EDITION #18

October 7, 2013 · Print This Article

Upcoming & Outgoing

  • Rooting Symposium
    I’m only posting the press release because they say it better than I ever could. If I wasn’t going to be out of town my choice would definitely be the Rooting Symposium Trio Dinner Party on Sunday, October 13th featuring chefs Eric May and Mike Bancroft, Artist Edra Soto (what’s the difference between chef and artist anymore?!).

    Rooting: Regional Networks, Global Concerns highlights food through emerging programs and projects by artists, cultural workers, radical chefs, rural and urban farmers, and small businesses. The program spotlights creative responses to the extreme environmental, social and economic changes facing local and global communities with a focus on the Chicago region and New Delhi, India. The event pulls together local, regional, and international presenters to share projects and best practices addressing soil health, water conservation, advocacy, food production and distribution, and building sustainable communities. Organized by the Rhizome Alliance.

    Events will take place October 5th through October 13th and include the Rooting Exhibition closing reception, a film screening, bus and walking tours to local farms and art centers, a foraging workshop, dinners with Chicago area chefs and artists, and a symposium with keynote addresses, panel discussions, and a farmer’s market. Tickets and information available at rootingchicago.org.

  • Finally! A painting show to be super excited about! Jonas Wood’s exhibition at Shane Campbell Gallery opens October 12th from 6-8pm. 673 North Milwaukee Avenue.
  • Gotta get to the Renaissance Society for the conversation between new Executive Director and Chief Curator Solveig Øvstebø and Associate Curator and Director of Education Hamza Walker. This talk is going to be like that movie Waking Life but without the rotoscoping and more interesting.

    Saturday, October 26, at 3 p.m. The event is free and open to the public.

  • And Øvstebø is cuter than Miley.
  • Last but certainly not least, Osvaldo Romberg’s Translocations: Mies and Melnikov at the Farnsworth House in Plano Illinois will close on October 18th. This exhibition involves three things I love: a road trip out to Plano, a gorgeous house museum in the fall and, of course, a model of Melnikov’s eccentric home in Moscow. But really, the project is great, the weather is perfect and I know you’re looking for an excuse to get out of the city. Bonus points: The catalogue for the exhibition features writing by everyone’s favorite long-lost Chicago critic and educator with a specialization in Argentinean artists, Dan Quiles.

Battle of the Sexes Edition: Artist Jennifer Chan VS. Alan and Michael Fleming.

The Weatherman Report

Gladys Nilsson, Abode, 2013 (Gouache and watercolor on paper, 10 × 14 in) on view at The Nationals Exemplar.

Aiken’s Station to Station dubbed “Epic Fail”

Man, we thought that Pedro’s tweets on the events were harsh, but it appears they were more than well founded. Christian L. Frock reamed Doug Aiken’s Station to Station a new one in the NPR blog last weekend. We also heard form some seriously in the know ladies that the “open air sweatshop” that Frock refers to was actually that offensive.

“Station to Station promised great artists and great art — a train tricked out with video screens dashing across the country — and instead we got some third rate Burning Man rip-off abbreviated rock show with smoke and mirrors, no art, no train, and everything but our DNA stripped at the door.”

Better luck next time, Levis? What do you, dear reader, think of this obvious ploy for marketing material. LMK!

Feminism in the Age of Digital Art, or something.

Funny thing: Even though the first third of this interview based post on the digital art world and feminism by Corinna Kirsch for ArtFCity laments Facebook as [surprisingly] not the best venue for critical dialogue, I came across it where I find most of my fundamental reading, the book. And while I agree with Sofia Leiby’s comment on PJ’s FB that this piece was begging to be written, it felt like just the tip of a humungous iceberg still lurking sinisterly below. Like all good criticism on Facebook, I left with more questions than answers and a desire to revisit things like the Weird Dude Energy exhibition at Heaven by the duo Girl Don’t be Dumb (btw, wtf were they not questioned for this piece!?) and the slippery pink gaze of their eponymous tumblr.

