EDITION #21 – Art Basel Miami Beach Recap

December 10, 2013 · Print This Article

What’s the T? does Art Basel Miami Beach

Time for the annual pilgrimage of sun seeking art enthusiasts and their accompanying art advisors, handlers and the like to the city of Miami Beach. The fairs are numerous, spilling over onto the sand and the mainland. This year, my eighth year watching my hometown transform into an art circus, I decided to let the wind blow me where it may. As long as you’re doing something it can’t be that bad. In this special edition of What’s the T? we’re serving recap realness and some Miami T for Chicago’s inquiring minds and wannabe snowbirds alike.

Woke up to the news that Miami B-listers Christian Slater and his girlfriend, Brittany Lopez, tied the knot on Monday. We heard that Slater courted Lopez at her former job at the Museum of Contemporary Art in North Miami. Basel Tov!

Why wait until the weekend to party? Even though the “big fair,” at the convention center doesn’t open until Wednesday, there are just not enough party hours in the day. By the time we saw Locust Project’s exhibition by Nicholas Hlobo in their main space and Frances Trombly in the project room it was time. So we begin. Tuesday night marked the opening of Design Miami, the sister fair to Art Basel in Miami as well as in Switzerland.

Design Miami’s sandy tent

Always a classy, champagne’d out affair, this year was no different. It was a pleasure to see Chicago design galleries, Volume (showing Jonathan Munecke) and Casati Gallery (showing David Salkin). Trending this year at DM were lamps that look like floating jars, gigantic sand hills, e-cigs (which appeared to be trending everywhere, I think it’s New York’s fault). In attendance were a number of notables, including 2016 Olympic sailing hopeful, Sarah Newberry and artist, Emmett Moore; another celebrity here; Primary Projects’ Nick Cindric and Robins Collection Curator and Director of Cultural Programming for the Design District, Tiffany Chestler; Bleeding Palm’s Ronnie Riviera (who made a hilarious Basel Death Clock Site); and Locust Project’s Amanda Sanfilippo with artist, Justin Long. We even ran into our favorites, LVL3’s Vincent Uribe and Anna Mort, dressed impeccably as always.

Kiwi & Patti

Bleeding Palm’s Ronnie Riviera

sarah new

Sarah Newberry & Emmett Moore

tiff and nick

Tiffany Chestler & Nick Cindric

amanda and justin

Amanda Sanfilippo & Justin Long

It’s imperative at Basel to never to stop moving and as our party guru says, always leave the party before it gets old, so before too long we were off the island and en route to the Rubell Collection’s annual shindig at their museum caliber space in Wynwood. Unsurprisingly, the Rubell’s used the occasion (as they do every year) to feature their daughter, Jennifer Rubell’s, excessive food “installations.” One year it was a wall of old fashioned doughnuts, then there was the year with the honey falling out of the sky.

pie seesaw

So much egg custard.

This year, Jennifer busted out none other than the tiny-pie seesaw. A monstrously long but narrow white table, completely covered in miniature egg custard pies, slowing moved up and down, while waiters brought around bite sized versions of every other desert option possible on silver platters. There was, of course, a copious amount of alcohol (if you’re paying for drinks during ABMB then something is wrong), Perrier (totes trending and in three flavors), macaroni and cheese in martini glasses (don’t ask me), and fried rice in takeout containers. The party was totally banging, but the tiny custard pies were awful. Among the many illustrious guests were Siebren Versteeg and his new gallerist, Miami’s Brook Dorsch; artists, Patricia Hernandez and Christina Farah.

Kiwi & Patti

Patricia Hernandez & Christina Farah

Dorsch

Kizzy, Dorsch & Versteeg

On our way out we couldn’t resist stopping at the old Perrotin space down the street from the Rubells, The house/ gallery, now Galerie Eva Presenhuber, is simply gorg—classic design and a super sweet back yard, but the party was lame and we weren’t really feeling it.

Disappointed by the quality of the pie and weary of mixing vodka and sugary deserts, it was time for a cheeseburger interlude before moving onto the last stop of the night, Rat Bastard’s fifth annual Anti-Art Becomes Art Show at the only British pub in all of Little Haiti, Churchill’s. We finally got a chance to see Chris Corsano, the wunderkind solo percussionist hailing from Massachusetts.

Chris Cursano

Chris Corsano at Churchills

In the list of things I wish I made it to but couldn’t was the TM Sister’s beachside performance at the Untitled fair on Monday and Tuesday night. Also not spotted was Kevin Arrow, though we kept seeing his Kenny Scarf paint-bombed Honda Element driving through Little Haiti.

Another day, another art “experience.” We ditched the vernissage (sorry Sly) for the opening of Autumn Casey’s new curatorial venture, Space Mountain, right next to GucciVitton in North Miami. Being a NMB girl myself, I couldn’t be more excited that great galleries are moving north. Space Mountain’s first show, Big Deal, featured 12 ladies and a drag queen, all born in Miami. Needless to say, it was a big deal. Loved the zebra corner piece by Renata Rojo and the drawn over coasters by Beatriz Monteavaro. We spotted the Hartmann’s; and Miami It-girls, Serena Dominguez and Sarah Attias working it in overalls, side boob and Pikachu really hard. Outside the exhibition there was a serendipitous pop-up bar serving seasonal gourmet cocktails with cider and lattes.

