Top 5 Weekend Picks! (1/10-1/12)

January 10, 2014 · Print This Article

1. Codification at LVL3

Screen Shot 2014-01-10 at 10.51.18 AM

Work by Alex Chitty and Zach Reini.

LVL3 is located at 1542 N. Milwaukee Ave. 3rd Fl. Reception Saturday 6-10pm.

2. To Win And To Hold at The Mission

TheMission000741

Work by Liz Ensz and Jeremiah Jones.

The Mission is located at 1431 W. Chicago Ave. Reception Friday 6-8pm.

3. The Breakup at Rhona Hoffman Gallery

Screen Shot 2014-01-10 at 10.55.43 AM

Work by Michael Rakowitz

Rhona Hoffman Gallery is located at 118 N. Peoria St. Reception Saturday 2-5pm.

4. Release Show at Chicago Artists’ Coalition

Kirkjufell-Iceland2-300x199

Work by Jesse Butcher, James T. Green, Kasia Houlihan, Chris Meerdo, Ryan Peter Miller, and Rebecca Parker.

Chicago Artists’ Coalition is located at 217 N. Carpenter St. Reception Friday 6-9pm.

5. Experience is Limited to the First Person at TRITRIANGLE

Experience-is-Limited-to-the-First-Person

Work by Cardboard Computer, Brendon Chung, Allen Trivette, Robert Yang, and Kevin Carey.

TRITRIANGLE is located at 1550 N. Milwaukee Ave. 3rd Fl. Reception Friday 7-11pm




TOP 5 LISTS for 2013

January 6, 2014 · Print This Article

Guest Post by Britton Bertran

I didn’t get out to see a lot art in Chicago this year as I was too happily busy being a Dad to the best little boy in the world.  Nonetheless, here are some lists of what I did see, what I didn’t, some predictions and some things I’m anticipating.  I know we all have a love/hate with these kinds of lists, but this should be pretty easy to digest.  Click on those links.

Exhibitions I saw:

  1. Amalia Pica at the MCA
  2. Fragment: Sampling the Modern at the Elmhurst Art Museum
  3. Wendy White at Andrew Rafacz
  4. Andrew Holmquist at Carrie Secrist Gallery
  5. David Salle: Ghost Paintings at The Arts Club of Chicago

Best Spaces:

  1. Queer Thoughts
  2. Roots & Culture
  3. Western Exhibitions
  4. LVL3
  5. PLHK

“Emerging” artists:

  1. Matthew Schlagbaum
  2. Kate Ruggeri
  3. Allison Wade
  4. Alice Tippit
  5. Danny Giles

WTF moments:

  1. Vivian Maier
  2. EXPO Chicago
  3. AIC’s Modern Wing’s closed 3rd floor
  4. The Way of the Shovel at the MCA
  5. Chicago Sculpture International’s Sculpture on the Boulevards
Mike Andrews at The Suburban

Mike Andrews at The Suburban

Exhibitions/Events I didn’t see:

  1. RH Quaytman at the Renaissance Society
  2. Medium Cool
  3. Steve McQueen at the AIC
  4. Matt Nichols at Corbett vs. Dempsey
  5. Mike Andrews at The Suburban

Anticipating in 2014:

  1. The Whitney Biennial
  2. William J. O’Brien at the MCA
  3. Christopher Wool at the AIC
  4. Christopher Williams at the AIC
  5. A new permanent space for Threewalls

2014 Predictions:

  1. The Whitney Biennial fails in the eyes of critics
  2. A major commercial gallery in Chicago will close, another will open
  3. A storied institution will lose it’s curator
  4. A galvanizing work of public art will really piss people off
  5. A better year than 2013

HAPPY 2014!

Bio: Britton Bertran ran 40000 from 2005 to 2008. He currently is an Instructor at SAIC in the Arts Administration and Policy department and the Educational Programs Manager at Urban Gateways. An occasional guest-curator, he has organized exhibitions for the Hyde Park Art Center, the Loyola Museum of Art and several galleries. You can find him trying to be less cranky about the art world on twitter @br_tton.  




