This week: Duncan and Brian drop in to LA’s Chinatown and visit the Institute for Figuring!
The mission of the Institute For Figuring is to contribute to the public understanding of scientific and mathematical themes through innovative programming that includes exhibitions, lectures, workshops, and participatory, community based projects.Â The IFF is a 501(c)(3) nonprofit organization.
Located in the Chinatown district of Los Angeles, the IFFâ€™s venue functions both as an exhibition space and as a â€œplay tankâ€ for developing new methods of creative engagement with topics ranging from geometry and topology, to physics, computation, and biological form.
Founded in 2003, the IFF has developed exhibits and programs for museums, galleries, colleges, and community groups around the world. We have worked with: the Andy Warhol Museum (Pittsburgh), The Hayward (London), the Science Gallery (Dublin), the New Childrenâ€™s Museum (San Diego), Art Center College of Design (Pasadena), the Museum of Jurassic Technology (Los Angeles), and the Smithsonianâ€™s National Museum of Natural History.
The Instituteâ€™s Crochet Coral Reef is now one of the largest science + art projects in the world.
At the core of the IFFâ€™s work is the concept of material play. We believe that ideas usually presented in abstract terms can often be embodied in physical activities that engage audiences via kindergarten-like practices. Through activities such as cutting and folding paper, we affirm that the hands and eyes can serve as guides to developing the human mind. By inviting our audience to literally play with ideas, the IFF offers a new, hands-on approach to public science education that is at once intellectually rigorous, pedagogically rich, and aesthetically aware.
This week: James Jenkins Executive Director of Bad at Sports beloved place to spend our disposable income Printed Matter!
Printed Matter is the world”s largest non-profit organization dedicated to the promotion of publications made by artists. Founded as a for-profit alternative arts space in 1976 by artists and artworkers, Printed Matter reincorporated in 1978 to become the independent non-profit organization that it is today. Originally situated in Tribeca, Printed Matter moved to SoHo in 1989 where for twelve years the book displays and artistsâ€™ projects in the large storefront windows contributed to the artistic and intellectual vibrancy of the neighborhood. In 2001 Printed Matter relocated to Chelsea, where it continued to foreground the book as an alternative venue – or artistic medium – for artistsâ€™ projects and ideas. Finally, in December of 2005 Printed Matter moved into our current storefront location in Chelsea with big windows and greatly increased display and exhibition space. Recognized for years as an essential voice in the increasingly diversified art world conversations and debates, Printed Matter is dedicated to the examination and interrogation of the changing role of artistsâ€™ publications in the landscape of contemporary art.
Printed Matter”s mission is to foster the appreciation, dissemination, and understanding of artists’ publications, which we define as books or other editioned publications conceived by artists as art works, or, more succinctly, as “artwork for the page.” Printed Matter specializes in publications produced in large, inexpensive editions and therefore does not deal in “book arts” or “book objects” which are often produced in smaller, more expensive editions due to the craft and labor involved in their fabrication.
To promote public awareness of and access to artistsâ€™ books, Printed Matter maintains a public reading room where over 15,000 titles by 6,000 international artists are available for viewing and purchase. In addition to being a wholesale and retail distribution hub for artistsâ€™ books, Printed Matter offers a free consulting service to libraries, art institutions, and art professionals involved with artistsâ€™ books throughout the world. Printed Matter presents a range of educational programs for the public from talks to student groups by staff members to in-store lectures and readings by artists, critics, and curators. These educational initiatives are complemented by our internationally recognized exhibitions program and publishing program.