Work by Renata Rojo. Photo by Autumn Casey

Space Mountain

Serena Dominguez and Sarah Attias

After some chill times and good vibes at Space Mountain it was time to head to Mana Wynwood for the Kendrick Lamar with Miami fave and all around sweetheart DJ, DZA. After much confusion and a bunch of naked ladies painted by Vanessa Beecroft and Kanye West (I’ll save you the suspense, Yeezus was a no-show), we found ourselves on a couch in the VIP section popping bottles and waiting for Kendrick. Waiting for Lamar took for-ev-er. Though the event started around 9 or 10 PM, Kendrick Lamar didn’t grace the stage until almost two in the morning. The only thing that made the waiting bearable was DZA’s super danceable sets in between each set.

If we did anything after Kendrick Lamar, it probably shouldn’t be repeated here anyway.

Thursday already? NADA VIP opening was obvi a must. It’s the only fair worth going to, in my opinion. The booths were looking fresh as always and the Midwest was repping hard with great booths from Scott Reeder’s American Apparel shirts in the lobby to Shane Campbell, our boys at the Green Gallery, and Midway Contemporary Art from Minneapolis. Locust Projects, Miami’s premiere non-profit gallery space had a booth right next to Midway with items priced to sell, including an edition of hip art historical hats from artist and yacht boy, Justin Long.

NADA

David Lewis MIA

Booths with no art were definitely trending at NADA. One booth just featured a copy machine spitting out invitations for another exhibition and we heard gallerist David Lewis’ sickness led to his empty booth, featuring an advertisement and email address. As far as booths that actually had art inside of them go: NYC’s The Hole booth was only half unpacked, with burned work by Kaspar Sonne and gigantic pours by Holton Rower suspended inside of plywood shipping crates. We were also stoked to see those sweet little Alain Biltereyst we loved at Devening on view with Jack Hanley gallery. John Rippenhoff at Green tipped us off to the mini XYZ collective booth, where we about died over the purple eggs and collages by soshiro matsubara.

NADA

The Hole

NADA

Anya Kielar at Rachel Uffner

Anya Kielar’s large scale screen prints at Rachel Uffner’s booth looked like cyanotypes and were just gorgeous. Could have lived without the gigantic beer cooler piece that everyone seemed to love, but I am still regretting not pouring myself a pina colada at San Juan’s Roberto Paradise Gallery, who were also showing work by Jose Lerma and Tyson Reeder. Lerma’s mirrors were irresistible to Luis Gispert as well, we ran into the artist checking out the booth. Another Miami native, I was also stoked to see his work at Rhona’s booth in the main fair.

Juni Figueroa at Roberto Paradise

Luis Gispert

Luis Gispert in front of Jose Lerma’s work at Roberto Paradise

Also spotted! Dan Gunn, but not that Dan Gunn, and a super preggers Lisa Cooley. She was really working that bump!

Dan Gunn

They knew about the real Dan Gunn. Were not amused.

Hugo

Hugo Montoya in the bass car.

By the time I mad it outside to the deep bass van outside of the fair I was ready to move on. Though the booths looked awesome, we were disappointed at the lack of chill on-going pool party outside. Just one medianoche from downstairs and we were out.

Chris Ingalls

Nailed it, Chris.

The official PAMM opening took place to much fanfare and back rubbing from the Miami community. It’s as if no one even noticed that the museum is still a construction site. Later that night Cop City Chill Pillars, great band and old friends from West Palm, played at Churchills to a small yet enthusiastic crowd.

CCCP

Cop City Chill Pillars

Friday morning is made for collector brunches. Some pastries at the Craig Robins collection followed by the best coffee at the de la Cruz Collection building. Oh, and I guess the art was OK, too. As per usual, the Miami collectors were ping-ponging off each other, with both collections prominently featuring Sterling Ruby and Wade Guyton. We were also surprised to see some new stuff, like Hugh Scott-Douglas (who at the ripe age of 25 was all over Basel and NADA) and a massive Rob Pruitt installation on the third floor of the de la Cruz.

Pruitt at DLC

Rob Pruitt faces at the de la Cruz Collection

Rich people and their handlers abounded. We’re pretty sure we spotted Klaus Biesenbach chatting it up with the fiery Rosa de la Cruz through an impressive Dan Colen basketball backboard sculpture.

Klaus

Biesenbach through the Dan Colen.

After sneaking in a quick lunch at Michael’s Genuine (where we saw many of the collectors getting turned away by the 2 hr wait), it was back to the beach for some lounging at the Mondrian’s Friends with You pool installation on the bay. By the time we saw the sun setting under FWY’s gigantic inflatables we were ready for what was yet to come.

Friends with you at the Mondrian.

Sunset at the Mondrian.

Youth Code at Gramps.