EDITION #20

November 18, 2013 · Print This Article

Two buses, Two shows

The Central Techno Authority really came through this past Friday as perpetually late but perfectly on time for not one, but two rounds of seriously heady electronic music. First off, I just want to say that I had been excited for this Oneohtrix Point Never show at Constellation for-ever. I heard from a murky internet source that the show was to be opened by Chicago’s Brett Naucke. However, it later surfaced that Naucke was premiering a quadrophonic composition at Experimental Sound Studio. For this iteration of ESS’s Oscillations Series, Naucke was going cultural with a piece based on Richard Serra’s sculpture Reading Cones. Obviously, I had to go to both.

OPN at Constellation.

I headed off on the long journey north to ESS on first the 74 east and then the 50 northbound to wherever Edgewater is. Despite the two buses, I arrived right on time to get a seat for Naucke’s set. I closed my eyes and felt like my brain was unraveling, in a pleasant way. Naucke’s 30 minute set was distinctly metallic, and gave off the aural vibe of the sculpture, which itself appears to be some sort of Staregate-like vortex propelling industrial wavelengths into the atmosphere. The sounds were given life and movement through the quadrophonic experience, which immersed the audience who were also fully zoned. The piece culminated with a twinkly modulation that echoed into silence and eased the audience back to reality. My reality was that I needed to get to Oneohtrix Point Never stat!

Bootleg of Naucke’s Composition for Richard Serra’s Reading Cones.

I unfortunately had to skip out on Alex Barnett & Ken Camden as I boarded the 50 southbound to the 77 back west to Constellation. To be honest, I was a little panicked– I had spaced out and forgot to buy tickets. The show had sold out, but reality wasn’t going to get in the way of my destiny. After another endless bus ride, I arrived at the venue ready to scheme my way inside. Shout out to the slackers who bought tickets and didn’t show up cause I got into the shit no problem. Sat down three rows back, right in front of point never’s Daniel Lopatin right as he began to play.

Oneohtrix Point Never’s encore at Constellation.

Lopatin’s sound has noticeably evolved with his most recent release on Warp Records and I was really curious to see how his new sound would translate live. Oneohtrix Point Never was initially known for the mellow post-apocalyptic feel he achieved by looping his Juno 60 and pitched down samples. His set reflected this change. Instead of his trusty Juno 60 dominating his rig, Lopatin’s faced glowed angelically under the ambient light of his Mac laptop. Although the method has changed, the vibe remains the same. The audience was treated to a series of electronic compositions incorporating many of his new techniques including melodious chopped up vocal samples and pulsing synthesizers and a surprising amount of bass and percussion. The pulsating live visuals played off the hyper modern digital Wabi-sabi design of his most recent album covers. The pairing of music and visuals created a polysensorial glimpse into our inevitable cold futures wandering aimlessly in small pods across space time into nothingness. As the set came to close, I felt uplifted. That night the impossible became possible.

On the CTA, time is not linear. Manifest your own reality.

Brandon Warren Alvendia (Chicago, IL) 36 y.o. male Filipino-American is a suspect in the petty theft of 2.5 sentences of a press release text from an undisclosed New York City Art Gallery. The perpetrator attempted to invoke Fair Use Doctrine and thus waived the use of the cryptomnesia defense. The victims will remain unidentified to protect the privacy of their families. Alvendia is expected to plead guilty and accept his sentence of a lifetime of community service.

Installation at Women Weed & Weather.

The Weatherman Report

Gerhard Richter, Rain, 1988 (oil on canvas, 67 cm x 92 cm).

Cement Obstacle Foils Cyclists on Damen

Tired of the conventional potholes and run-of-the-mill cracks that dot and line every block of the city? Bike commuters were no doubt asking for a new kind of obstacle, and Chicago has answered the call. Introducing an impressive, and hopefully temporary, cement addition to the already difficult cycling conditions at Damen and Walnut.

It’s existed long enough to earn some traffic cones and warning signs, though the majority of the safety equipment has fallen over and drifted into the bike lane. Other rough-riding winners of the week include the nearly bike-proof eastbound stretch of Grand, between Pulaski and Central Park, and the viaduct on 23rd street, between Western and Rockwell, which last month featured a white loveseat that was perfectly situated in the middle of the craggy westbound lane. Keep reading the Traffic Report for more roadway gossip and Chicago street surprises in the future!

