Hello again, my lovelies. So, as I was sayin’ on my gallery crawl blog, I was a little worried Monday when I started putting the listing together. At that point it was looking a little bleak. Thankfully that situation has remedied itself. It’s always nice when the weekend picks are relatively easy, and this weekend there is so much good stuff that picking was easy, it was whittling down that was hard. Here are a few places that still look awesome, but didn’t make it to the Top 5: Visions from a Foxhole at Pritzker Military Library, Rune at Ben Russell (dude, get a website, please! or if you have one, tell me where it is), We Are the World at Roots and Culture, and Ethan Greenbaum and Katrin Sigurdardottir at The Suburban. This is seriously the Alt. Space Weekend! As an odd testament, not one opening (that I could find) in River North. So go out, support your local project spaces, alternative spaces, apartment galleries, garage galleries, corners-of-living-rooms-with-art-badly-hung-in-them places, and enjoy the (inevitable and awesome) cheap beer.Â SALLY FOURTH!
1. ChicagoLand at PeregrineProgram
So I saw Daniel Lavitt out in the streets last weekend and asked him about the show. I’d seen the announcement card around (you’ve probably seen it too, him staring Godzilla-style through a tiny window), but wasn’t sure exactly what the hell was going on. Well, my friends, this stuff looks like a whole pile of awesome! I love miniaturized work, it’s always a bit creepy and awkward.Â For this work, Lavitt is not only miniaturizing Chicago, he’s doing it to culturally and personally significant places AND wiring them along an economic gradient. I’ve never been to this space, so I’m super stoked on seeing a new venue and Lavitt’s new work.
PeregrineProgram is located at 500 W Cermak Rd, #727. Reception is Friday from 6-9pm. Read more
January 11, 2010 · Print This Article
“Forever Vegetal” is the head-scratching title given to two concurrent solo shows at Roots and Culture featuring new work by Brian McNearney and Edra Soto. The exhibition opened earlier in December and will close this weekend on January 16th. Over the weekend I spoke (o.k., emailed with) Edra Soto about the new works she created for the exhibition, which tackle all the Big Issues:Â Life and Death, Heaven and Hell, Roman Catholicism, Michael Jackson’s pet mouse Ben, and Soto’s loveable canine, Foster, aka “the Jesus of Dogs.”
Your show at Roots and Culture begins with a piece that takes the form of a shrine and is titled “In Memory of Who I Was.” To me it seems to frame the entire show.
Edra Soto: “In Memory of Who I Was” is a shrine that commemorates my innocence, my past and the person I will never be again. I was also trying to make a memorial for myself as form of representing a transition. It’s never been a problem for me to find ways of representing art, but when Iâ€™ve been involved in great projects that have taken a lot of time and emotional investment, like my latest show at the MCA, it was making perfect sense for me to â€œkill myselfâ€ theoretically, to be able to speak about something different. There are a few transitional pieces in the show.
Initially, I was trying to make an art piece that compiled photos of me from childhood to the present, and have a small memorial of who I was until yesterday. I have explored the concept of time passing with memorials, like in A Year In Review and Landfill exhibited at Gallery 400 and Memorial at Polvo, all in 2005. Read more
December 9, 2009 · Print This Article
Guest Post by Eric May
(Ed. Note: May’s essay takes the format of responses to a series of questions about Chicago’s apartment gallery scene, posed by EC Brown of Floor Length and Tux).
Do these space have real cultural or regional impact? Does anyone really care if Chicago has 2.3 trillion small project spaces?
