Episode 416: Artist as Arbiter

August 19, 2013 · Print This Article

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This week: 8 years!!! We wrap up season 8 with the Artist as Arbiter panel from CAA 2013.

 

Moderators: Duncan Mackenzie, Columbia College, Chicago/Director, Bad At Sports AND Shannon R. Stratton, The School of the Art Institute of Chicago, Chicago/Director, threewalls

Panelists:

Anthea Black

With our powers combined: queer collaboration, distribution, intervention, gentrification

Independent artist, curator and critic

Laurie Beth Clark & Michael Peterson

Where’s the art? Hosting/Framing Creativity

University of Wisconsin & University of Wisconsin-Madison

cafeallonge.net
spatulaandbarcode.net

E. G. Crichton

Migrating Archives: how I became a matchmaker and archive activist

University of California Santa Cruz/The GLBT Historical Society

Reni Gower

Parallel Practice: The Artist as Curator

Professor, Painting and Printmaking, Virginia Commonwealth University

Philip Von Zweck

On Nested Authorship

Columbia College, Chicago




Chicago Art in Pictures: Best of 2012 – Year in Review

July 15, 2013 · Print This Article

A historical piece which points towards exceptional moments observed directly by the writer, in Chicago, over the course of the previous calendar year. Alternative, NFP, and commercial galleries, as well as art centers, museums, and public spaces, were visited more-or-less regularly, according to the nature of their programming. All artwork copyright original artists; all photography copyright Paul Germanos.


Per convention, “best of” lists and “year in review” articles are released late in December. And critics have tended to follow in lockstep. Yet such a schedule might be a cause for concern when one considers how little time in reflection is afforded the author of any such piece.

That said, it’s the original scope of the critic’s experience, and not the amount of time spent in reflection upon that experience, which is the greater issue in most cases. Readers have good reason to wonder about art writers: How much did he or she see in the first place? And what does it mean to be placed in a “top ten” list by a person who might have attended only ten events?

Of course, with regard to the utility of press, the writing itself counts for little; it’s a publication’s masthead and associated social connectivity which are really crucial. For whether the subject is artwork or the publicity related to it, heavily invested dealers, artists, directors, et al, labor to get the right bits in the right places, till the overall picture looks good–much like jigsaw puzzle work. The gaming of interpersonal relationships is, after all, the chief modality of the art world.

Let’s try something different!

(1) Best Artist’s Talk: “Andre Butzer @ Cochrane-Woods Art Center”
André Butzer @ Cochrane-Woods Art Center

Forgoing the pretense of a rational narrative, German painter Butzer dryly delivered pre-Socratic fragments–first in his native language and then in English–alongside projections of his artwork. The audio and visual elements in combination, amounting to a performance, were, in fact, stronger than his show which followed at Rhona Hoffman Gallery.

Butzer became moderately excited when, after the lecture, I presented him with a question about Nietzsche.

6:30 PM, January 25, 2012
Cochrane-Woods Art Center, Room 157
(adjacent to the The Smart Museum)
University of Chicago
5540 S. Greenwood Ave.
Chicago, IL 60637

Runner-up: Karsten Lund’s performance piece in Peregrine Program.

(2) Best Gallery Opening: “Short Court: Tropical Aesthletics @ ANTENA”
Short Court: Tropical Aesthletics @ ANTENA
Above: Jake Myers at left, in glasses, on the court in ANTENA.
Short Court: Tropical Aesthletics @ ANTENA

Curated by Jake Myers and Chris Smith, a/k/a “Tag Team,” and featuring 19 artists (Adam Farcus, Adam Grossi, Alberto Aguilar, Alex Bradley Cohen, Angeline Evans, Brian Wadford, Caroline Carlsmith, Cory Glick, Edra Soto, EC Brown, Irene Perez, Jeriah Hildwine, Jim Papadopoulos, Kevin Jennings, Nicole Northway, Pamela Fraser, Philip von Zweck, Thad Kellstadt, and Vincent Dermody) “Short Court: Tropical Aesthletics” was dominated by Jake Myers’ own performance in the center of the gallery.

There, Myers and company (including two professional players) offered to “take on all comers” in a high-spirited volleyball match. The boisterous physical competition which ensued was entirely contrary to the quiet struggle for rank which is usually present, if unseen, at such affairs. This was good. It’s yet unclear to what degree Myers’ work is ironic.

February 10 – March 10, 2012
ANTENA
1765 S. Laflin St.
Chicago IL 60608

(3) Best Art Writing: “Hamza Walker for The Renaissance Society”
Hamza Walker Gallery Walk-Through for Matt Saunders @ The Renaissance Society

With regard to the consistency and volume of his production, Hamza Walker has been exemplary: Every exhibition at The Renaissance Society is accompanied by a broadsheet containing one of Walker’s companion essays. Curiously, these essays usually go nowhere. Are they not read? not understood? not thought to be of any value? Sunday attendance at The Ren is too often like unto church: orderly, solemn, performed for fear of damnation, and forgotten on Monday.

