October 19, 2010 · Print This Article
I’ve written a piece on painter Raychael Stine in this week’s issue of New City. I’ve been interested in Stine’s work ever since she was included in Columbia College’s Object of Nostalgia exhibition last year. She has a nice selection of paintings up in the lobby gallery at the McAninch Arts Center, College of DuPage through December. Here’s the intro to the piece; just click on over to New City to read the full profile:
“There’s a lot of excess baggage that comes with being a young female painter who makes paintings of her dogs. Just ask Raychael Stine. A 2010 graduate of the University of Illinois at Chicago’s MFA program, Stine is sometimes asked if she does commissions—“I have a Chihuahua too! Can you paint him?” When she was an undergrad at UT Dallas, Stine was referred to as “The girl who paints her dogs.” Even more vexing is the persistent assumption that Stine’s representational approach to painting is something she has yet to “outgrow,” as if it were not, in fact, a tactic she has consciously chosen for its ability to encapsulate emotionally inchoate and often covertly personal subjects within forms that have themselves been cast off as degraded, subservient, less-than.”
Can I also just add that the exhibitions Barbara Wiesen has been organizing at the McAninch Arts Center have been rocking my world as of late? What I especially admire and appreciate about Ms. Wiesen’s programming of the Gahlberg Gallery space is the consistent attention she is paying to Chicago’s mid-career artists. The College of DuPage, which is located in Glen Ellyn, Illinois, can be a bit of a hike to get to – but the exhibitions here are never less than totally worth the effort, and as a perk parking is free and easy-peasy.
Are re-blogged links the blogger’s version of the sitcom flashback episode? Uh, maybe, but in any case, here’s a partial and purely subjective roundup of the past week in art, culture, etc. in Chicago and beyond, via a whole mess o’ handy links, of course….
*New City art editor Jason Foumberg has a nice recap along with some thoughtful analysis of last week’s “The Invisible Artist: Creators from Chicago’s Southside” panel discussion at the School of the Art Institute. UPDATE 4/4: There is some very interesting, enlightening, and pretty damn sharp back-and-forth going on in the comments section of this article by panel participants and others who strongly disagree with (or have misunderstood) Foumberg’s assessment of the panel and the issues it addressed.
*The mass firings of adjunct fine art faculty at Parsons The New School for Design: blogger Hrag Vartanian’s coverage has been some of the most thorough thus far. Check out his posts here, here and here as a start.
*Time Out Chicago writer Lauren Weinberg has a piece this week on the ways in which Musuems in Chicago and elsewhere are using social media.
*Big yawn: on the Twitter front, an update on @platea’s Twitter happening I blogged about a few weeks ago. UPDATE 4/4: NewCity reported on what happened during the Twitter Island project discussed in that same blog post, here.
*Via C-Monster: The Architecture of the Drug Trade. A fascinating look at the landscape of weed and the architecture of the grow house. Especially loved the comparison of the latter to Max’s bedroom in Where the Wild Things Are.
*Paddy Johnson of Art Fag City writes for The L Magazine on why Jenny Holzer is not the patron saint of Twitter in her review of Holzer’s Protect Protect Project, which originated at the MCA and is now at The Whitney.
*And finally, the hermeneutics of “pin diplomacy”: via Artnet Magazine, Madeleine Albright’s pin collection to be shown at the Museum of Arts & Design in New York. Pins weren’t mere jewelry for Albright, they added a subtle layer to her diplomatic efforts. She wore a bee pin when talks were getting pointed, a balloon pin when she felt hopeful, and a snake pin after Sadaam Hussein’s people called her a serpent. I’m so there!