In a scene out of a sleezy Miami Vice episode, we slinked into the Kettle One/ Gigi’s party in Wynwood using just a name in order to pregrame for the Youth Code show at Gramps. Not only was the LA duo pretty hot, their set was awesome and way under appreciated by the too cool crowd at Gramps. Right after the YC set we bounced back to Churchills just in time to catch Wolf Eyes at Andrew McLees’ Look Alive two day music fest. The crowd was super NYC and super enthusiastic, though I thought the Wolf Eyes set was incredibly boring. Why are they famous again?

Saturday already!? We were almost at the finish line. What’s the T? spent Saturday getting back to our roots at the Bad at Sports bathroom recording booth. We jumped on the mic with Duncan McKenzie, Brian Andrews, Patricia Maloney during their interview of Miami’s the end/ SPRING BREAK’s Patricia Hernandez and Domingto Castillo. We mostly talked about boats, German cinema and 9/11. If it sounds confusing, that’s because it was. Without Richard Holland around there was no one to keep the jokes on schedule. I’m looking forward to hearing the cacophony posted on the podcast.

Domingo Castillo eating a banana with b@s

Otherwise, we thought the Dimensions Variable booth, featuring work by Frances Trombly and Martin Oppel amongst others was maybe the only thing worth seeing at PULSE aside from the chill hammocks outside of the Ice Palace.

frances

Work by Frances Trombly.

martin

Work by Martin Oppel.

DV booth

Dimensions Variable booth at Pulse.

After wrapping up the interview, we headed to the #followmeto (have you seen this thing? It’s ridiculous!) party at The Versace Mansion. Yes, that Versace Mansion. Shout out to our girl Linling at Inside Hook for hooking it up. The party was awesome and someone even jumped in the heavily mosaicked pool before the night was over! It was totally tripped out.

Versace

Since we were already on the beach, we decided to hit up Sandbar for the NADA party. Usually a choice against our better judgment, the Fade to Mind takeover was pretty rad. We ran into our Midway Contemporary pal, Nathan Coutts, along with most of the other NADA exhibitors and too many NYC snowbirds to count. More than anywhere else I had been last week, this party was on the internet. Check out born-to-blog Adam Katzman’s piece in the Miami New Times about the evening.

Loathe to let the evening end before 5AM, we made our way over to a warehouse on 71st street to catch Jelly, a star-studded trio featuring the Kerr brothers and Rainer Davies. As soon as we got there ran into Bhakti Baxter taking a disco nap and as soon as the show was over we had to turn in too.

We survived all the way until Sunday! We took our sweet time waking up and heading down to the convention center in order to say our final goodbyes to ABMB. Not really giving a fuck about the convention center, we checked out a few of the booths that we knew would be sweet (Rhona’s, Metro Pictures, Two Palms, Hauser & Wirth, Blum & Poe, etc). Mostly, we were there for the NOVA section, featuring galleries like Spinello Projects (which we heard sold out) and 80M2 Livia Benavides from Lima, Peru.

HSD at B&P

Too many first names: Hugh Scott Douglas at Blum & Poe

Work by Luis Gispert at Rhona Hoffman

Walking through the fair we saw a bunch of art handlers we knew ready to pounce when the public finally left, but we also ran into old friend and Curious City producer, Logan Jaffe with her sisters, Hunter and Chandler. Hot ladies with dude names? Yes please. We also wanted to check out the “pop-up” bar by Jim Drain and Naomi Fisher in between booths N26 and 27. The bar, Paradise Working Title, was staging Club Nutz on Saturday afternoon with Brian Cooper and members of the audience trying to make stiff Basel goers laugh. Artist, Malcom Stuart, was on the mic ripping a few as well. There was also a stripping magician and blood. That’s all I’m gonna say.

The Jaffe Sisters. So lindos!

Club Nutz at ABMB.

Jim Drain inside Paradise Working Title on Sunday.

After the fair and some sushi on Lincoln Road, we headed over to the misleadingly titled Babes of Bushwick party on Collins Ave. They called it “Pool Party,” yet there was no pool. Very disappointing. I thought the Sandbar party was on the internet, but this party was the internet proper. Still a good time though and we ran into some choice Miamian’s and our generous SF B@S bureau. We also ogled over our new BFF Malcom Stuart’s collection for Joyrich. Seriously, though.

Malcom Stuart’s collection for Joyrich.

With just a couple of hours of Basel remaining we headed back to the mainland and Gramps for the tail end of the Black Cobra BBQ. Straight from the Gramps to Miami International Airport and back into the tundra. Hello Chicago.

Shout out to Radz for picking out the two biggest trends of Basel: #ecigs and #purses. Thanks Miami!




EDITION #17

September 9, 2013 · Print This Article

Fall already freaking jam packed with openings

It’s official, Chicago artists are back from their residencies and vision quests and it is time for the fall gallery season. Inaugurated this weekend with about a million openings from River North to the ‘burbs and back again, we’re still reeling. Here are some photos while we iron out our thoughts:

Oh, this brave new art world! We didn’t know QR codes could actually do something but this interactive curiosity greets you at the entrance to Technoromanticism, a strictly new media show curated by Alfredo Salazar-Caro at Jean Albano Gallery on Friday night.

