From everyone here at Bad at Sports we want to wish everyone a Happy Thanksgiving and hope you are enjoying the warmth and food that comes with your friends, family or significant other. We are continuously thankful for you, the art work we all love and the culture that gets us excited each and every morning which is only there due to the non stop diligence of everyone involved.
Now that you are most likely full of tryptophan, sleepy and in need of a good film to watch may we offer the latest Charles Bronson film for your enjoyment…..
Happy Thanksgiving and here’s to many more.
“The Art of the Steal” chronicles the long and dramatic struggle for control of the Barnes Foundation, a private collection of art valued at more than $25 billion. In 1922, Dr. Albert C. Barnes formed a remarkable educational institution around his priceless collection of art, located just five miles outside of Philadelphia. Now, more than 50 years after Barnes death, a group of moneyed interests have gone to court for control of the art, and intend to bring it to a new museum in Philadelphia. Standing in their way is a group of Barnes former students and his will, which contains strict instructions stating the Foundation should always be an educational institution, and that the paintings may never be removed. Will they succeed, who has the right to direct the future of the collection?
Hope everyone is having a great Halloween and in the spirit of dressing up as things you are not here is the latest movie trailer by Spike Jonze “Where the Dirty Hipsters Are” the sequel to the smash hit “Where the Wild Things Are”. Have fun!
Errol Morris the director of “Thin Blue Line” and “Fog of War” new film about the Abu Ghraib photos asks:
Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed America’s image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few “bad apples”? We set out to examine the context of these photographs. Why were they taken? What was happening outside the frame? We talked directly to the soldiers who took the photographs and who were in …