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	<title>Bad at Sports &#187; micro-blogging</title>
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	<description>Contemporay art talk without the ego</description>
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		<title>Crowd-Sourced Curation</title>
		<link>http://badatsports.com/2009/crowd-sourced-curation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=rss</link>
		<comments>http://badatsports.com/2009/crowd-sourced-curation/#comments</comments>
		<pubDate>Mon, 02 Mar 2009 20:36:07 +0000</pubDate>
		<dc:creator>Claudine Isé</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[20x200]]></category>
		<category><![CDATA[criticism]]></category>
		<category><![CDATA[crowd sourcing]]></category>
		<category><![CDATA[curating]]></category>
		<category><![CDATA[jen bekman]]></category>
		<category><![CDATA[micro-blogging]]></category>
		<category><![CDATA[twitter]]></category>

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		<description><![CDATA[I don’t Tweet, and no one can convince me that Wikipedia is a fundamentally reliable source of knowledge, but I'm definitely intrigued by gallerist and 20 x 200 impresario Jen Bekman’s experiment in “crowd-sourced curation." ]]></description>
			<content:encoded><![CDATA[<p>I don’t Tweet, and no one can convince me that Wikipedia is a fundamentally reliable source of knowledge, but I&#8217;m definitely intrigued by gallerist and <a href="http://www.20x200.com/" target="_blank">20 x 200</a> impresario <a href="http://www.jenbekman.com/index.html " target="_blank">Jen Bekman’s</a> experiment in “crowd-sourced curation.&#8221;  Bekman asked fellow Twitterers to recommend artists they’d like to see participate in  20 x 200, and received a deluge of suggestions in response. Get the full story <a href="http://www.20x200.com/blog/2009/03/any-of-those-in-the.html" target="_blank">here</a>.</p>
<p>Did any of you New York readers see Bekman’s talk “Overcrowded – How crowd sourcing is ruining everything” at <a href="http://ignitenyc.org/" target="_blank">Ignite NYC III</a> last week? If you did, can you give us the lowdown in the comments? Bekman’s take on the issue is of interest, as she’s one of only a few dealers to develop a successful model for marketing affordable contemporary art to the masses. Makes me wonder if or how phenomena like micro-blogging and crowd-sourcing will  affect the future of art criticism as well as institutional curation. I’m sure there’s a number of art critics already twittering out there (are there any who now use Twitter exclusively?), and you know some enterprising curator will find a way to Tweet out an art show, it’s only a matter of time.</p>
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