From Emerald City to blue painted beans, Saturday Night Openings Pop

A gem by Annie Strachan. at LVL3’s Emerald City.

LVL3 directors, Vincent Uribe and Anna Mort showing emerald solidarity at the exhibition’s opening.

Cutris Mann’s new cutout images of his studio are to die for.

A detail of Daniel Luedtke’s large scale mixed media sculptural work at the opening for Secound Primary at 3433.

Carson Fisk-Vittori and Derek Fretch during their triumphiant return to Chicago for the opening of Women Weed & Weather at Carrie Secrist Gallery.

WTT? visits New York, Gets Killer Mani

SO, here’s the T. Last week I was in NY for a wedding at Bryant Park.* The affair was black tie and I arrived in NY in desperate need of a manicure. In an usually unusual turn of events, I ended up in the East Village apartment of Miss Pop Nails, fashion manicurist to all my favorite drag queens, celebrities and designers. Being the So Fla yentas that we both are we totes hit it off, and Miss Pop gave me the most to die for manicure I’ve ever had.

Photo by Spencer J. LaFrandré.

Since I can’t keep anything to myself, here are some masterpieces nails that Ms. P created for the Guggenheim before the project was unfortunately scraped due to some “other” museums nail salon.

Masterpieces of nail couture.

If you’re like me, and can’t get enough of fly nails, follow Miss Pop Nails on tumblr/instagram and check out her tutorials. Here’s how to do my wedding nails on Cosmo. Living for her Warhol-inspired flower mani and the project with KAWS!

I died.

*A shooting went down on the ice rink the same night as the wedding! That was it’s whole own crazy story.




EDITION #17

September 9, 2013 · Print This Article

Fall already freaking jam packed with openings

It’s official, Chicago artists are back from their residencies and vision quests and it is time for the fall gallery season. Inaugurated this weekend with about a million openings from River North to the ‘burbs and back again, we’re still reeling. Here are some photos while we iron out our thoughts:

Oh, this brave new art world! We didn’t know QR codes could actually do something but this interactive curiosity greets you at the entrance to Technoromanticism, a strictly new media show curated by Alfredo Salazar-Caro at Jean Albano Gallery on Friday night.

Performance finally showed some skin at the second iteration of THIS IS NOW A MAGAZINE: Dwyer/Fraccaro/Wylie in Logan Square last week. Things were anything but comfortable at the Comfort Station during a performance using CAM4 and something having to do with Buffalo Bill that we wish we could erase.

This pink combo stole our heart at LVL’s opening for Quandry on Saturday night.

Volume Gallery debuted their completely amazing and beautiful renovated space on Friday night with a show by Jonathan Muecke. Despite all the new space (or maybe because of it) the gallery was totally packed. This photo is from SightUnseen


Tyson Reeder’s opening at Peregrine Program celebrated some of Club Nutz greatest hits, and reminded us that we need to hit the beach one last time before fall!

Sterling Lawrence was super conceptual and all, but we thought these Alain Biltereyst pieces at Devening Projects + Editions were cute in a good way and would fit way better in my studio apartment.

Also, this?!