Not sure how this fowards the womens agenda. Still from Sybil Prentice’s Website Nightcoregirl.net, via AFC.

Speaking of weird dude energy, peep this Artlurker post. Rob Goyanes details the fascinating life and art art of Michael Scott Addis. His step-brother is Mickey Rourke and that’s not even the craziest part.




“Weird Dude Energy” at Heaven Gallery, curated by Gurl Don’t Be Dumb

July 16, 2013 · Print This Article

by Chicago Artist Writers

Featuring a Guest Post by James Pepper Kelly

The following article was originally written for and published by Chicago Artist Writers // Editor: Jason Lazarus

 

Weird Dude Energy curators Gurl Don’t Be Dumb: Eileen Mueller and Jamie Steele
 
 
Andrew Mausert-Mooney & Nicholas Wylie, performance view
 

Acrostic, original formatting via PDF here. Sources liberally appropriated from the Internet. 

 

Walter Benjamin |   At the center of this exhibition is man. Present-day man; a reduced man, therefore, chilled in a chilly environment. Since, however, this is the only one we have, it is in our interest to know him. He is subjected to tests, examinations. What emerges is this: Weird Dude Energy (WDE), a layering of men, a group perspective on masculinity.

Wilde, Oscar |         But is WDE, as a meme/concept, actually on display in this show, or only in the title and statement? Is GDBD curating a show of WDE, or instead the passion of one’s friends? There’s crossover, and it may all be equal—those passions are the fascinating things IRL anyway. For me, the highlight was Andrew Mausert-Mooney & Nicholas Wylie’s performance of foot washing, massage, and chanting of “Poor Unfortunate Souls” from The Little Mermaid. It had the dignity of a ceremony, as well as its unreality, and combined the insincere character of a romantic movie with the wit and beauty that make such movies delightful to us. Is insincerity really such a terrible thing?

Weiner, Anthony |   It’s passion that’s a terrible thing, and let’s just forget about online WDE. Let’s recalculate, let’s talk this show. Now Andrew Doak’s photo: I don’t know where that photograph came from. I don’t know for sure what’s in it.  I don’t know for sure if it was manipulated. And I’m going to get to the firm bottom of that.

Eagleton, Terry |       Don’t know Doak? It’s a self-portrait as John Belushi’s character in Animal House, from the artist’s ongoing portraiture project. There are several orphaned pieces in WDE, but I’ll admit that this one does suffer the most for it. Oli Rodriguez’s photographic portrait integrates well with the other work, even though it is de-linked from the S&M series it’s part of. The problem is, what we consume now is not objects or events, but our experience of them. We buy an experience like we can pick up a GBDB beer coozie ($2.00 at the opening).

Immanuel, Kant |      Sure, there’s no doubt that all knowledge begins with experience. That’s why I bought three. But reading about the Weird Dude Energy Tumblr that was the inspiration for the show, I learned two things on the Hyperallergic comment thread: first, apparently no one reads my books anymore; and second, “Young people’s ideas about whatever is cool can have a conversation with contemporary art.” If you can’t deal with merch and memes, fine, how about Mike Rea’s virtuosic wood installation: jail cell/microphone/and, inevitably, glory hole? Out of the crooked timber of humanity, no straight thing was ever made.

Rahm, Emanuel |      Fucking retarded. Take your fucking tampon out and tell me what you have to say. Best was Ivan Lozano’s installation of glowing blue hands on poles. It reminds me of when I sliced off my finger working at Arby’s, went swimming in Lake Michigan, and got gangrene. That’s when I decided to become king of Chicago. Lozano fucked up his hand and made some casts based on not being able to move. Same idea, different goal. You should never let a serious crisis go to waste.