Performance finally showed some skin at the second iteration of THIS IS NOW A MAGAZINE: Dwyer/Fraccaro/Wylie in Logan Square last week. Things were anything but comfortable at the Comfort Station during a performance using CAM4 and something having to do with Buffalo Bill that we wish we could erase.

This pink combo stole our heart at LVL’s opening for Quandry on Saturday night.

Volume Gallery debuted their completely amazing and beautiful renovated space on Friday night with a show by Jonathan Muecke. Despite all the new space (or maybe because of it) the gallery was totally packed. This photo is from SightUnseen


Tyson Reeder’s opening at Peregrine Program celebrated some of Club Nutz greatest hits, and reminded us that we need to hit the beach one last time before fall!

Sterling Lawrence was super conceptual and all, but we thought these Alain Biltereyst pieces at Devening Projects + Editions were cute in a good way and would fit way better in my studio apartment.

Also, this?!

Reading is Fundamental

  • Cave of Lascaux blows everyones mind:
    Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum closed this weekend and if you didn’t make it we are truly sorry. This show had more new media than the SAIC BFA exhibition and we swear those cave paintings could be hanging in Shane Campbell and no one would bat an eye. We would go into greater detail, but fortunately for you, dear reader, Daniel Baird’s already wrote a piece on the exhibition and it is awesome. Who knew that ancient cave paintings were so totally superficial? Totes recommend you read it, we’ve been using Dan’s ideas to sound smart at openings all weekend.
  • Woman makes strong case for ladies:
    In case you couldn’t tell, WTT? loves the ladies, and we couldn’t be more excited to see the rest of the art world catching on. One lady show opened up this weekend with two to follow next week at Heaven and at the Frogman Gallery. “Lady Painters” curator, Gwendolyn Zabicki, sent us a hot tip on some required reading by participating artist, Sarah Weber. “Had I written a critical essay for Lady Painters, I would have liked to have written the very excellent one by Sarah Weber for Being a Woman in an All Woman Show.” WTT? couldn’t agree more. You can prep for both of these openings next weekend by reading Weber’s statement now.
  • Art Newspaper on artists in newspapers:
    Writer, Martin Bailey, covers the seriously late breaking news of Van Gogh’s ear incident after re-discovering an article from the Parisian paper Le Petite Journal published shortly after the incident on December 26, 1888. While doing research for his book on the artist, Bailey discovered the clipping, shedding new light on possibly the best artist gossip of all time. Making news in Paris all the way from Arles? Van Gogh is just lucky that the Impressionists didn’t have Facebook.
  • Extra, Extra: Art group travels to space, reports in NewCity?
    Speaking of newspapers, we almost forgot that people print those things anymore (oh wait, did we mention the newspaper we’re printing during EXPO?). Thankfully, we were reminded this week by the totally out of this world spread by Sarah Belknap, Marissa Lee Benedict and Joseph Belknap in NewCity. The photos are completely gorgeous and worth seeing in IRL.
  • Stop by LVL3’s MRKT and pick up a FREE copy of San Fransisco Arts Quarterly featuring an interview with the gallery’s director, Vincent Uribe, and artist, Josh Reames.

Reed’s drumkit.

Artists confused, think they are musicians

Last Thursday night WTT? made our first outing to Constellation. The venue’s unassuming brick facade under the overpass on Belmont and Western betrays the clean yet cozy interior of the bar. Intent on seeing live music on a Thursday night, Constellation was a great option. That is to say, the show was free. This art reporter was intrigued by the line-up: two reasonably well known visual artists (1/2 of Sonnenzimmer, Nick Bucher, and recent Hatch resident, Jordan Martins) performing with Constellation’s purveyor, Mike Reed, on drums.

Not to be mistaken for real musicians, the artists turnt virtuosos played an assortment of objects that would have made any dadaist proud.

Martins started the set playing guitar, but soon switched over to two broken guitar necks on a table which he “played” by jamming screwdrivers between the strings while strumming with chopsticks. Butcher wasn’t any more conventional “playing” a record player and what looked like a jumble of assorted cables that we’re not even sure were plugged in.

Even real musician, Mike Reed, got into the readymade spirit. It was weird enough that he played the drums with a tiny rake, but what was next to the drums was a regular Duchamp. Was it a rice cooker on a styrofoam cooler? Some instrument we’ve never seen before? We’re still not sure.

Despite using what appeared to be broken instrument pieces and household bric-a-brac, the trio was other wordly, playing a set that meandered through melodic ups and downs, punctuated by Butcher’s off beat electronics. Super chill for a Thursday night, I just wish they had better cocktails. (The Pimm’s cup was alright.)

Constellation is located at 3111 N Western Ave.

Header image is a photograph from inside Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum.

Got any T? email me!
(or get @ me on twitter)





Chicago Art in Pictures: Summer of 2013

August 20, 2013 · Print This Article

A graphic, editorial overview of art, artists, and visual art events, found in and around Chicago over the course of the preceding months. All artwork copyright original artists; all photography copyright Paul Germanos.

