The art press and art blogosphere are all a-Twitter over an article in last Friday’s L.A. Times suggesting that New York big-man art dealer Jeffrey Deitch is among the top candidates for the directorship of L.A.’s Museum of Contemporary Art. You’ll recall that MOCA has been without a leader (save for Eli Broad’s not so behind-the-scenes machinations) since Jeremy Strick resigned in disgrace over his poor handling of MOCA’s finances, which nearly ran the institution into the ground. Read more
Sup ya’ll. Time for another rousing round of what the f*#k is Steph doing this weekend?, aka The Top 5! You ready? Well, here you go:
1. A Crash of Critters at Fill in the Blank
Ok, so I’ve got the love for Fill In The Blank, it’s in my neighborhood, and they always put out a good spread and some tasty eye candy. This round is no exception. Based (as I understand) on the idea of ascribing hilarious names to groups of animals, this will appeal to all people interested in cartoon animals and those of us who own, willingly, a copy of James Lipton’s “An Exaltation of Larks.”
Fill in the Blank is located at 5038 N. Lincoln Ave. Opening reception Friday, 7-10pm.
2. Obsession In Ice at Carl Hammer Gallery
So, I’m not generally one for holiday themed art shows. As a matter of fact, I generally hate them. This show, however, is an exception. Featuring the work of Wilson “Snowflake” Bentley, this show brings to us some of the first images ever made of individual snowflakes. A farmer/scientist, Bentley captured the first image ever of an individual snowflake in 1885. So, go to the show, muse on old-school science, and remember: you are an unique and individual snowflake, just like everybody else.
Carl Hammer Gallery is located at 740 N. Wells. Opening reception Friday, 5:30-8:30pm. Read more
Liam Gillick. That is right, the man whose imagination can take him anywhere. A transparent master of the question of Modernity? Cat lover? Designer/author/theorist/artist/architect? The son Donald Judd never wanted? Enigma cloaked in riddle? Relational Aesthetic celebrity? All these things and more… We at Bad at Sports try and get to the bottom of Liam’s magic in this hour-long interview.
The last element in Liam Gillick’s 4 part global retrospective, “Three perspectives and a short scenario” will run through January 10th at Chicago’s Museum of Contemporary Art.
Accompanying that exhibition, Gillick has produced “The one hundred and sixty-third floor: Liam Gillick Curates the Collection,” which is also be on view.
Liam Gillick emerged in the early 1990s as part of a re-energized British art scene, producing a sophisticated body of work ranging from his signature “platform” sculptures — architectural structures made of aluminum and colored Plexiglas that facilitate or complicate social interaction — to wall paintings, text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the actualities of the world.
His work joins that of generational peers such as Rirkrit Tiravanija and Philippe Parreno in defining what critic Nicholas Bourriaud described as “relational aesthetics,” an approach that emphasizes the shifting social role and function of art at the turn of the millennium. Gillick’s work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere.
This exhibition is presented in association with the Witte de With in Rotterdam, Kunsthalle Zurich, and the Kunstverein in Munich. It is the most significant and comprehensive exhibition of Gillick’s work in an American museum to date, comprising a major site-specific installation in the gallery ceiling as well as a presentation of his design and published works, and a film documenting projects from the entirety of his career. The MCA is the only American venue for the exhibition. Read more
Jeremy Deller. That’s right, this week we have one of the world’s most interesting contemporary artists talking about “What It Is,” a show and tour he has worked on, that appeared at The Hammer, the New Museum and now, Chicago’s MCA, featuring a car that was bombed-out during the Iraq war. He is joined by artist Esam Pasha to talk about “What It Is”
Deller’s work often challenges our assumptions about what “is” and “is not” art and uses the banner term “art” to gain access to, extend, push, and develop local cultures. Deller is also the first Turner Prize-winner to appear in the 230 hours of the Bad at Sports show.
Episode 214: Constellations: A conversation with Julie Rodrigues Widholm, Wesley Kimler, Vera Klement and Paul “The Knife” Klein.
This week we talk Painting.
We assembled a crack team team of two Chicago painters (Wesley Kimler and Vera Klement), one Art Provocateur (Paul Klein), and a Curator from the MCA (Julie Rodrigues Widholm) and we talk painting and what makes the show “Constellations,” currently on display at the MCA, an important show for Chicago.
During the interview you will also hear the flock of parrots that inhabit Kimler’s studio and his daughter playing in the background, please do not be alarmed. You may also hear Duncan being made fun of for his love of Chris Wool, but if loving Wool is wrong, Duncan may never be right. Read more