A graphic, editorial overview of art, artists, and visual art events, found in and around Chicago over the course of the preceding month. All artwork copyright original artists; all photography copyright Paul Germanos.
Above: Theo Elliot at left; Morgan Herbert-King at right; opening night at ACRE Projects.
Thelonious Elliot and Wray Morgan Herbert-King
“Moving a Hole”
January 20 – February 4
1913 W. 17th St.
Chicago, IL 60608
Above: “Algren” 2012
Above: “Morandi” 2011, top; “Entrapment” 2012, bottom.
January 11 – March 1, 2013
Harold Washington Library Center
400 S. State St.
Chicago, IL 60605
Above: Exhibition closing and curator talk (MCA curator Dieter Roelstraete, left, and Smart curator Stephanie Smith, right) January 13, 2013
“Of what is, that it is; of what is not, that it is not,” panel 2
(wool tapestry from photo collage, approx. 11 x 38 feet, half of diptych)
December 13, 2012 – January 13, 2013
Smart Museum of Art (lobby)
5550 S. Greenwood Ave.
Chicago, IL 60637
Above: Robert Chase Heishman with artwork at Roots & Culture, opening night.
Robert Chase Heishman
January 18 – February 16, 2013
Roots & Culture
1034 N. Milwaukee Ave.
Curated by Eric May, Stephanie Cristello and Allison Glenn
Artwork by Robert Chase Heishman, Jessica Labatte, Alistair Matthews, and Liz Nielsen
Above: Peeking inside the piece “Public Space/Two Audiences”
R. H. Quaytman
“Passing Through The Opposite of What It Approaches, Chapter 25″
January 6 – February 17, 2013
The Renaissance Society
5811 S. Ellis Avenue
Bergman Gallery, Cobb Hall 418
Chicago, Illinois 60637
Above: Cotton on linen, embroidery, under glass, framed.
January 11 – February 16
Packer Schopf Gallery
942 W. Lake St.
Chicago, IL 60607
Above: Sarah Mendelsohn with her artwork at The Plaines Project, opening night.
January 19 – February 8, 2013
The Plaines Project
1822 S. Desplaines St.
Above: Tom Torluemke with his horrific vision of environmental degradation, shot at the opening reception.
“Fearsome Fable – Tolerable Truth”
January 20, 2013 – April 28, 2013
Hyde Park Art Center
5020 S. Cornell Ave.
Chicago, IL 60615
Above: Hummingbird in flight, floral origami aim, installation at Roxaboxen.
“Potentialities,” a two-person show with Milcah Bassel
January 20 – February 1, 2013
Roxaboxen Exhibitions / ACRE Projects
2130 W. 21st St.
Chicago, IL 60608
Above: Scott Hocking with artwork at opening reception for “EXCHANGE: Chicago-Detroit”
CHICAGO: Chicago Artists’ Coalition, Chicago IL
January 11 – 31, 2013
DETROIT: Cave Gallery and Public Pool, Detroit, MI
February 23 – March 16, 2013
Chicago Artists’ Coalition,
217 N. Carpenter Street,
Chicago IL 60607
Above: Edie Fake at opening reception; artwork in background.
January 4 – February 16, 2013
Thomas Robertello Gallery
27 N. Morgan St.
Chicago, IL 60607
Above: Lauren Payne and Erin Washington’s collaborative installation, opening night.
Above: Jenny Kendler (ACRE Board of Directors) left; Lauren Payne, right; opening night.
Lauren Payne and Erin Washington
“As Above So Below”
January 25 – 31, 2013
Johalla Projects / ACRE Projects
1821 W Hubbard, Suite 209
Above: Harvey Moon with “drawing machine” installed in gallery, opening night.
January 25 – March 22, 2013
230 W. Superior St.
Paul Germanos: Born November 30, 1967, Cook County, Illinois. Immigrant grandparents, NYC. High school cross country numerals and track letter. Certified by the State of Illinois as a peace officer. Licensed by the City of Chicago as a taxi driver. Attended the School of the Art Institute 1987-1989. Studied the history of political philosophy with the students of Leo Strauss from 2000-2005. Phi Theta Kappa and Phi Kappa Phi. Motorcyclist.
The University of Chicago’s Smart Museum of Art is the first Chicago museum to step up to the plate and plan a continuously-screened exhibition of David Wojnarowicz’ video, “Fire in My Belly,” in January. The video was removed from the National Portrait Gallery’s exhibition Hide/Seek: Difference and Desire in American Portraiture after religious organizations and right-wing politicians decried the piece as “anti-Christian.” The video will be screened in a continuous loop from January 4 – February 6, 2011. There will also be a faculty panel discussion on the work and the debates surrounding it at a still-to-be-determined date and time in January. Also – you know the video can easily be accessed on YouTube, right? Further details on the Smart’s screening can be found below.
David Wojnarowicz: A Fire in My Belly
January 4 – February 6, 2011
The University of Chicago’s Smart Museum of Art will present David Wojnarowicz’s A Fire in My Belly, joining with institutions across the country to screen the 1987 video work, which was recently removed from the National Portrait Gallery’s exhibition Hide/Seek: Difference and Desire in American Portraiture following protests by a religious group and conservative politicians.
The silent,13-minute version of Wojnarowicz’s unfinished film will be screened from January 4 to February 6, during the first month of the University of Chicago’s winter quarter. It will be shown on a continuous loop as part of the black box video series presented within the Smart Museum’s contemporary galleries.
A faculty panel discussion about the work and debate surrounding it will take place on a January date TBD. It is organized in collaboration with the University’s art history department and Jenn Sichel, a University of Chicago graduate student who served as a research assistant for Hide/Seek and has been a leading voice in protests against the work’s censorship.
“There is no question that Wojnarowicz’s video is provocative,” said Anthony Hirschel, the Dana Feitler Director of the Smart Museum. “However, as a university art museum, the Smart is committed to providing access to important works and to fostering discussion around even the most challenging art. This presentation of A Fire in My Belly gives our audiences have the opportunity to discuss and judge its merits for themselves.”
After it was pulled from Hide/Seek, institutions and galleries around the country have organized screenings and discussions of A Fire in My Belly. A national calendar of screenings and related events is available at www.hideseek.org. Further background and a compilation of statements from museum officials and others is available on the College Art Association’s website.
This week Duncan talks to Charles Esche, Director of the Van Abbemuseum, Kerstin Niemann, Research Curator at the Van Abbemuseum, and Stephanie Smith, Director of Collections and Exhibitions and Curator of Contemporary Art at the Smart Museum of Art about the current Smart Museum exhibition, Heartland.
In 2007 and 2008, the Heartland curators, eschewing traditional research methods, set out on a series of old-fashioned road trips through the vast center of the United States. These research trips informed two distinct exhibitions. The first presentation, which opened in October 2008 at the Van Abbemuseum in the Netherlands, sought to uncover new ways of thinking about the American interior during the U.S. presidential election and gave European audiences access to a broad survey of the Heartland’s culture, art, and music. The second, reconceived presentation at the Smart Museum, offers U.S. audiences a more focused look at the ideals of resourcefulness and invention that permeate the Heartland. Together, the two presentations offer a richly layered reading of a region that has too often been overlooked.
The exhibition is co-organized by the Smart Museum of Art and the Van Abbemuseum, Eindhoven, the Netherlands. The Van Abbemuseum’s presentation of Heartland took place from October 3, 2008 to February 8, 2009. In Eindhoven, the project consisted of a group exhibition in the Van Abbemuseum together with a musical program in the Muziekcentrum Frits Philips. Read more