This week, independent of one another, Chicago-based writers Caroline Picard and Jason Foumberg both raised questions related to sustainability in the art world. Within the context of Bad at Sports, Picard wondered about communal failure, ethics, and Utopia, particularly as those political concepts concerned the field of social practice. And at the alternative weekly publication Newcity, Foumberg offered a comparative overview of local, economic models in gallery practice.
Six months earlier, the proprietors of Chicago’s New Capital Projects, Ben Foch and Chelsea Culp, began a twenty-five day round-the-clock closing event for their gallery. Foch and Culp had, from the outset, planned a limited, two-year run of public exhibitions at their venue. And having reached the end of their finite schedule they threw open the doors to everyone interested in one last collaborative endeavor entitled “24HRS/25DAYS.” Whither came the funding for such a spectacle? In 2011, the Propeller Fund announced that Foch and Culp were recipients of a 6000 USD award.
Rather than being a survey of contemporary programming, this installment of Chicago Art in Pictures is a historical offering. If New Capital Projects’ success (and it was a success) seemed contingent upon its engagement with artists, its monetary subsidization, and its relatively brief public existence, then maybe too it was the case that only an informal, ethical consensus allowed for a momentary sort of Utopia within the city’s crumbling West Side.
While planning what might be possible for the future, it’s helpful to remember what has worked in the past. And so, some of the activity surrounding New Capital Projects in the year 2012 is suggested by the imagery below. A full schedule for “24HRS/25DAYS” is still available at New Capital Projects’ website. All artwork copyright original artists; photography copyright Paul Germanos.
Above: Ben Foch, left, and Chelsea Culp, center, with ACRE‘s (Moustache Phil) Philip Kaufmann, right, at New Capital Projects on a hot summer night, June 30, 2012.
Above: Estonian performance collective NON GRATA‘s “Force Majeure” in Chicago, at New Capital Projects, March 4, 2012.
Above: Meg Noe in “I, Who Have Known the Horror of Mirrors” on December 6, 2012, in “24HRS/25DAYS.”
Above: Elena Katsulis and Erin Peisert in “The Longer I had to Stand There” on December 6, 2012, in “24HRS/25DAYS.”
Above: A four second exposure of Jeff Harms‘ laminated wood sculpture on December 2, 2012, in “24HRS/25DAYS.”
Above: Estonian performance collective NON GRATA’s “Force Majeure” in Chicago, at New Capital Projects, March 4, 2012.
Above: KLOSS/STOLTMANN at New Capital Projects, June 30 – August 5, 2012.
Above: Nandini Khaund, foreground, and Melina Ausikaitis, background, on November 16, 2012, performing in “24HRS/25DAYS.”
Above: Matthew Lane in “Lane/Sirianni” at New Capital Projects, March 16 – April 7, 2012.
Above: Michael Sirianni in “Lane/Sirianni” at New Capital Projects, March 16 – April 7, 2012.
Above: Matthew Lane, left, speaking to Stephanie Burke, center, at New Capital Projects, March 16, 2012.
Above: New Capital Projects’ courtyard on a summer night, June 30, 2012.
Above: Joseph Rynkiewicz‘ installation “Bonfire,” on November 24, 2012, in “24HRS/25DAYS.”
Above: Kavi Gupta’s Joseph Rynkiewicz (at far right) with bonfire in progress on November 24, 2012, in “24HRS/25DAYS.”
Above: The Hills Esthetic Center‘s Leo Kaplan on December 2, 2012, presenting “Sunday, Sunday, Sunday,” in “24HRS/25DAYS.”
Above: Northwestern’s Sofia Leiby lectures Seth Sher at New Capital Projects, June 30, 2012.
Above: “A bowl of soup, a coffin, a door” installation by MCA’s Karsten Lund, SAIC’s Dana DeGiulio, Corbett vs. Dempsey’s Julia V. Hendrickson, and Sofia Leiby, on November 25, 2012, in “24HRS/25DAYS.”
Above: The Hills Esthetic Center’s Michael Kloss, left, and ACRE’s Emily Green, right, in AUSIKAITIS/KLOSS at New Capital Projects, September 1, 2012.
