This week’s newsbits
While you were busy getting high on bath salts this week, it was announced that international badass and Chicago-based artist Jessica Stockholder is set to begin making Chicago’s largest public artwork…ever.
From the press release:
[The artist and a team of workers] will install, piece-by-piece, Color Jam, Stockholder’s three-dimensional vinyl artwork containing flashes of color and geometric shapes that spill from building facades onto the sidewalk and streets, commissioned by Chicago Loop Alliance.
The piece will be surrounding buildings, sidewalks and streets at the intersection of State and Adams Streets in the Chicago Loop.
The official “opening” of Color Jam will be on Tuesday, June 5th at 10 am.
Press release fun facts:
Color Jam is the largest public artwork in Chicago’s history and the largest contiguous vinyl project in the U.S. It is composed of over 76,000 square feet of colored vinyl—enough material to make 50,000 vinyl records, wrap over 130 city buses or cover one and a half football fields. Printing Color Jam on a standard HP home printer would require 2,100 ink cartridges and 180 hours of continuous printing.
Follow the live streaming at www.colorjamchicago.com. The public artwork will be at the intersection of State and Adams Streets from June 5 through September 30, 2012.
Susanne Ghez, who has led The Renaissance Society since 1973, has informed the Board of Directors of The Renaissance Society of her intention to step down from her position as Executive Director and Chief Curator in January 2013.
Throughout her 40 year tenure, Ghez has introduced Chicago to many groundbreaking artists, including Robert Smithson Joseph Kosuth, Feliz Gonzalez-Torres, Arturo Herrera, Laura Letinsky, and Kara Walker. Understanding the necessity of the artist catalogue, she decided to expand the museum’s publication program and helped to facilitate the museum’s digital archive and website.
From 1999 to 2002, she served as co-curator of Documenta 11 and continued to widen the international scope on Chicago arts. In 2002, Ghez was awarded the 2002 International Lifetime Achievement Award for Curatorial Excellence from Bard College Center for Curatorial Studies.
The Renaissance Society is an internationally renowned non-collecting museum of contemporary art located on the campus of The University of Chicago, at 5811 South Ellis Avenue, 4th floor, Chicago, IL 60637. The board of The Renaissance Society has formed a transition committee that is working with executive search firm Phillips Oppenheim to identify the museum’s next leader.
Work by Cathy Wilkes.
The Renaissance Society is located at 5811 S Ellis Ave. Reception Sunday, 4-7pm.
“A selected history of alternative & pop culture told through stickers.”
maxwell colette gallery is located at 908 N. Ashland Ave. Reception Friday, 6-10pm.
Work by Joseph Cassan, Julia Fish, Kevin Killian, Jessica Labatte, John Neff, and B. Wurtz.
Golden Gallery is located at 3319 N Broadway. Reception Saturday, 6-9pm.
Work by HATCH Projects artists and Quite Strong Lust List designers
Coalition Gallery is located at 217 N. Carpenter St. Reception Friday, 6-9pm.
Work by Ryan Griffis, Lize Mogel, Sarah Ross and Pocket Guide to Hell members Paul Durica, Michelle Faust, Kenneth Morrison, Sayward Schoonmaker, and Nat Ward.
Gallery 400 is located at 400 S. Peoria St. Reception Friday, 5-8pm.
Work by The Alliance of Pentaphilic Curators (Jason Dunda and Teena McClelland), John Arndt, Conrad Bakker, Dexter Sinister, Christa Donner, Kota Ezawa, Edie Fake, Eric Fleischauer, Stephen Lapthisophon, Jason Lazarus, Dani Leventhal, Aspen Mays, Mary Patten, Jenny Perlin, Public Collectors, Jason Salavon, Paul Lloyd Sargent, Cauleen Smith, Edra Soto, Stephanie Syjuco, Sergio Vega, and Philip von Zweck.
Gallery 400, 400 S. Peoria St. Reception Friday, 5-8pm.
Work by Tom Burtonwood, Holly Holmes, and James Jankowiak.
SideCar, 411 Huehn St, Hammond, IN. Reception Saturday, 5-10pm.
Work by Larry Lee
Kirk’s Apartment, 3710 N Marshfield. Reception Friday, 6-9pm.
Work by Liz McCarthy.
ACRE Projects, 1913 W 17th St. Reception Sunday, 4-8pm.
Reading by Mike Edison.
The Renaissance Society, 5811 S. Ellis Ave, Cobb Hall Room 307. Reading begins at 2pm.
On this month’s episode of Fielding Practice, Richard Holland joins Duncan MacKenzie, Dan Gunn and I for our regular roundtable discussion about art, culture, and related happenings in Chicago. Duncan provides a brief report on this year’s Open Engagement, an annual conference addressing current issues in art and social practice; and we all discuss our views of the current survey of William J. O’Brien’s ceramic sculptures at The Renaissance Society (May 15-June 26, 2011). Click on over to Art:21 blog to listen to the podcast, and thanks for tuning in!
The Renaissance Society can always be counted on to organize some meaty talks and discussions around its current exhibitions. It’s last one, Gerard Byrne’s A Thing is a Hole in a Thing it is Not, was no exception. Among other programs, the Ren organized a panel discussion titled “Minimalism Now” that included sculptor Rachel Harrison, art historians Miwon Kwon, James Meyer, and David Raskin and moderator Hamza Walker. Each panelist gave a brief presentation which was followed up by a group discussion. I’m in the middle of listening to it right now, and It Is Good. The Ren has over thirty previous public lectures, talks and discussions archived on its Vimeo website (lectures and gallery talks by artists like Byrne, Katharina Grosse, Allen Sekula, Moshekwa Langa and Rebecca Warren among them)–a fact which isn’t prominently featured on the Ren’s website – a tiny little “Vimeo” icon provides the only portal, as far as I can tell. It’s a great archive, and as I’ve said numerous times here before, I’m always extremely happy when institutions videotape and make their public programs available via YouTube or Vimeo.
I’ve embedded both parts of the Minimalism panel for your easy access – dig down and enjoy.