Our latest post is up on art:21 blog. This time, we look at two gallery exhibitions in Chicago that have been mounted in celebration of the Ox-Bow School of Art’s 100th anniversary, one at Corbett vs. Dempsey and the other at Roots & Culture. Here’s a brief excerpt from the piece:
We tend to spend a lot of time talking about art in terms of â€œworkâ€ nowadays, but we donâ€™t always consider how important respite and retreat can be when it comes to sustaining an artmaking practice.Â Artists, like all creative individuals, seek retreat for different reasons: to increase their focus and resolve; to problem-solve or brainstorm; to find new inspiration in unfamiliar surroundings; and to make new friends and and share ideas with other people.Â For the past 100 years, artists living in the Midwest and beyond have decamped for the Ox-Bow School of Art, located in the town of Saugutuck in Southwestern Michigan. Ox-Bow provides a unique kind of retreat thatâ€™s part art school, part summer camp, and part bohemian artistâ€™s colony. Its idyllic 115-acre campus includes forest areas, dunes, a lagoon, and a number of charming older buildings, some of which are still used as dormitories. This summer marks Ox-Bowâ€™s centennial. In celebration of this event, the Chicago galleries Corbett vs. Dempsey and Roots and Culture have collaborated with Ox-Bow on a joint presentation of artworks by current and former students, teachers, and staff.
Ox-Bow was founded in 1910 by Frederick Fursman and Walter Marshall Clute, two Chicago artists who taught at the School of the Art Institute of Chicago, with which Ox-Bow has long been affiliated. Fursman and Clute wanted to provide artists with a reason to escape the city, and began holding art classes for their students and other artists each summer in Saugatuck, Michigan, which lies along the Kalamazoo River about 142 miles away from Chicago. At first, classes were held on a farm on the east bank of the Kalamazoo River about a mile upstream from Ox-Bowâ€™s current location. In 1914, classes moved to the Riverside Hotel, a small inn founded by the Shriver family that soon became known as the Ox-Bow Inn. Originally built on an ox-bow-shaped bend of the Kalamazoo River, the Riverside hotel had been cut off from patrons ever since the river channel was straightened to flow directly into Lake Michigan, which dashed Saugatuckâ€™s hopes of becoming a major Great Lakes port. Faced with a shrinking clientele, the Shrivers decided to lease the building to a group of artists for an entire summer. As Ox-Bow took on a stronger identity as a school of art over the years, Saugatuck, too, began to reinvent itself as a Midwestern resort community and artistsâ€™ enclave. Today it is known in the region as the self-proclaimed â€œArt Coast of Michigan.â€ … (Read the full article here.)
1. In A Plain Brown Wrapper at Johalla Projects
Not for kids. Literally, you have to be 18 or over to enter. Work by Steven Frost, Elisa Garza, Elise Goldstein, Emerson Granillo, Jesse Hites, Jacob King, Ivan Lozano, Joelle McTigue, Karina Natis, Clare Oâ€™Sadnick, Edward Rossa, Joshua Sampson, Talaya Schmid, Kristen Stokes, Jaroslaw Studencki, Bu Tu, Wayama Woo, and Meredith Zielke. Organized by Barbara DeGenevieve.
Johalla Projects is located at 1561 N. Milwaukee Ave. Reception Saturday from 7-10pm
Two exhibitions celebrating the Centennial festivities for the Ox-Bow Summer School of Art.
Corbett vs. Dempsey is located at 1120 N Ashland Ave. Reception Saturday from 5-9pm. Roots and Culture is located at 1034 N. Milwaukee Ave. Reception Saturday from 6-9pm.
3. There, Now It Will Last Forever at The Family Room
Work by Stephen Eichhorn, James Ewert Jr, Ron Ewert, Mike Fortress, Jenny Kendler, Michael Ruggirello, Molly Schafer, Ben Speckmann, Davey Sommers, Scott Thomas and INDO.
The Family Room is located at 1821 W. Hubbard St., #202. Reception Friday from 7pm-12am.
4. Sangre, Sudor y Papeles: Artists examine the immigration issue at Antena
Work by Saul Aguirre, Adriana Baltazar, Miguel Cortez, Salvador JimÃ©nez-Flores, Jaime Mendoza, Jenny Priego, and Elvia Rodriguez-Ochoa.
Antena is located at 1765 S Laflin St. Reception Friday from 6-10pm.
5. No Money No Pancakes at Second Bedroom
Something weird’ll be going on. BYOB but there’s free waffles.
Second Bedroom is located at 3216 S. Morgan St. Reception Saturday from 7-11pm.
