is around. You can play music loud. I believe in a witching hour. It really depends, though. I usually am working on one sculpture and 4-5 paintings at the same time. If I just finished something big or just installed a show, I draw and watch movies at home. I don’t really have a routine. Ben Medansky once described his ceramic studio as being around a million crying babies. That’s how I feel in there. I work a lot in series, so I just treat 6 pieces at the same time, and then have some experiments going. Right now I have some exercise balls I’ve been sort of doodling on. Then I’ll carve on these wood paintings until my hand hurts. Then I’ll cut some wood shapes out to paint. Or dump plaster on something. It’s a mix of working on very planned pieces and experiments. Everything always changes though.

"Tree Gremlin" 2012

“Tree Gremlin” 2012

Martinez: How do you begin a painting?

Ruggeri: Putting something down, anything! I break it in. I try not to think about it too much and just get the ball rolling. Usually it’s a good color.

Martinez: You work in both 2D and 3D- how does a piece become one or the other?

Ruggeri: When I was in school I used to trip myself up with that question. I can say now that they’re all paintings. I’m a painter that has sculptural impulses. I try to feed both ways of making. I try to be democratic about it. The larger sculptures can be exhausting to make, so there is often a down period of just painting and drawing before starting one again. Material, color, and mark making can drive a piece to be 3D or 2D. Finding a good object. Seeing a particularly inspiring show of painting or sculpture.

"They Have To Cut Out Part Of My Heart And Rebuild It With New Valves And Shit" 2014

“They Have To Cut Out Part Of My Heart And Rebuild It With New Valves And Shit” 2014

Martinez: What artists inspire you?

Ruggeri: Philip Guston, Mike Kelley, Matisse, Picasso, Claes Oldenberg, Cy Twombly, Franz West, Rauschenberg, Joan Miro, Giacometti, Sterling Ruby, William J. O’Brien, Jonathan Meese,  Mary Heilmann, Huma Bhabha, Gerhard Richter, Howard Fonda

Martinez: You have a pretty extensive record collection and DJ monthly at Danny’s. Do you feel there’s a connection between your music endeavors and your art-making?

Ruggeri: Yes. It feels very connected.

Martinez: What musicians inspire you?

Ruggeri: Parliament/Funkadelic, Dead Moon, Congos, Minutemen, Bad Brains, Robert Wyatt, Brian Eno, Miles Davis, Captain Beefheart, Sparks, Beach Boys, Lee Scratch Perry, Roxy Music, De La Soul, Neil Young, Patrick Cowley, Big Star

"Ghost Curtain Call" 2013

“Ghost Curtain Call” 2013

Martinez: What do you typically listen to while in the studio working?

Ruggeri: It’s different every time, chosen for the day and mood. But Nas “Illmatic” gets played a lot. J.Dilla, Shuggie Otis, Pastor T.L. Barrett, Skip Spence, Velvet Underground. Mixes from friends. Jorge Ben, Milton Nascimento, Witch, Amanaz are all good…

Martinez: Do you do collaborations with other artists?

Ruggeri: Sure, I’ve done it a few times. Right now I’m working on a collaboration with Alex Valentine. He gave me these plates to draw on, and then we’ll print them together on newsprint, and then use them to paper mache a sculpture. It’s great because Alex is primarily a printmaker and I know barely anything about the process. I love the idea of making a sculpture made out of drawing. A perfect hybrid.

Martinez: In 2012, you co-curated a show, “Quarterly Site 11: Line-of-Site“,  at Western Exhibitions. How did you land this opportunity? What was the experience like for you? And do you think you’ll curate more shows in the future?

Ruggeri: Jamilee Polson Lacy asked me to do it. She’s been doing these curatorial series for a while now, asking artists to curate a show at a different gallery. It was great. I got to work with Alicia Chester and Karolina Gnatowski. It’s fun to be on the other side of things, and it gave me an opportunity to create a show entirely different from my practice. I really wanted to see a show of top notch performance work. Curating is a lot of work, but I would love to do it again. I think the trick is when you start to think, “Why isn’t ___ kind of work being shown? Why hasn’t someone curated a show about ____?” is when you should get on curating a show. I’m starting to feel that, but I would need the right time and space.