(Ongoing)
The Renaissance Society
Bergman Gallery
Cobb Hall, Room 418
University of Chicago
5811 S. Ellis Ave.
Chicago, IL 60637

Runner-up: Jason Foumberg, skyrocketing in 2013.

(4) Greatest Spectacle and Drama: “NON GRATA ‘Force Majeure’ @ New Capital”
NON GRATA "Force Majeure" Chicago
NON GRATA "Force Majeure" Chicago

The Estonian performance collective NON GRATA staged the destruction of an American-made sedan on the grounds of New Capital: outdoors, late-winter, encouraging audience participation in the act. No fig leaf of sport covered the aggression here; this was a naked, public display of violence hitherto latent in the community. And it was possible to read the event as a sort of response to the call made by Butzer a little over one month earlier.

7:00 PM, March 4, 2012
Hosted by:
Defibrillator Gallery
1136 N. Milwaukee Ave.
Chicago, IL
Co-hosted by:
New Capital
3114 W. Carroll
Chicago, IL 60612

Runner-up: Unsolicited letters from Wesley Kimler.

(5) Most Noteworthy Young or “Emerging” Artists: Sarah and Joseph Belknap, Tyler Blackwell, Robert Chase Heishman, Sofia Leiby, Jake Myers, Meg Noe, Danielle Rosen, Joseph Rynkiewicz, Etta Sandry, Vincent Uribe, and Nikki Werner.

Over the course of the previous year, some memorable artwork, conversation, or public engagement was initiated by each the people listed above. Further, as a result of the good attendance at gallery openings and other events which most displayed, their names were easy to learn and remember.

(6) Best Museum Show: “The Language of Less (Then and Now) @ MCA Chicago”
Dan Flavin in John McCracken @ MCA
Above: Dan Flavin: Untitled (for you, Leo, in long respect and affection) 3, 1978; John McCracken: Untitled, 1967.
Carl Andre & Donald Judd @ MCA
Above: Carl Andre: Zinc-Lead Plain, 1969; Donald Judd: Untitled, 1970.

Curated by Michael Darling, the “Dimensions of Space” gallery within “The Language of Less (Then and Now)” exhibition wasn’t novel, or exciting, in the conventional sense. Rather, the thing had the appearance of being the logical conclusion of a long meditation upon the fundamental unit, or building block, of the works included, viz., the square. And this formal vocabulary hasn’t disappeared. For example, in “Binary Lore,” the most recent show local NFP threewalls, Edie Fake recalled Carl Andre.

Closed on April 15 , 2012
MCA Chicago
220 E. Chicago Avenue (MVDR Drive)
Chicago IL 60611

(7) Best Museum Opening: “Feast: Radical Hospitality in Contemporary Art”
Enemy Kitchen in Feast @ Smart Museum
Above: Michael Rakowitz’ Enemy Kitchen, opening night.
Sonja Alhäuser in Feast @ Smart Museum
Above: Sonja Alhäuser’s butter buffet billy goat, opening night.

The Smart has made an effort to push its programming outward: into its lobby and courtyard. That physical movement runs parallel to the community engagement which has been a major thematic concern of several recent exhibitions. “Feast” wasn’t solely a remembrance of the past by means of a presentation of artifacts; rather, “Feast” was a new sort of moment, available to be experienced via the socialization which was possible at its opening reception.

February 16 – June 10, 2012
Smart Museum of Art
University of Chicago
5550 S. Greenwood Avenue
Chicago, IL 60637
Curated by Stephanie Smith
Artists: Marina Abramovic and Ulay, Sonja Alhäuser, Mary Ellen Carroll, Fallen Fruit, Theaster Gates, Felix Gonzalez-Torres, InCUBATE, The Italian Futurists, Mella Jaarsma, Alison Knowles, Suzanne Lacy, Lee Mingwei, Laura Letinsky, Tom Marioni, Gordon Matta-Clark, Mildred’s Lane, Julio César Morales and Max La Rivière-Hedrick, motiroti, National Bitter Melon Council, Ana Prvacki, Sudsiri Pui-Ock, Michael Rakowitz, Ayman Ramadan, Red76, David Robbins, Allen Ruppersberg, Bonnie Sherk, Barbara T. Smith, Daniel Spoerri, Rirkrit Tiravanija, and others.

(8) Best Performance: “Mikey McParlane @ Defibrillator”
Mikey McParlane @ Defibrillator
Mikey McParlane @ Defibrillator

Mikey McParlane’s performance on April 1, 2012, was really something special. Relevant to contemporary gender issues (whether I’m able to tease-out any deeper meaning) McParlane presented ambiguously in the guise of a harlequin. Here, the choreography, costume, makeup, audio and lighting came together perfectly. It was weird and beautiful.

