Although it sounds like I won’t be missing much by not attending the Venice Bienale this year (oh hell, who am I kidding? or any year except one, when someone else was paying for it), based on some of the write-ups I’ve read, there are two events taking place there that I truly regret not being able to see for myself.
The first is Swoon’s Huck Finn-style floating barge, which I blogged about a few weeks ago and which has received in-depth coverage in New York magazine. More than I want to see the thing itself, though, I think what I really want is to be friends with Swoon and her deck mates.
The second is Peter Greenaway’s multimedia installation based on the Italian Mannerist Paolo Veronese’s gigantic painting, The Wedding Feast at Cana. Now, Greenaway isn’t someone I’d necessarily want to be buds with (I don’t think I could keep up), but he’s long been one of my favorite filmmakers (though I admit it seems a bit strange to talk about work like Greenaway’s in terms of ‘favorites,’ like it’s an ice cream flavor or something.) His early films, like The Draughtsman’s Contract (1982), A Zed and Two Naughts (1985), The Belly of an Architect (1987) Drowning by Numbers (1988) and his most mainstream “commercial” success, The Cook, The Thief, His Wife and Her Lover (1989) are the films I know best; his later forays into installation and site-specific projects I’m less familiar with due to sheer lack of access to them.
Greenaway’s take on Wedding at Cana is part of an ambitious multi-part project in which the filmmaker/artist plans to bring nine classic art historical paintings to life in a modern context. Greenaway has already created installations revisiting Rembrandt’s The Nightwatch at the Rijksmuseum in Amsterdam (via Greenaway’s film and an accompanying installation Nightwatching, made in 2006) and Leonardo’s The Last Supper in Milan (in a 2008 installation titled The Last Supper).
Greenaway’s “vision” of the Wedding takes place at the Palladian Refectory, the site where Veronese’s painting was first situated. Now, however, a facsimile of the work, commissioned by the Giorgio Cini Foundation, exists where the original once stood. Greenaway’s website describes the installation thusly:
“The Wedding at Cana facsimile, set in the original architectural context for which it had been conceived – the Palladian Refectory – offers Peter Greenaway the opportunity for an innovative and original interpretation via a state-of-the-art interplay of images, lighting, music, voices and sounds that will seem to emerge directly from the painting and the walls of the Refectory. The performance – a true multimedia event lasting about 50 minutes – makes spectators relive the episode of the marriage feast at Cana where Christ accomplished his first miracle, as narrated in the Gospel of John. Greenaway points out to the public the painting’s scores of characters, from the servants preparing dishes, to the banquet guests, to the guests of honor – Jesus Christ and his mother Mary – seated at the center of the painting’s architectural composition, in an on-going crescendo culminating in the narration’s crucial moment: the miracle of water turning into wine.”
Here’s a small image of the Paolo Veronese painting that’s under Greenaway’s scrutiny:
(click on the picture to be taken directly to the Wikipedia site containing a much larger file, which also gives you the ability to zoom in close on different parts of the painting).
There is an unofficial and no doubt surreptitiously shot video of the piece online to be found here; the quality is not great of course, but it gave me a little sense of what Greenaway is trying to accomplish. Better still, Roberta Smith has written a lengthy article on Greenaway’s Venice installation for the NYT today; it contains a great full-color installation shot which I’m too chicken to lift and post here. And Wired U.K. posted a brief, tech-oriented interview with Greenaway about the project last week.
I’d like to make a special request to any of you out there who went or are planning to go to Venice, saw this installation, and would care to comment on it, good or bad. Make me jealous: tell me all about the piece. What was it like? Did you think it worked? Was it smart or silly, and/or did you enjoy it?
On this weeks roundup we check out the conservation of contemporary art, AFC’s recap of Venice and Basel, and most importantly cats getting stoned via boing boing. Hope everyone has a great weekend and maybe well see you at galleries tonight.
- Paddy Johnson’s recap of this years Art Basel and Venice Biennale. It didn’t sound like we missed much.
- Ed Winkleman’s post on starting a commercial art gallery in a poor economy.
