EDITION #17

September 9, 2013 · Print This Article

Fall already freaking jam packed with openings

It’s official, Chicago artists are back from their residencies and vision quests and it is time for the fall gallery season. Inaugurated this weekend with about a million openings from River North to the ‘burbs and back again, we’re still reeling. Here are some photos while we iron out our thoughts:

Oh, this brave new art world! We didn’t know QR codes could actually do something but this interactive curiosity greets you at the entrance to Technoromanticism, a strictly new media show curated by Alfredo Salazar-Caro at Jean Albano Gallery on Friday night.

Performance finally showed some skin at the second iteration of THIS IS NOW A MAGAZINE: Dwyer/Fraccaro/Wylie in Logan Square last week. Things were anything but comfortable at the Comfort Station during a performance using CAM4 and something having to do with Buffalo Bill that we wish we could erase.

This pink combo stole our heart at LVL’s opening for Quandry on Saturday night.

Volume Gallery debuted their completely amazing and beautiful renovated space on Friday night with a show by Jonathan Muecke. Despite all the new space (or maybe because of it) the gallery was totally packed. This photo is from SightUnseen


Tyson Reeder’s opening at Peregrine Program celebrated some of Club Nutz greatest hits, and reminded us that we need to hit the beach one last time before fall!

Sterling Lawrence was super conceptual and all, but we thought these Alain Biltereyst pieces at Devening Projects + Editions were cute in a good way and would fit way better in my studio apartment.

Also, this?!

Reading is Fundamental

  • Cave of Lascaux blows everyones mind:
    Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum closed this weekend and if you didn’t make it we are truly sorry. This show had more new media than the SAIC BFA exhibition and we swear those cave paintings could be hanging in Shane Campbell and no one would bat an eye. We would go into greater detail, but fortunately for you, dear reader, Daniel Baird’s already wrote a piece on the exhibition and it is awesome. Who knew that ancient cave paintings were so totally superficial? Totes recommend you read it, we’ve been using Dan’s ideas to sound smart at openings all weekend.
  • Woman makes strong case for ladies:
    In case you couldn’t tell, WTT? loves the ladies, and we couldn’t be more excited to see the rest of the art world catching on. One lady show opened up this weekend with two to follow next week at Heaven and at the Frogman Gallery. “Lady Painters” curator, Gwendolyn Zabicki, sent us a hot tip on some required reading by participating artist, Sarah Weber. “Had I written a critical essay for Lady Painters, I would have liked to have written the very excellent one by Sarah Weber for Being a Woman in an All Woman Show.” WTT? couldn’t agree more. You can prep for both of these openings next weekend by reading Weber’s statement now.
  • Art Newspaper on artists in newspapers:
    Writer, Martin Bailey, covers the seriously late breaking news of Van Gogh’s ear incident after re-discovering an article from the Parisian paper Le Petite Journal published shortly after the incident on December 26, 1888. While doing research for his book on the artist, Bailey discovered the clipping, shedding new light on possibly the best artist gossip of all time. Making news in Paris all the way from Arles? Van Gogh is just lucky that the Impressionists didn’t have Facebook.
  • Extra, Extra: Art group travels to space, reports in NewCity?
    Speaking of newspapers, we almost forgot that people print those things anymore (oh wait, did we mention the newspaper we’re printing during EXPO?). Thankfully, we were reminded this week by the totally out of this world spread by Sarah Belknap, Marissa Lee Benedict and Joseph Belknap in NewCity. The photos are completely gorgeous and worth seeing in IRL.
  • Stop by LVL3’s MRKT and pick up a FREE copy of San Fransisco Arts Quarterly featuring an interview with the gallery’s director, Vincent Uribe, and artist, Josh Reames.

Reed’s drumkit.

Artists confused, think they are musicians

Last Thursday night WTT? made our first outing to Constellation. The venue’s unassuming brick facade under the overpass on Belmont and Western betrays the clean yet cozy interior of the bar. Intent on seeing live music on a Thursday night, Constellation was a great option. That is to say, the show was free. This art reporter was intrigued by the line-up: two reasonably well known visual artists (1/2 of Sonnenzimmer, Nick Bucher, and recent Hatch resident, Jordan Martins) performing with Constellation’s purveyor, Mike Reed, on drums.

Not to be mistaken for real musicians, the artists turnt virtuosos played an assortment of objects that would have made any dadaist proud.

Martins started the set playing guitar, but soon switched over to two broken guitar necks on a table which he “played” by jamming screwdrivers between the strings while strumming with chopsticks. Butcher wasn’t any more conventional “playing” a record player and what looked like a jumble of assorted cables that we’re not even sure were plugged in.

Even real musician, Mike Reed, got into the readymade spirit. It was weird enough that he played the drums with a tiny rake, but what was next to the drums was a regular Duchamp. Was it a rice cooker on a styrofoam cooler? Some instrument we’ve never seen before? We’re still not sure.

