This week: James Jenkins Executive Director of Bad at Sports beloved place to spend our disposable income Printed Matter!
Printed Matter is the world”s largest non-profit organization dedicated to the promotion of publications made by artists. Founded as a for-profit alternative arts space in 1976 by artists and artworkers, Printed Matter reincorporated in 1978 to become the independent non-profit organization that it is today. Originally situated in Tribeca, Printed Matter moved to SoHo in 1989 where for twelve years the book displays and artistsâ€™ projects in the large storefront windows contributed to the artistic and intellectual vibrancy of the neighborhood. In 2001 Printed Matter relocated to Chelsea, where it continued to foreground the book as an alternative venue – or artistic medium – for artistsâ€™ projects and ideas. Finally, in December of 2005 Printed Matter moved into our current storefront location in Chelsea with big windows and greatly increased display and exhibition space. Recognized for years as an essential voice in the increasingly diversified art world conversations and debates, Printed Matter is dedicated to the examination and interrogation of the changing role of artistsâ€™ publications in the landscape of contemporary art.
Printed Matter”s mission is to foster the appreciation, dissemination, and understanding of artists’ publications, which we define as books or other editioned publications conceived by artists as art works, or, more succinctly, as “artwork for the page.” Printed Matter specializes in publications produced in large, inexpensive editions and therefore does not deal in “book arts” or “book objects” which are often produced in smaller, more expensive editions due to the craft and labor involved in their fabrication.
To promote public awareness of and access to artistsâ€™ books, Printed Matter maintains a public reading room where over 15,000 titles by 6,000 international artists are available for viewing and purchase. In addition to being a wholesale and retail distribution hub for artistsâ€™ books, Printed Matter offers a free consulting service to libraries, art institutions, and art professionals involved with artistsâ€™ books throughout the world. Printed Matter presents a range of educational programs for the public from talks to student groups by staff members to in-store lectures and readings by artists, critics, and curators. These educational initiatives are complemented by our internationally recognized exhibitions program and publishing program.
This week we are trying something new. Truth be told, we were planning on trying something new at the beginning of January but due to various mishaps we are two months late. The snappy-est title we could come up with “Great Stuff.” What that really is a subtitle for is “Great Stuff that was found in our offices regardless of how it got there.” So we begin “Great Stuff” with Kate Beaton’s “Hark! A Vagrant.”
Last fall Beaton’s new comic anthology â€œHark! A Vagrantâ€ was published by Drawn and Quarterly, and is truly delightful. it arrived our offices and quietly sat in a pile of things that needed to be read for several months, never really hinting at the ridiculous good times to be had within but one quiet afternoon I picked it up and could not put it down. Beaton’s a veteran cartoonist whose work has appeared in Harper’s Magazine, the National Post and the New Yorker. Beaton is a kind of spiritual kin to Bad at Sports. Her work draws heavily on her degree in history and her broad knowledge of literature, and then couples those intellectual impulses with an absurd sense of humor which would makeÂ Monty PythonÂ proud andÂ had me laughing out loud over and Â neglecting phone calls. In fact, I’ve come back to it and reread it twice since my first reading. If you are a fan of art, literature, Canada, history, and being an intellectual well making fun of intellectuals this shit will tear you up.
The high points for me include jokes about the “Great Gatsby,” the BrontÃ« sisters, St. Francis, and Canadian stereotypes. the back covers cartoon is a special treat for those of us who’ve devoted our lives to things that are often difficult to empathize with.
You can find more delight with Kate Beaton here.
The Department of Cultural Affairs just opened a permanent venue at the Cultural Center, the Chicago Publishers Gallery. Kathryn Born attended the opening event and interviewed the who’s-who of the Chicago Publishing Scene. This week’s episode contains a staggering eight interviews in just one hour!
The show starts with Lois Weisberg revealing that she loves publishing more than visual arts. Then peppy interviews follow, including:
* Audrey Niffenegger, author of the national bestseller The Time Traveler’s Wife and publisher of Little Bang
* Dominique Raccah, Sourcebooks
* Marc Smith, Green Mill Poetry Slam
* Haki Madhubuti, Third World Press
* Jonathan Messinger, Time Out Chicago (books) and Featherproof Books
* Donna Seaman, Booklist
* Annie Heckman, StepSister Press
The Chicago Publishers Gallery aims to be a comprehensive resource for anyone trying to get a grasp on the local publishing scene. The permanent collection showcases publications from over 100 Chicago-area publishers, which means you will find everything that falls under the category of locally distributed bound paper. The gallery presents zines, newspapers, comic books, literary and scholarly journals, children’s books, artists’ books and other experimental forms — plus a computer with exquisitely organized bookmarks for every worthy local blog, online publication and publisher website.
This is the latest branch to sprout from the mighty Chicago Department of Cultural Affairs “Creative Industries Initiative.” Their fashion initiative begat Fashion Focus Chicago, a week-long Midwestern version of New York’s Fashion Week, and their culinary arts initiative spurred the creation of a professional training kitchen used in the “World Kitchen” series of cooking classes. Now all eyes are on publishing, and a city-sponsored equivalent to CAR (Chicago Artists Resource) is expected to follow.
Sorry for so much ambient noise! It got very loud, the place was packed.
October 28, 2007 · Print This Article
Duncan and Richard talk to Tracy Marie Taylor, artist and curator who curated the new show Bilingual, Art at the Intersection of Painting and Video.
Bilingual focuses on artwork at the intersection of painting and drawing, film and video, encompassing both conceptual and process-driven approaches. The artists in this exhibition are acting as visual linguists or interpreters, breaking down one language and reconstructing it in another, holding the sense of the structure together with an understanding of both.
Bilingual will feature works by Shira Avni, Kylie Baker, Wafaa Bilal, Jeremy Blake, Eddy De Vos, Terence Hannum, Jay Heikes, John Hiltabidel & John Grant, Jo Jackson, William Kentridge, Patte Loper, Joshua Mosley, Sabina Ott, David Reed, Peter Rostovsky, Alison Ruttan, Jason Salavon, Marcelino Stuhmer, Fraser Taylor, Jim Trainor, and Scott Wolniak.
Joanna and Terri talk to Doug Fogelson from Front Forty Press about art books and lots of other neat stuff. Front Forty Press is a small publisher focused on artistic projects. A Front Forty project is one that embodies uninhibited creativity and deals with current topics. The work can be functional, political, ecological or simply expressive. What matters most at Front Forty Press is the cultivation and communication of ideas.
Jeff Wall, people! Canadian superstar Jeff Wall is interviewed by Duncan and Richard when he was in
Chicago for the opening of his huge new show at the Art Institute of Chicago:
June 29-September 23, 2007
Chicago talk to Terri and Joanna at the Printers Row Book Fair.
Finally, Amanda is leaving for