- “Millennium Park’s tradition of dazzling and delayed public art goes on“
- Becky Smith is closing Bellweather in New York after 10 years.
- Art 21 has a great post by Richard McCoy about the the conservation of contemporary art.
- Turner Prize winner Steve McQueen will be showing his Deadpan in Times Square.
- Dieter Rams on Plural Blog
- “Judge Slams MoMA, Guggenheim on Secret Holocaust Art Agreement.” That doesn’t sound good.
- Offworld has a sneak peak at a follow up to my favorite Iphone game Rolando 2!!!
Hope everyone has had a great week. On this weeks roundup we check out Murakami’s latest video for Louis Vuitton, a new article on Marina Abramović, and Wallpaper Magazin’s collection on Tart Cards. Have a good weekend and hopefully we will see you at the closing of Green Lantern.Viva La GL!
- Lori Waxman has a great article on the Tamms Year Ten mud stencils in New City.
- Takashi Murakami released his new ad for Louis Vuitton, Superflat First Love. Why do I feel like I have already seen this?
- Wallpaper Magazine lets designers take a stab at London’s tart cards. Here are my faves: 1, 2, 3,
- Art Review has a write up on Marina Abramović.
- Disco jail? Adrian Searle’s video of the Venice Biennale highlights.
- Want to know what is going on at Basel besides Brad Pitt and his new Neo Rauch? Check out what Art Fag City is checking out here, here, and here.
- IDK if anyone has said this but ThreeWalls has extended their residency and project deadlines until July 1. So, get on it.
- Camera or Voltron? The toy I always wanted.
- The Museum of Modern Art will be hosting a retrospective of Tim “I ruined Planet of the Apes” Burton on Nov. 22
Here’s hoping Meg’s sister “Peanut” Manuel kicks some ass at the US Boxing Championships!!
*Bruce Nauman’s Topological Gardens wins Golden Lion for best Pavillion at Venice Biennale (Art 21).
*John Baldessari and Yoko Ono receive Golden Lions for lifetime achievement in Venice (Unbeige). Go Santa!
*Marguerite Horberg plans Porto Luz, a new artistic center for Bronzeville (Chicago Weekly).
*What to wear during an Orange Alert? interviews Green Lantern Press editor Tobias Bengelsdorf.
*Eight museum shows you won’t be seeing in L.A. anytime soon (plus other cancelled shows across the country). Can someone scoop up MOCA’s cancelled Luisa Lambri show and bring it to Chicago? Pleeeaaase? (Culture Monster).
*Even the Louvre is worried about its future now (Unbeige).
*Berwyn resident John Sisto discovered to have kept over 3500 religious artifacts and antiquities from Italy, 1600 of them stolen. (New York Times, Chicago Breaking News).
In this week’s roundup we look at a video of crash test dummies (do you remember that horrible band? I know Richard does), the Venice Biennale, and some Nazi zombies, just to name a few. I don’t know about you guys but I’m going on vacay next week. Anyone know anything good to do in Denver?
- OMG. Død snø looks like it’s going to kick some serious Nazi zombie ass.
- Art Observed has a great links roundup to get you (not) in the mood for the Venice Biennale.
- Former BAS guest Francesco Bonami is guest blogging over at The Moment.
- Old GM crash test video from the 60′s are positively terrifying. I laughed so hard at work I think I scared my coworkers and am thankful I grew up in the 80s. Seat belts people.
- Chicago Tribune had a papercraft tribute to Sen. Roland Burris.
- Google introduced the Wave. I watched an hour of the hour and twenty min demo and then asked myself why I had watched it for that long.
- This week I hit a new personal low when I Google image searched “ Maru the Cat” and found an image of myself on the second page.
- Everyone went crazy for The Beatles Rockband intro. And yes I think it does live up to all the hype. Well at least the first half, I am not a big Yellow Submarine fan.
- The Seeker told us about James Felix McKenney’s AUTOMATONS.
- Gary Hustwit’s new Documentary Objectified starts tonight at the Gene Siskel Film Center.
- Seriously WTF?!