Top 8 Weekend Picks (4/1-4/3)

April 1, 2011 · Print This Article

There is just too much good stuff this weekend, 5 spots aren’t enough. Here’s what I think everyone should see, in chronological and alphabetical order:

Friday (4/1) –

UIUC MFA Show: Artsplosia at Co-Prosperity Sphere

Work by Will Arnold, Jung Eun Chang, Justin Farkas, Karri Anne Fischer, Motoko Furuhashi, Amy Gilles, Jim Graham, Dan Gratz, Ben Grosser, Ben Hatcher, Dan Krueger, Katie Latona, Erica Leohner, Maria Lux, Nick Mullins, Kerianne Quick, Michael Smith, Paul Shortt, Laura Tanner, Jessica Tolbert, Nicki Werner, Sarah Beth Woods, and Michael Woody.

Co-Prosperity Sphere is located at 3219 S Morgan St. Reception Friday from 6-10pm.

Weaving Healing Waters at Fill in the Blank Gallery

Work by Maria Calderon.

Fill in the Blank Gallery is located at 5038 N. Lincoln Ave. Reception Friday from 7-11pm.

That’s Odd, I Feel So Alive at Packer Schopf Gallery

Work by Casey Riordan Millard

Packer Schopf Gallery is located at 942 W. Lake St. Reception Friday from 5-8pm.


Work by Jeff Badger, Carl Baratta, Amanda Curreri, Joanne Lefrak, Kathy Leisen, and Dan Schank.

Lloyd Dobler is located at 1545 W. Division, 2nd Fl. Reception Friday from 6-10pm.

When the Cathedrals Were White at Thomas Robertello Gallery

Work by Peter Allen Hoffmann.

NOTE NEW LOCATION: Thomas Robertello Gallery is located at 27 N Morgan St. Reception Friday from 6-8pm.

Saturday (4/2) –

Country Club Presents ‘Abstract Location’ & Anthotypes at Andrew Rafacz Gallery

Abstract Location features work by work by Steven Bankhead, Katarina Burin, Fritz Chesnut, Jacob Dyrenforth, Freeman & Lowe, and Ryan McGinness. Anthotypes features work by John Opera.

Andrew Rafacz Gallery is located at 835 W. Washington. Reception Saturday from 4-7pm.

No Joke at LVL3

Work by Andy Cahill, Alan & Michael Fleming, Yasi Ghanbari, Danny Greene, Joe Grimm, Marissa Perel, Arron David Ross, and Michael Vallera.

LVL3 is located at 1542 N Milwaukee Ave #3. Reception Saturday from 6-10pm.

Sunday (4/3) –

Irritable Abstraction at Julius Cæsar

Work by Joe Baldwin, Timothy Bergstrom, Brian Calvin, Federico Cattaneo, Edmund Chia, Dana DeGiulio, Dan Devening, Cheryl Donegan, Judith Geichman, Andrew Greene, Magalie Guérin, Antonia Gurkovska, Seth Hunter, Michiko Itatani, Eric Lebofsky, Diego Leclery, José Lerma, Jim Lutes, Rebecca Morris, Sabina Ott, Noah Rorem, Erin Washington and Molly Zuckerman-Hartung.

Julius Cæsar is located at 3144 W Carroll Ave, 2G. Reception Sunday from 4-7pm.

Whitney Biennial Roundups

March 1, 2010 · Print This Article

Scott Short, Untitled (White), 2008. Oil on canvas.

Sharon Butler of the wonderful painting-centric blog Two Coats of Paint had a very helpful post a few days ago focusing on the painters included in this year’s Whitney Biennial. She also provides excerpts from the catalogue blurbs written about them. Go on over and check it out! Three painters from Chicago, Julia Fish, Scott Short, and Jim Lutes are featured in this year’s Biennial and are mentioned in Butler’s post.

Butler also includes some useful links to reviews of the Biennial by prominent art critics published thus far. My least favorite of those has got to be Charlie Finch’s “Thrift Shop Biennial” piece for Poor choice of metaphors in that review, methinks–and usually I’m able to take my snark with a huge helping of salt. Let’s leave the condition of homeless individuals out of our reviews of art shows, shall we?

2010 Whitney Biennial Artists Announced

December 10, 2009 · Print This Article


The New York Times has just posted the full list of participants for the 2010 Whitney Biennial. As you may recall, next year’s biennial will be curated by former BaS guest Francesco Bonami and Gary Carrion-Murayari. Congratulations to Julia Fish, Curtis Mann, Scott Short, Theaster Gates, and Jim Lutes who are the only five Chicago based artists to make the list.

For a full list of particpents please check out the New York Times article here.

Semic and Asemic Writing in Art

July 13, 2009 · Print This Article

Not anti-semitic writing, dummy, asemic writing. Har har. But seriously, I’m digging on both these things today. First, the idea of asemia, or more specifically of asemic writing as it pertains to art which, despite my proclivities for this type of thing, I’d never heard of before (so thanks, Bruce Sterling!). Asemic writing is defined as writing that has no specific semantic content. Not nonsense writing but writing without characters, writing that doesn’t signify anything. Here are a few examples of asemic writing in art taken from a website devoted to such things, The New Post-Literate (but let’s just bracket whole ‘post-literate’ angle of this for now):

Melissa McCarthy

Melissa McCarthy

Marilyn R. Rosenberg, In Case of Loss

Marilyn R. Rosenberg

John Moore Williams

John Moore Williams

And here are a couple of examples of my own take on the concept:

Elliott Puckette, Untitled, 2008. Paul Kasmin Gallery

Elliott Puckette, Untitled, 2008. Paul Kasmin Gallery

Jim Lutes

Jim Lutes, Worryburg

Matthew Sontheimer, J Minus, 2004. Dunn and Brown Contemporary.

Matthew Sontheimer, J Minus, 2004. Dunn and Brown Contemporary.

Then there’s the semic, which, um, might not actually be a word, although I did find a definition for it online in the Dictionary of Difficult Words: “pertaining to a sign.” Yeah, I’ll take that. Evan Roth has studied the taxonomy of graffiti tags in Paris (a project sponsored by the Fondation Cartier in conjunction with its current “Born in the Streets” exhibition on graffiti art; I learned of this project via Provisions Library) and the results are fascinating, for those of us who don’t make a regular study of graffiti markings, anyway. The project sets up a taxonomic system for graffiti lettering in Paris; there are apparently as many ways to spray an “A” and every other letter of the alphabet as their are thumbprints on taggers, which is a pretty cool finding indeed.


Check out the full details on Roth’s Graffiti Taxonomy study here (for Paris) and also here (for New York City-based tag taxonomic studies).