November 9, 2013 · Print This Article
1.Â School Director and Professor of Art, Art History, or Graphic Design at Portland State University.Â Review of applications beginsÂ December 1, 2013; position is open until finalists are identified.Â
The School of Art and Design in the College of the Arts at Portland State University invites applications for a Director of the School and Professor in any one of the fields of Art Practices, Art History, or Graphic Design. This is a tenured, 1.0 FTE, 12-month position, commencing fall 2014. The Director will provide creative leadership and vision as well as administrative oversight for a burgeoning School of 20 full-time and 70 part-time faculty, 32 M.F.A. students, and approximately 1100 undergraduate majors, while supervising 4 full-time and 7 part-time support staff and administering a budget of over $4 million. Comprised of Art Practices, Art History, and Graphic Design, the School seeks a dynamic Director to build cohesion among these areas; spearhead program assessment and strategic long-term planning initiatives; manage resources and, working with the Dean of the College of the Arts, help obtain additional resources; enhance facilities and/or improve ways to utilize current facilities; and represent the School energetically within the larger cultural community. Recently grown from a Department of Art, the School is poised to expand the unique potential of its interdisciplinary opportunities as well as possibilities for continuing community engagement.Â more info here.Â
2a/2b. Colgate University seeksÂ Art Historian and Studio Art, Photography Professor:
a. Art Historianâ€”Kindler Chair in Global Contemporary Art: Full-time, Associate or Full Professor, tenure track
Develop and teach an array of undergraduate courses in transnational and global art and art institutions since 1970 in a coordinated art history and studio department. The candidate’s research focus should be relevant to the shifting terrain of contemporary art and in particular to the interaction of aesthetic and cultural ideals across boundaries. Regular teaching contributions include an annual course in the development of art and theory since 1960 as well as participation in all levels of the curriculum. Responsibilities also include senior thesis advising and participation in Colgate’s interdisciplinary programs, including the Liberal Arts Core Curriculum. Five-course load. Colgate’s planned Center for Art and Culture will offer important opportunities for pedagogical, curatorial, and scholarly collaboration…go here for details
b. Studio Art, Photographer. Full-time tenure-track position at the assistant professor level in the Department of Art & Art History, beginning fall term 2014.
Teach beginning and advanced courses in photography as a studio practice within a joint studio and art history department equipped with both analog and digital facilities. Additional responsibilities include annual participation in the introductory studio course that spans theory and practice across artistic media, annual supervision of senior projects, periodic supervision of the department’s senior project sequence in studio art, and regular contributions to Colgate’s interdisciplinary programs, including the Liberal Arts Core Curriculum. The candidate is responsible for oversight of the photography facilities. Completion of the MFA is expected prior to or shortly after the date of hire. Five course load. Information here.
3.Â Open Books Seeks Teaching Artists for ReadThenWrite:Â
We’re looking for experienced educators to join our team as Teaching Artists for our ReadThenWrite program in the winter and spring of 2014. Teaching Artists will facilitate 8-12 week reading, writing, and publishing instruction for teens at schools across Chicago.Â Interested candidates shouldÂ view the job descriptionand RSVP for theÂ December 5thÂ info session.
4. Â Journal of European Popular Culture 6.1 (late 2014) :Â Call for Papers on Gender and Sexuality in European Popular Culture
The field of gender and sexuality studies in European popular culture is, unsurprisingly, vast, yet research is often focused on Anglophone culture, encompassing the UK and North America, rather than taking a more trans-European approach. In an increasingly globalised society we consider that there is a need for discussion of Anglophone and non-Anglophone European popular texts to be infiltrated into British academic work.
This special issue of theÂ Journal of European Popular Culture, due to be published in late 2014, will provide a timely snapshot of the rigorous and exciting scholarship currently being undertaken in Europe which deals with the widely relevant and popular field of gender and sexuality.
We invite articles (max 6000 words) exploring any aspect of gender and sexuality in any form of European popular culture, including but not limited to:
- Queerness in popular culture
- Transgenderism in popular culture
- Sexualisation in popular culture
- The body in popular culture
- Historical approaches to popular gender and sexuality
- Masculinity in popular culture
- European sex media
- Sex education in popular culture
- Religious approaches to gender and sexuality
- Gender, sexuality and race/ethnicity
- Sexuality on the internet
- Feminism in/and popular culture
- Gender, sexuality and language
- Gender, sexuality and power
Please send 100-200 word abstracts toÂ firstname.lastname@example.orgÂ by 15 December. Ensure you include your full name and affiliation (if relevant), along with a brief (100-200 word) biography. Full chapters will be due by 1 March 2014.
