This week: San Francisco checks in with dance legend Anna Halprin!!!
Anna Halprin (b. 1920) is a pioneering dancer and choreographer of the post-modern dance movement. She founded the San Francisco Dancer’s Workshop in 1955 as a center for movement training, artistic experimentation, and public participatory events open to the local community. Halprin has created 150 full-length dance theater works and is the recipient of numerous awards including the 1997 Samuel H. Scripps Award for Lifetime Achievement in Modern Dance from the American Dance Festival. Her students include Meredith Monk, Trisha Brown, Yvonne Rainer, Simone Forti, Ruth Emmerson, Sally Gross, and many others.
Live Benefit Auction Event: March 9, 6-8:30 pm
Robert Rauschenberg Project Space
455 West 19th St, New York
Printed Matter, Inc, the New York-based non-profit organization committed to the dissemination and appreciation of publications made by artists, will host a Benefit Auction and Selling Exhibition at the Rauschenberg Foundation Project Space to help mitigate damage caused by Hurricane Sandy.
As a result of the storm, Printed Matter experienced six feet of flooding to its basement storage and lost upwards of 9,000 books, hundreds of artworks and equipment. Printed Matter’s Archive, which has been collected since the organization’s founding in 1976 and serves as an important record of its history and the field of artists books as a whole, was also severely damaged. Moreover, the damage sustained by Sandy has made it clear that Printed Matter needs to undertake an urgent capacity-building effort to establish a durable foundation for its mission and services into the future.
This is the first fundraising initiative of this scale to be undertaken by the organization in many years, and will feature more than 120 works generously donated from artists and supporters of Printed Matter.
The Sandy Relief Benefit for Printed Matter will be held at the Rauschenberg Project Space in Chelsea and will run from February 28 through March 9th. The Benefit has two components: a selling exhibition of rare historical publications and other donated works and an Auction of donated artworks.
A special preview and reception will be held February 28th, 6-8 pm, to mark the unveiling of all 120 works and to thank the participating artists and donors. The opening will feature a solo performance by cellist Julia Kent (Antony and the Johnsons), followed by a shared DJ set from Lizzi Bougatsos (Gang Gang Dance) & Kyp Malone (TV on the Radio). The event is free and open to the public.
All works will then be available for viewing at the Rauschenberg Project Space March 1 – March 9, gallery hours.
All Selling Exhibition works may be purchased during this period and Auction works will be available for bidding online. Bids can be made at www.paddle8.com/auctions/printedmatter.
A live Benefit Auction Event will take place March 9, 6-8:30 pm with approximately 20 selected works to be auctioned in a live format. Bidding on these works will commence at 7pm sharp, while silent bids can be made on all other Auction works. Note, highest online bids will be transferred to the room. For absentee bidding of works, please contact Keith Gray (Printed Matter) at 212 925 0325 or firstname.lastname@example.org. The evening will feature a performance by Alex Waterman on solo cello with electronics. Admission is $150 and tickets may be pre-purchased here. There will be only limited capacity.
Highlighted auction works include an oversize ektacolor photograph from Richard Prince, a woven canvas piece from Tauba Auerbach, an acrylic and newsprint work from Rirkrit Tiravanija, a large-scale Canopy painting from Fredrik Værslev, a rare dye transfer print from Zoe Leonard, a light box by Alfredo Jaar, a book painting by Paul Chan, a carbon on paper work from Frances Stark, a seven-panel plexi-work with spraypainted newsprint from Kerstin Brätsch, a C-print from Hans Haacke, a firefly drawing from Philippe Parreno, a mixed-media NASA wall-piece from Tom Sachs, a unique print from Rachel Harrison, a vintage xerox poem from Carl Andre, an encyclopedia set of hand-made books from Josh Smith, a photograph from Klara Liden, a table-top sculpture from Carol Bove, Ed Ruscha’s Rooftops Portfolio, as well as original works on canvas and linen by Cecily Brown, Cheyney Thompson, Dan Colen, Adam McEwen, RH Quaytman, and many others.
These Auction works can be previewed at: www.paddle8.com/auctions/printedmatter
In addition to auction works, a vitrine-based exhibition of rare books, artworks and ephemera are available for viewing and purchase. This material includes some truly remarkable items from the personal collection of Robert Rauschenberg, donated by theRobert Rauschenberg Foundation in memory of the late Printed Matter Board Member, bookseller and publisher, John McWhinnie. Among the works available are books and artworks from Marcel Duchamp, Willem de Kooning, Alfred Steiglitz,Joseph Beuys, Brigid Berlin (Polk), as well as a Claes Oldenburg sculpture, a rare William Burroughs manuscript, and the Anthology Film Archive Portfolio (1982). Additional artists’ books have been generously donated by the Sol LeWitt Estate. Works include pristine copies of Autobiography (1980), Four Basic Kinds of Straight Lines (1969), Incomplete Open Cubes (1974), and others. Three Star Books have kindly donated a deluxe set of their Maurizio Cattelan book edition. These works can be viewed and purchased at the space. For inquiries about available works please contact Printed Matter’s Associate Director Max Schumann at 212 925 0325 or email@example.com.
