Work by Doug Ischar.
Night Club is located at 3325 N. Pulaski Rd. Reception Saturday, 6-9pm.
Work by Edie Fake.
Western Exhibitions is located at 845 W. Washington Blvd. Reception Friday, 5-8pm.
Work by Ivan Lozano.
Andrew Rafacz is located at 835 W. Washington Blvd. Reception Saturday, 4-7pm.
Work by Jason Brammer, Doug Fogelson, Carson Fox, Conrad Freiburg, Nicole Gordon, Michiko Itatani, Emmett Kerrigan, William Eckhardt Kohler, Brenda Moore, Judith Mullen, Joseph Noderer, Jennifer Presant, Nina Rizzo, Zach Taylor, Tom Torluemke, Chris Uphues, Tom Van Eynde and Matthew Woodward.
Linda Warren Gallery is located at 327 N. Aberdeen St. Reception Friday, 6-9pm.
Work by Charles Fogarty.
PeregrineProgram is located at 3311 W. Carroll Ave. Reception Sunday, 1-4pm.
Work by Regina Mamou.
City Gallery in the Historic Water Tower is located at 806 N. Michigan Ave. Reception Friday, 5:30-7:30pm.
Conversation with author Lane Relyea, moderated by Duncan MacKenzie with Shannon Stratton and Abigail Satinsky.
threewalls is located at 119 N. Peoria Ave. Reception Friday, 6:30-8:30pm.
Work by Rory Coyne and Lauren Levato Coyne.
Century Guild is located at 2136 W. North Ave. Reception Saturday, 7-10pm.
Work by Meg Duguid, Bruce Conkle, Micki Tschur, Paul Mack, Mariano Chavez, Sarah Beth Woods, Marie Walz, Scott Wolniak, Sabina Ott & Michelle Wasson, Catie Olson, Andy Pizz, Eyeball Mansion, Nick Drnaso, Sarah Leitten, Andy Gabrysiak, Scott Anderson, Taylor Hokanson, Paul Somers, Edra Soto, Ryan Standfest, Bert Stabler, Matthew Novak, Kevin Budnik, Jeffrey Boguslawski, Ryan Travis, Christian Lars, Bra Jim Zimpel, Tom Torluemke, Tim Ripley, Eric Lebofsky, Andy Burkholder, Erik Lundquist, Krystal Difronzo, Marieke McClendon, Lyra Hill, Alyssa Herlocher, Joe Tallarico, Chris Cilla, Andy Gabrysiak, Chris Kerr, Keith Herzik, Kevin Budnik, Jason Robert Bell, Abe Lampert, Ryan Travis Christian, Jo Dery, David Alvarado, Ryan Standfest, EC Brown, Grant Reynolds, Max Morris, Otto Splotch and Anonymous.
Antena is located at 1755 S. Laflin St. Reception Friday, 6-9pm.
Curated by Ginger Krebs.
Sullivan Galleries is located at 33 S. State St. Reception Friday, 5-7pm.
A graphic, editorial overview of art, artists, and visual art events, found in and around Chicago over the course of the preceding month. All artwork copyright original artists; all photography copyright Paul Germanos.
Above: Theo Elliot at left; Morgan Herbert-King at right; opening night at ACRE Projects.
Thelonious Elliot and Wray Morgan Herbert-King
“Moving a Hole”
January 20 â€“ February 4
1913 W. 17th St.
Chicago, IL 60608
Above: “Algren” 2012
Above: “Morandi” 2011, top; “Entrapment” 2012, bottom.
January 11 – March 1, 2013
Harold Washington Library Center
400 S. State St.
Chicago, IL 60605
Above: Exhibition closing and curator talk (MCA curator Dieter Roelstraete, left, and Smart curator Stephanie Smith, right) January 13, 2013
“Of what is, that it is; of what is not, that it is not,” panel 2
(wool tapestry from photo collage, approx. 11 x 38 feet, half of diptych)
December 13, 2012 â€“ January 13, 2013
Smart Museum of Art (lobby)
5550 S. Greenwood Ave.
Chicago, IL 60637
Above: Robert Chase Heishman with artwork at Roots & Culture, opening night.
