News broke this weekend that artist, Walter Latimer, is a former Junior Olympics jump rope record holder! Check out the soon to be viral video of his performance at the SAIC Art Bash.
by Autumn Hays
It’s that time of the year again. Summer is here and this tends to be a prime time all over the world for performance art festivals. The best part is, if you are in Chicago you don’t have to go anywhere to experience some of the finest international performance art. Rapid Pulse International Performance Art Festival has entered its third year. This year the dates for the festival run June 5-8th and 12th-15th. This years line up proves once again to be very promising. If you are interested in performance art it is an event not to miss.
Rapid Pulse is curated by Steven L. Bridges, Julie Laffin, Joseph Ravens, and Giana Gambino. Together, they bring a wide range of artists to Chicago each year. Rapid Pulse seems to touch on a wide range of genres, embracing theater, visual art, public practice, video, tech, music, and dance all the while dedicated to presenting work that is essentially performance art. If you have not had much experience with performance art or wish to have more, Rapid Pulse delivers a selection of artists that will provide you with a comprehensive look at performance art all in one festival. The lack of typecasting within performance art and the curation of this festival is part of what makes Rapid Pulse dynamic.
This year they will present works from notable artists, real heavy hitters in the performance art world. One of these artists is Kira O’Reilly (UK/IRELAND) who works with tightly controlled body movements that will leave you mesmerized. Then there is Alastair Maclennan (UK/IRELAND) who creates durational performances and sculptures with eerie and nostalgic objects. The multi-member performance group known for their radical actions and border crossings of all kinds, La Pocha Nostra (USA/Mexico) will also be performing. I’m very excited to have the chance to see Lai Thi Dieu Ha (Vietnam) who created a work that used bird feathers to explore sexual identity in a provocative work that in her home country was extremely controversial. As well as Jason Lim (Singapore) will also present his delicate and introspective work; He is a notable figure in performance art and directs “Future of Imagination” in Singapore.
As expected, Rapid Pulse includes emerging artists who you may not have heard of, but you should get to know. I am very excited to see the work of Jessica Elaine Blinkhorn(US) whose work deals with disability and intimacy, Julie Vulcan (Australia) whose meditative work with salt explores ideas of transcendence, and Raquel Punto(Mexico) who deals with filth as a form of performatve evidence. Aiming to foster a supportive community of performance art and artists here in Chicago, Rapid Pulse also features talented local performers such as Mical Samama, Mikey McParlane, and the Antibody Cooperation, among others. In all they have 28 live artist presentations in vivid, exuberant, poetic, and boundary pushing performances and it is definitely worth attending!
Besides the performances which mostly are held at Defibrillator Performance Art Gallery, Rapid Pulse has a wide range of additional offerings. There is an amazing video series of performance art videos held at the Nightingale Cinema. This year they added a performance art workshop lead by Kira O’Reilly that is an amazing opportunity for local performance makers. Though perhaps not as attended as the performance work itself, the festival offers artists talks and panel discussions that are not to be missed deviling into the cusp of the most relevant perfomantive discourse. Still the jewel of the festival is the live performative events and I know this summer I will not be missing a single performance.
Full List of participating Artists: Alastair Maclennan, Alison Crocetta, Anna Brown, Antibody Corp, Boryana Rossa, Carlos Martiel, Diaz Lewis, Disorientalism, Espand, Freya Björg Olafson, Jason Lim, Jessica Blinkhorn, Julie Vulcan, Kira O’reilly, Lai Thi Dieu Ha, La Pocha Nostra, Linda Hesh, Manuel Vason, Matthew Prest, Michal Samama, Mikey Mcparlane, Peter Reese, Raquel, Punto, Sandrine Schaefer, Teoma Naccarato. For the full schedule and more information visit: rapidpulse.org
December 17, 2013 · Print This Article
Guest Post by Autumn HaysÂ
Over the last few years within the United States a growing interest has arisen in festivals that specialize in Performance Art, that offshoot of the visual Arts, whoâ€™s practices center around temporal body-based works. This festival-circuit format for showing performance based art works has already produced a strong development in terms of organizations and events outside of the United States. Often however itâ€™s difficult for American performance artists to break into these circuits. Although there have some who have successfully done so, many festivals go years without showing a single American performance artist. This could be for many reasons, but one is certainly the relative lack of funding. Often the diplomatic and cultural establishments of foreign countries, such as embassies and consulates assist artists with expenses so that they can make and show artworks outside their country of origin. In the USA however, we do not invest money in the arts to the extent of other countries and thus American artists often have less accessibility to funds outside of their own pockets.