Co-chairs Ethan Wagner & Thea Westreich Wagner and Phil Aarons & Shelley Fox Aarons have guided the event, and Thea Westreich Art Advisory Services has generously lent its expertise and assisted in the production of the auction.
In anticipation of the event Printed Matter Executive Director James Jenkin said:
“Not only are we hopeful that this event will help us to put Sandy firmly behind us, it is incredibly special for us. To have so many artists and friends associated with our organization over its 36 years come forward and support us in this effort has been truly humbling.“
Auction includes work by:
Michele Abeles, Ricci Albenda, Carl Andre, Cory Arcangel, Assume Vivid Astro Focus, Tauba Auerbach, Trisha Baga, John Baldessari, Sebastian Black, Mark Borthwick, Carol Bove, Kerstin Brätsch, Sascha Braunig, Olaf Breuning, Cecily Brown, Sophie Calle, Robin Cameron, Sean Joseph Patrick Carney, Nathan Carter, Paul Chan, Dan Colen, David Kennedy Cutler, Liz Deschenes, Mark Dion, Shannon Ebner, Edie Fake, Matias Faldbakken, Dan Graham, Robert Greene, Hans Haacke, Marc Handelman, Rachel Harrison, Jesse Hlebo, Carsten Höller, David Horvitz, Marc Hundley, Alfredo Jaar, Chris Johanson, Terence Koh, Joseph Kosuth, Louise Lawler, Pierre Le Hors, Leigh Ledare, Zoe Leonard, Sam Lewitt, Klara Liden, Peter Liversidge, Charles Long, Mary Lum, Noah Lyon, McDermott & McGough, Adam McEwen, Ryan McNamara, Christian Marclay, Ari Marcopoulos, Gordon Matta-Clark, Wes Mills, Jonathan Monk, Rick Myers, Laurel Nakadate, Olaf Nicolai, Adam O’Reilly, Philippe Parreno, Jack Pierson, Richard Prince, RH Quaytman, Eileen Quinlan, Sara Greenberger Rafferty, Ed Ruscha, Tom Sachs, David Sandlin, Paul Mpagi Sepuya, Cindy Sherman, Josh Smith, Keith Smith, Buzz Spector, Frances Stark, Emily Sundblad, Andrew Sutherland, Peter Sutherland, Sarah Sze, Panayiotis Terzis, Cheyney Thompson, Rirkrit Tiravanija, Nicola Tyson, Penelope Umbrico, Fredrik Værslev, Visitor, Danh Vo, Dan Walsh and Ofer Wolberger.
Keeping up with Paul Chan could be two peoples full time job. This time out he and Paul talk about the context of publishing, Documenta, and what Paul has been up to since 2010.
Check out Paul’s site here… http://www.nationalphilistine.com/
the followoing was borrowed from Paul. He really is a lovely fellow.
Paul Chan is an artist who lives and works in New York. His work has been exhibited widely in many international shows including: Documenta 13, Kassel, 2012;Before The Law, Ludwig Museum, Cologne, 2011-12; Making Worlds, 53rd Venice Biennale, Venice, 2009; Medium Religion, ZKM, Karlsruhe, 2008; Traces du sacrê, Centre Pompidou, Paris, 2008 and the Whitney Biennial, Whitney Museum of Art, New York, 2006. Recent solo exhibitions include Paul Chan: The 7 Lights, Serpentine Gallery, London and New Museum, New York, 2007–2008. In 2007, Chan collaborated with the Classical Theatre of Harlem and Creative Time to produce a site-specific outdoor presentation of Samuel Beckett’s play Waiting for Godot in New Orleans. Chan’s essays and interviews have appeared in Artforum, Frieze, Flash Art, October, Tate etc, Parkett, Texte Zur Kunst, Bomb, and other magazines and journals. Chan founded Badlands Unlimited, a press devoted to publishing artists writings and writings about art in paper and digital forms in 2010.
Curated by Jason Lazarus, a group exhibition of 45 artists addressing the idea of MOTIVATION.
Co-Prosperity Sphere is located at 3219 S Morgan St. Reception is Friday from 7-10pm.
Work by Patrick Bobilin, Nick Cueva, Matthew Cummings, Wyatt Grant, Anthony Lewis, Nicole Mazza, Chiara No, Stephanie Plenner, William Sieruta, Cait Stephens, Clare Torina, Allison Wade, Erin Washington and Travis Wyche.