Derrida, Jacques |     Can we not talk about biography, please? Stick to the work! Look at how the hands’ blue glow syncs with Zak Arctander’s red tinted photo of the young man in a Vans cap, shown from his chest up. Whatever precautions you take so the photograph will look like this or that, there comes a moment when that photograph surprises you. It’s the other’s gaze that wins out and decides—which Arctander must be thinking about because look, he made sure the man’s eyes are covered by his cap! Rrose, with your own compromised intuitions, what did you like?

 

Duchamp, Marcel |    I just like—breathing. It’s so necessary that I don’t question it.

Umberto, Eco |         You are odd. Weird, I mean; but then, it’s only petty men who seem normal. Didn’t you like Alex Gartelmann’s limp aluminum baseball bat, bent over a wooden peg? A mash-up of your own readymades and an ‘80s sculptural phallus, a strong piece with good position.

Duchamp, Marcel |   I don’t believe in art, I believe in artists and the most interesting thing about artists is how they live. All this twaddle are pieces of a chess game called language.

Eco, Umberto |          Perhaps…. Maybe I’m—maybe all this is not as wise as it likes to think it is. And if Jacques’s right about epistemic plurality, is this some eternal zugzwang, as you chess people say? It’s true that the most interesting letters I receive are from people in the Midwest, people like the lone figure in John Opera’s lovely, desolate Wisconsin landscape. So let’s turn to their official sources instead!

 

Newcity Art (B. Stabler)| A variety of manly tensions are borne out by the juxtapositions in the group show “Weird Dude Energy.” In the end, there’s just nothing that says “competence” like a great curatorial concept enjoyably, even suavely, executed.

Rrose, Sélavy |           Fine, fine. You do have to have an official existence. Intermezzo. One more, back to the living, then the end.

Jason Foumberg |      Weird Dude Energy, a concept and an exhibition, probes the unkempt desires of men.  You know how guys act when they’re all together, without women around?  This show amplifies that vibe with work from 17 male artists.

You + Yr Friends |      _________________________________________________________________________

_________________________________________________________________________

_________________________________________________________________________.

END

Sources:  Walter Benjamin: “The Author as Producer”, Reflections. Wilde, Oscar: The Picture of Dorian Gray. Weiner, Anthony: “GPS Speech” to Springfield Community Church, et al.; Interview with Emily Miller, Washington Times. Eagleton, Terry: How to Read a Poem. Immanuel Kant: “Idea for a Universal History with a Cosmopolitan Purpose”. Rahm Emanuel: Comment on a liberal group’s concerns about Obamacare, Wall Street Journal; Response to a male staffer, New York magazine; Interview, Wall Street Journal. Derrida, Jacques: There is No “One” Narcissism, Interview with Didier Cahen. Duchamp, Marcel: Line for the character “Marcel Duchamp”, The Mysteries and What’s So Funny, David Gordon (referencing Interview with Jean Antoine, The Art Newspaper); Interview with Jean Antoine, The Art Newspaper. Umberto Eco: The Name of the Rose; Duchamp, Marcel: The Writings of Marcel Duchamp; Letter to Jehan Mayoux. Eco, Umberto: Interview with Nigel Farndale, The Daily Telegraph; Interview with Adam Langer, Book magazine. Newcity Art (Bert Stabler): “Review: Weird Dude Energy/Heaven Gallery”. Rrose Sélavy: Interview with Jean Antoine, The Art Newspaper; Jason Foumberg (Chicago Mag.com): “Weird Dude Energy Promises a Freaky Prelude to Father’s Day”. You+ Yr Friends: _________________________________.

 

Gartelmann, Arctander

Left: Alex Gartelmann, Over and Over and Over, 2011, installation view. Right: Zak Arctander, Firehouse, 2013

Ivan LOZANO, MILAGROS I, MILAGROS II, and MILAGROS III, 2012

Ivan LOZANO, MILAGROS I, MILAGROS II, and MILAGROS III,
2012, installation view

James Pepper Kelly likes words, images, and the plants in his apartment. He serves as Managing Director of Filter Photo and is studying to be a pataphysicist. For a little while, back in the early ‘00s, he was really good at Ms. Pac-man. 

