The most recent installment of Anatomy in the Gallery. This round is a group exhibition curated by local artist Vanessa Ruiz and features artists from around the country, including CAKE (New York), Heather Tompkins (San Francisco), Robyn Roth (Kentucky), Jason Freeny (New York), David Foox (New Zealand), Emilio Garcia (Spain), Noah Scalin (Virginia), and Stephen J. Shanabrook.
International Museum of Surgical Science is located at 1524 N. Lake Shore Dr. Reception Friday from 5-9pm.
The first of a pair of introspective, desert themed shows opening this weekend. This one, featuring the work of Pilsen resident Mark Nelson, explores the desert of Arizona through video and installation.
Antena is located at 1765 S Laflin St. Reception Friday from 6-10pm.
The second desert work opening this weekend, Ben Russell’s Trypps. The show consists of a series of screenings of Russell’s Trypps series, included the featured image above, Trypps #7 (Badlands) which, “charts, through an intimate long-take, a young woman’s LSD trip in the Badlands National Park before descending into a psychedelic, formal abstraction of the expansive desert landscape.” Opening is during First Fridays, so get yourself comped in, or wait till after the meat market to see the show.
Museum of Contemporary Art is located at 220 E. Chicago Ave. Reception Friday from 6-10pm.
Something on the cutely morbid side to lighten your weekend. Not exactly critical work, but fun. Half the show (Bare Squared) features the work of bro-sis duo Max and Zoë Bare. The other half (Bedtime Stories) features monsters by Amanda Louise Spayd.
OhNo!Doom Gallery is located at 1800 N. Milwaukee Ave. Reception Saturday from 6-10pm.
Wrap up your weekend at one of Chicago’s awesome alternative spaces, Julius Cæsar. Another kind of creature feature, the paintings at JC by artist Autumn Ramsey reference art history and mythology.
Julius Cæsar is located at 3144 W Carroll Ave, 2G. Reception Sunday from 4-7pm.
This week: We talk to Artist Nathan Carter who has a work in the current MCA Exhibition “Alexander Calder and Contemporary Art: Form, Balance, Joy”about his work, the youth perspective, and the secret trasmissions of numbers stations.
Here is a slightly outdated bio I lifted: Nathan Carter’s wall reliefs, sculptures, collages, and hanging objects are inspired by myriad aspects of contemporary society: modes of transportation, mass communication devices, sports insignias, and architecture for mass gatherings like stadiums and parade grounds. At once gestural and reductive, his works amplify strategies first explored by modernist artists in the early 20th century. Deeply rooted in a fascination with how visual abstract codes represent a means of abbreviated, if not universal, communication, Carter’s free-form compositions are simultaneously non-objective and referential.
Playful at first impression, Carter’s art contains allusions to mundane yet foreboding engagements, such as radio transmissions, encoded transcriptions, and other electronic communications that serve not only to link us to world networks, but also to place us under surveillance and deprive us of our privacy. Often our dependence on these tools and the despair that results from their failure to properly operate is a recurring leitmotif in his work.
Nathan Carter was born in Dallas, TX, in 1970 and currently lives and works in New York, NY. He received his MFA from Yale University, New Haven, CT, in 1999. He has had solo exhibitions at Galería Pilar Parra, Madrid (2007); Casey Kaplan Gallery, New York (2006, 2004, 2001); and Esther Schipper, Berlin (2006). He also participated in Art 33 Basel, Basel, Switzerland (2002). Selected group exhibitions include Neo Baroque, DA2 Centre of Contemporary Art of Salamanca, Spain (2005-06); Greater New York 2005, P.S. 1 Contemporary Art Center, Long Island City, NY; and GNS, Palais de Tokyo, Paris (2003).
This week: Brian and Patricia talk to Artist Natasha Wheat.
As part of the ongoing collaboration between Bad At Sports and Art Practical, as well as the summer series exploring social practice, this week Brian Andrews and Patricia Maloney sit down with Natasha Wheat as she prepares for her upcoming exhibition and temporary restaurant “Self Contained,” which opens at the Museum of Contemporary Art, Chicago on July 13.
Currently based in San Francisco, Wheat is an American artist whose work attempts to understand and interrupt the way that human beings exist together. She is interested in the social hierarchy of space, utopian attempts, and the tension between exclusivity and inclusion. Wheat founded Project Grow, a Portland Oregon based Art Studio and Urban Farming Project that includes people with mental diversity. Her recent work examines agriculture in relationship to human culture, distribution, and control. She received her BFA from the School of the Art Institute of Chicago in 2008.
Wheat has exhibited collaboratively and individually at The UC Berkeley Art Museum; The Pete and Susan Barrett Gallery, Santa Monica; Rogaland Kunstsenter, Stavanger, Norway; G2, Mess Hall, and the Museum of Contemporary Art, Chicago.
Check out the text version of this interview, starting July 1, in Issue 18 of Art Practical.
