EDITION #8

April 29, 2013 · Print This Article

Move over, Judy Chicago!

While you were busy rubbing up against undergrads who rock BO like its spring Givenchy at the latest apartment opening, What’s the T? was doing rigorous “research” on how the other half lives. The half that attends a monthly live talk show catered by a guest chef in a West Loop winery.

The April 1st Dinner Party featured actually funny stand-up from Brian Babylon and made me fall in love with Peggy Macnamara. The pork chop was bangin’ and the food was totally worth the price of the ticket alone.

Ted Seymour, resident choreographer at Ballet Chicago, danced the opening performance with Ellen Green at the April 1st Dinner Party.

Unsurprisingly, What’s the T? is particularly star-struck by the inclusion of Jordan, the creator of CandidCandace.com and a social columnist for the Trib at the May 6th installment of the live broadcast event.

Writing gossip and being gossip are usually considered mutual exclusive endeavors, but Candace Jordan has managed to work both sides of the column. Jordan was named playboy bunny of the year in 1976 and currently spends her time covering the juiciest events in town. Michael Jordan’s wedding much?

Brian Babylon being hilarious.

Buy tickets for the May 6th Dinner Party featuring Candace Jordan, Lin Brehmer of WXRT, and Nick Bowling, Associate Director of the Timeline Theatre. Hosted by Elysabeth Alfano at City Winery.

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Peep this outtake from Kris Harzinski & Will Haughery’s May 26th exhibition at ACRE.

Telephone Cords Snap Back

Local fav, Gel Set’s new video for “disconnected” features everyone you’ve ever seen at party and really works the telephone cord trend.

Karthik Pandian’s Rhona Hoffman exhibition has also been trending hard, recently inciting a comment war on New City’s website. The Incomparables Club featured a circle of red telephone cord placed aptly above the desk, which can still be seen in Pandian’s on-going video installation, Reversal in the upstairs gallery.

The Weatherman Report

Georgia O’Keeffe, Yellow Jonquils # 3, 1936 © The Georgia O’Keeffe Foundation/Artists Rights Society (ARS), New York. Photo: Dan Wayne.

SMALLTIME ARCHIPHILE:

Home Away from Home

Gems are few and far between in terms of iconic architecture. Most of the time, our cities are made up of small insignificant cumulative buildings occupying neighborhoods and defining local character. But this building in Lakeview doesn’t HAVE character; it IS a character, an odd-one-out for that matter.

This polarized 3-flat near the EL on Sheffield is shaped by typical Chicago lot restrictions, but not by local vernacular practices, like red bricks or Chicago Windows. This residence looks like it should be in South Beach, not North Lakeview – a conglomerate of White and Grey masonry blocks in alternating horizontal lines; copious amounts of Miami Vice Glass brick; 90s laser-beam graphics on the long elevation; ‘hi-tech’ Kubrick bubble windows; a diagonally cut front entrance; and fucking shark fins on the parapet roof profile. I can’t believe I just described a building like this AND it’s real. It’s odd placement near a major transit point and its non-Chicago skin make it stand out, but not in the way that suggests it got lost in the wrong neighborhood. It’s as if this building is doing it’s own thing and feeling really comfortable, like dancing with it’s eyes closed and pretending no one’s watching.

As an object, this looker is not a place you can hang at, since it’s a private residence. Maybe you can make friends with the inhabitants of this time-and-place machine. Imagine hanging on the asymmetrical rear patio decks on a warm summer night, sipping on your cold fruity drink – if you get blasted enough, it might feel like Miami Beach with your eyes closed…but then the train will pass by and you’ll realize you’re in a fucking spaceship.

Grade A diamond in the rough.

Address: FIND IT YOURSELF!

What the T?!

What happened to G.R. N’Namdi Gallery?




Bad at Sports’ Fall Art Picks

September 11, 2009 · Print This Article

Times are tough, but there’s a lot to look forward to with the coming Fall art season in Chicago. Here’s what Meg and I are most looking forward to seeing over the next three months — and be sure to check out Stephanie’s guide to Friday and Saturday openings below!

Philip Von Zweck

Philip Von Zweck at ThreeWalls

9/11 Philip Von Zweck at ThreeWalls (M, C) The title of this show is “The Fortieth Anniversary of the First Anniversary of May ’68 (in September).” Von Zweck is a significant and much-beloved figure in the Chicago art scene who ran a highly respected apartment gallery for a number of years. This exhibition marks his return to a more traditional solo artist exhibition framework.

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Luis Gispert at Rhona Hoffman Gallery

9/11 Luis Gispert at Rhona Hoffman (C) New large-scale photographic portraits and videos by the Miami-born, Brooklyn-based Gispert that focus on immigrant sectors of the American workforce and the search for expressive outlets outside the realm of labor. A three-channel film focuses on Gispert’s friend Rene, a Cuban immigrant who works in a Miami restaurant supply store.

9/11 Jessica Labatte at Scott Projects (M). Labatte’s exhibition Bright Branches documents found objects collected from Chicago alleys and junk stores.

9/11 Craig Doty: Women at Roots and Culture (M,C). The women in Doty’s new photographic series have been described as appearing “physically exhausted as well as ethically or morally debased,” i.e. a wet and shivering woman looking out past viewers with few narrative clues as to why, etc. Given Choire Sicha’s description of Doty as “a sick little pervert” whose previous body of work was “very John Hughes meets John Waters meets John Lydon,” well, let’s just say we can’t wait to see his approach to the subject for ourselves.