Chicago Artist Writers is a platform that asks young studio artists and art workers to write traditional and experimental criticism that serves under-represented arts programming in Chicago. CAW was founded by Jason Lazarus and Sofia Leiby in 2012. This is our first guest post on Bad at Sports. www.chicagoartistwriters.com




EDITION #11

June 17, 2013 · Print This Article

Tony Tasset is watching you.

Painting the town red

Everyone knows that going to a museum or a gallery is usually more trouble than it’s worth. What, with all the disapproving glances, heady talk and questionable wine selections. Wouldn’t it be easier just to look at art while you shop? Or during your morning commute to the Loop?

Citizens of Chicago, have no fear. Murals and public commissions are popping up all over (and around) the city. Just this past week the CTA announced the seven artists commissioned to beautify North Side Red Line stations. Lynn Basa (renowned public artist and my former boss) posted this mock-up for her Byzantine glass mosaic that will adorn the Argyle stop on facebook. Basa, who [literally] wrote the book on public art commissions mentioned to me this weekend that she is elated to be creating a public work in her hometown.

Basa mock-up for the Argyle station.

As if the CTA commissions weren’t enough, some of my very favorite Miami artists from Jim Drain to Bhakti Baxter have been descending on the town of Rosemont to complete murals in a new mall scheduled to open sometime this summer. For reasons beyond my comprehension, the ever-relevant New York Times devoted print space to this “ambitious” project. What’s the T? has heard that the mall will also feature an Alvaro Ilizarbe piece that is “his sistine chapel” and worth the trip to the mall-seum. See you there?

Chicago artist, Josh Reames, working on the Drain mural.

Threewall’s ‘Power of Ten’ was a party for way more.

Screw Basel and Venice, the Threewalls 10th anniversary benefit this weekend was on point! The Power of Ten at Salvage One had everything – food, drinks, crazy antiques and baubles, steampunk-style old-timey tin-types, circus performers, drink, dancing, a silhouette cutting artist, music, drinks, and even some art.

Even though we still don’t know where they’re moving (do they even know where they’re moving to?!), here are ten fabulously done-up attendee’s in honor of the power of ’10′:

Threewalls Programming Director, Abby Satinsky with artist and curator, Anthony Romero. Abby’s dress is just killer and La Croix continues to trend.

Auction guest curators and Chicago fashion icons, Ben Foch and Chealsea Culp of New Capital with Threewalls Director Shannon Stratton.

Formerly featured on Who Wore it Better, the daper Daniel Tucker and Anthony Stepter.

Artist Jason Lazurus flanked by up-and-comers Raven Munsell and Jesse Malmed. LOVING the seersucker suit!

Totally Trending

Face paint was definitely a big winner at the ACRE Block Party last Saturday, June 8th.


The Weatherman Report

Mary Heilmann , San Gregorio, 2012 Oil on canvas (15 x 12 inches) Image provided by hyperallergic.

SMALLTIME ARCHIPHILE:

Roberto Clemente Post Office

Consistently referred to as the worse post office in the world, the Roberto Clemente Branch of the USPS in Logan Square is a wonderfully ‘brick’ building, not in material but in shape. Thats not to say it’s shaped like a brick, but the bricks become different shapes. I say this because brick is on display, not for what it wants to be – sorry Lou Kahn – but for what it tries to simulate. It’s like when Neo sees Agent Smith shrouded in binary code – parts to whole, whole to parts, but without the make-up.

Post office exterior.

Usually used as a traditional building material, mostly flat and controlled through joining patterns, bricks do not become cylindrical columns, filleted edges, curves, almost tapestry like frames for tall beautiful window displays of people waiting two hours for a package, like at the RCPO. Opened in 1937, this building threw me for a loop because I dated it later, but the deco interior and amazing mural insice should have been more of an indication.