Robert Chase Heishman
January 18 – February 16, 2013
Roots & Culture
1034 N. Milwaukee Ave.
Curated by Eric May, Stephanie Cristello and Allison Glenn
Artwork by Robert Chase Heishman, Jessica Labatte, Alistair Matthews, and Liz Nielsen
Above: Peeking inside the piece “Public Space/Two Audiences”
R. H. Quaytman
“Passing Through The Opposite of What It Approaches, Chapter 25”
January 6 â€“ February 17, 2013
The Renaissance Society
5811 S. Ellis Avenue
Bergman Gallery, Cobb Hall 418
Chicago, Illinois 60637
Above: Cotton on linen, embroidery, under glass, framed.
January 11 – February 16
Packer Schopf Gallery
942 W. Lake St.
Chicago, IL 60607
Above: Sarah Mendelsohn with her artwork at The Plaines Project, opening night.
January 19 â€“ February 8, 2013
The Plaines Project
1822 S. Desplaines St.
Above: Tom Torluemke with his horrific vision of environmental degradation, shot at the opening reception.
“Fearsome Fable â€“ Tolerable Truth”
January 20, 2013 â€“ April 28, 2013
Hyde Park Art Center
5020 S. Cornell Ave.
Chicago, IL 60615
Above: Hummingbird in flight, floral origami aim, installation at Roxaboxen.
“Potentialities,” a two-person show with Milcah Bassel
January 20 – February 1, 2013
Roxaboxen Exhibitions / ACRE Projects
2130 W. 21st St.
Chicago, IL 60608
Above: Scott Hocking with artwork at opening reception for “EXCHANGE: Chicago-Detroit”
CHICAGO: Chicago Artistsâ€™ Coalition, Chicago IL
January 11 – 31, 2013
DETROIT: Cave Gallery and Public Pool, Detroit, MI
February 23 – March 16, 2013
Chicago Artistsâ€™ Coalition,
217 N. Carpenter Street,
Chicago IL 60607
Above: Edie Fake at opening reception; artwork in background.
January 4 – February 16, 2013
Thomas Robertello Gallery
27 N. Morgan St.
Chicago, IL 60607
Above: Lauren Payne and Erin Washington’s collaborative installation, opening night.
Above: Jenny Kendler (ACRE Board of Directors) left; Lauren Payne, right; opening night.
Lauren Payne and Erin Washington
“As Above So Below”
January 25 – 31, 2013
Johalla Projects / ACRE Projects
1821 W Hubbard, Suite 209
Above: Harvey Moon with “drawing machine” installed in gallery, opening night.
January 25 – March 22, 2013
230 W. Superior St.
Paul Germanos: Born November 30, 1967, Cook County, Illinois. Immigrant grandparents, NYC. High school cross country numerals and track letter. Certified by the State of Illinois as a peace officer. Licensed by the City of Chicago as a taxi driver. Attended the School of the Art Institute 1987-1989. Studied the history of political philosophy with the students of Leo Strauss from 2000-2005. Phi Theta Kappa and Phi Kappa Phi. Motorcyclist.
Work by Tom Torluemke.
Hyde Park Art Center is located at 5020 S. Cornell Ave. Reception Sunday, 3-5pm.
Curated by Carrie Gundersdorf and Lorelei Stewart, with work by Jessica Hyatt, John O’Connor, and Steve Roden.
Gallery 400 is located at 400 S. Peoria St. Reception Friday, 5-8pm.
Work by Janie Stamm.
AdventureLand Gallery is located at 1513 N. Western Ave. Reception Friday, 7-10pm.
Work by Sarah Mendelsohn.
The Plaines Project is located at 1822 S. Desplaines St. Reception Saturday, 7-10pm.
Work by Fred Burkhart.
Alibi Fine Art is located at 1966 W. Montrose Ave. Reception Saturday, 7-10pm.