April 1, 2012
“Second Annual Lyp Sinc Show”
Defibrillator
1136 N. Milwaukee Ave.
Chicago, IL 60642
Performances by: Happy Collaborationists, Ben Foch, Sasha Hodges, Mikey McParlane, Sofia Moreno, Jillian Soto, Courtney Macandanz, Rosé Hernandez, Robin Deacon, Taisha Paggett, Jake Myers, Sharon Lanza, Monica Panzarino

Runner-up: Edyta Stepien & Ayako Kato @ Chicago Art Department

(9) Best Installation – “Jacob Hashimoto @ Rhona Hoffman
Jacob Hashimoto @ Rhona Hoffman
Jacob Hashimoto @ Rhona Hoffman

Hashimoto’s work was interesting in its own right. But, too, quite literally depending upon fiber, it recalled gallery artist Anne Wilson’s past treatments of the space, and prefigured Fred Sandback’s recent showing there as well. Politics aside, it’s rare for a dealer (here) to survive long enough for such a formal thread to become evident–running through a succession of shows. Hashimoto was polite and professional, and he didn’t need to be so.

September 14 – October 20, 2012
“Super-elastic collisions (origins, and distant derivations)”
Rhona Hoffman Gallery
118 N. Peoria St.
Chicago, IL 60607

Runner-up: “Lane/Sirianni” @ New Capital

(10) Greatest Wasted Potential: “Color Jam @ Chicago Loop Alliance”
The Deterioration of Color Jam by Jessica Stockholder
The Deterioration of Color Jam by Jessica Stockholder

76,000-square-feet of colored vinyl, with a 500,000 USD budget, whose real cost was the good will of its patrons.

June 5 – September 30, 2012
The Chicago Loop Alliance’s “Color Jam” by Jessica Stockholder
State Street and Adams Street
Chicago, IL

Runner-up: “De-mystifying the Art Critic @ Chicago Artists’ Coalition”

(11) Best Residency: “ACRE Projects”
Kate Bowen @ ACRE Projects
ACRE Block Party @ ACRE Projects

Insofar as a tangible return on investment is concerned, ACRE stands head-and-shoulders above it’s peers. Whether related to the residency, the sheer number of shows produced by ACRE has transformed the landscape of the Chicago art world.

(Ongoing)
ACRE Projects
Home office:
1913 W. 17th Street, 1F
Chicago, IL, 60608
Residency:
Steuben, Wisconsin

(12) Greatest Misses by Chicago’s Critics: “Noelle Mason @ Thomas Robertello Gallery” and “Sheree Hovsepian @ moniquemeloche”
Noelle Mason @ Thomas Robertello Gallery
Above: Artist Noelle Mason explains the process by which the satellite-mapped US/Mexican border city “bird’s eye perspective” textile in the foreground was fabricated; pinhole camera prints documenting her substantial skydiving experience are mounted on the wall in the background.
Sheree Hovsepian @ moniquemeloche
Above: Sheree Hovsepian with her artwork.

We all wonder why some shows receive press while others do not. Mason and Hovsepian “did everything right,” and yet received scant critical attention.

Noelle Mason
“Blue Skies/Black Death”
September 7 – November 3, 2012
Thomas Robertello Gallery
27 N. Morgan
Chicago, IL 60607

Sheree Hovsepian
“Haptic Wonders”
February 4 – March 24, 2012
moniquemeloche gallery
2154 W. Division (@ Leavitt)
Chicago, IL 60622

(13) Best Painting: “Melissa Oresky @ Hyde Park Art Center” and “Davis/Langlois in Re:Chicago @ DePaul Art Museum”
Melissa Oresky @ Hyde Park Art Center
Above: Melissa Oresky
Davis/Langlois in Re:Chicago @ DePaul Art Museum
Above: Robert Davis and Michael Langlois

These two (three) were interesting for the same reason: brush or roller “strokes” were applied directly to the walls of the exhibition site. “Painting,” here, was no longer wholly a commodity but rather also a temporary transformation of the venue itself.

Melissa Oresky
“Trail”
May 6 – August 19, 2012
Hyde Park Art Center
5020 S. Cornell Avenue
Chicago, IL 60615

Robert Davis and Michael Langlois
“Living the Dream” in “Re: Chicago”
September 16 – March 4, 2012
DePaul Art Museum
935 W. Fullerton
Chicago, IL 60614

(14) Best Photography: “Dawoud Bey @ The Renaissance Society” and “Sade Kahra @ threewalls”
Dawoud Bey @ The Renaissance Society
Above: Dawoud Bey
Sade Kahra @ threewalls
Above: Sade Kahra

Bey was exactly as expected; Kahra was wholly unexpected. Both photographers presented evidence of the human condition, the bodily circumstance, of their subject. Whether relatively conventional or experimental in its execution, the genre of social documentation is alive and well. Sincere, but not maudlin, the work in each case was a relief from the tide of irony here yet to ebb.

