Episode 296: Butler and Cain

May 2, 2011 · Print This Article

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This week: As part of the Art Los Angeles Contemporary art fair, which took place January 27-30 at the Barker Hanger of the Santa Monica Airport, the crew from Art Practical produced “In and Out of Context: Artists Define the Space between San Francisco and Los Angeles,” a series of conversation that imagined the two cities as “a continuously evolving constellation of dialogues, shared interests, and overlapping approaches.

In this episode Patricia Maloney and Art Practical editor Victoria Gannon chatwith San Francisco-based artist Luke Butler, again in the parking lot of the Santa Monica Airport, as part of their ongoing quest to find a quiet spot away from the bustle of the fair. Butler reflects on his longstanding admiration for Captain Kirk while Patricia and Victoria wonder if he’ll suddenly start speaking in Klingon. Later, Patricia and AP editor Tess Thackara speak with artist Sarah Cain about her years living and working in the Bay Area before relocating to Los Angeles, her working process, and the oases she finds in LA.

Luke Butler received his MFA from California College of the Arts in 2008. Heworks in paintings and collage; much of his imagery comes from pop culture, most often from television and movies of his childhood including Starsky and Hutch and Star Trek, along with other iconic images, such as that of former U.S. presidents. Butler’s work was included in the 2010 California Biennial at the Orange County Museum, Newport Beach, CA. He is represented by Silverman Gallery in San Francisco, CA.

Sarah Cain received her BFA from the San Francisco Art Institute in 2001 and her MFA from the University of California Berkeley in 2006; she attended Skowhegan in 2006. Her work has been exhibited at the San Francisco Museum of Modern Art; the Santa Barbara Contemporary Arts Forum; the Orange County Museum of Art, Newport Beach, CA; KN Gallery, Chicago; and the Seiler + Mosseri-Marlio Gallery, Zurich. Cain received a Pollock-Krasner Foundation Grant in 2007 and a SECA Art Award in 2006. She is represented by Anthony Meier Fine Arts, San Francisco and Honor Fraser Gallery, Los Angeles.

Also check out last weeks show with Lisa Anne Auerbach and Michael Parker/a> if you didn’t catch it, they have a great conversation on torn porn and being one’s own bumper sticker to the Shakers and how artists can make change in the work. Airport parking lots, who ever thought so many interesting conversations were going on at them?




Episode 290: Jonn Herschend

March 21, 2011 · Print This Article

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John Herschend
This week: Brian and Patricia are joined by Tess Thackara in a rollicking conversation with artist Jonn Herschend. They discuss amusement parks, rugby, the art world’s need for humor, THE THING Quarterly, and of course Jonn’s diverse studio practice.

Raised in a midwestern amusement park, Jonn Herschend is an interdisciplinary artist, filmmaker and experimental publisher preoccupied with how emotional confusion, absurdity and veracity play out in the realm of the everyday. His performances, video work, and installations have included works such as a self portrait as a PowerPoint proposal for an amusement park ride, an infomercial about ambiguity, and a motorized trolley tour of places where personal crisis became public.

His work has been exhibited nationally and internationally including the Stuttgarter Filmwinter Film festival, Germany; Koh-i-noor, Denmark; LKV Gallery, Norway; the Cleveland Museum of Contemporary Art; the Pacific Film Archive, Berkeley; Southern Exposure and The Yerba Buena Center for the Arts in San Francisco. He is the co-founder and co-editor, along with Will Rogan, of the experimental publication THE THING Quarterly, and is a recent recipient of a Danish Arts Council grant for his work as co-curator, along with Heidi Hove, of the Deadpan Exchange international exhibition series, He has been a visiting lecturer at the University of California Berkeley, San Francisco State University, California College of Art and Stanford University.