The mural in all it’s glory.

The changes in the bricks attitude is mad postmodern, but it was done at the mid-stage of American modernism, lending itself to the deco ideas of streamline. That would explain the curvaceous bod on this beauty, but not her brick dress. Beauty might be only skin deep, but when you use rounded bricks to complete a homogenous cladding of a building that could have been expressed in steel or another more plastic material, you’re trying to say something about normal buildings out there, namely ‘who cares what the brick wants to be.’

Located at 2339 N California Ave, Chicago, IL 60647

SLAC studios take hold on Milwaukee Ave

If you live in Logan Square you’ve probably been wondering what happened to that garrish pink bakery on Milwaukee Avenue near the Spaulding Blue Line stop. Unwilling to let it lay dormant, Gwendolyn Zabicki, founder and director of the South Logan Arts Coalition is putting this and other vacant storefronts on Milwaukee Avenue to use. SLAC’s studios will be open to the public with exhibitions featuring a total of 40 artists during the 2013 Milwaukee Avenue Arts Festival, June 28-30th.

What’s the T? caught up with Zabicki and some of the SLAC artists for sneak peek of what SLAC has in store for MAAF:

Matthew Woodward with his work in the bakery turned studio.

Milwaukee Avenue Arts Festival will also feature local favorites and newcomers such as the Trailer Park Proyects, Threewalls, The Comfort Station, Document, Reform Objects. We also heard the food is going to be the bomb.com.

SLAC continued…

Milwaukee Ave Arts Fest flyer at Reform Objects.

Natalie Krick in her SLAC studio.

Zabicki in the studio being occupied by Krick.

Location to Stationers

Summer Dreamin’

Location to Station: Help my ACRE homies fulfill their vision quest to super rad places like Cahokia. The artists are all super talented, and the “perks” for donating are real sweet.

ACRE Kitchen: ACRE does a lot of intangible things for the over 90 artists who visit the residency in Wisconsin each summer, but one of the most substantial and delicious parts of the program is feeding everyone twice a day. Anyone who’s been to ACRE knows the food is awesome, fresh, sustainable, all that jazz and the staff is tireless. Help ACRE help you! Plus it’s tax deductible. Hurry! There’s only a few days left!




Top 5 Weekend Picks! (6/14-6/16)

June 14, 2013 · Print This Article

1. Our Findings From Spaceship Earth at Roxaboxen Exhibitions

BELKNAP_image

Work by Sarah and Joseph Belknap.

Roxaboxen Exhibitions is located at 2130 W. 21st St. Reception Sunday, 6-10pm.

2. GBDB presents: Weird Dude Energy at Heaven Gallery

WDE_image2.preview

Work by Zak Arctander, Jesse Butcher, Andrew Doak, Alan and Michael Fleming, Alex Gartelmann, Ethan Gill, Ivan Lozano, Andrew Mausert-Mooney, Casey McGonagle, John Opera, Auggie Oz, Benji Pearson, Mike Rea, Oil Rodriguez, Jonas Sebura, and Nicolas Wiley.

Heaven Gallery is located at 1550 N. Milwaukee Ave. Reception Friday, 7-10pm.

3. PSA Projects presents: Gavage at The Loneliness Chapel

PSA_cordero_GAVAGE

Work by David Cordero.

The Loneliness Chapel is located at Logan Center for the Arts, 915 E. 60th St. Screening Friday, 9-10pm.

4. Samantha Bittman and Gabriel Pionkowski at Thomas Robertello Gallery

55072

Work by both artists.

Thomas Robertello Gallery is located at 27 N. Morgan St. Reception Friday, 6-8pm.

5. Raven Girl at Printworks

exhibart

Work by Audrey Niffenegger.

Printworks is located at 311 W. Superior St. Reception Friday, 5:30-7:30pm.