1. Hello. First of all, New City is just going to hand you, fellow artist a ton of real estate. Are you ready? In other words, do you want to hijack a newspaper? The one catch — the deadline is tomorrow, so get busy:
We are seeking proposals from Chicago-based artists who want to take advantage of our distribution stream—30,000 copies circulated across 900+ locations throughout Chicago—and who will make the most of our magazine format. This is for the September 5 issue, the big gallery opening weekend, so all eyes will be on your art! – See more here.
J. M. W. Turner, Venice, from the Porch of Madonna della Salute, ca. 1835, oil on canvas, 36 x 48⅛ in. Metropolitan Museum of Art, New York (artwork in the public domain)
2. Bad at Sports’ retweeted this from @collegeart: Deadline for applying to the CAA International Travel Grant Program extended to Friday, August 23!
The CAA International Travel Grant Program, generously supported by the Getty Foundation, provides funding to twenty art historians, museum curators, and artists who teach art history to attend the 102nd Annual Conference, taking place February 12–15, 2014, in Chicago. The grant covers travel expenses, hotel accommodations, per diems, conference registrations, and one-year CAA memberships. For 2014, CAA will offer a one-day preconference meeting on February 11 for grant recipients to present and discuss their common professional interests and issues. Details on that here.
3. Program Director position opens up in NYC at Resource Generations. Applications due by or before August 22nd.
The Program Director reports to the Executive Director of Resource Generation. The key role of the Program Director is to ensure that the programs of RG are furthering the general mission and specific initiatives (ie, racial justice, campaign for tax justice) of the organization. They are also responsible for supporting and supervising other members of the program team, as individuals and as a cohesive group, and ensuring that member-leaders are being developed to lead in and out of RG. Seeking someone based in, or willing to relocate to, New York City. More info here.
4. Fringe Arts Bath has opportunities for aspiring curators. Deadline 18th October 2013
Fringe Arts Bath has opportunities for aspiring curators to devise and organise a show as part of the FaB festival 2014. We are looking for challenging and fresh concepts; FaB is a good test-bed for the new, wonderful and sometimes odd. We are open to suggestions and encourage you to think outside the box! FaB curators’ shows can include: performance, intervention, installation, multi-media and video work, photography, drawing, painting, sculpture and all disciplines in between. Submit a 500 word proposal detailing the underpinning themes with supporting images (optional) and CV, all formatted as PDF or Word Doc. Check it out: www.fringeartsbath.co.uk
5. AREA Chicago proposal due September 1st:
2012 Propeller Awardee AREA Chicago is a community publication that supports Chicago-based social justice practices and struggles. AREA is a space that brings together Art, Research, Education and Activism to create relationships across the boundaries that segregate our city and our minds. Our next issue will be called Kids! In this issue, we want to explore how our society defines what it means to be a child, how kids participate in the world, and what it means to be growing up in Chicago. We want to see how children and adults come together to challenge “mainstream” understandings to build more just communities and relationships. We welcome proposals from all age groups for our web and print publications. Our emphasis is on local practices that engage with the social, political and cultural dimensions of the topics we are exploring.
by Chicago Artist Writers
Featuring a Guest Post by James Pepper Kelly
The following article was originally written for and published by Chicago Artist Writers // Editor: Jason Lazarus
Weird Dude Energy curators Gurl Don’t Be Dumb: Eileen Mueller and Jamie Steele
Andrew Mausert-Mooney & Nicholas Wylie, performance view
Acrostic, original formatting via PDF here. Sources liberally appropriated from the Internet.
Walter Benjamin | At the center of this exhibition is man. Present-day man; a reduced man, therefore, chilled in a chilly environment. Since, however, this is the only one we have, it is in our interest to know him. He is subjected to tests, examinations. What emerges is this: Weird Dude Energy (WDE), a layering of men, a group perspective on masculinity.
Wilde, Oscar | But is WDE, as a meme/concept, actually on display in this show, or only in the title and statement? Is GDBD curating a show of WDE, or instead the passion of one’s friends? There’s crossover, and it may all be equal—those passions are the fascinating things IRL anyway. For me, the highlight was Andrew Mausert-Mooney & Nicholas Wylie’s performance of foot washing, massage, and chanting of “Poor Unfortunate Souls” from The Little Mermaid. It had the dignity of a ceremony, as well as its unreality, and combined the insincere character of a romantic movie with the wit and beauty that make such movies delightful to us. Is insincerity really such a terrible thing?
