Bad at Sports is back with another “Fielding Practice” podcast produced especially for the Art21 Blog! We haven’t done Fielding Practice in a couple of months because we’ve been working on a series of projects, most notably Bad at Sports’ summer residency/exhibition at Columbia College’s A+D Gallery (clickÂ hereÂ for details). If you’re in Chicago, come by the A+D GalleryÂ tonightÂ for our CLOSING FESTIVITIES and RECORD RELEASE PARTY! July 19, 5-8pm,Â 619 South Wabash Avenue.
On this month’s podcast, Duncan, Richard and Claudine discuss three exhibitions on view in Chicago this summer:Â Peripheral Views: States of America, at the Museum of Contemporary Photography; Â “Color Jam,” a summer-long, outdoor public installationÂ byÂ Jessica Stockholder; and we also take a look at “Zachary Cahill: USSA 2012, The People’s Palace’s Gift Shop,” an exhibition-cum-intervention in what was once the giftshop at the Chicago Cultural Center.
Click on over to the Art21 Blog to listen to the episode, and, as always, thank you so much for listening!
Doug Rickard. “#82.948842, Detroit, MI.,” 2009. On view in the exhibition “Peripheral Views: States of America” at the Museum of Contemporary Photography in Chicago.
This week’s newsbits
While you were busy getting high on bath salts this week, it was announced that international badass and Chicago-based artist Jessica Stockholder is set to begin making Chicagoâ€™s largest public artworkâ€¦ever.
From the press release:
[The artist and a team of workers] will install, piece-by-piece, Color Jam, Stockholderâ€™s three-dimensional vinyl artwork containing flashes of color and geometric shapes that spill from building facades onto the sidewalk and streets, commissioned by Chicago Loop Alliance.
The piece will be surrounding buildings, sidewalks and streets at the intersection of State and Adams Streets in the Chicago Loop.
The official â€œopeningâ€ of Color Jam will be on Tuesday, June 5th at 10 am.
Press release fun facts:
Color Jam is the largest public artwork in Chicagoâ€™s history and the largest contiguous vinyl project in the U.S. It is composed of over 76,000 square feet of colored vinylâ€”enough material to make 50,000 vinyl records, wrap over 130 city buses or cover one and a half football fields. Printing Color Jam on a standard HP home printer would require 2,100 ink cartridges and 180 hours of continuous printing.
Follow the live streaming at www.colorjamchicago.com. The public artwork will be at the intersection of State and Adams Streets from June 5 through September 30, 2012.
Susanne Ghez, who has led The Renaissance Society since 1973, has informed the Board of Directors of The Renaissance Society of her intention to step down from her position as Executive Director and Chief Curator in January 2013.
Throughout her 40 year tenure, Ghez has introduced Chicago to many groundbreaking artists, including Robert Smithson Joseph Kosuth, Feliz Gonzalez-Torres, Arturo Herrera, Laura Letinsky, and Kara Walker. Understanding the necessity of the artist catalogue, she decided to expand the museumâ€™s publication program and helped to facilitate the museumâ€™s digital archive and website.
From 1999 to 2002, she served as co-curator of Documenta 11 and continued to widen the international scope on Chicago arts. In 2002, Ghez was awarded the 2002 International Lifetime Achievement Award for Curatorial Excellence from Bard College Center for Curatorial Studies.
The Renaissance Society is an internationally renowned non-collecting museum of contemporary art located on the campus of The University of Chicago, at 5811 South Ellis Avenue, 4th floor, Chicago, IL 60637. The board of The Renaissance Society has formed a transition committee that is working with executive search firm Phillips Oppenheim to identify the museumâ€™s next leader.
Some exciting, if no-longer-breaking news: as has been rumored for awhile, last week it was announced that artist and Playmobil dragon collector Jessica Stockholder will join the faculty of the University of Chicago’s Department of Visual Arts (DOVA) and will serve as the department’s new Chair. Her appointment will begin July 1st. Stockholder had been a faculty member at Yale University’s School of Art since 1999. She joins DOVA at a time when big changes are in the works, including the new Reva and David Logan Center for the Arts, slated to open in Spring of 2012 and which will house the department as well as studio, teaching, rehearsal, and performance space for a number of campus arts programs. The Logan Center is said to have been a key factor in Stockholder’s decision to join the U of C faculty.
Stockholder’s appointment is part of DOVA’s overall effort to energize a department that is known for its interdisciplinary focus. In the press release announcement, Stockholder emphasized her own history of crossing mediums: â€œI donâ€™t consider myself either a painter or a sculptor. My work is very pictorial at its core, even though it involves space and material.â€
Check out this quick but informative interview with Stockholder conducted by ArtInfo last February. The bit about Stockholder “moving to Hyde Park in Chicago over the summer” pretty much gave the big news away then, but it’s nice to have all the rumors confirmed. Stockholder is a terrific artist, engaging and accessible, too — and for God’s sake, she collects Playmobil dragons — what more could you ask for in a faculty member or Department Chair? DOVA has chosen most wisely, methinks.