CourtneyBlades
Mickey Pomfrey & Blake Cameron Harris @ CourtneyBlades
Above: CourtneyBlades’ partners, Mickey Pomfrey, left, and Blake Cameron Harris, right, in the gallery for the opening reception of “Definitely Living, Likely Cognitive,” on August 9, 2013.

Ria Roberts & Matthew Richardson @ CourtneyBlades
Above: “Medium Cool” art book fair organizer Ria Roberts, right, with Matthew Richardson, left, in CourtneyBlades.

Definitely Living, Likely Cognitive @ CourtneyBlades

Mickey Pomfrey is one of a relatively small number of people I encounter on a regular basis at gallery openings in Chicago. In spite of that fact, I’d never before brought a camera to the space (CourtneyBlades) which he runs with Blake Cameron Harris. And it was only because I happened to take photographs there on August 9, 2013, that Ria Roberts noticed me, and reminded me to attend Medium Cool: a new art book fair with which she’s involved.

Bea Fremderman, Brian Khek, and Micah Schippa
“Definitely Living, Likely Cognitive”
August 9 – September 1, 2013
CourtneyBlades
1324 W. Grand Ave.
Chicago, IL 60642
http://courtneyblades.com/

Medium Cool
Tom Burtonwood @ Medium Cool
Above: Tom Burtonwood shares his 3-d printed book–which itself “prints” by means of being folded upon some plastic material.

Yuri Stone / Renaissance Society @ Medium Cool
Above: Yuri Stone for The Renaissance Society at the University of Chicago.

Scott Speh / Western Exhibitions @ Medium Cool
Above: Scott Speh of Western Exhibitions.

Ed Panar & Melissa Catanese / Spaces Corners @ Medium Cool
Above: Ed Panar & Melissa Catanese of Spaces Corners.

Vincent Uribe / LVL3 @ Medium Cool
Above: Vincent Uribe feigns interest in my shenanigans while the ladies of LVL3 ignore me. In truth, everyone smiled for the first picture; this was the fifth picture.

Medium Cool
(art book fair)
12:00 — 8:00 PM
August 11, 2013
Prairie Production
1314 W. Randolph St.
Chicago, IL
http://medium-cool.net/

LVL3
Chelsea Culp & Katy Cowan @ LVL3
Above: Chelsea Culp and Katy Cowan.

Matt Nichols & Josue Pellot @ LVL3
Above: Matt Nichols and Josue Pellot.

Whether called collaboration, the pairing of artists or galleries is now at least as common as food trucks outside, or bars within, our local venues.

“2 of a kind”
June 29 – July 21, 2013
LVL3
1542 N. Milwaukee Ave, 3rd Floor
Chicago, Illinois 60622
http://lvl3gallery.com/

The Mission
Yhelena Hall @ The Mission
Above: Yhelena Hall’s upper-gallery installation joining a helium-supported wooden craft with wall-mounted video.

Joshua Albers @ The Mission
Above: Joshua Albers’ lower-gallery (Sub-Mission) projected video installation.

Yhelena Hall’s da Vinci-like creation is built from fabric stretched over a frame, which method of construction reminds a Chicago resident of Linda Warren’s artist Juan Angel Chavez. But, maybe, within Warren’s stable the better comparison is to Conrad Freiburg–for as helium escapes its imperfect balloon, Hall’s wooden machine has a self-destructive potential.

Joshua Albers and Yhelena Hall
PARALLELS / A Collaboration with ACRE Residency, Part 2
August 2 – 24, 2013
The Mission
1431 W. Chicago Avenue
Chicago, IL 60642
http://themissionprojects.com/

Linda Warren Projects
Conrad Freiburg @ Linda Warren Projects
Above: The framing device “Undecagon Tripod,” 2013, at the center of Freiburg’s kinetic, wood installation.

Like Yhelena Hall at The Mission, Conrad Freiburg chose to present freestanding, three-dimensional objects made largely of wood, in the company of smaller, wall-mounted graphic works, which in this case are still images rather than video. Unlike Hall, around the perimeter of gallery interior Freiburg set a race, which in turn carries bearings or marbles as such activity is initiated by visitors. Four years ago, in June of 2009, Monica Herrera arranged a similar work at 65GRAND, there observed with an additional audio component: falling marbles “played” upon successive wooden elements with each drop in elevation.

Conrad Freiburg
“Before the Grave and Constant”
June 7 – August 10, 2013
Linda Warren Projects
327 N. Aberdeen (151)
Chicago, IL 60607
http://lindawarrenprojects.com/

Monica Herrera
Monica Herrera @ 65Grand
Above: A visitor interacts with Monica Herrera’s installation in 2009.

Eliza Fernand, Jodie Mack, Monica Herrera
“post-scarcity”
Curated by Thea Liberty Nichols
65GRAND
June 19 – July 25, 2009
1378 W. Grand Ave. (old location)
Chicago IL 60622-6450

Chicago Artists’ Coalition
Jake Myers @ Chicago Artists’ Coalition
Above: Audience members interact with Jake Myers at his cardboard sports bar.

Mothergirl @ Chicago Artists’ Coalition
Above: Attendees model the available Mothergirl costumes.

