Thinking about taxidermy, the ultimate “animal-made object” has substantially shaped my ideas on agency and passivity in contemporary art involving the non-human; whilst Jane Bennett’s and Graham Harman’s work have substantially expanded my views on objects and agency. I have also been thinking a lot about surfaces in contemporary art. Taxidermy is all surface—a practical and metaphorical totalization of animality whilst plants are all-surface in a more, “helpless” but nonetheless related way.
In that sense, a viewer already has an embodied sense of space but what I’m really interested in is how sound starts to move around you when you’re in that environment. Do you consider yourself to be a part of an ecology or an environment when that’s happening? Or are you simply inside of a sound installation?