Dawoud Bey
“1975 to the present, a career survey”
May 13 – June 24, 2012
The Renaissance Society
5811 S. Ellis Avenue
Bergman Gallery, Cobb Hall 418
Chicago, Illinois 60637

Sade Kahra
“UV Portraits”
threewalls’ artist-in-research residency
June 1 – June 30, 2012
threewalls
119 N. Peoria #2d
Chicago, IL 60607

(15) Best Public Sculpture: “Martin Creed ‘MOTHERS’ @ MCA Chicago”
Martin Creed Work No. 1092, Work No. 1357 (MOTHERS) @ MCA Chicago

After “Color Jam” and “Forever Marilyn” the bar couldn’t have been much lower.

Installed in August of 2012; now closed.
MCA Chicago
220 E. Chicago Avenue (MVDR Drive)
Chicago IL 60611

(16) Hottest Chicago Artist Who’s Not Theaster Gates: Heidi Norton
BMO Harris Bank Chicago Works: Heidi Norton
Above: Heidi Norton at the MCA.
Heidi Norton & Geoffrey Todd Smith @ EXPO Vernissage After Party
Above: Heidi Norton and Geoffrey Todd Smith at EXPO Vernissage after party.

Norton’s schmutzy floral collages incorporate all manner of found objects–cast or bound together with wax and resin. If her additive Ab Ex, Neo-Dada process might recall a male figure such as Rauschenberg, her palette and penchant for translucent materials are more distinctly feminine.

After showing at Johalla Projects and the late Ebersmoore, Norton graced the MCA in 2012. In 2013 she was hired by Northwestern University; and institutional connectivity is, we all know, key to longevity in Chicago.

August 7 – October 23, 2012
Curated by Karsten Lund
MCA Chicago
220 E. Chicago Avenue (MVDR Drive)
Chicago IL 60611


POSTSCRIPT

(I) The following errors were identified and corrected in the article above:

- “Sofia Leiby” was originally written as “Sophia Leiby”

- “Vincent Uribe” was originally written as “Vince Uribe”

- “Chris Smith” was not named as Jake Myers’ partner in Tag Team

(II) Image of Jason Lazarus at ACRE Projects removed:

- On March 25, 2012, the author of the article above created a photograph of Jason Lazarus in the act of igniting fireworks in the alley behind ACRE Projects. Uploading said original digital image to Flickr, the author of the article above maintained the nomenclature which he received on-site at the time of said event: ACRE staff referred to said event as Lazarus’ “Fireworks Extravaganza.” Regarding that reference, for 16 months no complaint was made. Jason Lazarus saw said image on Flickr 16 months ago, left a comment on Flickr at said time, and therein made no complaint about the presence of the words “Fireworks Extravaganza” in said image’s Flickr caption. After the publication of the article above a complaint was received by Bad at Sports, from ACRE, with regard to the use of the words “Fireworks Extravaganza” in said image’s caption on Bad at Sports. The offending image and caption have been removed from the article above.

(III) No Endorsement:

- The author of the article above failed to clearly indicate that even as his viewing experience was his own, so too his conclusions were his own. No individual member of Bad at Sports, nor Bad at Sports collectively, ought to be assumed to endorse the article above, in part or in whole. Errors and omissions are the fault of the author of the article above, not Bad at Sports.

Likewise, with the exception of content which he has produced, the author of the article above endorses no content on Bad at Sports, whether said content is found in the blog, podcast, or in any other place.

(IV) Schmutzy:

- In the article above, an image of John McCracken’s “Untitled,” 1967, appears opposite Dan Flavin’s “Untitled (for you, Leo, in long respect and affection) 3,” 1978. Whether appropriate, McCracken has been associated with “finish fetish” artists: meticulous practitioners of craft, whose minimal objects are denominated by clean, smooth surfaces, illustrated by the mirror-like reflectivity of McCracken’s piece in said image, above.

Heidi Norton, while having exhibited geometric figures in the same museum (MCA) in the same year (2012) as McCracken, is in no danger of being confused with him. Norton’s work of late has been hallmarked by blobs, drips (see the image of Norton’s work, above) and other surface irregularities.

The author of the article above chose to employ the word “schmutzy” to describe said formal qualities in Norton’s work. “Schmutz,” literally, means “dirt,” though it’s more broadly used to signify some foreign matter: possibly organic, probably only semi-solid, and definitely capable of making a mess. The primary meaning of the word cannot be overlooked.

