Work by Doug Ischar.
Night Club is located at 3325 N. Pulaski Rd. Reception Saturday, 6-9pm.
Work by Edie Fake.
Western Exhibitions is located at 845 W. Washington Blvd. Reception Friday, 5-8pm.
Work by Ivan Lozano.
Andrew Rafacz is located at 835 W. Washington Blvd. Reception Saturday, 4-7pm.
Work by Jason Brammer, Doug Fogelson, Carson Fox, Conrad Freiburg, Nicole Gordon, Michiko Itatani, Emmett Kerrigan, William Eckhardt Kohler, Brenda Moore, Judith Mullen, Joseph Noderer, Jennifer Presant, Nina Rizzo, Zach Taylor, Tom Torluemke, Chris Uphues, Tom Van Eynde and Matthew Woodward.
Linda Warren Gallery is located at 327 N. Aberdeen St. Reception Friday, 6-9pm.
Work by Charles Fogarty.
PeregrineProgram is located at 3311 W. Carroll Ave. Reception Sunday, 1-4pm.
Work by Autumn Elizabeth Clark.
Winkelman-Milling Projects is located at 960 W. Cullerton St. Reception Friday, 7-10pm.
Curated by Franck Mercurio, with work by Rob Bondgren and Ivan Lozano
Azimuth Projects is located at 2704 N. Whipple St. Reception Saturday, 6-9pm.
Work by Macon Reed.
Ordinary Projects is located at 2233 S. Throop St. 5th Fl. Reception Friday, 6-10pm.
Work by Joshua Kent.
Roman Susan is located at 1224 W. Loyola Ave. Reception Saturday, 7-10pm.
Work by Annie Heckman, Maya Mackrandilal, Jovencio de la Paz, Casey Smallwood, Rafael E. Vera, Amanda Williams and their student mentees.
The President’s Gallery at Harold Washington College is located at 30 E. Lake St. 11th Fl. Reception Saturday, 2-4pm.
Featuring a Guest Post by James Pepper Kelly
The following article was originally written for and published by Chicago Artist Writers //Â Editor: Jason Lazarus
Acrostic, original formatting via PDFÂ here. Sources liberally appropriated from the Internet.Â
Walter Benjamin |Â Â At the center of this exhibition is man. Present-day man; a reduced man, therefore, chilled in a chilly environment. Since, however, this is the only one we have, it is in our interest to know him. He is subjected to tests, examinations. What emerges is this: Weird Dude Energy (WDE), a layering of men, a group perspective on masculinity.
Wilde, Oscar | Â Â Â Â But is WDE, as a meme/concept, actually on display in this show, or only in theÂ title and statement? Is GDBD curating a show of WDE, or instead the passion ofÂ oneâ€™s friends? Thereâ€™s crossover, and it may all be equalâ€”those passions are the fascinating things IRL anyway. For me, the highlight was Andrew Mausert-Mooney & Nicholas Wylieâ€™s performance of foot washing, massage, andÂ chantingÂ of â€œPoor Unfortunate Soulsâ€ from The Little Mermaid. It had the dignity of aÂ ceremony, as well as its unreality, and combined the insincereÂ character of aÂ romantic movie with the wit and beauty that make such moviesÂ delightful to us. IsÂ insincerity really such a terrible thing?
Weiner, Anthony | Â Itâ€™s passion thatâ€™s a terrible thing, and letâ€™s just forget about online WDE. Letâ€™sÂ recalculate, letâ€™s talk this show. Now Andrew Doakâ€™s photo: I don’t know whereÂ that photograph came from. I donâ€™t know for sure whatâ€™s in it. Â I donâ€™t know forÂ sure if it was manipulated. And Iâ€™m going to get to the firm bottom of that.
Eagleton, Terry | Â Â Â Donâ€™t know Doak? Itâ€™s a self-portrait as John Belushiâ€™s character in AnimalÂ House, from the artistâ€™s ongoing portraiture project. There are several orphaned pieces in WDE, but Iâ€™ll admit that this one does suffer the most for it. Oli Rodriguezâ€™s photographic portrait integrates well with the other work, evenÂ though it is de-linked from the S&M series itâ€™s part of. The problem is, what weÂ consume now is not objects or events, but our experience of them. We buy anÂ experience like we can pick up a GBDB beer coozie ($2.00 at the opening).
