Well the Museum of Science and Industry has announced their winner of the
Night ”Month at the Museum” contest and it is Kate McGroarty. Kate is a Theater Artist/Customer Service Representative & recent graduate of Northwestern University. Kate starts her tour of duty in the museum on October 20th and leaves on November 18th. Kate seems to be meta aware of the entire point of this exercise and that is reflected in her lonelygirl15′esque video submission below.
You can follow Kate’s adventure via twitter and facebook (by the way MSI nice forcing the “I like” function as your public facebook link, that move should have it’s own chemical formula…….. let me think). There seems to be a very ironic website page on Miss McGroatry as well which I really hope is someone trying to capitalize on her 15 mins and not actually run by Kate herself since its a tad self congratulatory and disingenuous.
Also here is the video of the winner announcement which I have to admit whoever came up with the checmical reaction to signify the winner should get a bonus (or season 2 of “The Big Bang Theory” on DVD) since that has been the best move I have seen as of yet with this project. Also whoever missed or decided not to post the video of that announcement on the MSI website and is not capitalizing on the great PR value of that moment should get the reverse (and the season 1 DVD of Cavemen) no one should have to search for that video to find it.
I hope this is a success and will agree that having looked at the applicants that they picked the right person for the position (a arts student who admittedly knows little about science but knows PR, is cute and bubbly and gets it with a wink and a nod) Sorry Alex Dainis in a perfect and fair world you would have been the right choice since you have the looks, smarts, personality, background & non creepy factor but in the end this isn’t about Science it’s about marketing. It is going to be interesting to see how Kate takes the initiative on this and what she can do with it since the agenda seems pretty open for input. Good luck and no using the taxidermied animals as teddy bears
“The Art of the Steal” chronicles the long and dramatic struggle for control of the Barnes Foundation, a private collection of art valued at more than $25 billion. In 1922, Dr. Albert C. Barnes formed a remarkable educational institution around his priceless collection of art, located just five miles outside of Philadelphia. Now, more than 50 years after Barnes death, a group of moneyed interests have gone to court for control of the art, and intend to bring it to a new museum in Philadelphia. Standing in their way is a group of Barnes former students and his will, which contains strict instructions stating the Foundation should always be an educational institution, and that the paintings may never be removed. Will they succeed, who has the right to direct the future of the collection?
This week Duncan talks to Charles Esche, Director of the Van Abbemuseum, Kerstin Niemann, Research Curator at the Van Abbemuseum, and Stephanie Smith, Director of Collections and Exhibitions and Curator of Contemporary Art at the Smart Museum of Art about the current Smart Museum exhibition, Heartland.
In 2007 and 2008, the Heartland curators, eschewing traditional research methods, set out on a series of old-fashioned road trips through the vast center of the United States. These research trips informed two distinct exhibitions. The first presentation, which opened in October 2008 at the Van Abbemuseum in the Netherlands, sought to uncover new ways of thinking about the American interior during the U.S. presidential election and gave European audiences access to a broad survey of the Heartland’s culture, art, and music. The second, reconceived presentation at the Smart Museum, offers U.S. audiences a more focused look at the ideals of resourcefulness and invention that permeate the Heartland. Together, the two presentations offer a richly layered reading of a region that has too often been overlooked.
The exhibition is co-organized by the Smart Museum of Art and the Van Abbemuseum, Eindhoven, the Netherlands. The Van Abbemuseum’s presentation of Heartland took place from October 3, 2008 to February 8, 2009. In Eindhoven, the project consisted of a group exhibition in the Van Abbemuseum together with a musical program in the Muziekcentrum Frits Philips. Read more
This week: Duncan and Richard get a sneak preview of the Contemporary Galleries in the new Modern Wing of the Art Institute of Chicago. Lisa Dorin the Assistant Curator of Contemporary Art is our guide. Duncan draws some wacky parallel between Kerry James Marshall’s paintings and the Matrix. Richard refers to the juxtaposition of Nauman’s Clown Torture and Robert Ryman’s Charter Series as “If the CSO had a G.G. Allin/ J.S. Bach double bill”.
Lisa answers the question: was it a complete pain in the ass to install Richard Serra’s ten thousand pound work Weights and Measures? Read more
Last night I attended the staff preview for the Art Institute of Chicago’s Modern Wing. The first floor has a Cy Twombly show and a photo show. I don’t think that either of the rooms that these shows were hung in do much justice for the new wing. The ceilings are rather low and there is a lot of work to be seen in such a small space, which makes the museum feel narrow. I didn’t have a chance to see the film video new media section which will be showing a Steve McQueen piece. I was really into Gaylen Gerber’s piece “Backdrop” which consists of large sheets of photo paper pinned to the wall. The photographs are then hung on top of the piece.
The third floor houses the Contemporary collection from 1960 to present. This is where you get the picturesque views of Millenium Park. Yes, there is a lot of light and architecturally it really is a beautiful space to see work. My only gripe is that some of the rooms are filled with too much work. I like to have space to see each piece by itself or see a couple of pieces and how they play off each other. Viewing four pieces in all four walls plus a Calder mobile above you can feel claustrophobic, and causes all of the pieces to meld into one. This made me consider, however, the $18 admission fee to the museum and the average visitor. I would prefer more thoughtfully installed work, but it may be a more bang for your buck situation for the museum.
The Art Instiute of Chicago’s Modern Wing opens May 16th