Artists and critics, male and female, gay and straight, in contemporary Chicago, have set precedent for the descriptive usage. For example, the application of such material to a picture plane was the definition of “painting” provided by Vera Klement: “a mark with liquidy [sic] stuff…a recreation of the body in a way, it’s the stuff that’s in your body, sloshing around in there, that kind of feces, primal material,” at 8:42 – 10:05, in the BaS podcast “Episode 214: Constellations: Paintings from the MCA Collection” October 4, 2009.

http://badatsports.com/2009/episode-214-constellations-paintings-from-the-mca-collection/

And prior to said statement by Klement, Jason Foumberg wrote: “paint flows expressively like an ejaculation,” in his June 22, 2009, piece “Portrait of the Artist: Dutes Miller,” in Newcity.

http://art.newcity.com/2009/06/22/portrait-of-the-artist-dutes-miller/

Bodily processes and sexuality might be hinted at by a word such as “schmutz” when used in relation to the appearance of Norton’s work; but, the association is no more necessary than is forcing such a (bodily, sexual) reading of “finish fetish” in relation to McCracken’s work. And it’s wrong to conflate the artist and the artwork: a description of one ought not to taken as a description of the other. In no place has it been written that Norton is schmutzy, or is a schmutz.

Postscript above appended on July 21, 2013, by the author of the article above, subsequent to a letter received from the blog’s editor.




Top 5 Weekend Picks! (6/28-6/30)

June 26, 2013 · Print This Article

1. 2 of a kind at LVL3 Gallery

2ofakind-600x431

Work by Mike Andrews, Andy Jordan, Sarah Belknap, Joseph Belknap, Wyatt Grant, Mike Paro, Chelsea Culp, Katy Cowan, Alan Fleming, Michael Fleming, Jacob Goudreault, Sofia Leiby, Michael Hunter, Rachel Niffenegger, Matt Nichols, and Josue Pellot.

LVL3 Gallery is located at 1542 N. Milkwaukee Ave. Reception Saturday, 6-10pm.

2. Binary Love at Threewalls

pnca_1df5d58e-6ec8-48a5-ab77-782976c3e267_medium

Work by Edie Fake and Brenna Murphy.

Threewalls is located at 119 N. Peoria St. Reception Friday, 6-9pm.

3. RAZR: Left Over Mythologies of the Best Selling Clamshell Phone at The Milk Factory Gallery

Picture 3

Work by Jon Chambers.

The Milk Factory Gallery is located at 907 N. Winchester Ave. Rear Apt. (ENTER THROUGH THE RED GATE). Reception Saturday, 7-10pm.

4. FLAT 14 at Floor Length and Tux

muskee2

Work by Aaron Delehanty, Max Garett and Hui-min Tsen.

Floor Length and Tux is located at 4125 W. Melrose St. Reception Saturday, 7-10pm.

5. Parallels: Part 1 at The Mission

TheMission000616

Work by Celeste Cooning and Heather MacKenzie. A collaboration with ACRE.

The Mission is located at 1431 W. Chicago Ave. Reception Friday, 5-7pm.




EDITION #11

June 17, 2013 · Print This Article

Tony Tasset is watching you.

Painting the town red

Everyone knows that going to a museum or a gallery is usually more trouble than it’s worth. What, with all the disapproving glances, heady talk and questionable wine selections. Wouldn’t it be easier just to look at art while you shop? Or during your morning commute to the Loop?

Citizens of Chicago, have no fear. Murals and public commissions are popping up all over (and around) the city. Just this past week the CTA announced the seven artists commissioned to beautify North Side Red Line stations. Lynn Basa (renowned public artist and my former boss) posted this mock-up for her Byzantine glass mosaic that will adorn the Argyle stop on facebook. Basa, who [literally] wrote the book on public art commissions mentioned to me this weekend that she is elated to be creating a public work in her hometown.

Basa mock-up for the Argyle station.

As if the CTA commissions weren’t enough, some of my very favorite Miami artists from Jim Drain to Bhakti Baxter have been descending on the town of Rosemont to complete murals in a new mall scheduled to open sometime this summer. For reasons beyond my comprehension, the ever-relevant New York Times devoted print space to this “ambitious” project. What’s the T? has heard that the mall will also feature an Alvaro Ilizarbe piece that is “his sistine chapel” and worth the trip to the mall-seum. See you there?

Chicago artist, Josh Reames, working on the Drain mural.

Threewall’s ‘Power of Ten’ was a party for way more.

Screw Basel and Venice, the Threewalls 10th anniversary benefit this weekend was on point! The Power of Ten at Salvage One had everything – food, drinks, crazy antiques and baubles, steampunk-style old-timey tin-types, circus performers, drink, dancing, a silhouette cutting artist, music, drinks, and even some art.

Even though we still don’t know where they’re moving (do they even know where they’re moving to?!), here are ten fabulously done-up attendee’s in honor of the power of ’10′:

Threewalls Programming Director, Abby Satinsky with artist and curator, Anthony Romero. Abby’s dress is just killer and La Croix continues to trend.

Auction guest curators and Chicago fashion icons, Ben Foch and Chealsea Culp of New Capital with Threewalls Director Shannon Stratton.

Formerly featured on Who Wore it Better, the daper Daniel Tucker and Anthony Stepter.