Hello again, my lovelies. So, as I was sayin’ on my gallery crawl blog, I was a little worried Monday when I started putting the listing together. At that point it was looking a little bleak. Thankfully that situation has remedied itself. It’s always nice when the weekend picks are relatively easy, and this weekend there is so much good stuff that picking was easy, it was whittling down that was hard. Here are a few places that still look awesome, but didn’t make it to the Top 5: Visions from a Foxhole at Pritzker Military Library, Rune at Ben Russell (dude, get a website, please! or if you have one, tell me where it is), We Are the World at Roots and Culture, and Ethan Greenbaum and Katrin Sigurdardottir at The Suburban. This is seriously the Alt. Space Weekend! As an odd testament, not one opening (that I could find) in River North. So go out, support your local project spaces, alternative spaces, apartment galleries, garage galleries, corners-of-living-rooms-with-art-badly-hung-in-them places, and enjoy the (inevitable and awesome) cheap beer.Â SALLY FOURTH!
1. ChicagoLand at PeregrineProgram
So I saw Daniel Lavitt out in the streets last weekend and asked him about the show. I’d seen the announcement card around (you’ve probably seen it too, him staring Godzilla-style through a tiny window), but wasn’t sure exactly what the hell was going on. Well, my friends, this stuff looks like a whole pile of awesome! I love miniaturized work, it’s always a bit creepy and awkward.Â For this work, Lavitt is not only miniaturizing Chicago, he’s doing it to culturally and personally significant places AND wiring them along an economic gradient. I’ve never been to this space, so I’m super stoked on seeing a new venue and Lavitt’s new work.
PeregrineProgram is located at 500 W Cermak Rd, #727. Reception is Friday from 6-9pm. Read more
January 11, 2010 · Print This Article
“Forever Vegetal” is the head-scratching title given to two concurrent solo shows at Roots and Culture featuring new work by Brian McNearney and Edra Soto. The exhibition opened earlier in December and will close this weekend on January 16th. Over the weekend I spoke (o.k., emailed with) Edra Soto about the new works she created for the exhibition, which tackle all the Big Issues:Â Life and Death, Heaven and Hell, Roman Catholicism, Michael Jackson’s pet mouse Ben, and Soto’s loveable canine, Foster, aka “the Jesus of Dogs.”
Your show at Roots and Culture begins with a piece that takes the form of a shrine and is titled “In Memory of Who I Was.” To me it seems to frame the entire show.
Edra Soto: “In Memory of Who I Was” is a shrine that commemorates my innocence, my past and the person I will never be again. I was also trying to make a memorial for myself as form of representing a transition. It’s never been a problem for me to find ways of representing art, but when Iâ€™ve been involved in great projects that have taken a lot of time and emotional investment, like my latest show at the MCA, it was making perfect sense for me to â€œkill myselfâ€ theoretically, to be able to speak about something different. There are a few transitional pieces in the show.
Initially, I was trying to make an art piece that compiled photos of me from childhood to the present, and have a small memorial of who I was until yesterday. I have explored the concept of time passing with memorials, like in A Year In Review and Landfill exhibited at Gallery 400 and Memorial at Polvo, all in 2005. Read more
December 9, 2009 · Print This Article
Guest Post by Eric May
(Ed. Note: May’s essay takes the format of responses to a series of questions about Chicago’s apartment gallery scene, posed by EC Brown of Floor Length and Tux).
Do these space have real cultural or regional impact? Does anyone really care if Chicago has 2.3 trillion small project spaces?
The overall arc of sixty+ years of independent art spaces in Chicago clearly has significance in that itâ€™s become the tradition it has, and an activity that folks here seem to stay interested in. Beyond that, the factors of cheap rent, lack of venues, and DIY spirit lend to the reason why every other undergrad starts their own space and we end up with 2.3 trillion things going on. I think that perhaps one of the strongest cultural benefits is the self- education of young folks in organizing- something risky and entrepreneurial. It almost doesnâ€™t matter if their project is â€œsuccessfulâ€- at least theyâ€™ve gone through the motions of taking on something bigger, outside themselves, and collaborative. And who will see all these activities? I think thatâ€™s up to the folks running these spaces and how hard they are willing to work to promote themselves and stay dedicated. Some survive, some donâ€™t- lesson learned. A recent train of thought has questioned whether these spaces are a mere surrogate for the healthier, better supported art venues of the bigger cultural centers- a last ditch effort for artists to get their work shown. All said, in the end of the day, the work gets shown. Chicago can have a really healthy community-supported art scene. Regional impact beyond our own metropolitan area? Folks that I know in Indianapolis, Milwaukee, Detroit, Grand Rapids, Kansas City, St. Louis, Ann Arbor, and Minneapolis pay attention to what happens here. I know people that, inspired by the independent space scene in Chicago, have embarked on their own spaces in their home cities. Flyover maybe, but at least Chicagoâ€™s got the busiest airport (do we even anymore?). Beyond that? Eh. Maybe Iâ€™m the wrong person to ask – Iâ€™ve been here my whole life! More press would be helpfulâ€¦ Read more