Doug Ischar at Golden Gallery

Doug Ischar at Golden Gallery

9/12 Doug Ischar at Golden (M,C). A body of work from 1985, never before seen in its entirety, is the enticement here. Ischar’s show is titled Marginal Waters and features images taken in Chicago’s now-defunct Belmont Rocks.

9/19 Jonas Wood at Shane Campbell Gallery (C). He’s from L.A. and showed at Black Dragon Society, plus he’s collaborated with painter Mark Grotjahn…for now, that’s all I need to know to want to see Wood’s show.

9/19 Jason Lazarus, Wolfgang Plöger, Zoe Strauss at The Art Institute (M). A show of recent photographic acquisitions of these artists’ works by the Art Institute.

9/20 Allen Sekula, Polonia and Other Fables at The Renaissance Society (C). New photographs by anti-globalization hero Sekula that focus on Chicago’s rich labor history, its Polish working-class population along with The University of Chicago’s famous lineage of economic theorists. Heady yet vital stuff from this woefully under-recognized L.A.-based artist.

9/25 – 9/27 Mikhail Baryshnikov at Harris Theater (M). It’s Baryshnikov dude. ‘Nuff said.

Greely Myatt in Heartland at Smart Museum of Art

Greely Myatt in Heartland at Smart Museum of Art

9/30 Heartland at the Smart Museum (C). Coorganized by the Smart Museum of Art and the Van Abbemuseum, a survey of artists from the Midwest aka the American Heartland. Hopefully it’ll subvert the syrupy connotations of it’s title, or at least be the kind of show that people argue, bitch and moan about rather than simply ignore.

10/2 – 10/4  Western Exhibitions and Golden Age at the NY Art Book Fair (M). The only event to make it to our list that is not in Chicago. If your in New York at the beginning of October check out two Chicagoans holding it down at the Fair.

October, opening date TBA, Carroll Dunham at He Said/She Said (C). Carroll Dunham shows in a suburban apartment gallery: the Oak Park home of Pamela Fraser and Randall Szott. Can’t wait for this.

10/8-21 Chicago International Film Festival (M) In it’s 45th year the film festival the two week festival is the hub for all film fanatics.  This festival might be the only time to catch certain films so be sure to check out their schedule in advance.

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Jeremy Deller at The Museum of Contemporary Art

10/10 Jeremy Deller: It Is What It Is: Conversations About Iraq, at the MCA (M) Commissioned by The Three M Project Jeremy Deller will invite numerous participants to discuss their knowledge of the Iraq War. Some guest will include verterans, and scholars.
James Welling at Donald Young (C)

10/10 Playing with Pictures: The Art of Victorian Photocollage at The Art Institute (C). I’m a sucker for Victoriana, and this exhibition –the first “to comprehensively examine the little-known phenomenon of Victorian photocollage, presenting work that has rarely—and in many cases never—before been displayed or reproduced” — is probably the one show I’m most looking forward to seeing this fall. A medium mostly practiced by aristocratic women, Victorian photocollage combined human, animal, and botanical forms in all sorts of wacky and whimsical ways, and I’m looking forward to reading the accompanying full-color catalogue to learn more about the ways that female artists of this era approached the form some sixty odd years before Picasso and Braque started playing around with it.

10/13 Alex Halsted and David Moré at Gallery 400 (C). Chicago-based Moré “collaborates” with an elephant nose fish, who emits an electrical pulse as a navigation tool which the artist then amplifies. I love the gallery’s blurb on this show: “This performance duo mixes issues of displacement, communications, commercial sound and inter-species contact in a singularly engaging bio-tech format.” Yep, pretty much says it all.

10/16 In Search of the Mundane at ThreeWalls (M) Organized by Randall Szott and InCUBATE  According to ThreeWalls this series will , “include boozy brunches, a lecture on the art of storytelling, various leisure excursions, and a tour of personal collections.”

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Liam Gillick at the MCA

10/17  Liam Gillick Curates the MCA Collection (M, C). We love the way that the MCA is experimenting with the curation of its permanent collection. The MCA has invited Liam Gillick to select works for its next hanging.

11/TBA James Welling at Donald Young (C).  New work by L.A. photographer Welling, whose ongoing interest in the experimental and abstract possibilities of photography set his work apart from contemporaries like Sherrie Levine and Cindy Sherman as well as today’s younger generation focusing heavily on portraiture. Welling’s last show at Donald Young featured photograms of flowers and “torsos” (the latter actually made out of screens sculpted to resemble human curves) made without the use of a camera; the results were gorgeous, and I’m looking forward to seeing what he delves into next.

12/4 Carrie Schneider at MCA 12×12 (M, C)  Often using herself as her main character, Schneider  melds several genres of art-making including body art, performance, self-portraiture photography and film in images that are haunting, creepy, and hallucinatory in their resonance. If someone ever gave Schneider a huge project budget she could give Matthew Barney a run for his money, but for now we’ll look forward to seeing the new short film Schneider plans to premiere in her first solo museum outing at the MCA. According to the MCA’s website, the film, made in Helsinki, Finland while the artist was there on residency, continues the artists’ ongoing exploration of doubled selves and the uncanny.