Performance art festivals are often intensive endeavors, involving a diverse group of international artists. Always on very tight budgets, these festivals often seek to supply food and housing for the artists for the duration of the festival, often lasting from several days to weeks. Unlike showing at a, gallery the festival becomes a sort of community or summer camp. Here artists and curators network and meet performers from all over the world. Viewership is open to the public but there is a community of support at many festivals where artist see each-otherâ€™s works, often living together and sometimes collaborating on the fly. Festivals are often popular for performance art as spaces willing to show the work, or spaces aware of the needs of exhibiting performance art are often few and far between.
The good news for performance artists is, the USA is starting to develop their own performance art festivals. These festivals seek to bring international artist to the USA while showcasing local talents. It will be exciting to see what other festivals are brewing here in the United States and some in and near Chicago itself. Here are three festivals to look for this year:
Â Â Â Lone Star Performance Explosion
Â Â Â Huston, TX
Â Â Â February 19-23, 2014
This is the second time around for this international performance art Â Â Â biennale after a successful run in 2012. â€œLONE STAR EXPLOSION 2014 seeks to showcase performance art that pushes the artists and audience in new ways, especially performance art that questions fundamental assumptions about the way we experience time, space, relationships, the self, society, and sexuality.Â â€œ As many of our festivals on this list the line up features local, national and international talents in Performance Art. Lone Star Explosion 2014 is curated and directed by Jonatan Lopez and Julia Wallace. Confirmed artists include: Elia Arce (Costa Rica), Marce Sparmann (Germany), Natalie Lovleless (Canada), J. Morrison (NYC),Â Ryan Hawk (Huston), Roberto Sifuentes (Chicago), and over 25 more artists.Â http://lonestarlive.org/
Rapid Pulse International Performance Art Festival
June 5-15, 2014
This is year three for Rapid Pulse International Performance Art Festival, taking place here in Chicago. â€œThe RAPID PULSE INTERNATIONAL PERFORMANCE ART FESTIVAL aims to represent a range of styles and forms in order to provoke thought and stimulate discourse surrounding performance art.â€ This intensive festival features performance, Â video screenings, artistâ€™s talks and panel discussions. It includes a wide range of performance art from durational, public, and digital based works. Unlike the rest of the festivals on this list Rapid Pulse is centered in and around Defibrillator Performance art Space as opposed to being a wide range, multi-venue event. Artists have yet to be announced but the application period is closed and the curatorial process is beginning. Rapid Pulse is curated by: Steven Bridges, Julie Laffin, Giana Gambino, andÂ Joseph Ravens. Â http://rapidpulse.org/
Supernova Performance Art Festival
Super Nova first took place in June of last year and word is the event will be back again this year. â€œSUPERNOVA will bring together emerging and established local, regional, national and international performance artists to present an expansive range of positions and approaches to performance art.â€ Though not confirmed Supernova came together well last year showing and they have to potential to continue on this year. Tough mostly national based artists, Supernova has the bones of a strong festival and hopefully they continue. Supernovaâ€™s 2013 Chief Curator was Eames Armstrong.Â http://rosslynartsproject.com/
The question that arises with these projects and others like it is one of sustainability. Performance Art festivals are often struggle all year to find funding for the next event. Often performance artists who wish to see this kind of festival thrive in the USA produce these festivals. These factors, and the fact many performance art specific festivals around the world struggle to stay open make the running of an international festival a labor of love, to say the least. Even if these festivals eventually come to an end, the recent creation of these festivals might be pointing to a new trend in performance art exhibitions in the USA. Hopefully the adoption of the festival format international performance festivals will continue to propagate more opportunities in the exhibition of performance art. It will be interesting to see if the new trend in festival production will flourish in the United States and if festivals like these will run strong and multiply in the years to come. Perhaps, the appearance of American Performance Art festivals, and the participation of American artists in them, may lead to an increased interests in American practitioners of performance works both at home and abroad.