Above: Seth Sher, a/k/a Psychic Steel, left, and Meg Noe, right, at New Capital Projects, September 1, 2012.
Above: Conor Creagan in “Wonderful Tonight” on December 2, 2012, in “24HRS/25DAYS.”
Above: Roxaboxen’s (formerly) Liz McCarthy with Moustache Phil at New Capital Projects, June 30, 2012.
New Capital Projects
3114 W. Carroll St.
Chicago, IL 60612
Work by Jake Myers, Sarah Belknap and Joseph Belknap.
Design Cloud is located at 118 N. Peoria. Reception Friday, 6-10pm.
Work by Cirkit of Mythos, Ryder Richards, Eddy Rawlinson, Omar Hernandez, and Steve Cruz.
Antena is located at 1755 S. Laflin St. Reception Friday, 6-10pm.
Work by Allison Wade, Benjamin Evans, Billy Buck, Brandon Wilson, Christopher Meerdo, Emily Kozik, Emily Souers, Erin O’Keefe, Erin Washington, Etta Sandry, Gaia Nardie Warner, Hans Nostdahl, Ian Addison Hall, Jason Judd, JC Steinbrunner, Jessica Bell, Kate Bieschke, Kathy Cho, Kayla Mattes, Kelly Lynn Jones, Kelly Parsell, Kjell Varvin, Kristi O’Meara, Liz McCarthy, Magalie Guerin, Malin, Gabriella Nordin, Mia Christopher, Sherwin Tibayan, Trevor Powers, and Victoria Martinez.
The Plaines Project is located at 1822 S Desplaines St. Reception Friday, 7-10pm.
Work by Aaron Henderson.
DEFIBRILLATOR is located at 1136 N Milwaukee Ave. Reception Friday, 8-11:30pm.
Work by Alberto Aguilar, Paola Cabal, Maria Gaspar, Jorge Lucero and Josue Pellot.
COLLABORACTION is located at 1579 N. Milwaukee Ave. #336. Reception Friday, 6-9pm.
Work by Tim Piggott, Daniel G. Baird, Michael Una, Adam Farcus, E. Aaron Ross, Thad Kellstadt, Alex Bradley Cohen, Nick Peterson, Jim Zimpel/Anna Reich, Miguel Cortez, Kevin Jennings, Edra Soto, Jake Myers, Mathew Paul Jinks, Jourdon Gullett, Brian Wadford, Jerimiah Hulsebos-Spofford, Andrew CopperSmith, Rebecca Beachy, Frank Van Duerm, and Phil Parcellano.
TERRAFORMER is located at 3216 S. Morgan St. Reception Sunday from 4-8pm.
SMALL Showroom Opening Party at 3219 S. Morgan St. Reception 5-10pm
Dusty Groove Records Party at 755 W 32nd St. Reception 7-9pm
Enoch’s Donuts + Kevin Heisner’s Tool Party at 755 W 32nd St. Reception 6-9pm.
Paratext Bookstore at 755 W 32nd St. Reception 6-9pm.
Bridgepop SpringPop at 3143 S Morgan St. Reception 6-9pm.
Ray Emerick Studios Opening at 3149 S. Morgan St., #1. Reception 6-10pm.
Research House for Asian Art at 3217 S Morgan St. Reception 6-9pm.
All receptions on Friday between 5pm and 10pm.
Curated by Liz McCarthy. Work by Sarah Mosk, Caroline Carlsmith, Rebecca Beachy, Lauren Edwards, Sophia Cara Dixon, Emily, Lauren Beck, Robin Hustle, Ellen Nielsen, Meg Noe, Jenny Kendlre, Melissa Demasaukas, Alex Chitty, Megan Diddie, and Caroline Picard.
Roxaboxen Exhibitions is located at 2130 W. 21st St. Reception 7-10pm.
Work by A. Laurie Palmer.
Threewalls is located at 119 N. Peoria St., #2C. Reception Friday from 6-9pm.
Work by Shelby Lee Adams.
Catherine Edelman Gallery is located at 300 W. Superior St. Reception Friday 5-7pm.
