The five year behemoth is upon us! Episode 260 kicks off with a discussion with Mary Jane Jacob and Michelle Grabner about the artist and studio. Then we turn the camera on ourselves and have a discussion about where we are and where we are headed, if anywhere.
Thanks for listening! It has been a great five years!
P.S. Cauleen S. you are a sad, sad, petty whiner. Grow the hell up.
A few noteworthy links and stories for your midweek perusal…plus a freebie at the bottom.
****College Art Association (CAA) has made eighty-one audio recordings from the panels at last month’s conference in Chicago available for download. They’re kind of expensive ($149.95 for the complete Set of CAA 2010 Conference Recordings on Interactive MP3 Audio CD-ROM or MP3 download; $24.95 for an individual panel MP3 download), but if you couldn’t come up with the cash to attend the conference in full, like moi, this could be a great way to access the panels you missed in person. I’ll be choosy, but will most likely buy at least one.
****“Palestinian Avatars”: This is fascinating; apparently, the movie Avatar and its indigenous aliens the Na’vi have been appropriated by Palestinian rights activists, who painted themselves blue and wore costumes inspired by the Na’vi during a recent protest in Bil’in, a Palestinian town divided in half by the wall. This post on Provisions Library provides further background along with some pretty brilliant analysis: “The most striking aspect of this re-appropriation of a distinctly American, Avatar meme, is the irony. And right across the barbed-wire fence opposite from Bil’in are Israeli soldiers whose weapons supplied by American taxpayers. So, as Joseph Nye would explain, that’s an example of U.S. “hard power.” Then, on the other side, the Palestinians to score by appropriating imagery siphoned with sophistication from the mighty currents of American “soft power.” Wow. Elsewhere, you can find additional photographs of what’s been dubbed the “Palestinian Avatar” protests here, along with a video of the demonstration.
****Artnet’s Charlie Finch asks “Who is Dakis Joannou?” Finch speculates that Joannou’s future as the Chairman of J&P (Overseas) and J&P-AVAX, both publicly traded Greek companies, “could yield two divergent prospects for a complex, interlocking business, dependent on amortization and wide debt-to-capital ratios. The first is that Dakis is smart enough and aggressive enough to take advantage of buying opportunities during a worldwide recession and increase his bottom line significantly. The second is that J&P is so overleveraged and so dependent on the luxury market that it is at serious risk of default, should its capital pipeline dry up. J&P’s low stock price would indicate a potential problem in this area.” If it’s the latter, it’s probably safe to assume that Joannou may indeed peel off some of that Skin Fruit in the not-so-distant future.
****Ikea plans to commission major works by contemporary artists Piotr Uklanski, Jeppe Hein and Jim Lambie for its “airport-sized,” Moscow-based development slated for 2012.
****Auction sales for work by African-American artists surged at recent Swann sale, and the market for art by African Americans continues to grow.
****The Grand Rapids Art Museum will present GRAM and Ox-Bow: Joint Centennial Celebration Exhibition and Artist Series this summer. 30+ artists from throughout Ox-Bow’s history will be featured at the Grand Rapids Art Museum in a special exhibition. (via Curated).
****I Like Your Work: Art and Etiquette: a pamphlet published by the contemporary art journal Paper Monument, addresses the topic of “manners in the art world” via interviews with 38 artists, critics, curators and dealers. Read this excerpt, a series of questions about art-world politesse posed to artists Michelle Grabner and Ryan Steadman, online here.
****Ohhhhh. So. Incredibly. Beautiful: An Elizabethan Bestiary: Retold. Go click on this one right away, you won’t be disappointed.
****I am not one of those women who is “into shoes”, but Dezeen’s top ten list of past shoe features makes me wish I were a bit more of a fetishist when it comes to this particular area of my body. Though no way in hell would I ever wear these french bread loafers.
****Jokes: Philosophical Thoughts on Joking Matters, by Ted Cohen, is now available for free download at The University of Chicago Press website – for the month of March only. (The Chicago Blog). The U of C Press offers a free downloadable book each month, so check back to see what else they’ll have available for you in the future!
****An exhibition of Grateful Dead paraphernalia opens at the New York Historical Society…and no, its not that kind of paraphernalia.
****And finally….all you need to know about Professional Female Stoners. This is not, unfortunately, a description of an up-and-coming growth sector in the jobs market.
Ok, so for those of you who don’t know yet, CAA (College Art Association) has dubbed Chicago worthy for it’s pedagogical adventures, and has settled in our fair city for the weekend. As a member of CAA, I’ll be cruising from lecture to lecture the next few days, trying to suck up as much strange knowledge as I can while the circus is in town. But I’m not the only one excited about the CAA crew. As a result of the conference, just about everyone else in town is trotting out something or other, much of which is AWESOME! As a result, I bring you The Biggest Top 5 You’ve Ever Seen! Rather than picking individual galleries for the Top 5, I’ve corralled a Top 5 of places (in no particular order) you should go this weekend. Hope ya’ll enjoy.