5. Word Riot:Â Travel Grant Applications -Â
Word Riot Inc. will award travel grants ranging from $100 to $500 to small press writers on a quarterly basis.
The number of grants and the amount awarded each quarter will depend on the quality and thoroughness of the applications received. A minimum of one grant of at least $100 will be awarded each quarter. Preference will be given to applicants who extend the reach of the arts to under-served populations by participating in readings or literary events in those communities.Â Deadline: Nov. 15, 2013Â go here for details
1. San Francisco Museum of Modern Art: Call for Proposals: Visual Activism Symposium in San Francisco,Â March 14â€“16, 2014Â www.sfmoma.orgÂ (Deadline for proposals: October 1st)
The International Association of Visual Culture (IAVC) invites proposals for its third biennial symposium in San Francisco on March 14 to 16, 2014.The symposium will be an international gathering centered on the concept of visual activism. It will explore the relationships between visual culture and activist practices across a wide range of contexts. Through varied and diverse modes of image-making, artists and designers may create and manipulate tools of social change.Â Likewise, political activists may utilize visual strategies and objects in order to confront and address social and political issues. Art can take the form of political and social activism, and activism often takes on specific, and sometimes surprising, visual forms that are not always aligned with or recognizable by art-world frameworks. During the convening, artists, cultural producers, scholars, students, critics, organizers, activists, and citizens will engage with and offer perspectives on the many questions that arise: to what degree do forms of visual activism travel? In what ways are they necessarily grounded in geographically specific spaces and locally specific knowledge? How can theorists, scholars, and practitioners engage in conversations about abstract or oblique visual activism, such as those produced in conditions of extreme censorship? How can the complexity of governmental or commercial visual activism be approached to better address hegemonies of visual culture? How does the past become a form of visual activism in the present?Proposals should respond to these questions or related topics and may take the form of papers (20 minutes), artist talks (20 minutes), short performances (five to 30 minutes), or lighting-round interventions (five minutes). Limited funds are available to support travel. Proposals should include a 400-word abstract, links to websites with additional publications or relevant images and information, and a CV. Please send proposals toÂ email@example.comÂ (with” Visual Activism” as the subject line) no later thanÂ October 1, 2013.Â For further information about the International Association of Visual Culture, or to join the IAVC, please follow thisÂ link.
2.Â Open invitation for Art Shanty Projects 2014: Â Deadline for applications October 14th 2013
SeekingÂ visual artists, musicians, composers, media artists, architects, poets, scientists, dancer/choreographers, writers, builders, fisher-people, outdoors-people, naturalists, puppeteers, set designers, vocalists, spoken word artists, craftspeople, storytellers, actors, playwrights, etc.interested in participating in the design and construction of ice fishing shanty-like structures, producing participatory projects, art, events and shows on frozen White Bear Lake, MN during February 2014.Â For 2014 we are offering:Â 20 Art Shanty Residencies, $1200 stipend each, on-ice support, publicity and building support.Â ASP residency stipends for the 2014 Art Shanty Project are intended for artists to build a shanty and spend a significant portion of time on the ice. More information, including specific proposal requirements and eligibility detailed here.
3.San Francisco Art Institute (SFAI)Â Richard Diebenkorn Teaching Fellowship: Call for applicationsÂ Application deadline:Friday, November 1, 2013
SFAI is currently seeking applications for theÂ Fall 2014 Richard Diebenkorn Teaching Fellowship. Established in 1998 by the generosity of the family of painter Richard Diebenkornâ€”both an alumnus and longtime faculty member of SFAIâ€”the Fellowship provides an opportunity for artists to teach at SFAI and have sufficient time and financial support to work in the studio.
Through its semester-long structure that includes a residency with studio at Headlands Center for the Arts, the Fellowship not only offers each participating artist an invaluable opportunity to further their own studio work, it also leaves a deep, lasting impression on SFAI’s students. This year’s Fellowship isÂ open only to artists who reside in the United States and outside of the Bay Area. Artists must apply by theÂ deadline of Friday, November 1, 2013. Please see details below about important dates, application fees, eligibility, and process.Â Electronic submissions only:Â sfaicalls.slideroom.comÂ Fellowship dates:Â August 25â€“December 5, 2014Â SanFrancisco Art InstituteÂ located atÂ 800 Chestnut Street,Â San Francisco, CA 94133.Â For more information follow this link.