Reading is Fundamental

  • Cave of Lascaux blows everyones mind:
    Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum closed this weekend and if you didn’t make it we are truly sorry. This show had more new media than the SAIC BFA exhibition and we swear those cave paintings could be hanging in Shane Campbell and no one would bat an eye. We would go into greater detail, but fortunately for you, dear reader, Daniel Baird’s already wrote a piece on the exhibition and it is awesome. Who knew that ancient cave paintings were so totally superficial? Totes recommend you read it, we’ve been using Dan’s ideas to sound smart at openings all weekend.
  • Woman makes strong case for ladies:
    In case you couldn’t tell, WTT? loves the ladies, and we couldn’t be more excited to see the rest of the art world catching on. One lady show opened up this weekend with two to follow next week at Heaven and at the Frogman Gallery. “Lady Painters” curator, Gwendolyn Zabicki, sent us a hot tip on some required reading by participating artist, Sarah Weber. “Had I written a critical essay for Lady Painters, I would have liked to have written the very excellent one by Sarah Weber for Being a Woman in an All Woman Show.” WTT? couldn’t agree more. You can prep for both of these openings next weekend by reading Weber’s statement now.
  • Art Newspaper on artists in newspapers:
    Writer, Martin Bailey, covers the seriously late breaking news of Van Gogh’s ear incident after re-discovering an article from the Parisian paper Le Petite Journal published shortly after the incident on December 26, 1888. While doing research for his book on the artist, Bailey discovered the clipping, shedding new light on possibly the best artist gossip of all time. Making news in Paris all the way from Arles? Van Gogh is just lucky that the Impressionists didn’t have Facebook.
  • Extra, Extra: Art group travels to space, reports in NewCity?
    Speaking of newspapers, we almost forgot that people print those things anymore (oh wait, did we mention the newspaper we’re printing during EXPO?). Thankfully, we were reminded this week by the totally out of this world spread by Sarah Belknap, Marissa Lee Benedict and Joseph Belknap in NewCity. The photos are completely gorgeous and worth seeing in IRL.
  • Stop by LVL3’s MRKT and pick up a FREE copy of San Fransisco Arts Quarterly featuring an interview with the gallery’s director, Vincent Uribe, and artist, Josh Reames.

Reed’s drumkit.

Artists confused, think they are musicians

Last Thursday night WTT? made our first outing to Constellation. The venue’s unassuming brick facade under the overpass on Belmont and Western betrays the clean yet cozy interior of the bar. Intent on seeing live music on a Thursday night, Constellation was a great option. That is to say, the show was free. This art reporter was intrigued by the line-up: two reasonably well known visual artists (1/2 of Sonnenzimmer, Nick Bucher, and recent Hatch resident, Jordan Martins) performing with Constellation’s purveyor, Mike Reed, on drums.

Not to be mistaken for real musicians, the artists turnt virtuosos played an assortment of objects that would have made any dadaist proud.

Martins started the set playing guitar, but soon switched over to two broken guitar necks on a table which he “played” by jamming screwdrivers between the strings while strumming with chopsticks. Butcher wasn’t any more conventional “playing” a record player and what looked like a jumble of assorted cables that we’re not even sure were plugged in.

Even real musician, Mike Reed, got into the readymade spirit. It was weird enough that he played the drums with a tiny rake, but what was next to the drums was a regular Duchamp. Was it a rice cooker on a styrofoam cooler? Some instrument we’ve never seen before? We’re still not sure.

Despite using what appeared to be broken instrument pieces and household bric-a-brac, the trio was other wordly, playing a set that meandered through melodic ups and downs, punctuated by Butcher’s off beat electronics. Super chill for a Thursday night, I just wish they had better cocktails. (The Pimm’s cup was alright.)

Constellation is located at 3111 N Western Ave.

Header image is a photograph from inside Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum.

Got any T? email me!
(or get @ me on twitter)





Chicago Art in Pictures: Summer of 2013

August 20, 2013 · Print This Article

A graphic, editorial overview of art, artists, and visual art events, found in and around Chicago over the course of the preceding months. All artwork copyright original artists; all photography copyright Paul Germanos.

CourtneyBlades
Mickey Pomfrey & Blake Cameron Harris @ CourtneyBlades
Above: CourtneyBlades’ partners, Mickey Pomfrey, left, and Blake Cameron Harris, right, in the gallery for the opening reception of “Definitely Living, Likely Cognitive,” on August 9, 2013.

Ria Roberts & Matthew Richardson @ CourtneyBlades
Above: “Medium Cool” art book fair organizer Ria Roberts, right, with Matthew Richardson, left, in CourtneyBlades.

Definitely Living, Likely Cognitive @ CourtneyBlades

Mickey Pomfrey is one of a relatively small number of people I encounter on a regular basis at gallery openings in Chicago. In spite of that fact, I’d never before brought a camera to the space (CourtneyBlades) which he runs with Blake Cameron Harris. And it was only because I happened to take photographs there on August 9, 2013, that Ria Roberts noticed me, and reminded me to attend Medium Cool: a new art book fair with which she’s involved.

