Work by Madeleine Baily, Steven Frost, Yasi Ghanbari, Elise Goldstein, Rachel Lowther, Ivan Lozano, Brian Maller, Alison Rhoades, Tessa Siddle, Fritz Welch, and Syniva Whitney.
Roxaboxen Exhibitions is located at 2130 W. 21st. Reception is Friday from 7-10pm.
Work by Dave Murray and Letha Wilson.
LVL3 is located at 1542 N. Milwaukee Ave, 3rd Fl. Reception is Saturday from 6-10pm.
Curated by Andrew J. Greene, work by Ali Bailey, Jamison Brousseau, Mckeever Donovan, Christopher Gatton, Michelle Grabner, Nick Kramer, Samuel Lipp, William J. Oâ€™Brien, Jorie Rabinovitz, Matt Rich, Daniel Sullivan, Justin Swinburne, Kristen Vandeventer, and Lisa Williamson.
Iceberg is located at 7714 N. Sheridan Rd. Reception is Sunday from 5-9pm.
Work by Vicki Fowler, Trevor Martin, Katya Grokhovsky, Colleen Coleman, Hope Esser, Michaela Murphy, Marissa Benedict, Andrew Barco, Sabrina Reed, Caitlin Baum, Stephanie Plenner, Victoria Eleanor Bradford, and DJ Chris Hefner.
Defibrillator Performance Art Gallery is located at 1136 N Milwaukee Ave. Performances begin Saturday at 8pm.
Work by Teen Living Programs.
Firecat Projects is located at 2124 N. Damen. Reception is Saturday from 7-10pm.
Hello again everyone. Sorry for the silence last week, I was on an adventure to California. It was great, except for the fact that someone out there got me sick, and now that I’m back with my nose to the grinding stone and a shoot to go to this weekend (both kinds), and I’ve got a wicked cold. Art’s been slimming down in preparation for the big Sept. 10th blowout, but there’s still a lot of great work up. Here’s my weekend picks…
Work by Chicago artists Jeremiah Ketner, Myong Kurily, Jim Pavelec, David Rettker, Shawn Roberts, and Chema Skandal.
Rotofugi Gallery is located at 1955 W. Chicago Ave. Reception is Friday, from 7-10pm.
Paintings and prints by Justin Santora.
Fill in the Blank Gallery is located at 5038 N. Lincoln Ave. Reception is Friday, from 7-11pm.
Work by Elijah Burgher, Sara Fagala, Terence Hannum, Chad Harrison, Ivan Lozano, Adam Ludwig, and Rebecca Walz.
Johalla Projects is located at 1561 N. Milwaukee Ave. Reception is Friday, from 7-11pm.
Work by Kim Curtis and S.J. Hart made at Tryon Farm in Michigan City.
Kasia Kay Art Projects Gallery is located at 215 N. Aberdeen St. Reception is Saturday, from 4-6pm.
Work by Liz Nielsen, Kate Ruggeri, and Brendan Sullivan.
LVL3 is located at 1452 N Milwaukee Ave, #3. Reception Saturday, from 6-10pm.
1. In A Plain Brown Wrapper at Johalla Projects
Not for kids. Literally, you have to be 18 or over to enter. Work by Steven Frost, Elisa Garza, Elise Goldstein, Emerson Granillo, Jesse Hites, Jacob King, Ivan Lozano, Joelle McTigue, Karina Natis, Clare Oâ€™Sadnick, Edward Rossa, Joshua Sampson, Talaya Schmid, Kristen Stokes, Jaroslaw Studencki, Bu Tu, Wayama Woo, and Meredith Zielke. Organized by Barbara DeGenevieve.
Johalla Projects is located at 1561 N. Milwaukee Ave. Reception Saturday from 7-10pm
Two exhibitions celebrating the Centennial festivities for the Ox-Bow Summer School of Art.
Corbett vs. Dempsey is located at 1120 N Ashland Ave. Reception Saturday from 5-9pm. Roots and Culture is located at 1034 N. Milwaukee Ave. Reception Saturday from 6-9pm.
3. There, Now It Will Last Forever at The Family Room
Work by Stephen Eichhorn, James Ewert Jr, Ron Ewert, Mike Fortress, Jenny Kendler, Michael Ruggirello, Molly Schafer, Ben Speckmann, Davey Sommers, Scott Thomas and INDO.
The Family Room is located at 1821 W. Hubbard St., #202. Reception Friday from 7pm-12am.
4. Sangre, Sudor y Papeles: Artists examine the immigration issue at Antena
Work by Saul Aguirre, Adriana Baltazar, Miguel Cortez, Salvador JimÃ©nez-Flores, Jaime Mendoza, Jenny Priego, and Elvia Rodriguez-Ochoa.
Antena is located at 1765 S Laflin St. Reception Friday from 6-10pm.
5. No Money No Pancakes at Second Bedroom
Something weird’ll be going on. BYOB but there’s free waffles.
Second Bedroom is located at 3216 S. Morgan St. Reception Saturday from 7-11pm.
Tuesday April 20th (tomorrow!) at 6pm Bad at Sports hosts this month’s Cabinet of Curiosities at the MCA, an ongoing “grab bag of ‘un-lectures'” presented by different groups from around Chicago. Bad at Sports has curated an evening on the subject of Magic. Stephanie Brooks will speak on the Magic of Language and Love. Industry of the Ordinary (Mat Wilson and Adam Brooks) will explore the magical through an investigation of God, football, and extra-marital conduct. Elijah Burgher will give a talk on Sigil Magic, a system of spell-casting outlined by early 20th century occultist, Austin Osman Spare, and popularized more recently in occult movements such as Chaos Magick and Thee Temple of Psychic Youth. Ross Moreno will perform magic! And John Neff and Ivan Lozano will explicate the magic of materialist magic – presented immaterially.