4.Â MELLON SAWYER SEMINAR POST-DOCTORAL FELLOWSHIPSÂ 2014-2015
John E. Sawyer Seminar on the topic of â€œPolitical Willâ€ : Deadline for applications is December 16, 2013.Â
The notion of â€œpolitical willâ€ is at the heart of debates about the meaning and character of political life. It informs definitions of sovereignty, whether the popular consent of the â€œpeopleâ€ or other forms of authority. It is an idea that works to legitimize the juridical order and systems of law, in particular the legal form of the constitution. And it is implicit to definitions of democracy and cosmopolitanism alike. Yet despite its centrality, the concept of political will has remained relatively unanalyzed within political theory.
This Sawyer Seminar aims to study the topic of political will from a range of disciplinary angles, theoretical approaches, and cultural perspectives. In so doing, we hope to pose a series of questions about political will. First, how is political will genealogically related to correlative constructs, such as jurisdiction, liberalism, and governmentality, and how might a focus on political will shed new light on those terms? Second, how might one historicize and lend contextual specificity to conceptions of political will? What insights into the nature of political will can be gained from a comparative, cross-cultural analysis? Third, what role do culture, aesthetics, and desire play in forging and sustaining political will? Is it generated in the imagination and/or affective, materially grounded practices; or it is better explained as an abstract concept governed by the operations of reason? Fourth, what particular contributions do varying theoretical frameworks (deconstruction, psychoanalysis, Marxism, biopolitics, affect theory, postcolonial studies) offer to an account of political will?
While political will is a category that informs nearly all aspects of political existence, this Seminar will devote particular attention to analyzing four sub-topics related to political will: sovereignty and biopolitics, cosmopolitanism, democracy, and constitutionalism. In addition, we expect that many of our conversations will be oriented around questions of aesthetics and the imagination, thus investigating both the cultural and affective attributes of political will?
The Mellon Foundation will sponsor one postdoctoral teaching-research fellowship in the humanities, awarded for the one-year period beginning July 2014. The fellowship offers a stipend of $45,000/year. While in residence at Cornell, the Mellon Fellow will hold a department affiliation in one of the humanities departments, participate in all activities associated with the Sawyer Seminar on â€œPolitical Will,â€ have limited teaching duties, and have the opportunity for scholarly work. More information here.
Applicants for the Mellon Postdoctoral Fellowship on â€œPolitical Willâ€ for the 2014/15 academic year must have received the Ph.D. degree after September 2008, and must be working on topics related to the theme of “Political Will.”Â Mellon Fellowships are open to international applicants. Applicants who will have received the Ph.D. degree by June 30, 2014 are eligible.Â Applicants who do not have the Ph.D. in hand at the time of application must include a letter from the committee chair or department stating that the Ph.D. degree will be conferred before the term of the fellowship begins.
September 7, 2013 · Print This Article
1. Hatch Project: Curator Application deadline: September 8, 2013 Fee (USD): $15.00
HATCH Projects is a yearlong, juried incubator for contemporary Chicago artists and curators that strives to support an ecology of curatorial and artistic practice. A pioneering initiative of Chicago Artistsâ€™ Coalition (CAC), HATCH Projects fosters shared experimentation, exchange and creativity to produce ground-breaking exhibitions and programs.
Four Curator Residents are accepted into the program based on an application evaluated by four leading and established Mentor Curators (To be announced). Curator Residents are then responsible for selecting the twenty-four Artists Residents. Each Curator Resident manages a group of six artists for the year to realize three innovative and experimental exhibitions and public programs at CAC. In addition, curators receive professional development through feedback from and working with Mentor Curators, as well as through conversations and critiques with an active peer-to-peer creative network. Through this unique hands-on experience and mentorship program, curators develop valuable insight and experience in contemporary exhibition making. Read about it here.