Work by The Alliance of Pentaphilic Curators (Jason Dunda and Teena McClelland), John Arndt, Conrad Bakker, Dexter Sinister, Christa Donner, Kota Ezawa, Edie Fake, Eric Fleischauer, Stephen Lapthisophon, Jason Lazarus, Dani Leventhal, Aspen Mays, Mary Patten, Jenny Perlin, Public Collectors, Jason Salavon, Paul Lloyd Sargent, Cauleen Smith, Edra Soto, Stephanie Syjuco, Sergio Vega, and Philip von Zweck.
Gallery 400, 400 S. Peoria St. Reception Friday, 5-8pm.
Work by Tom Burtonwood, Holly Holmes, and James Jankowiak.
SideCar, 411 Huehn St, Hammond, IN. Reception Saturday, 5-10pm.
Work by Larry Lee
Kirk’s Apartment, 3710 N Marshfield. Reception Friday, 6-9pm.
Work by Liz McCarthy.
ACRE Projects, 1913 W 17th St. Reception Sunday, 4-8pm.
Reading by Mike Edison.
The Renaissance Society, 5811 S. Ellis Ave, Cobb Hall Room 307. Reading begins at 2pm.
I spent a blissful week away from all things Internet last week, and have come back from my mountain vacay with an RSS feed that, thankfully, was not as much of a drag to plow through as I’d feared. In fact, quite a few interesting articles popped up that I thought were worthy of note. And you know me, I like to share.
*Triple Canopy’s latest issue has a first-person piece, Matter of Rothko, written by David Levine about his father’s complicated legal and personal relationship with Mark Rothko that, oddly, manages to be dry and deeply moving at the same time.
*Art administrator, writer, and former B@S guest blogger Thea Liberty Nichols contributed a slew of really good Chicago-themed interviews to Art:21 blog last week. Read Nichols’ conversations with Selina Trepp, Liz McCarthy of Roxaboxen Exhibitions, Jasmine Justice, Lilly Carré, and PictureBox Inc, along with Houston’s Aurora Picture Show.
*Also on Art:21 blog, Francesca Wilmott writes on Theaster Gates’ “creative rehab efforts” in Hyde Park, St. Louis.
*Hennessey Youngman aka Jayson Musson, the dude the art world is currently crushing on (okay okay, that includes me too….), will be part of The Dialogue: The MCA Chicago’s Annual Conversation on Museums, Diversity and Inclusion on September 7th. Jeez, couldn’t they have thought of a better title for this event? It makes it sound so dull and institutionalized….like some kind of corporate “diversity workshop” where your participation is most definitely not optional. Hopefully Youngman’s participation will spice things up a bit, although I am already raising my eyebrows at the fact that Youngman is being brought to the Museum under the rubric of a “diversity” program and not as an artist in his own right. But, I will hold off on my comments until after I see the program. Tickets are $8/members and $10/non-members. Order online here. And if you haven’t listened to it yet, Mr. Youngman was interviewed on Bad at Sports’ Podcast a couple weeks back on Episode 306. Good stuff.
*This is fantastic: Shawnee Barton (who guest blogged over here on B@S awhile back) rejects those who wrongly rejected her. Read the letter she wrote over at Chicago Art magazine, it’s a hilariously polite ‘fuck you’ to the organizers of Art San Diego.
*This is the opposite of fantastic: Jerusalem’s Museum of Tolerance to be Built Atop a Muslim Graveyard. According to Groundswell’s article, some of Edward Said’s relatives are buried there, along with numerous Muslim saints and scholars, and some of the region’s longest Muslim family lineages. This is the same project that Frank Gehry left in 2010, although that was apparently due to scheduling and financial reasons.
*This is a couple weeks old, but if you’re a fan of our Mantras for Plants series here on the blog, you’ll be into this NYT article: What’s Left Behind, on scientists who are “recasting vacant lots as community assets rather than urban blight” by studying them to discover their ecological benefits.
*Would you be embarrassed to list “Winner of the Donkey Art Prize” on your CV? If not, applications are being accepted through February 2012. €30 per artwork application fee required, natch.
*Miranda July, photogenic artist extraordinaire.