Weiner, Anthony | It’s passion that’s a terrible thing, and let’s just forget about online WDE. Let’s recalculate, let’s talk this show. Now Andrew Doak’s photo: I don’t know where that photograph came from. I don’t know for sure what’s in it. I don’t know for sure if it was manipulated. And I’m going to get to the firm bottom of that.
Eagleton, Terry | Don’t know Doak? It’s a self-portrait as John Belushi’s character in Animal House, from the artist’s ongoing portraiture project. There are several orphaned pieces in WDE, but I’ll admit that this one does suffer the most for it. Oli Rodriguez’s photographic portrait integrates well with the other work, even though it is de-linked from the S&M series it’s part of. The problem is, what we consume now is not objects or events, but our experience of them. We buy an experience like we can pick up a GBDB beer coozie ($2.00 at the opening).
Immanuel, Kant | Sure, there’s no doubt that all knowledge begins with experience. That’s why I bought three. But reading about the Weird Dude Energy Tumblr that was the inspiration for the show, I learned two things on the Hyperallergic comment thread: first, apparently no one reads my books anymore; and second, “Young people’s ideas about whatever is cool can have a conversation with contemporary art.” If you can’t deal with merch and memes, fine, how about Mike Rea’s virtuosic wood installation: jail cell/microphone/and, inevitably, glory hole? Out of the crooked timber of humanity, no straight thing was ever made.
Rahm, Emanuel | Fucking retarded. Take your fucking tampon out and tell me what you have to say. Best was Ivan Lozano’s installation of glowing blue hands on poles. It reminds me of when I sliced off my finger working at Arby’s, went swimming in Lake Michigan, and got gangrene. That’s when I decided to become king of Chicago. Lozano fucked up his hand and made some casts based on not being able to move. Same idea, different goal. You should never let a serious crisis go to waste.
Derrida, Jacques | Can we not talk about biography, please? Stick to the work! Look at how the hands’ blue glow syncs with Zak Arctander’s red tinted photo of the young man in a Vans cap, shown from his chest up. Whatever precautions you take so the photograph will look like this or that, there comes a moment when that photograph surprises you. It’s the other’s gaze that wins out and decides—which Arctander must be thinking about because look, he made sure the man’s eyes are covered by his cap! Rrose, with your own compromised intuitions, what did you like?
Duchamp, Marcel | I just like—breathing. It’s so necessary that I don’t question it.
Umberto, Eco | You are odd. Weird, I mean; but then, it’s only petty men who seem normal. Didn’t you like Alex Gartelmann’s limp aluminum baseball bat, bent over a wooden peg? A mash-up of your own readymades and an ‘80s sculptural phallus, a strong piece with good position.
Duchamp, Marcel | I don’t believe in art, I believe in artists and the most interesting thing about artists is how they live. All this twaddle are pieces of a chess game called language.
Eco, Umberto | Perhaps…. Maybe I’m—maybe all this is not as wise as it likes to think it is. And if Jacques’s right about epistemic plurality, is this some eternal zugzwang, as you chess people say? It’s true that the most interesting letters I receive are from people in the Midwest, people like the lone figure in John Opera’s lovely, desolate Wisconsin landscape. So let’s turn to their official sources instead!
Newcity Art (B. Stabler)| A variety of manly tensions are borne out by the juxtapositions in the group show “Weird Dude Energy.” In the end, there’s just nothing that says “competence” like a great curatorial concept enjoyably, even suavely, executed.
Rrose, Sélavy | Fine, fine. You do have to have an official existence. Intermezzo. One more, back to the living, then the end.
Jason Foumberg | Weird Dude Energy, a concept and an exhibition, probes the unkempt desires of men. You know how guys act when they’re all together, without women around? This show amplifies that vibe with work from 17 male artists.
You + Yr Friends | _________________________________________________________________________
Sources: Walter Benjamin: “The Author as Producer”, Reflections. Wilde, Oscar: The Picture of Dorian Gray. Weiner, Anthony: “GPS Speech” to Springfield Community Church, et al.; Interview with Emily Miller, Washington Times. Eagleton, Terry: How to Read a Poem. Immanuel Kant: “Idea for a Universal History with a Cosmopolitan Purpose”. Rahm Emanuel: Comment on a liberal group’s concerns about Obamacare, Wall Street Journal; Response to a male staffer, New York magazine; Interview, Wall Street Journal. Derrida, Jacques: There is No “One” Narcissism, Interview with Didier Cahen. Duchamp, Marcel: Line for the character “Marcel Duchamp”, The Mysteries and What’s So Funny, David Gordon (referencing Interview with Jean Antoine, The Art Newspaper); Interview with Jean Antoine, The Art Newspaper. Umberto Eco: The Name of the Rose; Duchamp, Marcel: The Writings of Marcel Duchamp; Letter to Jehan Mayoux. Eco, Umberto: Interview with Nigel Farndale, The Daily Telegraph; Interview with Adam Langer, Book magazine. Newcity Art (Bert Stabler): “Review: Weird Dude Energy/Heaven Gallery”. Rrose Sélavy: Interview with Jean Antoine, The Art Newspaper; Jason Foumberg (Chicago Mag.com): “Weird Dude Energy Promises a Freaky Prelude to Father’s Day”. You+ Yr Friends: _________________________________.