2.Â Vermont Studio Center Fellowship AwardsÂ Deadline: October 1, 2013
The Vermont Studio Center is excited to announce 31 fellowship awards for artists and writersÂ — including 16 awards open to all artists and writers working in any genre/medium –available at our upcoming deadline. Applications must be received by October 1, 2013.Â VisitÂ www.vermontstudiocenter.org/fellowshipsÂ for more information and eligibility details.To apply, visitÂ www.vermontstudiocenter.org/apply, orÂ vsc.slideroom.com.
3.Â Princeton University – Visiting Fellow – Hodder FellowÂ Deadline: October 1, 2013
The Hodder Fellowship will be given to writers and non-literary artists of exceptional promise to pursue independent projects at Princeton University during the 2014â€“2015 academic year. Potential Hodder Fellows are writers, composers, choreographers, visual artists, performance artists, or other kinds of artists or humanists who have “much more than ordinary intellectual and literary gifts”; they are selected more “for promise than for performance.” Given the strength of the applicant pool, most successful Fellows have published a first book or have similar achievements in their own fields; the Hodder is designed to provide Fellows with the “studious leisure” to undertake significant new work.
Hodder Fellows spend an academic year at Princeton, but no formal teaching is involved. A 75,000 USD stipend is provided.Â Fellowships are not intended to fund work leading to an advanced degree. One need not be a U.S. citizen to apply.
Applications must be submitted by October 1, 2013 through the Princeton Jobs site athttp://jobs.princeton.edu/, requisition # 1300448
Submit a resume, a 3,000-word writing sample of recent work, and a project proposal of 500 to 750 words.
Performing and Visual Artists:
Submit a resume, a project proposal of 500 to 750 words, and examples of ten minutes of performance through link(s) to sites such as YouTube, Vimeo, Flicker, etc. Visual artists should provide up to 20 still images saved as a PDF file and submit as part of their online application or supply a link to a website, YouTube, etc.
We cannot confirm receipt of applications nor can we accept applications submitted after the deadline. Limits on the statement size (500-750 words) and sample size (3,000 words) are strict.
The appointment of the Hodder Fellows will be made in January 2014.
An announcement of the award will be posted on our website:
4. Travel Grant!:Â Roberto Cimetta FundÂ Deadline: 30 September 3013
The General Fund is open to all requests for travel grants that respect the eligibility criteria of RCF, whatever the destination of travel, the artistic discipline or the direction of mobility. The General Fund functions on an annual basis which means that candidates can apply for the March session and to the other sessions in June and September depending on the funding available.
Some grants for travel from the South on the General Fund are provided by the European Union as part of the Istikshaf programme.
The Conseil GÃ©nÃ©ral des Bouches du RhÃ´ne and Marseille-Provence 2013 provide funding on two specific funding lines. Details concerning these funding lines are provided on the Cimetta Fund websiteÂ http://www.cimettafund.org
Artists and cultural operators living and working in Europe, the Middle East and North Africa can apply in Arabic, English or French. Priority is given to mobility from the South and East of these regions.
The results are announced as follows:
Fourth session: 1st December 2013 (Deadline for receiving applications: 30/09/2013)
If you want to apply, please visit the Roberto Cimetta Fundâ€™s website and fill in the contact form on the websiteÂ www.cimettafund.org. The office of the Fund will send you the link to the online form to fill out.
1. Chicago Printmakers! Check it out:Anchor Graphics Artist in Residency at Columbia CollegeÂ * Completed entries must be received by September 28, 2013Â * Notice of acceptance will be emailed by November 4, 2013.Â * The residency dates will be scheduled by arrangement
Anchor Graphics is offering 9Â three-week residencies this Fall/Winter/Spring from December, 2013 though August 31, 2014. The residency is intended to provide time and facilities for an artist to work on a specific project. This residency is directed towards emerging or mid-career artists proficient in print-media. The selected artist will be provided with shop time,Â space and some resourcesÂ to work on projects as articulated in their proposal. Â More info here.
