The latest issue ofÂ SHIFTERÂ comes out this Friday with a launch at MANA Contemporary from 7-10pm, featuring lectures and performances byÂ Simon Leung, Kelly Kaczynski and Zach Cahill, with a Cake Installation by Tara Lane. A Cultural Conversation with Alan and Michael Fleming on Saturday in case you want to sleep over. RSVP here.
Shifterâ€™s 21st issue, Other Spaces, considers the body as a site where architectureâ€™s traditional polarities of private and public collapse. This polarity, mirrored in the distinctions we draw between individual and social freedoms and domestic and political action are challenged every day by spontaneous, collaborative re-imaginings of space.
In this issue artists, writers and critical thinkers reflect upon and imagine those other spaces that are coming to be and that are yet to be imagined in the social transformations of our present. While Other Spaces may appear to be an Atlas, it may just as well be read as a diary.
Number 21 features contributions from Jeremy Bolen, Luis Camnitzer, Tyler Coburn, Julia Fish, Beate Geissler & Oliver Sann, Sheela Gowda, Joanne Greenbaum, Tehching Hsieh, Kitty Kraus, Dan Levenson, Blank Noise, Alison Oâ€™Daniel, Sean Raspet, Blithe Riley, Jacolby Satterwhite, Greg Sholette & Agata Craftlove, Lise Soskolne, Mariam Suhail, and Josh Tonsfeldt.
Work by Alberto Aguilar, Peter Fagundo, Julia Fish, Michelle Grabner, Jessica Labatte, Nick Ostoff and Allison Wade. Organized by Michael Milano and Jeff M. Ward.
Adds Donna is located at 4223 W. Lake St. Reception Sunday, 4-7pm.
Work by Laura Letinsky.
Valerie Carberry Gallery is located at 875 N. Michigan Ave. #2510. Reception Friday, 5:30-8pm.
Work by Jordan Eagles.
International Museum of Surgical Science is located at 1524 N. Lake Shore Dr. Reception Friday, 5-9pm.
Curated by Oliverio Rodriguez, with work by Jordan Avery, Beatriz Aquino, Shandi Hass, Kiam-Marcelo Junio, Nicole Ricket, Jackie Rivas, Hannah Rodriguez, Ali Scott, Jannah Tate, Dana West, Sky White, and Nikki Woloshy.
Sullivan Galleries is located at 33 S. State St. 7th Fl. Reception Friday, 4:30-7pm.
Work by Joel Ross and Jason Creps.
moniquemeloche is located at 2154 W. Division St. Reception 4-7pm.
Work by Cathy Wilkes.
The Renaissance Society is located at 5811 S Ellis Ave. Reception Sunday, 4-7pm.
“A selected history of alternative & pop culture told through stickers.”
maxwell colette gallery is located at 908 N. Ashland Ave. Reception Friday, 6-10pm.
Work by Joseph Cassan, Julia Fish, Kevin Killian, Jessica Labatte, John Neff, and B. Wurtz.
Golden Gallery is located at 3319 N Broadway. Reception Saturday, 6-9pm.
Work by HATCH Projects artists and Quite Strong Lust List designers
Coalition Gallery is located at 217 N. Carpenter St. Reception Friday, 6-9pm.
Work by Ryan Griffis, Lize Mogel, Sarah Ross and Pocket Guide to Hell members Paul Durica, Michelle Faust, Kenneth Morrison, Sayward Schoonmaker, and Nat Ward.
Gallery 400 is located at 400 S. Peoria St. Reception Friday, 5-8pm.
This week: Richard and Duncan speak with Chicago based artist and 2010 Whitney Biennial participant Julia Fish about her work, Japanese architecture and more!
Before that starts, there is a short pithy segment on C2E2, which was awesome (the show not our bit).
Yes I made a stupid Front 242 musical joke which only I will find funny.
Sharon Butler of the wonderful painting-centric blog Two Coats of Paint had a very helpful post a few days ago focusing on the painters included in this year’s Whitney Biennial. She also provides excerpts from the catalogue blurbs written about them. Go on over and check it out! Three painters from Chicago, Julia Fish, Scott Short, and Jim Lutes are featured in this year’s Biennial and are mentioned in Butler’s post.
Butler also includes some useful links to reviews of the Biennial by prominent art critics published thus far. My least favorite of those has got to be Charlie Finch’s “Thrift Shop Biennial” piece for artnet.com. Poor choice of metaphors in that review, methinks–and usually I’m able to take my snark with a huge helping of salt. Let’s leave the condition of homeless individuals out of our reviews of art shows, shall we?