Artist Jason Lazurus flanked by up-and-comers Raven Munsell and Jesse Malmed. LOVING the seersucker suit!

Totally Trending

Face paint was definitely a big winner at the ACRE Block Party last Saturday, June 8th.


The Weatherman Report

Mary Heilmann , San Gregorio, 2012 Oil on canvas (15 x 12 inches) Image provided by hyperallergic.

SMALLTIME ARCHIPHILE:

Roberto Clemente Post Office

Consistently referred to as the worse post office in the world, the Roberto Clemente Branch of the USPS in Logan Square is a wonderfully ‘brick’ building, not in material but in shape. Thats not to say it’s shaped like a brick, but the bricks become different shapes. I say this because brick is on display, not for what it wants to be – sorry Lou Kahn – but for what it tries to simulate. It’s like when Neo sees Agent Smith shrouded in binary code – parts to whole, whole to parts, but without the make-up.

Post office exterior.

Usually used as a traditional building material, mostly flat and controlled through joining patterns, bricks do not become cylindrical columns, filleted edges, curves, almost tapestry like frames for tall beautiful window displays of people waiting two hours for a package, like at the RCPO. Opened in 1937, this building threw me for a loop because I dated it later, but the deco interior and amazing mural insice should have been more of an indication.

The mural in all it’s glory.

The changes in the bricks attitude is mad postmodern, but it was done at the mid-stage of American modernism, lending itself to the deco ideas of streamline. That would explain the curvaceous bod on this beauty, but not her brick dress. Beauty might be only skin deep, but when you use rounded bricks to complete a homogenous cladding of a building that could have been expressed in steel or another more plastic material, you’re trying to say something about normal buildings out there, namely ‘who cares what the brick wants to be.’

Located at 2339 N California Ave, Chicago, IL 60647

SLAC studios take hold on Milwaukee Ave

If you live in Logan Square you’ve probably been wondering what happened to that garrish pink bakery on Milwaukee Avenue near the Spaulding Blue Line stop. Unwilling to let it lay dormant, Gwendolyn Zabicki, founder and director of the South Logan Arts Coalition is putting this and other vacant storefronts on Milwaukee Avenue to use. SLAC’s studios will be open to the public with exhibitions featuring a total of 40 artists during the 2013 Milwaukee Avenue Arts Festival, June 28-30th.

What’s the T? caught up with Zabicki and some of the SLAC artists for sneak peek of what SLAC has in store for MAAF:

Matthew Woodward with his work in the bakery turned studio.

Milwaukee Avenue Arts Festival will also feature local favorites and newcomers such as the Trailer Park Proyects, Threewalls, The Comfort Station, Document, Reform Objects. We also heard the food is going to be the bomb.com.

SLAC continued…

Milwaukee Ave Arts Fest flyer at Reform Objects.

Natalie Krick in her SLAC studio.

Zabicki in the studio being occupied by Krick.

Location to Stationers

Summer Dreamin’

Location to Station: Help my ACRE homies fulfill their vision quest to super rad places like Cahokia. The artists are all super talented, and the “perks” for donating are real sweet.

ACRE Kitchen: ACRE does a lot of intangible things for the over 90 artists who visit the residency in Wisconsin each summer, but one of the most substantial and delicious parts of the program is feeding everyone twice a day. Anyone who’s been to ACRE knows the food is awesome, fresh, sustainable, all that jazz and the staff is tireless. Help ACRE help you! Plus it’s tax deductible. Hurry! There’s only a few days left!




Chicago Art in Pictures: March-April 2013

April 15, 2013 · Print This Article

A graphic, editorial overview of art, artists, and visual art events, found in and around Chicago over the course of the preceding month. All artwork copyright original artists; all photography copyright Paul Germanos.

Daniel Shea @ Gallery 400

Daniel Shea @ Gallery 400

Above: Daniel Shea with his photography in Gallery 400, as seen on April 13, 2013, at the closing of UIC’s third MFA exhibition.

“A Spectre Is Haunting”
2013 UIC Art MFA Thesis Exhibition 3
April 9 – April 13, 2013
Gallery 400
College of Architecture and the Arts
University of Illinois at Chicago
400 S. Peoria St.
Chicago, IL 60607
Artwork by Liliana Angulo Cortés, Ian Curry, Daniel Shea, and Daniel Tucker
http://www.danielpshea.com/

Jennifer Mills @ Chicago Artists Coalition

Jennifer Mills @ Chicago Artists Coalition

Above: Jennifer Mills (right) with collaborator Christopher Ottinger (left) in Mills’ CAC/Bolt installation “101 one-liners; Falling Flat,” on March 30, 2013.

Jennifer Mills
“101 one-liners; Falling Flat”
March 15 – April 2, 2013
BOLT Residency
Chicago Artists’ Coalition
217 N. Carpenter St.
Chicago, IL 60607
http://jennifermills.org/home.html

Picasso @ Daley Plaza

Picasso @ Daley Plaza

Picasso @ Daley Plaza

Above: 2013 promotional “P-I-C-A-S-S-O” installation by Chicago Scenic Studios, foreground; 1967 Picasso sculpture, background.