2. Want to write for an LA art mag?Â Deadline for submissions:Â September 3, 2013. Publication date: Fall/Winter 2013Â
VIA Publication is now accepting submissions for Issue 02. We are open to many forms of content: essays, photography and text, interviews, reviews, and bodies of work. We ask that all written submissions relate to contemporary art, music, and food culture in or around Los Angeles. Â Please submit a 500 word proposal, supporting images and a writing sample toÂ firstname.lastname@example.orgÂ
3. And another writing call (but you have to send pitches today) submit toÂ Rattle – A Journal at the Convergence of Art and Writing
We are very pleased to now be inviting submissions for our fifth issue of Rattle — A Journal at the Convergence of Art and Writing.Â For our fifth issue the submissions guidelines remain the same as previously, and can be found at our website:Â http://rattlejournal.org.uk/submissions/Â Rattle is a journal of art, writing and thought. Submissions may include, but are by no means limited to, theoretical and critical writing, page-based artworks and projects, reviews, fictions and poetry. We are actively seeking innovative approaches to working on the page. Interesting and unusual submissions are encouraged regardless of their form or subject.Â In the true spirit of Rattle, we particularly encourage submissions of collaborative work, projects in series and pieces which develop innovative ways of bringing image and text together. Guidelines and past issues here.
4.Â KRANFilm Resident:Â OPEN CALL for curators and researchers in video and film art.Â Deadlines 10th September 2013, and 24th September 2013.
In October and November 2013, KRAN Film is organising in Brussels two residencies for cultural operators, with a particular interest in independent, non-commercial video art and art films. During the period of 10 days, each resident will have the opportunity to visit Flemish film and video archives (Argos, VAF, Cinematek, Plus-tot te laat, Cinema Nova, Auguste Orts, 68septante, Kran Film); meet Flemish film makers and film professionals; deliver a lecture, debate or presentation at the RITS School of Arts; and present a screening programme at Beursschouwburg.Â In total, two residents will be selected – one for the October and another for the November residency.Â The residency offers travel costs to Brussels (return ticket – limited amount), accommodation, per diems, fee and a small budget for screening rights costs.Â check it out here.
5. Registration has begun for the Hand-in-Glove 2013 Conference in New OrleansÂ hand-in-glove.org
Press Street is proud to be the host organization for Hand-In-Glove 2013, a national conference for independent visual arts organizers working at the crossroads of creative administration and studio practice. Hand-in-Glove 2013 will take place in New Orleans Thursday, October 17 through Sunday, October 20, 2013.Â Hand-In Glove is an itinerant conference started in 2011 by ThreeWalls in Chicago, IL for artists and organizers participating in a national dialog on creative activity happening outside of traditional institutions. The conference aims to facilitate supportive and deepening conversations on the pragmatic realities and imaginative possibilities of organizing exhibitions, re-granting programs, publications, residencies, public programs, platforms for projects, and a variety of other programming that challenges traditional formats for the production and reception of art at the grassroots level. The conference welcomes spaces and projects that are self-organized, independent, and noncommercial. It also welcomes organizations that started small but have grown big, retaining the artist-run values and priorities that were a part of their founding. More on that on their website here.
6.Â Akbank Sanat isÂ pleased to announce the second edition of the International Curator Competition. Curators are invited to submit proposals by September 10, 2013.
Started in 2012, Akbank Sanat International Curator Competition has the goal to provide support for emerging curators, reinforce interest in curatorial practices, and encourage new projects in the field of contemporary art.Â The winning curator is given opportunities to realize the proposal as an exhibition that will take place in the first half of 2014 at Akbank Art Centre, Istanbul, accompanied by an exhibition catalogue and additional activities. The curatorial fee, the exhibition production, travel expenses of the curator/s and artists, the production of the catalogue and the additional activities will be covered by Akbank Sanat.Â Details can be found here.
I didn’t get a chance to post this yesterday, as I was sitting in the Music Box at their Noir Festival which I’d highly recommend if you feel like checking out some hard crime adventure during the last gasp of summer…More to the point, however â€” here are some opportunities that I came across, with special thanks to The Chicago Artist Resource where I found many of the following calls:
1. Media fellowships available for Brooklyn Based media artists:
Each year, the BRIC Media Education and Contemporary Art programs sponsor theÂ BRIC Media Arts Fellowship. The Fellowship makes BRIC Media Education courses and facilities available to professional Brooklyn-affiliated visual artists (born, live, or work in Brooklyn)Â at no charge. We provide training programs and technical assistance in video and digital production and in post-production technologies. Our classes include both BRIC Media Arts Fellows as well as members of the general public interested in television production, creating a unique mix of interests in the classroom. Learn more here.