Autumn Hays is an Artist, Curator, Teacher and Writer. She graduated the School of the Art Institute of Chicago with an MFA in Performance where she received the John Quincy Adams Fellowship. She received her BA in Visual Arts at UCSD. Hays was the recipient of numerous scholarships, grants and awards including two major Jack Kent Cooke association scholarships. Currently she is assistant curator at Defibrillator and Co-Producer of the 2014 IMPACT Performance Art Festival. www.autumnhays.com
November 2, 2013 · Print This Article
1. International Performance festival, Rapid Pulse, is now accepting proposals until November 15th.
DEFIBRILLATOR PERFORMANCE ART GALLERY is now accepting proposals for our third annual RAPID PULSE INTERNATIONAL PERFORMANCE ART FESTIVAL (RP14) to be held JUNE 5-15, 2014. RAPID PULSE aims to represent a wide range of styles and forms of performance art. Contextualizing performance within visual art, RAPID PULSE embraces artists who look to the body, objects, space, and time for inspiration, research, and practice. We are committed to invigorating CHICAGO by bringing to the city artists of exceptional calibre from around the world while also supporting local artists. Dynamic programming, decidedly fearless and unique, aims to provoke thought and stimulate discourse surrounding performance art.Â more info here.
2.Â BOULEVARTÂ Call for Submissions: Outdoor Installation, Performance, Sculpture
BOULEVARTÂ presents art installations and community-based projects in a large front yard along Chicago’s historic Logan Boulevard.Â The outdoor space is located at 2723 W. Logan Boulevard and measures 48 x 60 feet.Â Water, electricity are available and opening reception is provided. Project affords aÂ $100 honorarium.Â Send an e-mail with your name, address, phone, project description, images (optional) toÂ email@example.com. Check out Boulevart’s tumblr here.Â
3. Corinthia London Artist in Residence 2013-2014Â is inviting filmmakers to respond to an application form (below)Â byÂ December 13th 2013.
This is the third year of Corinthia Londonâ€™s Artist in Residence programme, which each year sees an artist from a different discipline (art, theatre, film, fashion, design, literature) chosen by a panel of judges and create work in response to a brief set by Corinthia London.Â The application forms will be reviewed by the judges by the end of January with the winner awarded a residency at Corinthia London for approximately one month, between February and April 2013 (depending on the applicantâ€™s availability), with Â£15,000 to make a short film based about The Power of Sleep.Â During the residency the winner will be tasked with making a film to be screened at Corinthia London early May 2014.Â Read the prompt, how to apply and more details here.
4.Â Propose your work for artlab and/or the KRASL Art Center (MI): Deadlines for review are November 15 and March 15.Â
To have your artwork considered for display in the main galleries, please mail the following materials to the Krasl Art Center, attention Curator: Cover Letter, Artist Statement, Current Resume, 12-15 JPEG images. Critical reviews of your artwork may also be included but are not mandatory. //Â artlabÂ is a venue for all artists who are pushing the boundaries of medium and form. /Â artlabÂ is a gallery space dedicated to installation, time-based media, sound and light. /Â artlabÂ is not afraid to showcase the fruit of visual experimentation; it does not require a ‘finished product’ or an ‘established artist’. Go here for more details.
Some big things worth mentioning â€” maybe…
1. RAPID PULSE, an international performance festival, is taking place this weekend and next week. The Chicago Reader just wrote a great something something, with the evocative sub-header “Wafaa Bilal wants Twitter’s help to inflate a giant head, and other oddities, at Defibrillator Gallery’s second annual Rapid Pulse International Performance Art Festival.” Find out more info about that here, or if you want, download the schedule of events via this link: RP13_poster-brochure.
According to The Reader:
Pure voodoo at its best, performance art traffics in psychic violence, provoking questions that viewers, by virtue of their emotional disturbance, feel compelled to answer. Defibrillator Gallery’s Rapid Pulse, now in its second year, is designed to make the genre more talkative: the festival, which includes window shows, public spectacle, and video screenings, coordinates performances with discussions, spread over ten days and four venues (Defibrillator, 1136 N. Milwaukee; Electrodes, the gallery’s front windows; Hub, 1535 N. Milwaukee; Nightingale, 1084 N. Milwaukee). Come for the bad vibes, stay for the nauseating hypersonic jolt. (Jena Cutie)
2. EAT WHAT ARTISTS EAT:
Our friends at ACRE launched a Kickstarter Campaign for their unique Residency Kitchen Program. There (among other things) you can get a copy of the ACRE cookbook, and support a good program that feeds creative acts/minds all summer long. In their words:
We believe meals equal community and the ACRE kitchen strives to foster a place where residents, visiting artists and local farmers can cross-pollinate.