Immanuel, Kant | Â Â Â Sure, thereâ€™s no doubt that all knowledge begins with experience. Thatâ€™s why IÂ bought three. But reading about the Weird Dude Energy Tumblr that was theÂ inspiration for the show, I learned two things on the Hyperallergic comment thread: first, apparently no one reads my books anymore; and second, â€œYoungÂ people’s ideas about whatever is cool can have a conversation with contemporaryÂ art.â€ If you canâ€™t deal with merch and memes, fine, how about Mike Reaâ€™sÂ virtuosic wood installation: jail cell/microphone/and, inevitably, glory hole? OutÂ of the crooked timber of humanity, no straight thing was ever made.
Rahm, Emanuel | Â Â Â Fucking retarded. Take your fucking tampon out and tell me what you have toÂ say. Best was Ivan Lozanoâ€™s installation of glowing blue hands on poles. ItÂ reminds me of when I sliced off my finger working at Arbyâ€™s, went swimming in Lake Michigan, and got gangrene. Thatâ€™s when I decided to become king ofÂ Chicago. Lozano fucked up his hand and made some casts based on not beingÂ able to move. Same idea, different goal. You should never let a serious crisis goÂ to waste.
Derrida, Jacques | Â Â Â Can we not talk about biography, please? Stick to the work! Look at how theÂ handsâ€™ blue glow syncs with Zak Arctanderâ€™s red tinted photo of the young man in a Vans cap, shown from his chest up. Whatever precautions you take so the photograph will look like this or that, there comes a moment when thatÂ photograph surprises you. Itâ€™s the other’s gaze that wins out and decidesâ€”whichÂ Arctander must be thinking about because look, he made sure the manâ€™s eyes areÂ covered by his cap! Rrose, with your own compromised intuitions, what did youÂ like?
Duchamp, Marcel | Â Â I just likeâ€”breathing. Itâ€™s so necessary that I donâ€™t question it.
Umberto, Eco | Â Â Â Â Â You are odd. Weird, I mean; but then, itâ€™s only petty men who seem normal.Â Didnâ€™t you like Alex Gartelmannâ€™s limp aluminum baseball bat, bent over a wooden peg? A mash-up of your own readymades and an â€˜80s sculptural phallus, a strong piece with good position.
Duchamp, Marcel | Â I donâ€™t believe in art, I believe in artists and the most interesting thing aboutÂ artists is how they live. All this twaddle are pieces of a chess game calledÂ language.
Eco, Umberto | Â Â Â Â Â Perhapsâ€¦. Maybe Iâ€™mâ€”maybe all this is not as wise as it likes to think it is. And if Jacquesâ€™s right about epistemic plurality, is this some eternal zugzwang, asÂ you chess people say? Itâ€™s true that the most interesting letters I receive are from people in the Midwest, people like the lone figure in John Operaâ€™s lovely, desolate Wisconsin landscape. So letâ€™s turn to their official sources instead!
Newcity Art (B. Stabler)| A variety of manly tensions are borne out by the juxtapositions in the group show â€œWeird Dude Energy.â€ In the end, thereâ€™s just nothing that says “competence” like a great curatorial concept enjoyably, even suavely, executed.
Rrose, SÃ©lavy | Â Â Â Â Â Fine, fine. You do have to have an official existence. Intermezzo. One more, back to the living, then the end.
Jason Foumberg | Â Â Â Weird Dude Energy, a concept and an exhibition, probes the unkempt desires ofÂ men. Â You know how guys act when theyâ€™re all together, without womenÂ around? Â This show amplifies that vibe with work from 17 male artists.
You + Yr Friends | Â Â Â _________________________________________________________________________
Sources: Â Walter Benjamin: â€œThe Author as Producerâ€, Reflections. Wilde, Oscar: The Picture of Dorian Gray. Weiner, Anthony: â€œGPS Speechâ€ to Springfield Community Church, et al.; Interview with Emily Miller, Washington Times. Eagleton, Terry: How to Read a Poem. Immanuel Kant: â€œIdea for a Universal History with a Cosmopolitan Purposeâ€. Rahm Emanuel: Comment on a liberal groupâ€™s concerns about Obamacare, Wall Street Journal; Response to a male staffer, New York magazine; Interview, Wall Street Journal. Derrida, Jacques: There is No â€œOneâ€ Narcissism, Interview with Didier Cahen. Duchamp, Marcel: Line for the character â€œMarcel Duchampâ€, The Mysteries and What’s So Funny, David Gordon (referencing Interview with Jean Antoine, The Art Newspaper); Interview with Jean Antoine, The Art Newspaper. Umberto Eco: The Name of the Rose; Duchamp, Marcel: The Writings of Marcel Duchamp; Letter to Jehan Mayoux. Eco, Umberto: Interview with Nigel Farndale, The Daily Telegraph; Interview with Adam Langer, Book magazine. Newcity Art (Bert Stabler): â€œReview: Weird Dude Energy/Heaven Galleryâ€. Rrose SÃ©lavy: Interview with Jean Antoine, The Art Newspaper; Jason Foumberg (Chicago Mag.com): â€œWeird Dude Energy Promises a Freaky Prelude to Fatherâ€™s Dayâ€. You+ Yr Friends: _________________________________.