Guest Post by Jeriah Hildwine
Stephanie and I took the Metra to Hammond, Indiana, where Linda Dorman and Tom Torluemke picked us up at the station, and brought us back to their place.Â We ate pizza around their dining room table and then drank beer around a campfire in their backyard. Â (Linda drank Coke, Tom Oâ€™Doulâ€™s.)Â Tom had built a perfect teepee fire, abashedly using compressed firestarters (which he called â€œcheatingâ€) to light the fire.
They took us to Sidecar Gallery to see â€œWater,â€ a show of work by Tom Burtonwood, Holly Holmes, and James Jankowiak.Â Tom Burtonwood created a wallpaper of a computer-generated alphabet consisting of isomorphic perspective renderings of three-dimensional blocks (like Tetris pieces), each rendered in a different, simple pattern of marks.Â It looked like a 1980s visualization of some kind of data set, but in fact represented an alphabet or code.Â Apparently it incorporated QR codes which stored a Uniform Resource Locator (URL) for a website that would decode the alphabet for youâ€¦but, lacking a smartphone, we didnâ€™t try it.Â Burtonwood also created some small wooden sculptures that mimicked the form of the wallpaper.
James Jankowiak also created a wallpaper of sorts, covering several walls of the gallery with parallel strips of brightly colored plastic tape.Â But his major works are small, square, incredibly precise paintings of minutely varying shades of color.Â The works in this exhibition consisted of concentric circles.Â In one, each circle was a slightly different shade of blue.Â In another, a green torus vibrates electrically against a red field.Â In a third, blues, browns, and whites alternate on a beige field.Â Oneâ€™s first thought is of course of sectioned Jawbreaker candies but a momentâ€™s thought links them more closely with Josef Albersâ€™ color studies.
Both Jankowiakâ€™s and Burtonwoodâ€™s wallpapers served as backdrops for their own, and each otherâ€™s, small paintings and sculptures, turning the exhibition into more of a collaboration than a group show.Â In the front room was one of Holly Holmesâ€™ recent wooden sculptures, in which thin strips of wooden lathe are bent into a complex, looping form, like a diagram of the flight of a bumblebee, or a crazy zero-gravity roller-coaster.Â Iâ€™ve seen a previous work of this type by Holmes, at Chicago Urban Arts Society, as part of Wood Worked, in which the material of the piece was left raw and unfinished.Â In Water, it was painted in blue and white.Â In each case the color and surface seemed an homage to the theme of the exhibition.
We had tickets for the 11:10pm South Shore Line Metra train home, but Sidecar was shutting down at 10pm, so instead of waiting around the train station in the cold for an hour after the show, Linda hooked us up with her friend Erik, who agreed to bring us back to Chicago.Â But, he said, we had to make what he assured us would be a brief stop at a friendâ€™s birthday party.Â Thatâ€™s how we ended up at Cisa Studio.
The birthday boy is this kid Flex, one of the guys who runs Cisa Studio in Hammond Indiana.Â I call him a kid because heâ€™s full of youthful energy, but in fact this is the eve of his 40th Birthday.Â The vibe is like a house party or maybe like the office Christmas party for a tattoo parlor. Â Erik introduces us as we walk in the door, and everybody is so nice, welcoming us with warm handshakes and cold beer.Â The bathroom is immaculately clean, and the main space is stylishly decorated, with mood lighting and music befitting the occasion.Â We meet Flex, see some of his work (a portrait, in spraypaint on canvas, very realistically executed), and then he shows us the backyard.
This involves three layers:Â first, downstairs to an indoor, basement-like space where people gather to smoke around a big plywood table covered in drawings and graffiti writing. Â A massive digital printer sits against one wall.Â Signs advertise various services:Â fine art paintings, signs, and airbrushed images for your motorcycle helmet, gas tank, leather jackets, and cars.Â Thereâ€™s a motorcycle helmet with an absolutely flawless airbrushed rendering of the comic book character Venom on it:Â more of Flexâ€™s work.