Stephanie Brooks is a conceptual artist living in Chicago.Â She has exhibited her work nationally and internationally including exhibits in Berlin, Brooklyn, Chicago, Denmark, London, Los Angeles, New York, Vienna, and Phoenix, AZ.Â She is an adjunct professor in the Sculpture department at The School of the Art Institute. Her work is included in the collections of Whitney Museum of American Art, Museum of Contemporary Art, Chicago, Microsoft Corporation, and Philip Morris/Altria. Her recent publication “Love is A Certain Kind of Flower” is published by Green Lantern Press; and upcoming exhibitions include Peter Blum, New York and Portable, Atlanta.
Industry of the Ordinary were formed in 2003. The two artists who make up this collaborative team, Adam Brooks and Mathew Wilson, have long histories as visual and performative artists. They bring complementary sensibilities to their activities.Their projects exist in temporal terms but have also been conceived to function on the web site associated with the collaboration, www.industryoftheordinary.com. They have had solo shows at the MCA and NEIU Gallery and performed at the opening of the Modern Wing of the Art Institute, as well as making work for a wide variety of private, semi-private and public settings. They will have a survey of their practice at the Chicago Cultural Center in 2011.
Elijah Burgher is an artist and writer based in Chicago, IL.Â He has most recently exhibited in a solo show at Shane Campbell Gallery in Oak Park, IL and a two-person exhibition at Peregrine Program in Chicago, IL.Â He will exhibit work in group shows at Johalla Projects in Chicago and Envoy Enterprises in New York this summer.Â He maintains a hybrid studio wall/magick diary blog at http://ghostvomit.blogspot.com/.Â Burgher co-founded and co-edited the now-defunct art publication BAT.Â He has written reviews and essays for ArtUS and several small art publications in Chicago, as well as contributed writing to Art:21’s guest blog.Â He received an MFA from the School of the Art Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he split his credits amongst Literature, Visual Art, and Cultural Anthropology.
Ross Moreno earned a masterâ€™s degree in sculpture from the School of the Art Institute of Chicago in 2005. It was during this time he developed a passion for hotdogs, and he has been living and working professionally in Chicago ever since. Ross’ is a member of the Chicago Chapter of the Society of American Magicians and recently completed the International House of Pancakes Balloon Twisting Training Program. Ross can be seen performing his unique blend of performance art, stand-up comedy, and magic at different venues all over the city. More information about Ross can be found by visiting his website at www.rossmoreno.com.
John Neff produces works of art, organizes exhibitions and practices critical writing. He lives and works in Chicago.
Ivan Lozano is a (mostly) video artist currently working on an MFA in Film/Video/New Media at the School of the Art Institute of Chicago. In another life, while living in Austin TX, Ivan was the programming director for the Cinematexas International Short Film Festival, and an arts writer for various publications.
Man, I love when the name of a gallery references where it is located. I mean, how convenient? Noble and Superior Projects had their first opening this past weekend with their show DOUBLE FANTASY featuring the work of Ivan Lozano and Kate Brock. The brand spanking new gallery is run by SAIC grad students Erin Nixon and Patrick Bobilin.
The space is an apartment that is not trying to be anything more than what it is. You enter through the kitchen. The show consists of an installation by Lozano and a small room of Brock’s photography. The installation is a projected video with sound, two circles on of video the wall, the bottom image falling onto a mirrored floor. The bottom is a male face, in agony or ecstasy, in extreme slow motion. The top image is more amorphous shapes, colors and patterns. The sound is repetitive and loud, like exceptionally unpleasant dance hall music. The piece is encompassing and engrossing, spilling off the wall onto the floor, changing the color of the entire space, with mesmerizing patterns. I couldn’t stop watching. Knowing a little bit of Lozano’s work, I understood the allusions to disco and could tease out the origins of the bottom face from some gay porn. However, because there wasn’t any literature available at the show, I think some of the subtleties that could have been enjoyed (where the footage came from, heck, even the title of the piece) were inaccessible.
Brock’s work was photography displayed in a small room off of the installation. There were four small black and white images, three slightly larger color, and four large color prints. They were all portraits of semi naked, thin, attractive people in various environments, sitting, standing, lounging, wearing brown paper bags to cover their heads. They are expertly executed portraits, visually stunning, with urban landscapes and intimate interior spaces as the backdrops. From the gallery website, the series (BAGHEAD, not sure why all caps) “highlights the shape of the body and forces the viewer to imagine each of her characters through the prism of an irreconcilable anonymity.” Well, yes. Because there is no face to connect your gaze, you are left looking at these people and their attractive bodies. I enjoy this idea of removing agency, and how the relationships between the characters are complicated by the lack of eye contact, in the series however it comes off as a sort of one-liner.
I did appreciate the dialog between Lozano’s work and Brock’s. There was delicate connection between where to place or locate the gaze in the photographic as well as an extreme emphasis on the gaze in the larger than life face in the installation. In the conversation between the work, Lozano’s work felt much more secure in a time and place (post-AIDS epidemic) while Brock’s work felt very contemporary it did not feel deeply attached to a history.
More so than the show itself, chatting with Nixon and Bobilin really excited me about the future of the space. They want to focus on two artists at a time; one working in a way that must be “experienced” (I’m thinking more video, installation, performance) and the other in a way that is able to be easily distributed. For this show, I got to take home a small photo of Brock’s work (packaged in a paper bag, no less). I think this could be a very dynamic experience, and with so many galleries or shows focused purely on one concept or the other, I am interested to see how this plan develops.
Noble and Superior Projects is located at 1418 W Superior St in Chicago, IL. They are open to the public Saturdays from 12-6 and monthly for openings. They can be contacted at nobleandsuperior (at) gmail.com