Funds raised through kickstarter will go towards supporting locally grown and produced agriculture and conscientious businesses, purchasing equipment that will make the kitchen more efficient and sustainable, our yearly cookbook KADABRA, a collection of recipes from each year’s residency, and will give us the support we need to keep creating a diverse selection of considered, artistic, and nutritious menus for our residents.
KADABRA VOL 3, Annual Cook Book
cover designed by Edie Fake & Daniel Luedtke
artwork and recipe contributions by the ACRE Kitchen Staff & Resident Alumni
It was the summer of 2008. It was hot. And humid. Everything was green and/or sweating. People who didnâ€™t sweat stood out. Their reserve both enviable and mysteriousâ€”a contrast from everything else. Refuge from the heat was similarly impressive and constantly sought. Most apartment galleries were barely tolerable for their heat. At cooler exhibition sites, visitors inevitably took considerable time examining the works of art on display. That August, Heather Mekkelson had a solo show at an apartment galleryâ€”or what maybe we should call a basement galleryâ€”half a flight downstairs in Logan Square called Old Gold. With its dark 1970s style wood paneling, built-in bar and enough floor space for a pool table, Old Gold looked like an old rumpus room. It was anything but neutral and its unapologetic, undeniable character forced artists to continually incorporate the space into their exhibitions. Mekkelsonâ€™s project was no different. Limited Entry was based entirely on the unique environment. And at that particular time, it was significantly cooler than anything outdoors.
In order to access the stairs down to the gallery, one walked through a front gate and around the side of an apartment building. According to rumor, the landlord and upstairs resident did not know Old Gold existed. Being an unpredictable fellow, gallery directors Kathryn Scanlan and Caleb Lyons preferred to keep the professional aspect of their curatorial project discreet. They didnâ€™t advertise much and the only label on the door was composed from Home Depot stickers, appearing more like the absent-minded work of a teenager than anything formally significant. This place was easy to miss. (read more)
4. Longtime Chicago champions Elijah Burger and Deb Sokolow are featured in VITAMIN D2 (video courtesy of Western Exhibitions):
News broke this weekend that artist, Walter Latimer, is a former Junior Olympics jump rope record holder! Check out the soon to be viral video of his performance at the SAIC Art Bash.
Spotted: Independent Art Champion and Champion of the Arts, Anthony Stepter at the opening of Has the World Already Been Made? x4 by Daniel G. Baird & Haseeb Ahmed at Roots & Culture.
Now on view at The Poetry Foundation.
The AAM calls the proposed limit on charitable deductions “harmful,” but Bloomington’s Michael Ruston disagrees. Notable is his alternative suggestion of an equitable tax credit that would apply across donors, begging the question: should people in higher tax brackers really recieve more credit than those in a lower tax bracket if they are donating the same amount of money?
Surprisngly absent from the AAM document is a mention of the $59 million dollar increase to the Smithsonian Institution to fund, amongst many other initatives, The National Museum of African American History and Culture.
We’re most excited about the $500,000 proposed for building a telescope in Greenland to scope some black holes, but with a riveting 230 pages of FY14 Budget Proposal, there’s bound to be something for everyone. Right?
Abigal Deville’s opening at Iceberg Projects this weekend was TO DIE FOR. Iceberg’s normally crisp gallery was lost to a literal whirlwind of materials collected from Roger’s Avenue and transformed by the artist. More than worth the trip to Roger’s Park.
April 27th, 11amâ€“ 9pm. At Roots & CulÂture 1034 N MilÂwauÂkee Ave.
ServÂing a menu of brunch, lunch all day, and dinner.Brunch 11am-2pm. DinÂner 6pm-8pm. Kitchen closes at 8. 10 seats availÂable at a time. First come, first serve. BYOB. VegÂeÂtarÂiÂans, of course, are welcome!