Bea Fremderman, Brian Khek, and Micah Schippa
“Definitely Living, Likely Cognitive”
August 9 – September 1, 2013
CourtneyBlades
1324 W. Grand Ave.
Chicago, IL 60642
http://courtneyblades.com/

Medium Cool
Tom Burtonwood @ Medium Cool
Above: Tom Burtonwood shares his 3-d printed book–which itself “prints” by means of being folded upon some plastic material.

Yuri Stone / Renaissance Society @ Medium Cool
Above: Yuri Stone for The Renaissance Society at the University of Chicago.

Scott Speh / Western Exhibitions @ Medium Cool
Above: Scott Speh of Western Exhibitions.

Ed Panar & Melissa Catanese / Spaces Corners @ Medium Cool
Above: Ed Panar & Melissa Catanese of Spaces Corners.

Vincent Uribe / LVL3 @ Medium Cool
Above: Vincent Uribe feigns interest in my shenanigans while the ladies of LVL3 ignore me. In truth, everyone smiled for the first picture; this was the fifth picture.

Medium Cool
(art book fair)
12:00 — 8:00 PM
August 11, 2013
Prairie Production
1314 W. Randolph St.
Chicago, IL
http://medium-cool.net/

LVL3
Chelsea Culp & Katy Cowan @ LVL3
Above: Chelsea Culp and Katy Cowan.

Matt Nichols & Josue Pellot @ LVL3
Above: Matt Nichols and Josue Pellot.

Whether called collaboration, the pairing of artists or galleries is now at least as common as food trucks outside, or bars within, our local venues.

“2 of a kind”
June 29 – July 21, 2013
LVL3
1542 N. Milwaukee Ave, 3rd Floor
Chicago, Illinois 60622
http://lvl3gallery.com/

The Mission
Yhelena Hall @ The Mission
Above: Yhelena Hall’s upper-gallery installation joining a helium-supported wooden craft with wall-mounted video.

Joshua Albers @ The Mission
Above: Joshua Albers’ lower-gallery (Sub-Mission) projected video installation.

Yhelena Hall’s da Vinci-like creation is built from fabric stretched over a frame, which method of construction reminds a Chicago resident of Linda Warren’s artist Juan Angel Chavez. But, maybe, within Warren’s stable the better comparison is to Conrad Freiburg–for as helium escapes its imperfect balloon, Hall’s wooden machine has a self-destructive potential.

Joshua Albers and Yhelena Hall
PARALLELS / A Collaboration with ACRE Residency, Part 2
August 2 – 24, 2013
The Mission
1431 W. Chicago Avenue
Chicago, IL 60642
http://themissionprojects.com/

Linda Warren Projects
Conrad Freiburg @ Linda Warren Projects
Above: The framing device “Undecagon Tripod,” 2013, at the center of Freiburg’s kinetic, wood installation.

Like Yhelena Hall at The Mission, Conrad Freiburg chose to present freestanding, three-dimensional objects made largely of wood, in the company of smaller, wall-mounted graphic works, which in this case are still images rather than video. Unlike Hall, around the perimeter of gallery interior Freiburg set a race, which in turn carries bearings or marbles as such activity is initiated by visitors. Four years ago, in June of 2009, Monica Herrera arranged a similar work at 65GRAND, there observed with an additional audio component: falling marbles “played” upon successive wooden elements with each drop in elevation.

Conrad Freiburg
“Before the Grave and Constant”
June 7 – August 10, 2013
Linda Warren Projects
327 N. Aberdeen (151)
Chicago, IL 60607
http://lindawarrenprojects.com/

Monica Herrera
Monica Herrera @ 65Grand
Above: A visitor interacts with Monica Herrera’s installation in 2009.

Eliza Fernand, Jodie Mack, Monica Herrera
“post-scarcity”
Curated by Thea Liberty Nichols
65GRAND
June 19 – July 25, 2009
1378 W. Grand Ave. (old location)
Chicago IL 60622-6450

Chicago Artists’ Coalition
Jake Myers @ Chicago Artists’ Coalition
Above: Audience members interact with Jake Myers at his cardboard sports bar.