Daley Plaza
Washington between Dearborn and Clark
Chicago, IL
http://www.chicagoscenic.com/

“Picasso and Chicago”
February 20 – May 12, 2013
Art Institute of Chicago
111 S. Michigan Ave.
Chicago, IL
http://www.artic.edu/

John Neff @ The Renaissance Society

John Neff @ The Renaissance Society

Above: A 30-second exposure indicating spectator movement within Neff’s installation.

John Neff @ The Renaissance Society

Above: A talk with the artist (John Neff at left, Hamza Walker at right) at 5:00PM, on March 3, 2013, in Kent Hall, Room 107, University of Chicago campus.

John Neff @ The Renaissance Society

Above: Following the artist’s talk, Molly Zuckerman-Hartung (far right) raises a question.

John Neff
March 3 – April 14, 2013
The Renaissance Society
5811 S. Ellis Avenue
Bergman Gallery, Cobb Hall 418
Chicago, Illinois 60637
http://www.renaissancesociety.org/site/

Christopher Ottinger @ Chicago Artists’ Coalition

Christopher Ottinger @ Chicago Artists' Coalition

Above: Christopher Ottinger, background, at the opening reception, his uncovered, kinetic light art seen rotating in the foreground.

Christopher Ottinger
“Ghost Machine”
April 12 – May 2, 2013
BOLT Residency
Chicago Artists’ Coalition
217 N. Carpenter St.
Chicago, IL 60607
http://chicagoartistscoalition.org/

Lossless @ Chicago Artists’ Coalition

Matthew Schlagbaum in Lossless @ CAC HATCH Projects Residency

Above: Matthew Schlagbaum’s kinetic light installation visible within its smoked vitrine housing.

“Lossless”
April 12 – May 2, 2013
HATCH Projects Residency
Chicago Artists’ Coalition
217 N. Carpenter St.
Chicago, IL 60607
Curated by MK Meador
Artwork by Jordan Martins, Matthew Schlagbaum and Theodore Darst
http://chicagoartistscoalition.org/

The Wail of Silence @ ROOMS Gallery

The Wail of Silence @ ROOMS Gallery

Above: Alex de Leon lifts her veil in “Ritual No. 4 – Toll of Eyes,” a three-hour performance, 7:00-10:00 PM, March 8, 2013.

“The Wail of Silence”
March 8, 2013
ROOMS Gallery
1835 S. Halsted
Chicago, IL
http://roomsgallery.com/

Psychosexual @ Andrew Rafacz

Scott Hunter @ Andrew Rafacz

Above: “Psychosexual” curator Scott Hunter in the foreground, with artwork, left-to-right, by Nazafarin Lotfi, John Neff, and Peter Otto, visible in the background.

Psychosexual @ Andrew Rafacz

Above: Artwork by Peter Otto, Rachel Niffenegger, and Brenna Youngblood, seen left-to-right in Andrew Rafacz Gallery.

“Psychosexual”
April 6 – May 25, 2013
Andrew Rafacz Gallery
835 W. Washington Blvd.
Chicago IL 60607
Curated by Scott J. Hunter
Artwork by Lutz Bacher, Tom Burr, Edmund Chia, Matthias Dornfeld, Jayson Keeling, Jutta Koether, Nazafarin Lotfi, Jeffry Mitchell, John Neff, Rachel Niffenegger, Peter Otto, Kirsten Stoltmann, and Brenna Youngblood
http://www.andrewrafacz.com/

Lauren Edwards & Kera MacKenzie @ ACRE Projects

Lauren Edwards & Kera MacKenzie @ ACRE Projects
Lauren Edwards & Kera MacKenzie @ ACRE Projects

Above: Lauren Edwards and Kera MacKenzie, participants in UIC’s first MFA exhibition of 2013, seen within their subsequent show at ACRE Projects’ home site in Pilsen.

Lauren Edwards & Kera MacKenzie
“Burden of Proof”
April 14 – 28, 2013
ACRE Projects
1913 W. 17th St.
Chicago, IL 60608
http://www.acreresidency.org/

Michael Ian Larsen @ PEREGRINEPROGRAM

Michael Ian Larsen @ PEREGRINEPROGRAM

Michael Ian Larsen
“The Tree, the Gift, and the Amphibian”
March 10 – April 7, 2013
PEREGRINEPROGRAM
3311 W. Carroll Avenue, #119
Chicago, IL 60624
http://www.peregrineprogram.com/

Tina Tahir @ Gallery 400

Tina Tahir @ Gallery 400

Above: Tina Tahir at her closing reception with the installation “41.876503,-87.649666,” an ornamental ‘rug’ made of ash and magnetite mineral, whose title provides its GPS co-ordinates. Intentionally made available to foot traffic throughout the course of the exhibition, said piece is shown disturbed from its original state.