Jessica Harvey - Kera MacKenzie - Jenny Buffington @ Chicago Artists’ Coalition
Above, left-to-right: Jessica Harvey, Kera MacKenzie, and Jenny Buffington at the “pARTicipatory” opening on August 9, 2013.

When I hold a camera to my face and look through the viewfinder I’m blind to the room around me, so that it’s especially surprising to be struck at that moment. I write here with authority as I’ve suffered the aforementioned indignity on multiple occasions. On August 9, 2013, for the second time at one of Myers’ openings, someone threw something at me while I was taking a picture. If the games, and food, and liquor, all now frequently available at gallery openings, have served to draw in a certain sort of person then, maybe, they’ve done so only at the cost of another sort of person. After six years of work on this photographic project, my patience has been exhausted.

“pARTicipatory”
HATCH Projects Residents: Chaz Evans, Amber Ginsburg, Mothergirl, Jake Myers, Hoyun Son, and Latham Zearfoss
HATCH Curatorial Residents: Meredith Weber and Anna Trier, a/k/a the Happy Collaborationists
August 9 – August 29, 2013
Chicago Artists’ Coalition
217 N. Carpenter St.
Chicago, IL 60607
http://chicagoartistscoalition.org/

Sonnenzimmer
Sonnenzimmer

Josh Berman @ Sonnenzimmer
Above: Acclaimed coronet player Josh Berman, foreground, nagged by my mother, background. It’s better him than me.

Nick Butcher @ Sonnenzimmer
Above: Nick Butcher, right, gave my mother, left, a Tecate, and she seemed concerned.

Sonnenzimmer print and design studio is Nadine Nakanishi and Nick Butcher. On July 14, 2013, Nick and Nadine held a sort-of art benefit / garage sale, during which Michael Bingaman (electronics), Josh Berman (cornet), Anton Hatwich (double bass), and Matt Schneider (guitar) played music. There, I bought a big Taschen contemporary art compendium for three dollars, and got a Design Bureau magazine for free. Everyone was cool! And John Corbett was there–because he’s really good about attending these things. Even my mother was happy.

“On the patio at Sonnenzimmer”
10:00 AM – 6:00 PM
July 14, 2013
Sonnenzimmer
3605 N. Damen Ave., Rear
Chicago, IL 60618
http://www.sonnenzimmer.com/

Columbia College Chicago: Portfolio Center – Industry Events
Nick Albertson @ Columbia College Industry Events Photography Review
Above: Nick Albertson

Ryan Bringas @ Columbia College Industry Events Photography Review
Above: Ryan Bringas

Meg Noe @ Columbia College Industry Events Photography Review
Above: Meg Noe

Tim M. Johnson @ Columbia College Industry Events Photography Review
Above: Tim M. Johnson

Rikki Levine @ Columbia College Industry Events Photography Review
Above: Rikki Levine

The scale of the event was overwhelming. The quality of almost all of the work was very high. I spent most of my time with those presenters who seemed to have a fine arts orientation. Rikki Levine, above, was something of an exception as she seemed (?) most interested in travel and documentary work. But, her book (portfolio) looked too good to ignore. Whether they knew it, not a few graduates produced material recalling John Opera or Jessica Labatte. And I should have been yet more forceful in my exhortation to go out and look at what’s being made here and now.

Columbia College Chicago
Portfolio Center – Industry Events
“Photography Review”
May 16, 2013
Studio East
1006 S. Michigan Ave.
Chicago, IL 60605

Allan Sekula
Allan Sekula @ The Renaissance Society
Above: A visitor at the entry to “Polonia and Other Fables” seen engaged with one of Sekula’s photographs during the opening reception in 2009.

Allan Sekula died on August 10, 2013 after a long struggle with cancer.

Allan Sekula
“Polonia and Other Fables”
September 20 – December 13, 2009
The Renaissance Society
5811 S. Ellis Avenue
Bergman Gallery, Cobb Hall 418
Chicago, Illinois 60637
http://renaissancesociety.org/site/

Chicago Art Department
Meg Noe @ Chicago Art Department
Above: “Mr. Grief” by Meg Noe.

“&again&again”
Jeffery Austin, Marne Provost, Kimberly Kim, Meg T. Noe, Jonathan Pivovar, John Brookes Turner
Curated by Jonathan Pivovar
Supported by Columbia College Chicago’s Photography Department
July 12 – 14, 2013
Chicago Art Department
1932 South Halsted #100
Chicago, IL 60608
http://www.chicagoartdepartment.org/

MCA Chicago
Amanda Ross-Ho @ MCA Chicago

The timing of this exhibition is either fortuitous or tragic depending upon one’s knowledge of the not dissimilar installation on Michigan Avenue, and sense of humor.

Amanda Ross-Ho
“THE CHARACTER AND SHAPE OF ILLUMINATED THINGS”
Organized by MCA Curator Julie Rodrigues Widholm.
July – November, 2013
MCA Chicago Plaza Project
The Museum of Contemporary Art of Chicago
220 E. Chicago Ave. (MVDR Drive)
Chicago IL 60611
http://www.mcachicago.org/

Frogman Gallery / Pop-Up Art Loop
Gwendolyn Zabicki @ Frogman Gallery / Pop-Up Art Loop
Above: Dmitry Samarov (painting) at left, curator Gwendolyn Zabicki at center, and Noah Vaughn (photo print) at right, in “Never a lovely so real,” opening night.

