Wednesday Clips 6/17/09

June 17, 2009 · Print This Article

219_robbiecooper_jt110609_fSpecial Art PrOn Edition!!

*Visitors to the Art Institute have a jaywalking problem (Chicago Tribune).

*Getty Research Institute to close Bibliography on the History of Art (BHA, IBA) (via CAA news).

*NEA Survey indicates arts audiences getting older, scarcer (er, more scarce) (CAA News).

* Top ten best Star Wars architecture. The comparisons to real-life buildings are fascinating. (via Culture Monster).

*The history of Jewish punk.

*Shady deal: Orange County Museum of Art sells much of its plein air painting collection to a private collector. Read about it at Culture Monster and Modern Art Notes.

*I like to watch: Robbie Cooper’s Immersion: Porn (via boingboing).

*More pr0n: Russian Art Collective Voina (WAR) stages controversial exhibition (via boingboing).

*Even more pr0n!!: Highlights from the World Air Sex Championships (The XX Factor).

*Students design exhibitions that get people to talk to each other (talk! as in, ‘in person’!) (via Tomorrow Museum).

*The drawings of Chicago artist Deb Sokolow featured on Beautiful/Decay.

*You are what you Tweet: Twitter Psychology Profiling (via Avant Chicago).

*Writer Dave Eggers tells those bummed about loss of print to buck up.

*Justin Wolfe at songsaboutbuildingsandfood covers Freebird, and it’s lovely. (Thanks to Art Fag City for linking to this blog a few weeks back — I’ve been hooked ever since).

**(Image Credit: Robbie Cooper’s Immersion: Porn).




Episode 123: Anne Elizabeth Moore

January 6, 2008 · Print This Article

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Anne Elizabeth Moore

Duncan and Terri talk to Anne Elizabeth Moore about her book Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity and related topics.

For years the do-it-yourself (DIY)/punk underground has worked against the logic of mass production and creative uniformity, disseminating radical ideas and directly making and trading goods and services. But what happens when the underground becomes just another market? What happens when the very tools that the artists and activists have used to build word of mouth are co-opted by corporate America? What happens to cultural resistance when it becomes just another marketing platform?

Unmarketable examines the corrosive effects of corporate infiltration of the underground. Activist and author Anne Elizabeth Moore takes a critical look at the savvy advertising agencies, corporate marketing teams, and branding experts who use DIY techniques to reach a youth market—and at members of the underground who have helped forward corporate agendas through their own artistic, and occasionally activist, projects.

Covering everything from Adbusters to Tylenol’s indie-star-studded Ouch! campaign, Unmarketable is a lively, funny, and much-needed look at what’s happening to the underground and what it means for activism, commerce, and integrity in a world dominated by corporations.

Anne Elizabeth Moore is the co-editor of Punk Planet, the Best American Comics series editor, and the author of Hey Kidz! Buy This Book: A Radical Primer on Corporate and Governmental Propaganda and Artistic Activism for Short People. She has written for Bitch, the Chicago Reader, In These Times, The Onion, The Progressive, and Chicago Public Radio WBEZ’s radio program 848. She lives in Chicago.

I will mail 5 bucks to the first person who can identify the name of the artist and title of the song used to close the show, it has bothered me for years that I don’t know who it is.

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