From there we moved into the garage, where a classic car sat, grind marks showing bare metal through the primer:Â a work in progress, speaking of infinite potential.Â In the back corner, a motorcycle sported a Minigun-type cluster of barrels emerging from its exhaust pipes.Â I donâ€™t know, but I imagine that they spin and belch fire when the motorcycle is running.Â I sat there, spinning the barrels by hand, entranced.
The backyard itself hosted a bench that had been airbrushed by some of Flexâ€™s friends as part of a public art commission. Â I looked around, and admired the facilities:Â an absolutely gorgeous, spacious workspace.Â Whatâ€™s more, Flex told me, their rent is less than what Steph and I pay for our bedroom-and-a-half apartment in Ravenswood!Â â€œThis is why Indiana is the shit,â€ Flex explained.Â Itâ€™s hard to argue with that.
We smoked cigarettes, talked to the Cisa crew, and drank more beer.Â Then we were gathered, slowly and chaotically, into a rough herd, with the purpose of ambling down the alley to the studioâ€™s exhibition space, a separate building a block down, to see Arte Muerte 2011, the 4th annual occurrence of this â€œDay Of The Deadâ€ themed exhibition.Â On the way I met the crewâ€™s photographer, the most heavily-tattooed guy there, long-haired, with a rock-and-roll aesthetic that goes some way towards explaining his nickname, â€œTommy Lee.â€Â To look at him youâ€™d expect him to be biting the head off a bat or something, and turns out to be an incredibly sweet and super righteous dude.
Arte Muerte consisted of Day of the Dead altars and two-dimensional wall art, all encompassing themes of death, family, ancestry, tradition, ritual, and a Latino or Mexican cultural heritage.Â The aesthetic of the work ranged from psychedelic and graffiti to Aztec and Maya glyphic writing, Catholic saints, and plenty of skulls.Â What struck me most immediately about the show was that not a single thing in it felt ironic, exploitative, or appropriated:Â there werenâ€™t sculptures of altars, they werenâ€™t about altars, they were genuine and sincere embodiments of this tradition.
After checking out the exhibition we made our way back to the studios where some of the guys were breakdancing, and we all did tequila shots in celebration of Flexâ€™s birthday.Â The Cisa studio crew talked to be about growing up together, and about how they hung out with Keith Haring when he was in Chicago.Â They showed me a picture of them all, years ago, hanging out with Haring.Â Erik mentioned working at Genesis Art Supply back in the day, and I asked him if heâ€™d known Wesley Willis.Â They guys all started telling stories about hanging out with him back in the day, of setting him up in the store to sit there and draw.Â One of the guys proudly told me that Wesley had given him a drawing, which he still had.Â Another had Willisâ€™ old Casio keyboard from when he was growing up.
Many hours, many stories, and many beers later, we were all feeling pretty ready to head out.Â Another couple was catching a ride with us as well.Â Erik DeBat, our ride, had made sure to moderate his consumption and was quite sober and fit to drive.Â The rest of us were all pretty sauced, but I was still pretty lucid, and due to my long-leggedness our fellow passengers had afforded me the front seat, so I had much opportunity for conversation with Erik.Â We talked about his work, and he gave me a copy of the catalog from a recent exhibition heâ€™d had:Â Risk & Reward, at The Renaissance Blackstone Hotel, in August of 2011.Â I open it up, and I see this painting of The Hulk, and something looks familiar about it.Â The catalog essay is by Tony Fitzpatrick and it all falls into place:Â Iâ€™ve seen Erikâ€™s work, and probably Erik himself, at Tony Fitzpatrickâ€™s place.Â He gave me a card for an upcoming exhibition (Recursion, at 2612 Space) featuring Erikâ€™s work as well as James Jankowiak, Mario Gonzalez Jr., Victor Lopez, and William Weyna.Â I wasnâ€™t able to make it to that one, but he also told me that heâ€™s got a show coming up at Firecat Projects, in May 2012.Â I generally make it to all of the openings at Firecat, but Iâ€™m looking forward to this one in particular.