Thanks to everyone for coming out to the “Social Media Strategies in Chicago’s Art Community” panel hosted by Art Critic Alicia Eler and Chicago Gallery News’ Ginny Berg at Art Chicago today. I loved talking with Karla Loring, Museum of Contemporary Art; Crystal Pernell, Hyde Park Art Center; and Carrie Heinonen, Art Institute of Chicago about all things tech & strategy and hope that it was useful or atleast entertaining for those of you in attendance. Every group on that dais has my upmost respect for the work they do in the Arts day in and out and it is an honor to have Bad at Sports counted among them.
As promised in the talk there is a program that is quite useful in Twitter to let you know who starts following you and more importantly who drops your account. At the time I was trying to think of Chirpstats and couldn’t get the word out but the great Crystal Pernell was kind enough to remind me of Qwitter which does more then Chirpstats by working to tie the drop to a specific tweet. This can be extremely useful if at times a bit misleading but a great alternative to Chirpstats which is only a weekly update but less taxing on an email account.
The net is a wonderful place to meet, share, promote and wallow in all the things you love or cherish and social media for me is a great tool to help accomplish & magnify those desires. I still say though the most important thing is to service the end users like they are your boss, anything less is putting the cart before the horse. Feed them data, facts, images & yes even sugar and rumors some days but remember that twitter, facebook, digg, stumbleupon, and whatever is next are only a means to that end. It’s something that even we have to be vigilant to keep in perspective and doesn’t come easy for anyone especially when you have to answer to a comittee; I have deep sympathy there. I look forward to the next time we can get everyone together and have honest and open talks about how we go about trying to promote and grow this thing we love called Art.
Thanks again for coming out!
Tuesday April 20th (tomorrow!) at 6pm Bad at Sports hosts this month’s Cabinet of Curiosities at the MCA, an ongoing “grab bag of ‘un-lectures’” presented by different groups from around Chicago. Bad at Sports has curated an evening on the subject of Magic. Stephanie Brooks will speak on the Magic of Language and Love. Industry of the Ordinary (Mat Wilson and Adam Brooks) will explore the magical through an investigation of God, football, and extra-marital conduct. Elijah Burgher will give a talk on Sigil Magic, a system of spell-casting outlined by early 20th century occultist, Austin Osman Spare, and popularized more recently in occult movements such as Chaos Magick and Thee Temple of Psychic Youth. Ross Moreno will perform magic! And John Neff and Ivan Lozano will explicate the magic of materialist magic – presented immaterially.
Stephanie Brooks is a conceptual artist living in Chicago. She has exhibited her work nationally and internationally including exhibits in Berlin, Brooklyn, Chicago, Denmark, London, Los Angeles, New York, Vienna, and Phoenix, AZ. She is an adjunct professor in the Sculpture department at The School of the Art Institute. Her work is included in the collections of Whitney Museum of American Art, Museum of Contemporary Art, Chicago, Microsoft Corporation, and Philip Morris/Altria. Her recent publication “Love is A Certain Kind of Flower” is published by Green Lantern Press; and upcoming exhibitions include Peter Blum, New York and Portable, Atlanta.
Industry of the Ordinary were formed in 2003. The two artists who make up this collaborative team, Adam Brooks and Mathew Wilson, have long histories as visual and performative artists. They bring complementary sensibilities to their activities.Their projects exist in temporal terms but have also been conceived to function on the web site associated with the collaboration, www.industryoftheordinary.com. They have had solo shows at the MCA and NEIU Gallery and performed at the opening of the Modern Wing of the Art Institute, as well as making work for a wide variety of private, semi-private and public settings. They will have a survey of their practice at the Chicago Cultural Center in 2011.
Elijah Burgher is an artist and writer based in Chicago, IL. He has most recently exhibited in a solo show at Shane Campbell Gallery in Oak Park, IL and a two-person exhibition at Peregrine Program in Chicago, IL. He will exhibit work in group shows at Johalla Projects in Chicago and Envoy Enterprises in New York this summer. He maintains a hybrid studio wall/magick diary blog at http://ghostvomit.blogspot.com/. Burgher co-founded and co-edited the now-defunct art publication BAT. He has written reviews and essays for ArtUS and several small art publications in Chicago, as well as contributed writing to Art:21′s guest blog. He received an MFA from the School of the Art Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he split his credits amongst Literature, Visual Art, and Cultural Anthropology.
Ross Moreno earned a master’s degree in sculpture from the School of the Art Institute of Chicago in 2005. It was during this time he developed a passion for hotdogs, and he has been living and working professionally in Chicago ever since. Ross’ is a member of the Chicago Chapter of the Society of American Magicians and recently completed the International House of Pancakes Balloon Twisting Training Program. Ross can be seen performing his unique blend of performance art, stand-up comedy, and magic at different venues all over the city. More information about Ross can be found by visiting his website at www.rossmoreno.com.
John Neff produces works of art, organizes exhibitions and practices critical writing. He lives and works in Chicago.
Ivan Lozano is a (mostly) video artist currently working on an MFA in Film/Video/New Media at the School of the Art Institute of Chicago. In another life, while living in Austin TX, Ivan was the programming director for the Cinematexas International Short Film Festival, and an arts writer for various publications.