“A strange house in my voice.”
2013 UIC Art MFA Thesis Exhibition 2
April 2 – April 6, 2013
Gallery 400
College of Architecture and the Arts
University of Illinois at Chicago
400 S. Peoria St.
Chicago, IL 60607
Artwork by Cameron Gibson, Ben Murray, and Tina Tahir
http://www.tinatahir.com/

Laura Wennstrom @ The Peanut Gallery

Laura Wennstrom @ The Peanut Gallery

Above: Gallery patron interacts with Wennstrom’s “Block City” during the opening reception; cameras hang ready to document the action.

“Artificial Turf”
University of Illinois Urbana-Champaign MFA group exhibition
March 15 – April 9, 2013
The Peanut Gallery
1000 N. California Ave.
Chicago, IL
http://artgraduatestudentorganization.wordpress.com/

Jesse Butcher & Anthony Romero @ Happy Collaborationists / ACRE Projects

Jesse Butcher & Anthony Romero @ Happy Collaborationists

Jesse Butcher & Anthony Romero
“Cyclical, Circular. Like Vultures.”
April 6 – 27, 2013
Happy Collaborationists, in partnership with ACRE Residency
1254 N Noble
Chicago IL, 60642
http://happycollaborationists.com/

Michael Robinson @ Carrie Secrist

Michael Robinson @ Carrie Secrist

Michael Robinson
“Circle Spectre Paper Flame”
April 6 – May 11, 2013
Carrie Secrist Gallery
835 W. Washington Blvd.
Chicago, IL 60607
http://www.secristgallery.com/

Co-Prosperity School

Co-Prosperity School

Above: A Co-Prosperity School student’s presentation on March 18, 2013.

The Co-Prosperity Sphere
3219-21 S. Morgan St.
Chicago IL, 60608
http://coprosperity.org/co-prosperity-school/

Autumn Space Benefit Auction

Autumn Space Benefit Auction

Autumn Space Benefit Auction

Autumn Space Benefit Auction
March 10, 2013
1700 W. Irving Park #207
Chicago, IL
http://autumnspace.com/

Deb Sokolow @ Western Exhibitions

Deb Sokolow @ Western Exhibitions

Deb Sokolow
March 15 – April 20, 2103
Western Exhibitions
845 W. Washington Blvd.
Chicago, IL 60607
http://www.westernexhibitions.com/index.html

Diegesis @ Logan Center

Daniel Rosen @ Logan Center

Above: “The Index for an Encylopedia” by Daniel Rosen

Maymay Jumsai @ Logan Center

Above: “Smell.RB.MFA 2013″ by Maymay Jumsai

“Diegesis”
University of Chicago MFA Show 1
April 5 – 14, 2013
Logan Center Gallery
915 E. 60th St.
Chicago, IL 60637
http://arts.uchicago.edu/

Christopher Meerdo @ Document

Christopher Meerdo @ Document

Christopher Meerdo
“Anthology”
March 15 – April 20, 2013
Document
845 W. Washington Blvd. Suite 3f
Chicago IL 60607
http://christophermeerdo.com/

Juneer Kibria @ The Sub-Mission

Juneer Kibria @ The Sub-Mission

Above: Juneer Kibria in his installation, opening night.

Juneer Kibria
“Hidden Noise”
March 8 – April 20, 2013
The Mission (The Sub-Mission)
1431 W. Chicago Ave.
Chicago, IL 60642
http://themissionprojects.com/

Rebecca Beachy @ Iceberg Projects

Rebecca Beachy @ Iceberg Projects

Above: An audience member views “Warm (bed)” through a rectangular aperture just above the floor; 109 dozen factory-farmed eggs, ground, lit by heat lamps, lie within the piece.

Dan Berger before Deborah Stratman @ iceberg projects

Above: Iceberg Projects proprietor Dan Berger within the gallery space on June 23, 2012

“The Bearer”
March 10 -April 1, 2013
Iceberg Projects
7714 N. Sheridan Road
Chicago, IL 60626
Artwork by Rebecca Beachy and Walker Blackwell
http://icebergchicago.com/home.html

Lisa Walcott @ threewalls

Lisa Walcott @ threewalls

Lisa Walcott
“Pretty Good Shape”
Artists in Research – Residency
(Closed on March 21, 2013)
threewalls
119 N. Peoria #2c
Chicago, IL
http://www.three-walls.org/


Paul Germanos: Born November 30, 1967, Cook County, Illinois. Immigrant grandparents, NYC. High school cross country numerals and track letter. Certified by the State of Illinois as a peace officer. Licensed by the City of Chicago as a taxi driver. Attended the School of the Art Institute 1987-1989. Studied the history of political philosophy with the students of Leo Strauss from 2000-2005. Phi Theta Kappa and Phi Kappa Phi. Motorcyclist.