Autumn Space is located at 1700 W Irving Park Rd, #207. Reception is Saturday from 6-9pm.
Work by Olivia Swider and Julia Asherman.
Pentagon is located at 2655 W Homer St. Reception is Saturday from 7-11pm.
Work by Paul Chan, Olivia Ciummo, Coco Fusco, Jillian Mayer and Chi Jang Yin.
Museum of Contemporary Photography is located at 600 S. Michigan Ave. Reception is Friday beginning at 5:30pm. Screenings from 6-8pm.
Work by Hope Esser and Christalena Hughmanick.
Murdertown is located at 2351 N. Milwaukee Ave. Reception is Saturday from 6-9pm.
The new issue of e-flux/journal is up online and I am giddy over it. This is their tenth episode as the journal, which makes it nearly a year old, as they publish monthly. Though the journal is a relatively new application of the e-flux program, e-flux.com has been around since January 1999 beginning with an email announcement about a small exhibition in a Chinatown Holiday Inn hotel room. A decade later e-flux is still based out of New York with far reaching out posts in Berlin, and the corneal receptors at the far end of the yawning, immeasurable distance that is the internet. Today this network includes over 50,000 visual art professionals. E-flux is one of my favorite contemporary art journals, it is edited by Julieta Aranda, Brian Kuan Wood and Anton Vidokle if you are at all unfamiliar with it I urge you to take some time to get to know their project. Whether the journal or one of their many educational and collaborative projects there’s bound to be something that moves you, it changed my life. Testimonials aside, e-flux/journal #10 this month discusses the limits to which the democratization of image production can become a tool for making versus being at home in the world. With essays from Sherif El-Azma The Psychogeography of Loose Associations, Luis Camnitzer, ALPHABETIZATION, Part Two: Hegemonic Language and Arbitrary Order, Paul Chan What Art Is and Where it Belongs, Céline Condorelli Life Always Escapes, Peter Friedl Secret Modernity, Hans Ulrich Obrist Ever Spero, and Hito Steyerl In Defense of the Poor Image. E-flux/journal #10, hot off the presses!
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Bravo’s “Art Star” reality show hasn’t even hit the air waves yet, and already we’ve got another art contest on our hands. Our vote for most ridiculous news of the week comes with the Guggenheim’s announcement of Rob Pruitt’s “First Annual Art Awards,” modeled after Hollywood’s Oscars. Pruitt conceived the awards to celebrate “select individuals, exhibitions, and projects that have made a significant impact on the field of contemporary art during the past year.” Oh, and just to keep things bubbly, the star-studded list of presenters will include boyfriend-girlfriend art/fashion design couple of the moment Nate Lowman and Mary-Kate Olsen. There’s a formal dinner afterwards, and after that an after-party and, and….oh, just click on the link and read the rest for yourself (including the video of the nominee announcements). I can’t take anymore. The rest of our midweek round-up, some of which is actually meaningful (though you’ll have to be the judge of that) as follows:
*Art Institute of Chicago appoints Alison Fisher as the Harold and Margot Schiff Assistant Curator of Architecture in the Department of Architecture and Design. Her focus will be on the Art Institute’s architecture holdings from 1850 to 1945, and she will oversee the drawings, models, and archives of Frank Lloyd Wright, Daniel Burnham, Louis Sullivan and other American architectural masters.
*Artist Mark Bradford among those awarded 2009 MacArthur Genius Grants.
*Bill Viola changes mind, decides to meet with Pope for Vatican cultural dialogue on the relationship between faith and art.
*Franklin Sirmans appointed chief curator of contemporary art at LACMA, succeeding Lynn Zelevansky.
*Proposed Pennsylvania budget agreement extends state sales taxes to arts and cultural performances and venues but exempts movies and sports events; Philadelphia arts leaders organize in protest.
*Brandeis committee recommends keeping Art Museum open, but punts on the issue of the proposed sale of its collection.
*NEA Chair Rocco Landesman explains reasoning behind demotion of communications director Yossi Sergant.
*Paul Chan’s “Top 5 Things That Will Get You Arrested in Minneapolis” aka Top 5 Things We Should Do Together To Make Something Interesting.” (Via Eyeteeth).
*Virtual flip book: View all 160 pages of Proximity magazine in less than 20 seconds. Then go buy the real thing. It’s a good issue, as always.
*A visit to an exhibition about the history of Ikea.
*Artnet writer Grant Mandarino provides Cliff’s Notes on the new Fall art magazines.
*Chicago job posting: Projectionists and room monitors needed for upcoming College Art Association (CAA) Annual Conference in Chicago. If you’re interested, see here.