The overall arc of sixty+ years of independent art spaces in Chicago clearly has significance in that itâ€™s become the tradition it has, and an activity that folks here seem to stay interested in. Beyond that, the factors of cheap rent, lack of venues, and DIY spirit lend to the reason why every other undergrad starts their own space and we end up with 2.3 trillion things going on. I think that perhaps one of the strongest cultural benefits is the self- education of young folks in organizing- something risky and entrepreneurial. It almost doesnâ€™t matter if their project is â€œsuccessfulâ€- at least theyâ€™ve gone through the motions of taking on something bigger, outside themselves, and collaborative. And who will see all these activities? I think thatâ€™s up to the folks running these spaces and how hard they are willing to work to promote themselves and stay dedicated. Some survive, some donâ€™t- lesson learned. A recent train of thought has questioned whether these spaces are a mere surrogate for the healthier, better supported art venues of the bigger cultural centers- a last ditch effort for artists to get their work shown. All said, in the end of the day, the work gets shown. Chicago can have a really healthy community-supported art scene. Regional impact beyond our own metropolitan area? Folks that I know in Indianapolis, Milwaukee, Detroit, Grand Rapids, Kansas City, St. Louis, Ann Arbor, and Minneapolis pay attention to what happens here. I know people that, inspired by the independent space scene in Chicago, have embarked on their own spaces in their home cities. Flyover maybe, but at least Chicagoâ€™s got the busiest airport (do we even anymore?). Beyond that? Eh. Maybe Iâ€™m the wrong person to ask – Iâ€™ve been here my whole life! More press would be helpfulâ€¦ Read more
Times are tough, but there’s a lot to look forward to with the coming Fall art season in Chicago. Here’s what Meg and I are most looking forward to seeing over the next three months — and be sure to check out Stephanie’s guide to Friday and Saturday openings below!
9/11 Philip Von Zweck at ThreeWalls (M, C) The title of this show is “The Fortieth Anniversary of the First Anniversary of May â€™68 (in September).” Von Zweck is a significant and much-beloved figure in the Chicago art scene who ran a highly respected apartment gallery for a number of years. This exhibition marks his return to a more traditional solo artist exhibition framework.
9/11 Luis Gispert at Rhona Hoffman (C) New large-scale photographic portraits and videos by the Miami-born, Brooklyn-based Gispert that focus on immigrant sectors of the American workforce and the search for expressive outlets outside the realm of labor. A three-channel film focuses on Gispert’s friend Rene, a Cuban immigrant who works in a Miami restaurant supply store.
9/11 Jessica Labatte at Scott Projects (M). Labatte’s exhibition Bright Branches documents found objects collected from Chicago alleys and junk stores.
9/11 Craig Doty: Women at Roots and Culture (M,C). The women in Doty’s new photographic series have been described as appearing “physically exhausted as well as ethically or morally debased,” i.e. a wet and shivering woman looking out past viewers with few narrative clues as to why, etc. Given Choire Sicha’s description of Doty as “a sick little pervert” whose previous body of work was “very John Hughes meets John Waters meets John Lydon,” well, let’s just say we can’t wait to see his approach to the subject for ourselves.
9/12 Doug Ischar at Golden (M,C). A body of work from 1985, never before seen in its entirety, is the enticement here. Ischar’s show is titled Marginal Waters and features images taken in Chicago’s now-defunct Belmont Rocks.
9/19 Jonas Wood at Shane Campbell Gallery (C). He’s from L.A. and showed at Black Dragon Society, plus he’s collaborated with painter Mark Grotjahn…for now, that’s all I need to know to want to see Wood’s show.
9/19 Jason Lazarus, Wolfgang PlÃ¶ger, Zoe Strauss at The Art Institute (M). A show of recent photographic acquisitions of these artists’ works by the Art Institute.
9/20 Allen Sekula, Polonia and Other Fables at The Renaissance Society (C). New photographs by anti-globalization hero Sekula that focus on Chicago’s rich labor history, its Polish working-class population along with The University of Chicagoâ€™s famous lineage of economic theorists. Heady yet vital stuff from this woefully under-recognized L.A.-based artist.
9/25 – 9/27 Mikhail Baryshnikov at Harris Theater (M). It’s Baryshnikov dude. ‘Nuff said.
