I spent a blissful week away from all things Internet last week, and have come back from my mountain vacay with an RSS feed that, thankfully, was not as much of a drag to plow through as I’d feared. In fact, quite a few interesting articles popped up that I thought were worthy of note. And you know me, I like to share.
*Triple Canopy’s latest issue has a first-person piece, Matter of Rothko, written by David Levine about his father’s complicated legal and personal relationship with Mark Rothko that, oddly, manages to be dry and deeply moving at the same time.
*Art administrator, writer, and former B@S guest blogger Thea Liberty Nichols contributed a slew of really good Chicago-themed interviews to Art:21 blog last week. Read Nichols’ conversations with Selina Trepp, Liz McCarthy of Roxaboxen Exhibitions,Â Jasmine Justice, Lilly CarrÃ©, and PictureBox Inc, along with Houston’s Aurora Picture Show.
*Also on Art:21 blog, Francesca Wilmott writes on Theaster Gates’ “creative rehab efforts” in Hyde Park, St. Louis.
*Hennessey Youngman aka Jayson Musson, the dude the art world is currently crushing on (okay okay, that includes me too….), will be part of The Dialogue: The MCA Chicago’s Annual Conversation on Museums, Diversity and Inclusion on September 7th. Jeez, couldn’t they have thought of a better title for this event? It makes it sound so dull and institutionalized….like some kind of corporate “diversity workshop” where your participation is most definitely not optional. Hopefully Youngman’s participation will spice things up a bit, although I am already raising my eyebrows at the fact that Youngman is being brought to the Museum under the rubric of a “diversity” program and not as an artist in his own right. But, I will hold off on my comments until after I see the program. Tickets are $8/members and $10/non-members. Order online here. And if you haven’t listened to it yet, Mr. Youngman was interviewed on Bad at Sports’ Podcast a couple weeks back on Episode 306. Good stuff.
*This is fantastic: Shawnee Barton (who guest blogged over here on B@S awhile back) rejects those who wrongly rejected her. Read the letter she wrote over at Chicago Art magazine, it’s a hilariously polite ‘fuck you’ to the organizers of Art San Diego.
*This is the opposite of fantastic: Jerusalemâ€™s Museum of Tolerance to be Built Atop a Muslim Graveyard. According to Groundswell’s article, some of Edward Said’s relatives are buried there, along with numerous Muslim saints and scholars, and some of the region’s longest Muslim family lineages. This is the same project that Frank Gehry left in 2010, although that was apparently due to scheduling and financial reasons.
*This is a couple weeks old, but if you’re a fan of our Mantras for Plants series here on the blog, you’ll be into this NYT article: What’s Left Behind, on scientists who are “recasting vacant lots as community assets rather than urban blight” by studying them to discover their ecological benefits.
*Would you be embarrassed to list “Winner of the Donkey Art Prize” on your CV? If not, applications are being accepted through February 2012. â‚¬30 per artwork application fee required, natch.
*Miranda July, photogenic artist extraordinaire.
Last Friday while out and about I listened to architect Renzo Piano’s interview on WBEZ Chicago Public Radio’s 8:48. I found the part of the interview where Piano talked about his personal relationship to art to be particularly memorable. When architecture critic Ed Keegan asked him what he looks for in an artwork, Piano replied:
“I learned not to think too much. I (look at) a piece of art the same way I listen to a piece of music. Just submitting myself to the subconscious. There is a moment where you have to accept that, to switch from rational to irrational, to instinct. In art… you recognize something but you don’t have to understand what you recognize. I was contemplating a beautiful Rothko. I love that artist, but how can you explain why you love that piece of art? It’s just feeling inside. Of course you move, you stay ten feet then you get closer, five feet. Then you get away, far away, and every time you move your head, and your body, you understand and you discover something else. It’s like a universe. It’s fantastic.”
You can listen to the full interview here. And here is a link to an image of the stunning Mark Rothko painting that’s currently on view in the Art Institute of Chicago’s new Modern Wing. To look at it up close is to feel like you’re swallowing the sun.
Of course, now you can go to the Modern Wing and see it all yourself, in person, and for free until May 22nd!