The self-proclaimed Chicago Arts District is holding it’s monthly 2nd Fridays round of openings. Here’s the places I’d go if I were you:
Chicago Art Department – 1837 S. Halsted. Cultural Excavation, work by Christopher Piatt, Ben Valentine, Wayne Bertola, Virginia Broersma, Allison Rae Butkus, Seth Gershberg, Jennifer Hines, Jennifer Jackson, Sarah Leitten, Amanda Paulson, Aaron Wooten and others. Reception Friday, from 6-10pm.
ROOMS Gallery – 645 W 18th St. ORACLE:CHANNELING, with Marrakesh & Todd Frugia. Performance Friday, from 8-10pm.
This week Duncan and Richard talk to Michelle Grabner and Annika Marie about Picturing the Studio and among other things whether or not anyone does four studio visits a day. Go check out the show, even the art I disliked was interesting.
Lifted from SAIC:
This exhibition explores the richly complex politically- and psychologicaly-charged notion of the artist’s studio today. With works by over 30 artists spanning the past two decades, this exhibition also includes several specially designed installations undertaken by artists on site. Curated by Michelle Grabner, SAIC, and Annika Marie, Columbia College, “Picturing the Studio” is presented in conjunction with the College Art Association’s 98th Annual Conference in Chicago, February 11-13, 2010. It is made possible in part with funds from the College Art Association and the Illinois Art Council, a state agency.
Artists include: Bas Jan Ader, Conrad Bakker, John Baldessari, Stephanie Brooks, Ivan Brunetti, Ann Craven, Julian Dashper, Dana DeGiulio, Susanne Doremus, Joe Fig, Dan Fischer, Julia Fish, Nicholas Frank, Alicia Frankovich, Judith Geichman, Rodney Graham, Karl Haendel, Shane Huffman, Barbara Kasten, Matt Keegan, Daniel Lavitt, Adelheid Mers, Tom Moody, Bruce Nauman, Paul Nudd, Frank Piatek, Leland Rice, David Robbins, Kay Rosen, Amanda Ross-Ho, Carrie Schneider, Roman Signer, Amy Sillman, Frances Stark, Nicholas Steindorf, and James Welling.
In 1999 artists Michelle Grabner and Brad Killam co-founded The Suburban, a domestic art space in Oak Park, Illinois that in its decade of existence has become one of the Chicago area’s most highly regarded alternative galleries. This coming weekend will mark a new chapter in The Suburban’s history with Grabner and Killam’s launch of The Poor Farm and Poor Farm Press.
Located in Waupaca County in central Wisconsin, The Poor Farm (aka the Waupaca County Home) was built in 1876 as part of the American Poor Farm system. Now, this 2.7 acre compound will function as a larger offshoot of The Suburban, its “rural cousin,” as Grabner and Killam put it. They’ll be mounting yearlong exhibitions in the Farm’s over 8,000 square feet, which includes 2500 square feet of dormitory space for artists and writers to live at the Farm for extended residencies. Poor Farm Press will produce catalogues and other printed matter that normally fall outside the purview of larger publishing houses. In short, a place that once represented the end of the line for the region’s poor–an institutional space of despair, destitution and servitude–will now be an open-ended space of transformative possibility and creative intervention.
Although the Poor Farm itself is still under renovation, Grabner and Killam are ready to kick off their newest venture by welcoming everyone who wants to join them for a weekend-long camp-out/inaugural exhibition opening this weekend, August 7, 8 and 9. On view will be numerous works of performance, painting, sculpture, and installation by artists such as Lesley Vance, David Robbins, Shane Aslan Selzer, Olivier Mosset, Philip Vanderhyden, Brad Kahlhamer, Shane Huffman, Sabina Ott, Pedro Velez, Guillaume Lebion, Nicholas Frank, Joe Pflieger and many others that engage the The Poor Farm’s history as well as its many idiosyncratic spaces, which include a jail in the basement and a cemetery in the back cornfield. If you go, you can camp out on the grounds or stay at a nearby hotel, if camping’s not your thing, and dive into a range of super family-friendly activities like river tube floating, kayaking, canoeing, and fishing. And, of course, there’ll be cookouts galore.
About the upcoming Poor Farm ventures, Grabner and Killam note,
Like the Suburban, The Poor Farm will be dedicated to artists. In a recent interview we stated that “we believe in artists and we believe in the imagination.” We also happen to delight in and value our mid western, middle class, middle-age life with a mortgage and three kids. Voila: The Suburban, The Poor Farm and Poor Farm Press. Now, we can further negotiate our beliefs, share resources, and widen a space for artists and other curious minds.
What a beautiful way to spend a weekend. If you’re interested, you can download more information on The Poor Farm/Poor Farm Press and the opening weekend “jamboree” by clicking below.
Grabner and Killam are already well known to this blog’s local readers, but if you’re from outside of Chicago and want to learn more about the incredible history of artists’ projects that The Suburban has presented over the past decade you can start by visiting The Suburban’s website. Then, listen to Grabner discuss how she and her family blend art and everyday life on episodes 12 and 19 of Bad at Sports’ Podcast (Grabner also interviewed artist Gaylen Gerber for Episode 93). And finally, the Highlights conducted a terrific interview with Grabner just last June; you can read it here.