Despite using what appeared to be broken instrument pieces and household bric-a-brac, the trio was other wordly, playing a set that meandered through melodic ups and downs, punctuated by Butcher’s off beat electronics. Super chill for a Thursday night, I just wish they had better cocktails. (The Pimm’s cup was alright.)

Constellation is located at 3111 N Western Ave.

Header image is a photograph from inside Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum.

Got any T? email me!
(or get @ me on twitter)





EDITION #12

July 1, 2013 · Print This Article

The scene on Milwaukee Avenue this weekend.

Milwaukee Avenue Arts Festival Roundup

As if Logan Square wasn’t already the best neighborhood in Chicago (sorry haterz), this weekend’s Milwaukee Avenue Arts Festival was the perfect combination of art, craft and deliciousness. The festival had everything: boneless rib sandwiches, hot dogs, cheese burgers, italian sausages, cheese fries, funnel cakes, Wisconsin cheddar curds, corn dogs, chicken strips, cheese sticks, cheese curds, nachos and potato skins. Here are a few of the highlights:

All of the things!

Lisa Lindvay somehow managed to make Doritos gorgeous at one of the SLAC storefront exhibitions

We loved Natalie Krick’s clever use of the dressing rooms in the abandoned clothing store where one of the SLAC exhibitions took place.

WTT? is a longtime GDBD fan, so we were of course delighted to see member Jamie Steele’s work, Lady (2013) at MAAF.

The extremely lovely and extraordinarily talented Nadine Nakanishi at her booth for Sonnenzimmer.

Photo courtesy of J. Herrington

Finding Sustenance at CAC’s Starving Artist

Starving Artist. It’s a charged phrase that elicits reaction from our guts – whether artist, admin or educator – so it was no mistake Chicago Artists Coalition (CAC) chose it as the banner to hold over their annual artist+chef mash-up, raising funding and awareness for its mission to build a sustainable marketplace for artists and creative’s.

Photo courtesy of J. Herrington

Billed as “the experiential artist and culinary event of the year,” CAC pairs a handful of chefs from foodie institutions across the city with esteemed visual artists to inspire one another in creating edible “installations” to be enjoyed by the crowd and new works of art to be auctioned off the night of the event. 2013 saw collaborations between Jordan Martins and Abraham Conlon (Fat Rice), Sabina Ott and Bill Kim (bellyQ), Theaster Gates and Erick Williams (MK), Cody Hudson and Jared Wentworth (Longman & Eagle), and Marissa Lee Benedict with Benjamin Newby (Hennessy Black.) Additionally, Claire Ashley and Andrea Morris transformed CAC’s main gallery into an ethereal, celestial-like space, perfect for the obligatory after-hours dance party.

Photo courtesy of J. Herrington

Now in it’s third consecutive year, Starving Artist has proven to be a perfect concoction of collaboration. By partnering with taste makers (pun intended) throughout the food industry, which has its very own devout following for the artistry of the chefs they love, CAC has found a way to cross-pollinate audiences, capitalizing on shared aesthetics while aiming to develop new audiences for the arts. So far it’s a sweet – and savory – success.

Photo courtesy of J. Herrington

The Weatherman Report

Georges Seurat, A Sunday on La Grande Jatte — 1884, 1884-6 Oil on canvas (81 3/4 x 121 1/4 in.) The Art Institute of Chicago, Helen Birch Bartlett Memorial Collection.

Totally #Trending

Getting your nails did: If you haven’t signed up for an mani appointment at Dzine’s Imperial Nail Salon (my parents’ living room) at the MCA we don’t even know you.

The always fashionable Etta Sandry‘s nail sensation.

Chelsea Culp’s manicure even has chains! I die.

Cardboard: From cats to art fairs, card board is totally trending.

Colin Dickson‘s formal yet functional Donald Judd-esque cardboard cat scratcher in the window of “The Whisker.” We can haz cats while waiting in line?!

Aron Gent’s cardboard palace for Document & Threewall‘s joint booth at the Milwaukee Avenue Arts Festival.

Orange: No further proof needed than the ongoing and extreme popularity of the negroni slushies from Parson’s Chicken & Fish.

Mobile negroni slushie’s at MAAF this weekend. Photo via Parson’s Facebook.

You Spin Me Right Round

Rotating cermaic pot by Chealsea Culp & Ben Foch on view at Rainbo Club in Wicker Park. Is it weird that an art opening at a bar feels more like an art opening than most art openings?

SPOTTED!

LS Alderman, Rey Colón, checking out a photo by Garrett Baumer at one of the SLAC’s pop-up art exhibitions on Milkwaukee.

Robert Chase Heishman‘s work at the MAAF Document/Threewalls booth VS an Urban Outfitter’s backsplash. I think we all know who the winner of this battle is…

Come one, come all!