EDITION #7

April 15, 2013 · Print This Article

Super pro-fesh and stylin’ rope jumper, artist, Miami native and three-time SAIC freshman, Walter Latimer after his mind blowing performance at this year’s Art Bash.

Say what!?

News broke this weekend that artist, Walter Latimer, is a former Junior Olympics jump rope record holder! Check out the soon to be viral video of his performance at the SAIC Art Bash.

Video courtesy of Jack Schneider.

T of the Town

Spotted: Matt Austin at the opening for Todd Diederich’s Luminous Flux opening at Johalla Projects with a proof of Diederich’s forthcoming book printed by LATITUDE and available through The Perch.

Spotted at the Katelyn Farstad opening: Julius Ceasar throwing shade at The Propeller Fund in their half-hearted donation appeal.

  • We heard there’s going to be a secret (not anymore!) extension of ACRE Residency’s April 15th Application deadline. So there’s really no excuse, APPLY TODAY! You won’t regret it. (Disclaimer: I didn’t.)
  • In a characteristic move, Pedro Velez calls out an unsuspecting Ryan Coffey on twitter. #RUDE
  • Chicago closet-cum-gallery, Queer Thoughts, holds successful benefit auction, city continues to wonder why?
  • Spotted: Independent Art Champion and Champion of the Arts, Anthony Stepter at the opening of Has the World Already Been Made? x4 by Daniel G. Baird & Haseeb Ahmed at Roots & Culture.

The Weatherman Report

Joan Mitchell, Minnesota, 1980 Oil on canvas (four panels), 102 1/2 x 243 inches (260.4 x 617.2 cm). Collection of the Joan Mitchell Foundation, New York.

Now on view at The Poetry Foundation.

Reading is Fundamental

  • SAIC Secret Admirers. Looks like SAIC has a crush on Prof. Fleischauer and butts. Also, this is probably the best work from the BFA show. (Courtesy of Sofia Leiby.)
  • You down with OPP? Chicago’s own artist-turned-entreprenuer, Jenny Kendler, is quoted in this fluffy piece about artist’s websites being not websites, but “constructing a narrative”. At least the photo of Kendler is cute.
  • Performing Audiences and Choreographing Coughs. Finally, some real journalism. NPR’s Alva Noë tackles the long-standing question of why audiences cough so damn much during live performances. “They are uncomfortable. They are uncertain. They are, very often, bored out of their minds.” What a surprise. In related news, Rapid Pulse is back for a 2013 installment.

AAM calls out Obama Budget

In an unusual turn of events, everyone is talking about the Obama Administration Budget Proposal for the 2014 Fiscal Year.

The American Alliance of Museums analysis of Obama’s proposed budget is less sexy than a big schmoozy gala, but actually worth reading. As is CultureGrrls somewhat-matter-of-fact budget post.

The AAM calls the proposed limit on charitable deductions “harmful,” but Bloomington’s Michael Ruston disagrees. Notable is his alternative suggestion of an equitable tax credit that would apply across donors, begging the question: should people in higher tax brackers really recieve more credit than those in a lower tax bracket if they are donating the same amount of money?

Ed Ruscha, We the People, 2 color lithograph, 14 x 14”, Courtesy of Gemini G.E.L. and “Artists for Obama.”

Surprisngly absent from the AAM document is a mention of the $59 million dollar increase to the Smithsonian Institution to fund, amongst many other initatives, The National Museum of African American History and Culture.

We’re most excited about the $500,000 proposed for building a telescope in Greenland to scope some black holes, but with a riveting 230 pages of FY14 Budget Proposal, there’s bound to be something for everyone. Right?

Artist Creates Black Hole in Roger’s Park

Abigal Deville’s opening at Iceberg Projects this weekend was TO DIE FOR. Iceberg’s normally crisp gallery was lost to a literal whirlwind of materials collected from Roger’s Avenue and transformed by the artist. More than worth the trip to Roger’s Park.

See XXXXXX now so you can say you knew Deville’s work before it was in Venice.

April 27th, 11am– 9pm. At Roots & Cul­ture 1034 N Mil­wau­kee Ave.

Serv­ing a menu of brunch, lunch all day, and dinner.Brunch 11am-2pm. Din­ner 6pm-8pm. Kitchen closes at 8. 10 seats avail­able at a time. First come, first serve. BYOB. Veg­e­tar­i­ans, of course, are welcome!




Episode 268: Stan Shellabarger and Dutes Miller/ Courtney Fink & Art Publishing Now

October 17, 2010 · Print This Article

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268

This week: Amanda and Patricia have a …. spirited….discussion with two of BAS’s favorite artists (and the greatest oversight in our interview history until now) Stan Shellabarger and Dutes Miller. Go see their show, it’s awesome!

Next, Brian and Duncan talk to Courtney Fink of Art Publishing Now while at Southern Exposure.

Did we really get the “bums rush” from politely denied by the Propellor fund, oh yes we did! Who received support? No word yet but watch the projects area of their site. prop grant winners coming soon

Lifted relevant info:
Art Publishing Now is a two-day event dedicated to the investigation and showcasing of art publishing practices in the Bay Area. It includes a day of presentations and critical discussions, an after-party, an art publishers fair, library and archive.

Western Exhibitions is pleased to present an exhibition by husband-and-husband artist team Miller & Shellabarger. The show opens on Friday, October 15 with a reception, from 5 to 8pm, which is free and open to the public.

This second showing at Western Exhibitions of Miller & Shellabarger’s collaborative pursuits will focus on works from several inter-related projects including Volume 6 of their large-scale silhouette artist books, documents from a recent performance involving funeral pyres and intimate, discrete objects that utilize embroidery and carved shells.

The silhouette is a key component in several of these new works. Miller & Shellabarger first employed silhouettes in large-scale artist books that contained their individual profiles, each one cut by the other. We will show the most recent book in this series as well as other silhouette-based works that use the silhouette as a starting point, including conjoined beard silhouette collages traced by friends and two embossed lead pieces that feature similar imagery. We will also show larger-than-life, phantasmagorical images, created during their  “Summer Studio” artist residency at the School of the Art Institute of Chicago’s Sullivan Galleries in 2010 which take advantage of the distortions of the silhouetted figure in light and shadow. Life-size body tracings of each other are realized in large drawings on paper made with gunpowder, and in a small book of photographs of body tracings made with seeds.

Additional work will include a twin set of pillowcases, each monogrammed with their initials using hair from their beards as thread, a delicate cameo depicting the two with their beards intertwined carved out of sardonic shell by an Italian master carver, and photographs from a recent performance “Untitled (Pyre)” where they found two naturally fallen trees in the forest, chopped them, and stacked the fireplace-sized pieces into roughly human-size forms, and burned these pyres at dusk.

Miller & Shellabarger are a 2009 recipient of the Peter S. Reed Foundation Grant, 2008 recipient of an Artadia Award, and a 2007 recipient of a Louis Comfort Tiffany Foundation award. Their work is in the collections of the Nerman Museum of Contemporary Art and the National Gallery of Canada in Ontario. In 2010 they showed a major selection of work at the Institute of Contemporary Art, Portland, Maine, participated in the Time-Based Arts (TBA) festival in Portland, Oregon and will have a solo exhibition in 2011 at the Illinois State University Galleries in Normal, Illinois. Their work has been written about in Artforum.com, Art & Auction, Frieze, Artnet, The Art Newspaper, Flash Art, TimeOut Chicago, and the Chicago Sun-Times. Dutes Miller and Stan Shellabarger also maintain separate artistic practices. They live and work in Chicago