9/30 Heartland at the Smart Museum (C). Coorganized by the Smart Museum of Art and the Van Abbemuseum, a survey of artists from the Midwest aka the American Heartland. Hopefully it’ll subvert the syrupy connotations of it’s title, or at least be the kind of show that people argue, bitch and moan about rather than simply ignore.
10/2 – 10/4Â Western Exhibitions and Golden Age at the NY Art Book Fair (M). The only event to make it to our list that is not in Chicago. If your in New York at the beginning of October check out two Chicagoans holding it down at the Fair.
October, opening date TBA, Carroll Dunham at He Said/She Said (C). Carroll Dunham shows in a suburban apartment gallery: the Oak Park home of Pamela Fraser and Randall Szott. Can’t wait for this.
10/8-21 Chicago International Film Festival (M) In it’s 45th year the film festival the two week festival is the hub for all film fanatics.Â This festival might be the only time to catch certain films so be sure to check out their schedule in advance.
10/10 Jeremy Deller: It Is What It Is: Conversations About Iraq, at the MCA (M) Commissioned by The Three M Project Jeremy Deller will invite numerous participants to discuss their knowledge of the Iraq War. Some guest will include verterans, and scholars.
James Welling at Donald Young (C)
10/10 Playing with Pictures: The Art of Victorian Photocollage at The Art Institute (C). I’m a sucker for Victoriana, and this exhibition –the first “to comprehensively examine the little-known phenomenon of Victorian photocollage, presenting work that has rarelyâ€”and in many cases neverâ€”before been displayed or reproduced” — is probably the one show I’m most looking forward to seeing this fall. A medium mostly practiced by aristocratic women, Victorian photocollage combined human, animal, and botanical forms in all sorts of wacky and whimsical ways, and I’m looking forward to reading the accompanying full-color catalogue to learn more about the ways that female artists of this era approached the form some sixty odd years before Picasso and Braque started playing around with it.
10/13 Alex Halsted and David MorÃ© at Gallery 400 (C). Chicago-based MorÃ© “collaborates” with an elephant nose fish, who emits an electrical pulse as a navigation tool which the artist then amplifies. I love the gallery’s blurb on this show: “This performance duo mixes issues of displacement, communications, commercial sound and inter-species contact in a singularly engaging bio-tech format.” Yep, pretty much says it all.
10/16 In Search of the Mundane at ThreeWalls (M) Organized by Randall Szott and InCUBATEÂ According to ThreeWalls this series will , “include boozy brunches, a lecture on the art of storytelling, various leisure excursions, and a tour of personal collections.”
10/17Â Liam Gillick Curates the MCA Collection (M, C). We love the way that the MCA is experimenting with the curation of its permanent collection. The MCA has invited Liam Gillick to select works for its next hanging.
11/TBA James Welling at Donald Young (C).Â New work by L.A. photographer Welling, whose ongoing interest in the experimental and abstract possibilities of photography set his work apart from contemporaries like Sherrie Levine and Cindy Sherman as well as today’s younger generation focusing heavily on portraiture. Welling’s last show at Donald Young featured photograms of flowers and “torsos” (the latter actually made out of screens sculpted to resemble human curves) made without the use of a camera; the results were gorgeous, and I’m looking forward to seeing what he delves into next.
12/4 Carrie Schneider at MCA 12×12 (M, C)Â Often using herself as her main character, SchneiderÂ Â melds several genres of art-making including body art, performance, self-portraiture photography and film in images that are haunting, creepy, and hallucinatory in their resonance. If someone ever gave Schneider a huge project budget she could give Matthew Barney a run for his money, but for now we’ll look forward to seeing the new short film Schneider plans to premiere in her first solo museum outing at the MCA. According to the MCA’s website, the film, made in Helsinki, Finland while the artist was there on residency, continues the artists’ ongoing exploration of doubled selves and the uncanny.