Mothergirl @ Chicago Artists’ Coalition
Above: Attendees model the available Mothergirl costumes.

Jessica Harvey - Kera MacKenzie - Jenny Buffington @ Chicago Artists’ Coalition
Above, left-to-right: Jessica Harvey, Kera MacKenzie, and Jenny Buffington at the “pARTicipatory” opening on August 9, 2013.

When I hold a camera to my face and look through the viewfinder I’m blind to the room around me, so that it’s especially surprising to be struck at that moment. I write here with authority as I’ve suffered the aforementioned indignity on multiple occasions. On August 9, 2013, for the second time at one of Myers’ openings, someone threw something at me while I was taking a picture. If the games, and food, and liquor, all now frequently available at gallery openings, have served to draw in a certain sort of person then, maybe, they’ve done so only at the cost of another sort of person. After six years of work on this photographic project, my patience has been exhausted.

“pARTicipatory”
HATCH Projects Residents: Chaz Evans, Amber Ginsburg, Mothergirl, Jake Myers, Hoyun Son, and Latham Zearfoss
HATCH Curatorial Residents: Meredith Weber and Anna Trier, a/k/a the Happy Collaborationists
August 9 – August 29, 2013
Chicago Artists’ Coalition
217 N. Carpenter St.
Chicago, IL 60607
http://chicagoartistscoalition.org/

Sonnenzimmer
Sonnenzimmer

Josh Berman @ Sonnenzimmer
Above: Acclaimed coronet player Josh Berman, foreground, nagged by my mother, background. It’s better him than me.

Nick Butcher @ Sonnenzimmer
Above: Nick Butcher, right, gave my mother, left, a Tecate, and she seemed concerned.

Sonnenzimmer print and design studio is Nadine Nakanishi and Nick Butcher. On July 14, 2013, Nick and Nadine held a sort-of art benefit / garage sale, during which Michael Bingaman (electronics), Josh Berman (cornet), Anton Hatwich (double bass), and Matt Schneider (guitar) played music. There, I bought a big Taschen contemporary art compendium for three dollars, and got a Design Bureau magazine for free. Everyone was cool! And John Corbett was there–because he’s really good about attending these things. Even my mother was happy.

“On the patio at Sonnenzimmer”
10:00 AM – 6:00 PM
July 14, 2013
Sonnenzimmer
3605 N. Damen Ave., Rear
Chicago, IL 60618
http://www.sonnenzimmer.com/

Columbia College Chicago: Portfolio Center – Industry Events
Nick Albertson @ Columbia College Industry Events Photography Review
Above: Nick Albertson

Ryan Bringas @ Columbia College Industry Events Photography Review
Above: Ryan Bringas

Meg Noe @ Columbia College Industry Events Photography Review
Above: Meg Noe

Tim M. Johnson @ Columbia College Industry Events Photography Review
Above: Tim M. Johnson

Rikki Levine @ Columbia College Industry Events Photography Review
Above: Rikki Levine

The scale of the event was overwhelming. The quality of almost all of the work was very high. I spent most of my time with those presenters who seemed to have a fine arts orientation. Rikki Levine, above, was something of an exception as she seemed (?) most interested in travel and documentary work. But, her book (portfolio) looked too good to ignore. Whether they knew it, not a few graduates produced material recalling John Opera or Jessica Labatte. And I should have been yet more forceful in my exhortation to go out and look at what’s being made here and now.

Columbia College Chicago
Portfolio Center – Industry Events
“Photography Review”
May 16, 2013
Studio East
1006 S. Michigan Ave.
Chicago, IL 60605

Allan Sekula
Allan Sekula @ The Renaissance Society
Above: A visitor at the entry to “Polonia and Other Fables” seen engaged with one of Sekula’s photographs during the opening reception in 2009.

Allan Sekula died on August 10, 2013 after a long struggle with cancer.

Allan Sekula
“Polonia and Other Fables”
September 20 – December 13, 2009
The Renaissance Society
5811 S. Ellis Avenue
Bergman Gallery, Cobb Hall 418
Chicago, Illinois 60637
http://renaissancesociety.org/site/

Chicago Art Department
Meg Noe @ Chicago Art Department
Above: “Mr. Grief” by Meg Noe.