2. The annual HATCH artist residency deadline is coming up on October 6th.
HATCH Projects is a yearlong, juried incubator for contemporary Chicago artists and curators that strives to support an ecology of curatorial and artistic practice. A pioneering initiative of Chicago Artistsâ€™ Coalition (CAC), HATCH Projects fosters shared experimentation, exchange and creativity to produce ground-breaking exhibitions and programs. Twenty-four Artist Residents are accepted into HATCH Projects based on an application evaluated by the program’s four selected Curator Residents. Artist Residents are divided into groups of six to work with one Curator Resident throughout the year. Selected artists will participate in two exhibitions curated by the group’s assigned Curator Resident. Each Artist Resident receives professional development through dynamic exhibitions, one-on-one studio visits, public programs, and community building to develop a sustainable creative practice. More here.
3.Â Seeking Submissions for “Research Project #2” – The Space Movement ProjectÂ Deadline:Â Monday, September 30, 2013Â
Research Project is a low-tech works-in-progress performance series which brings performing artists together amidst their creative processes to show work, share process, give and receive feedback, start conversations and chew the fat. This opportunity provides a community forum for experimentation, emerging ideas and artist-to-peer support. Check out details here.
4.Â For artists interested in public/participatory performance for exhibition at MCA Chicago:
A House Unbuilt (HUB)Â is seeking artists who have experience with participatory performance and/or performance in public spaces for a one-day exhibition at the MCA Chicago. Â The exhibition will take place on October 1, 2013, and will feature a site-specific adaptation of HUB’s program DINNER DANCE, the choreographed meal. Â DINNER DANCE is a improvisational performance structured around the social choreography of mealtime. Toward a goal of public engagement for the MCA adaptation, HUB has devised a number of participatory “stations” to be facilitated by volunteer performers throughout the museum. Â These facilitators should have a sense of customer service, an ability for keen observation, and a performance presence in their own right.Â There will be 1-2 meetings/workshops in the weeks prior to the performances. Â Artists must be available for the day of OctoberÂ 1st.Â For more information, send resume, work sample/portfolio, recent photograph, and a letter of interest (containing brief description of similar past experience) toÂ email@example.com.
9. There is a job opening for aÂ Professional Development Associate at Mid-America Arts Alliance in Kansas City. Apply byÂ Â Sept. 21, 2013.
This position is responsible for completing the administrative and supportÂ functions for the Professional Development (PD) division of Mid-America Arts AllianceÂ (M-AAA). This includes, but is not limited to research, development, implementation, and evaluationÂ of all professional development programs. This is accomplished by setting up/maintaining files,Â records and reports; processing paperwork and invoices; managing all details related to scheduling Â and the fulfillment of all program events. This individual may travel to coordinate event managementÂ and/or to represent MAAA as needed. On a day-to-day basis, this person answers questions and assists program participants to fully utilize program services. In addition, this person will be responsible for collecting, analyzing and preparing/presenting summaries of project evaluations and Â activities for publication and/or presentation as required. More here.
5. Want to make work in Hungary?Â Residency applications for HMCÂ International Artist Residency Program due September 15, 2013.
HMCÂ International Artist Residency Program, a not-for-profit arts organization based in Dallas, TX / Budapest, Hungary – provides national and international artists with the opportunity to produce new work while engaging with the arts community in Budapest, Hungary.Â “Artist residencies allow the time forÂ dialogueÂ and create connections that contribute to the future..” More info on their website here.
6.Â Garfield Park Conservatory seeks proposals from Chicago-based artists for creative interpretations of wind chimes for an exhibition in the exterior Conservatory gardens during October 2013. The deadline is August 30th.Â Read more about that here.
7. Submit exhibition proposals to The Comfort Station, a turn of the century structure turned multidisciplinary art space, byÂ Saturday, August 31st, midnight:
We are currently accepting proposals from artists, emerging curators and organizations for our 2014-2015 calendar. It is our goal to connect artists and arts advocates through Comfort Station.Â Final 2014 schedule will be announcedÂ September 15th. Â To apply, please emailÂ art@comfortstationlogansquare.
orgÂ with the following information:
â€¢ An artist statement or curatorial concept supporting your proposed exhibition
â€¢ A link where we can view examples of artwork
â€¢ If no site is available, then please attach images to email (just please be conscious of file size)
â€¢ Bio, resume and/or CV
â€¢ Any special display considerations Comfort Station is open to proposals of artwork of all media; performance, sound art, installations are all highly encouraged.
8. The Sub-Mission deadline for artist proposals is August 30th. Read more about that here.