The Chicago Loop Alliance deserves credit for the good work it’s done in offering such opportunities to people like Gwendolyn Zabicki.

“Never a lovely so real”
Clarissa Bonet, Dmitry Samarov and Noah Vaughn
Curated by Gwendolyn Zabicki
Pop-Up Art Loop from the Chicago Loop Alliance
Sponsored in part by Columbia College Chicago
July 11, 2013
Frogman Gallery
108 N. State St. (Block Thirty Seven, First Floor)
Chicago, IL 60603
http://gwendolynzabicki.com/home.html

Chicago Artists Coalition
Jordan Martins @ Chicago Artists Coalition
Above: Jordan Martins in his projection, opening night.

Nick Butcher, Jennifer Salim, E. Aaron Ross, Aaron Delehanty @ Chicago Artists Coalition
Above, left-to-right: Nick Butcher (half of Sonnenzimmer), Jennifer Salim, E. Aaron Ross, and Aaron Delehanty standing in a projection by Theodore Darst at the Chicago Artists Coalition’s “Natural Fallacy” opening.

“Natural Fallacy”
Noelle Allen, Theodore Darst, Brent Fogt, Jordan Martins, Nicholas Sagan, and Matthew Schlagbaum
Curated by MK Meador
July 12 – August 1, 2013
Chicago Artists Coalition
217 N. Carpenter St.
Chicago, IL 60607
http://jordanmartins.com/

threewalls
Brenna Murphy & Birch Cooper @ threewalls
Above: MSHR a/k/a Brenna Murphy & Birch Cooper performing an electronic audio work in their installation.

Hear it on Vine: vine.co/v/hamYhHDJJ0d

Abigail Satinsky, Lauren Basing & Shannon Stratton @ threewalls
Above, left-to-right: Abigail Satinsky, Lauren Basing, and Shannon Stratton, a/k/a threewalls, on the occasion of their last opening at 119 N. Peoria Street, Chicago.

Edie Fake @ threewalls
Above: Edie Fake’s installation, with spectators.

Joe Jeffers & Jeremy Tinder @ threewalls
Above: Joe Jeffers, left, and Jeremy Tinder, right, attending the opening.

Thanks to Abigail, Lauren, and Shannon for playing along. I’m sorry that I didn’t get a better shot of you three together. Good luck and best wishes…

“Binary Lore”
Edie Fake and MSHR a/k/a Brenna Murphy & Birch Cooper
June 28, 2013
threewalls
119 N. Peoria, #2C
Chicago, IL 60607
http://www.three-walls.org/

Firecat Projects
Gil Leora @ Firecat Projects

Gil Leora
“In Between Drinks”
June 28, 2013
Firecat Projects
2124 N. Damen Ave.
Chicago, IL 60647
http://www.firecatprojects.org/

Smart Museum
Gigi Scaria @ Smart Museum

It’s too bad that a piece which suggests many questions related to resource allocation within the context of non-European, urban poverty, here found available for view in the lobby of a free, teaching museum, was ignored in an article entitled “Marginalizing Chicagoans’ Access to Culture” at Newcity.

Gigi Scaria
“City Unclaimed”
Sponsored by BMO Harris Bank
January 19 – December 8, 2013
The David and Alfred Smart Museum of Art
5550 S. Greenwood Ave.
Chicago, IL 60637
http://smartmuseum.uchicago.edu/

EXPO / Public Chicago
Duncan Mackenzie, Caroline Picard, Richard Holland @ EXPO / Public Chicago
Above, left-to-right: Duncan Mackenzie, Caroline Picard, Richard Holland, a/k/a Bad at Sports.

EXPO Chicago
Gallery Announcement
May 14, 2013
Public Chicago
1301 N. State
Chicago, IL 60610
http://expochicago.com/

Johalla Projects
Jessica Taylor Caponigro @ Johalla Projects
Above: Jessica Taylor Caponigro’s “There in a Darkness,” 2013, coal in cast glycerine soap.

Jessica Taylor Caponigro & Aimee Quinkert @ Johalla Projects
Above: Aimee Quinkert, curator, at left, and Jessica Taylor Caponigro, artist, at right, foreground; “What Was, Was I” and “II” on wall, background.

It’s the third of Jessica Taylor Caponigro’s installations which I’ve seen, each of the three having been abstracted from both architectural and also literary sources. The comparison between works made over time (a span of several years) is interesting, and maybe best reveals her intent.