“&again&again”
Jeffery Austin, Marne Provost, Kimberly Kim, Meg T. Noe, Jonathan Pivovar, John Brookes Turner
Curated by Jonathan Pivovar
Supported by Columbia College Chicago’s Photography Department
July 12 – 14, 2013
Chicago Art Department
1932 South Halsted #100
Chicago, IL 60608
http://www.chicagoartdepartment.org/

MCA Chicago
Amanda Ross-Ho @ MCA Chicago

The timing of this exhibition is either fortuitous or tragic depending upon one’s knowledge of the not dissimilar installation on Michigan Avenue, and sense of humor.

Amanda Ross-Ho
“THE CHARACTER AND SHAPE OF ILLUMINATED THINGS”
Organized by MCA Curator Julie Rodrigues Widholm.
July – November, 2013
MCA Chicago Plaza Project
The Museum of Contemporary Art of Chicago
220 E. Chicago Ave. (MVDR Drive)
Chicago IL 60611
http://www.mcachicago.org/

Frogman Gallery / Pop-Up Art Loop
Gwendolyn Zabicki @ Frogman Gallery / Pop-Up Art Loop
Above: Dmitry Samarov (painting) at left, curator Gwendolyn Zabicki at center, and Noah Vaughn (photo print) at right, in “Never a lovely so real,” opening night.

The Chicago Loop Alliance deserves credit for the good work it’s done in offering such opportunities to people like Gwendolyn Zabicki.

“Never a lovely so real”
Clarissa Bonet, Dmitry Samarov and Noah Vaughn
Curated by Gwendolyn Zabicki
Pop-Up Art Loop from the Chicago Loop Alliance
Sponsored in part by Columbia College Chicago
July 11, 2013
Frogman Gallery
108 N. State St. (Block Thirty Seven, First Floor)
Chicago, IL 60603
http://gwendolynzabicki.com/home.html

Chicago Artists Coalition
Jordan Martins @ Chicago Artists Coalition
Above: Jordan Martins in his projection, opening night.

Nick Butcher, Jennifer Salim, E. Aaron Ross, Aaron Delehanty @ Chicago Artists Coalition
Above, left-to-right: Nick Butcher (half of Sonnenzimmer), Jennifer Salim, E. Aaron Ross, and Aaron Delehanty standing in a projection by Theodore Darst at the Chicago Artists Coalition’s “Natural Fallacy” opening.

“Natural Fallacy”
Noelle Allen, Theodore Darst, Brent Fogt, Jordan Martins, Nicholas Sagan, and Matthew Schlagbaum
Curated by MK Meador
July 12 – August 1, 2013
Chicago Artists Coalition
217 N. Carpenter St.
Chicago, IL 60607
http://jordanmartins.com/

threewalls
Brenna Murphy & Birch Cooper @ threewalls
Above: MSHR a/k/a Brenna Murphy & Birch Cooper performing an electronic audio work in their installation.

Hear it on Vine: vine.co/v/hamYhHDJJ0d

Abigail Satinsky, Lauren Basing & Shannon Stratton @ threewalls
Above, left-to-right: Abigail Satinsky, Lauren Basing, and Shannon Stratton, a/k/a threewalls, on the occasion of their last opening at 119 N. Peoria Street, Chicago.

Edie Fake @ threewalls
Above: Edie Fake’s installation, with spectators.

Joe Jeffers & Jeremy Tinder @ threewalls
Above: Joe Jeffers, left, and Jeremy Tinder, right, attending the opening.

Thanks to Abigail, Lauren, and Shannon for playing along. I’m sorry that I didn’t get a better shot of you three together. Good luck and best wishes…

“Binary Lore”
Edie Fake and MSHR a/k/a Brenna Murphy & Birch Cooper
June 28, 2013
threewalls
119 N. Peoria, #2C
Chicago, IL 60607
http://www.three-walls.org/

Firecat Projects
Gil Leora @ Firecat Projects

Gil Leora
“In Between Drinks”
June 28, 2013
Firecat Projects
2124 N. Damen Ave.
Chicago, IL 60647
http://www.firecatprojects.org/

Smart Museum
Gigi Scaria @ Smart Museum

It’s too bad that a piece which suggests many questions related to resource allocation within the context of non-European, urban poverty, here found available for view in the lobby of a free, teaching museum, was ignored in an article entitled “Marginalizing Chicagoans’ Access to Culture” at Newcity.