James Pepper Kelly likes words, images, and the plants in his apartment. He serves as Managing Director of Filter Photo and is studying to be a pataphysicist. For a little while, back in the early â€˜00s, he was really good at Ms. Pac-man.Â
Chicago Artist Writers is a platform that asks young studio artists and art workers to write traditional and experimental criticism that serves under-represented arts programming in Chicago. CAW was founded by Jason Lazarus and Sofia Leiby in 2012. This is our first guest post on Bad at Sports.Â www.chicagoartistwriters.com
Work by Sarah and Joseph Belknap.
Roxaboxen Exhibitions is located at 2130 W. 21st St. Reception Sunday, 6-10pm.
Work by Zak Arctander, Jesse Butcher, Andrew Doak, Alan and Michael Fleming, Alex Gartelmann, Ethan Gill, Ivan Lozano, Andrew Mausert-Mooney, Casey McGonagle, John Opera, Auggie Oz, Benji Pearson, Mike Rea, Oil Rodriguez, Jonas Sebura, and Nicolas Wiley.
Heaven Gallery is located at 1550 N. Milwaukee Ave. Reception Friday, 7-10pm.
Work by David Cordero.
The Loneliness Chapel is located at Logan Center for the Arts, 915 E. 60th St. Screening Friday, 9-10pm.
Work by both artists.
Thomas Robertello Gallery is located at 27 N. Morgan St. Reception Friday, 6-8pm.
Work by Audrey Niffenegger.
Printworks is located at 311 W. Superior St. Reception Friday, 5:30-7:30pm.
Work by Caroline Carlsmith, Alex Chitty, New Hands (Carson Fisk-Vittori & Michael Hunter), and Kristina Paabus.
Alderman Exhibitions is located at 1338 W. Randolph St. Reception Friday, 6-9pm.
Work by Cameron Gibson, Eduardo FernÃ¡ndez, Marine de Contes, Julian Dalrymple, Meghan Johnson, Nathan Meltz, Miguel Guzman, Jennifer Baker, and Rob Frye.
The Milk Factory is located at 907 N. Winchester Ave., Rear Apt. Reception Saturday, 7-11pm.
Work by Tony Fitzpatrick, Duncan Robert Anderson, Daniel Bruttig and Chris Hefner.
LivingRoom is located at 1530 W Superior St. Reception Friday, 7-10pm.
Work by Alberto Aguilar and Jorge Lucero.
Beverly Arts Center is located at 2407 W. 111th St. Reception Saturday, 7-9pm.
Work by Mark Adkins, Alberto Aguilar, Jane Fulton Alt, Marissa Benedict, Daniel Bruttig, Robert Burnier, Tom Burtonwood, Scott Carter, Stephen Cartwright, Andrew Copper Smith, Margaret Crowley, Matt Davis, Michael Dinges, Diana Gabriel, David Giordano, Emily Hermant, Alexander Herzog, Matt Irie, Elk Grove Village; Barbara Jeanne Jenkins, Evanston; Stacee Kalmanovsky, Buffalo Grove; Julia Klein, Barbara Koenen, Morgan Krehbiel, Katie Loomis, Ivan Lozano, Jorge Lucero, Bobbi Meier, Jackie Melissas, Holly Murkerson, Julie Oh, Joel Parsons, Karen Perl, Cole Pierce, Melissa Ann Pinney, Wolfie Rawk, Todd Reed, Patricia Rieger, Nicole Seisler, Lindsay Sherman, Soo Shin, Geoffry Smalley, Alex Tam, Xavier Toubes, Rafael E. Vera, Sarah Williams, Robin Woodsome, and Kaylee Wyant.
Evanston Art Center is located at 2603 Sheridan Rd., Evanston. Reception Sunday, 1-4pm.