Jessica Taylor Caponigro
“Black Damp”
Curated by Aimee Quinkert
May 11 – June 2, 2013
Johalla Projects
1821 W. Hubbard St., Suite 209
Chicago, IL
http://www.johallaprojects.com/

Rhona Hoffman
Fred Sandback @ Rhona Hoffman

Fred Sandback: Sculptures
April 26 – June 1, 2013
Rhona Hoffman Gallery
118 N. Peoria St.
Chicago, IL 60607
http://www.rhoffmangallery.com/

Columbia College Industry Events BFA Open Studios
Columbia College Industry Events BFA Open Studios
Above, left-to-right: Columbia College BFA Seniors Brianna Baurichter, Corinna Cowles, and Nicki Penz with artwork.

Columbia College Industry Events BFA Open Studios
Above: Madeleine Lowery with artwork in studio.

Columbia College
Industry Events
Fine Arts Open Studios
5:00 – 8:00 PM
April 18, 2013
1006 S. Michigan Ave.
Chicago, IL

The Storefront
Erik Wenzel @ The Storefront
Above: An overhead view of Erik Wenzel’s Artforum installation “Fernweh,” as seen within Brandon Alvendia’s The Storefront gallery, on the show’s opening night.

Wenzel, like Fake, above, and Andre, in the previous article, has made use of the floor for the purpose of presenting modular units in a grid pattern. Here the invitation to the audience to walk upon the artwork is wanted to be especially cheeky: an institution (magazine) and a commercial appropriation of culture resources (gallery ad) are both trodden upon, which action symbolically mimics Wenzel’s own “progress” through the real and metaphysical worlds of art.

Erik Wenzel
“Fernweh”
April 20 – May 12, 2013
The Storefront
2606 N. California Ave.
Chicago IL 60647

Vertical Gallery
The Economics of Art 2013 @ Vertical Gallery
Above: Work by Dmitry Samarov, center; Steve Seeley, at right.

The Economics of Art 2013 @ Vertical Gallery
Above: Vertical Gallery, exterior.

“The Economics of Art 2013″
Dmitry Samarov, Ian Ferguson, Julie Murphy, Steve Seeley, and Jimmy Bunnyluv, along with Anthony Freda, Dave Pressler, David Cooper, El Gato Chimney, Hernan Paganini, Klub7, Raudiel Sanudo and Ruel Pascual.
August 3 – 31, 2013
Vertical Gallery
1016 N. Western Ave.
Chicago, IL 60622
http://verticalgallery.com/




Top 5 Weekend Picks! (6/3-6/5)

June 3, 2011 · Print This Article

1. Polyamory at Noble & Superior Projects

Work by Robin Juan of HungryMan Gallery, Bill Gross of 65GRAND, Vincent Uribe and Allison Kilberg of LVL3, Kirk Faber of Kirk’s Apartment, Elliot Reed, Erin Nixon and Patrick Bobilin of Noble & Superior Projects.

Noble & Superior Projects is located at 1418 W. Superior St. ONE NIGHT ONLY EXHIBITION, open Friday (tonight) from 6-10pm.

2. By The Time The Focus On We Became They I Was Alone at ACRE Projects

Work by Madeleine Bailey.

ACRE Projects is located at 1913 W 17th St. Reception is Sunday from 4-8pm.

3. Friends Forever: The Legacy of Camp Gay (2001-2005) at Monument 2


A project by Brandon Alvendia with Todd Bailey and Bridgette Buckley.

Monument 2 Gallery is located at 2007 N. Point St. Reception is Saturday from 7-10pm.

4. John Neff Prints Robert Blanchon at GOLDEN

Work by John Neff.

GOLDEN is located at 3319 N. Broadway. Reception is Saturday from 6-9pm.

5. If I Do Nothing Nothing Does at Julius Caesar


Curated by Matt McAuliffe. Work by Matias Faldbakken, Sophie Calle, Joe Smith, Andy Kaufman and Benjamin Bellas.

Julius Caesar is located at 3144 W Carroll Ave, 2G. Reception Sunday from 4-7pm.




Top 5 Weekend Picks! (11/19 & 11/20)

November 18, 2010 · Print This Article

1. The Night Parade at FireCat Projects -

Inaugural exhibition at FireCat Projects (formerly Fitzpatrick’s working studio), featuring new works by Tony Fitzpatrick.

FireCat Projects is located at 2124 N. Damen Ave. Reception is Friday from 7-10pm.

2. Time Switch at Kasia Kay Gallery -

Photographs by David A. Parker.

Kasia Kay Gallery is located at 215 N. Aberdeen St. Reception is Friday from 6-8pm

3. Deb Sokolow at Western Exhibitions

A solo exhibition of new works by the artist.

Western Exhibitions is located at 119 N. Peoria St. Reception is Friday from 5-8pm.

4. Access at Pentagon Gallery

Work by Hiba Ali, Natalie Brilmeyer, Woori Cho, Meg Dancy, Justus Harris, Walter Latimer, Kira Mardikes, Tilly Pelczar, Marie Socha and Vincent Uribe.

Note the new location: Pentagon is now located at 2655 W Homer St. Reception is Friday from 7-11pm.

5. Goodbye Turquoise at LVL3

Work by Samantha Bittman, James Cooper, Racer Levan, Montgomery Perry Smith and Leslie Supnet.

LVL3 is located at 1452 N Milwaukee Ave, 3. Reception is Saturday from 6-10pm.