Gigi Scaria
“City Unclaimed”
Sponsored by BMO Harris Bank
January 19 – December 8, 2013
The David and Alfred Smart Museum of Art
5550 S. Greenwood Ave.
Chicago, IL 60637
http://smartmuseum.uchicago.edu/

EXPO / Public Chicago
Duncan Mackenzie, Caroline Picard, Richard Holland @ EXPO / Public Chicago
Above, left-to-right: Duncan Mackenzie, Caroline Picard, Richard Holland, a/k/a Bad at Sports.

EXPO Chicago
Gallery Announcement
May 14, 2013
Public Chicago
1301 N. State
Chicago, IL 60610
http://expochicago.com/

Johalla Projects
Jessica Taylor Caponigro @ Johalla Projects
Above: Jessica Taylor Caponigro’s “There in a Darkness,” 2013, coal in cast glycerine soap.

Jessica Taylor Caponigro & Aimee Quinkert @ Johalla Projects
Above: Aimee Quinkert, curator, at left, and Jessica Taylor Caponigro, artist, at right, foreground; “What Was, Was I” and “II” on wall, background.

It’s the third of Jessica Taylor Caponigro’s installations which I’ve seen, each of the three having been abstracted from both architectural and also literary sources. The comparison between works made over time (a span of several years) is interesting, and maybe best reveals her intent.

Jessica Taylor Caponigro
“Black Damp”
Curated by Aimee Quinkert
May 11 – June 2, 2013
Johalla Projects
1821 W. Hubbard St., Suite 209
Chicago, IL
http://www.johallaprojects.com/

Rhona Hoffman
Fred Sandback @ Rhona Hoffman

Fred Sandback: Sculptures
April 26 – June 1, 2013
Rhona Hoffman Gallery
118 N. Peoria St.
Chicago, IL 60607
http://www.rhoffmangallery.com/

Columbia College Industry Events BFA Open Studios
Columbia College Industry Events BFA Open Studios
Above, left-to-right: Columbia College BFA Seniors Brianna Baurichter, Corinna Cowles, and Nicki Penz with artwork.

Columbia College Industry Events BFA Open Studios
Above: Madeleine Lowery with artwork in studio.

Columbia College
Industry Events
Fine Arts Open Studios
5:00 – 8:00 PM
April 18, 2013
1006 S. Michigan Ave.
Chicago, IL

The Storefront
Erik Wenzel @ The Storefront
Above: An overhead view of Erik Wenzel’s Artforum installation “Fernweh,” as seen within Brandon Alvendia’s The Storefront gallery, on the show’s opening night.

Wenzel, like Fake, above, and Andre, in the previous article, has made use of the floor for the purpose of presenting modular units in a grid pattern. Here the invitation to the audience to walk upon the artwork is wanted to be especially cheeky: an institution (magazine) and a commercial appropriation of culture resources (gallery ad) are both trodden upon, which action symbolically mimics Wenzel’s own “progress” through the real and metaphysical worlds of art.

Erik Wenzel
“Fernweh”
April 20 – May 12, 2013
The Storefront
2606 N. California Ave.
Chicago IL 60647

Vertical Gallery
The Economics of Art 2013 @ Vertical Gallery
Above: Work by Dmitry Samarov, center; Steve Seeley, at right.

The Economics of Art 2013 @ Vertical Gallery
Above: Vertical Gallery, exterior.

“The Economics of Art 2013″
Dmitry Samarov, Ian Ferguson, Julie Murphy, Steve Seeley, and Jimmy Bunnyluv, along with Anthony Freda, Dave Pressler, David Cooper, El Gato Chimney, Hernan Paganini, Klub7, Raudiel Sanudo and Ruel Pascual.
August 3 – 31, 2013
Vertical Gallery
1016 N. Western Ave.
Chicago, IL 60622
http://verticalgallery.com/