Martinez: You and I actually met while undergrads at the School of the Art Institute of Chicago. What is something that has stuck with you from your education and experience there about being a painter, artist, or person?

Ruggeri: Something that always stuck with me is remembering how I felt there: supported, invigorated, and that changing the world was definitely possible. It’s good to protect that enthusiasm, even when you’re working 9 to 5 and feel too tired to go to the studio.

"Dollar Sign" 2012

“Dollar Sign” 2012

Martinez: How has your experience at Ox-Bow School of Art as student and then again as a fellow affect your art? How long were you there total?

Ruggeri: Ox-Bow. Oh, man. I first went in 2007 as a student, and pretty much tried to take as many classes there as I could. If you got work study, you just had to pay for the credits, which I needed anyway. I went three consecutive Summers and one Winter. The Summer of 2010 was great, I took a class with Jose Lerma called “Expanded Painting, Expanded Sculpture.” Not hard to see it was a big influence on me. I was really lucky to receive a Joan Mitchell Fellowship this past Fall and I was an artist-in-residence for 5 weeks. As a student, classes meet everyday. I also had to wake up every morning to clean toilets for work study. This time, as a resident, it was like being at a beautiful retreat. There were only other residents, I had my own studio, and I got to structure my own day. It was incredible.

Martinez: Congratulations on your acceptance to the MFA Painting program at Yale!  What are you most excited about in starting this program in the fall?

Ruggeri: Thanks! I’m most excited about a fresh start. And making better art.

Martinez: What do you think are some interesting things happening around the city of Chicago art-wise?

Ruggeri: Ryan Travis Christian has a show up at Western Exhibitions that I need to get over to. William J. O’Brien at the MCA. Isa Genzken at the MCA. Alexander Valentine has a show at 3433 coming up.

Martinez: What are you currently working on?

Ruggeri: I’m finishing up a re-make of a sculpture I lost in the fire. It’s a harp. I just wrapped up these brooches I made for the Three Walls Gala coming up in June. Starting some new paintings. I keep thinking I need to stop because I’m moving, but I have some projects I want to do before I leave. I have an ongoing series of fake album covers, and I have a photo shoot coming up for the next installment.

"Rainbo Series" 2013

“Rainbo Series” 2013

Martinez: Your recent show, “Tropical Depression” at LVL3 just closed May 4th. Do you have any other openings coming up?

Ruggeri: No, thankfully! I’m moving to New Haven end of July. I’m trying to tie up loose ends.

Martinez: Is there a piece of advice, art related or not that you think of often?

Ruggeri: Say yes to all opportunities offered to you. Avoid excessive thinking about the past and future.


To find out more about Kate, her artwork and her upcoming shows go to http://kate-ruggeri.com/ 

All photos courtesy of the artist.

 

A.Martinez is a freelance art and music organizer living in Chicago, IL. She is currently working on a performing arts summer festival called The Living Loop, and will release her first book of poetry this summer.

 




Top 5 Weekend Picks! (4/25-4/27)

April 24, 2014 · Print This Article

1. It is Now a Matter of Learning Hope at Threewalls

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Work by Irina Botea.

Threewalls is located at 119 N. Peoria St. #2C. Reception Saturday, 6-9pm.

2. 100 100s on the One and a Half at the Chicago Cultural Center

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Work by Shane Huffman.

The Chicago Cultural Center is located at 78 E. Washington St. Reception Friday, 5:30-7:30pm.

3. Fujui Wang at Antena

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Performance by Fujui Wang.

Antena is located at 1755 S. Laflin St. Performance Saturday, 7-10pm.

4. Check Please at Western Exhibitions

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Work by Ryan Travis Christian.

Western Exhibitions is located at 845 W Washington Blvd. Reception Friday, 5-8pm.

5. Weling at Document

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Work by Thomas Killian Roach.

Document is located at 845 W. Washington Blvd. Reception Friday, 5-8pm.