Left: Alex Gartelmann, Over and Over and Over, 2011, installation view. Right: Zak Arctander, Firehouse, 2013
Ivan LOZANO, MILAGROS I, MILAGROS II, and MILAGROS III,
2012, installation view
James Pepper Kelly likes words, images, and the plants in his apartment. He serves as Managing Director of Filter Photo and is studying to be a pataphysicist. For a little while, back in the early ‘00s, he was really good at Ms. Pac-man.
Chicago Artist Writers is a platform that asks young studio artists and art workers to write traditional and experimental criticism that serves under-represented arts programming in Chicago. CAW was founded by Jason Lazarus and Sofia Leiby in 2012. This is our first guest post on Bad at Sports. www.chicagoartistwriters.com
Ever had a week where you put too much on your plate? Only me? Well this weekend we can all take it a bit easier but in the mean time here are some things you might have missed while trying to be well rounded.
Lets start with Newcity (what no longer using my YCDToT green color scheme?, reds nice to I guess who had a interesting article a while back about the Spice Barrel District in Near South Chicago being turned into a Creative Industries District for galleries, studios, fashion warehouses & other design/visual art incubator projects is getting more attention on many sites and news articles as the story continues to grow and is worth a look if you missed it. Read more here
Pantone releases next years designer colors for both Men & Women; seems Beeswax will be the hot word this spring lol. Read more here
Why no artist should underestimate the toxcisity of chemicals and value of good ventalation, even though I still refuse to wear gloves while I paint with Flake White or Cobalt Violet. What can I say I prefer to do it nude. Read more here
Swedish outfit called TAT (The Astonishing Tribe) made a highly believable video on portable media ID in 2014 (is it just me that finds it odd thats not far off?) which the least likely aspect isn’t the mirror with email but that Apple still makes a non portable OS? Read more here
The Perfect table after a overly packed week for the person on the move, a zen water ripple table that you can drink tea on and the ripples are real, even in California. So lets say your a young British man who’s been working on you house for some time, teaching classes and making art to pay the bills and trying to expand your art career all at the same time but just ran out of Tetley’s well worry not atleast you will be relaxed while you struggle to swallow what passes for tea in the States. Read more here
Dear Art Thief.
This is actually more of a stealth-rant, deploying reverse-psychology tactics and appeals to the culprit’s sense of fair play. Some creep stole an artwork by Chicago artist Damien James right off the walls of the Flatiron building, and what’s worse, the piece had already been sold.
“My initial reaction, not surprisingly, was anger. Intense, red piping-hot anger. “What the fuck!?” were my words, to be exact, extra emphasis on the “f.” Who steals art at a small neighborhood show? From an “emerging” artist? (”Emerging” = “starving”) Even more, who steals a piece of art that’s already been sold? Now I know it was small, and as you passed by, maybe you thought it would fit perfectly in your bag or pocket or whatever, but did you not see the sticker above the drawing that said “sold?” Could you not have chosen a piece that hadn’t already been paid for? Because you see, some artists who do shows in the Flat Iron, especially in the halls of the Flat Iron, are struggling; they’re artists who are desperately trying to carve out some tiny, peaceful existence. We’re trying to do something good, to make and share something outside the ever-present web of invasive consumerist insanity. I get (but don’t condone) stealing an iPhone, an X-Box, cash; but a drawing? Not only did you steal something I made, but you took money out of my pocket. So: what the fuck!?
Really, what were you thinking? Was it, “this’ll look awesome on my bathroom wall?” Was it the thrill of stealing something? Are you some kind of Vincenzo Peruggia? What’s next, a Steven Soderbergh art-heist caper?”
Hats off to James for channeling his justifiable rage into a piece that actually transcends the circumstances behind this unfortunate incident to say something larger about the need to show some basic human decency, even if you’re drunk off your ass, and even (especially) when it comes to small art shows at neighborhood galleries.
Damien James, from the 'small person' series