Last year it was the amazing 8bit girl costume which I was eagerly awaiting to see what she would do this year and the costume seemed to be closing down her site so in it’s place the Best Halloween Costume idea of 2010 goes to the Amazing Banksy “Flower Thrower”.
George Schnakenberg has taken the iconic 2d graffiti work and turned it in to a living breathing (through a handkerchief) 3d person. You can see via his flickr stream his night out partying and either his proposal or attack of Raggedy Ann.
The costume is quite well done and best of all comfortable and versatile. Hope everyone had a great Halloween this year.
Thanks to everyone for coming out to the “Social Media Strategies in Chicago’s Art Community” panel hosted by Art Critic Alicia Eler and Chicago Gallery News’ Ginny Berg at Art Chicago today. I loved talking with Karla Loring, Museum of Contemporary Art; Crystal Pernell, Hyde Park Art Center; and Carrie Heinonen, Art Institute of Chicago about all things tech & strategy and hope that it was useful or atleast entertaining for those of you in attendance. Every group on that dais has my upmost respect for the work they do in the Arts day in and out and it is an honor to have Bad at Sports counted among them.
As promised in the talk there is a program that is quite useful in Twitter to let you know who starts following you and more importantly who drops your account. At the time I was trying to think of Chirpstats and couldn’t get the word out but the great Crystal Pernell was kind enough to remind me of Qwitter which does more then Chirpstats by working to tie the drop to a specific tweet. This can be extremely useful if at times a bit misleading but a great alternative to Chirpstats which is only a weekly update but less taxing on an email account.
The net is a wonderful place to meet, share, promote and wallow in all the things you love or cherish and social media for me is a great tool to help accomplish & magnify those desires. I still say though the most important thing is to service the end users like they are your boss, anything less is putting the cart before the horse. Feed them data, facts, images & yes even sugar and rumors some days but remember that twitter, facebook, digg, stumbleupon, and whatever is next are only a means to that end. It’s something that even we have to be vigilant to keep in perspective and doesn’t come easy for anyone especially when you have to answer to a comittee; I have deep sympathy there. I look forward to the next time we can get everyone together and have honest and open talks about how we go about trying to promote and grow this thing we love called Art.
Thanks again for coming out!
Well it’s almost that time of the year again, High Holy week in Chicago where we all pilgrimage to the Merchandise Mart and endlessly complain how much we don’t want to be there. Which is kind of a shame really? The doors haven’t even opened, exhibitors are still unloading their wares (oh I’m sorry is that word verboten? and there is already a collective shrug/ennui working it’s way from gallerists to collectors to The Tribune. I am not suprised, unaware as to why or in disagreement really. The only thing less exciting then spending money on a show during a depression (oh those words again) that is collectivly expected to be poorly attended, poorly reviewed, have low sales and be generally as exciting, sharp & sexy as a slightly used chew toy is to not have one at all and instead we all stay home cleaning our patio decks/yards. It’s not that I don’t get it, I do. Make the best of it, stay together for the kids, you go to war with the army you have not the army you want (yea don’t like the taste of that phrase do you lol).
In a little bit here I am going to lay into the Mart over something and I am sure it will not be the first or last time that either I, Meg, Claudine, The Tribune, Rhona Hoffman or some prairie dog on the net uninformed or unfairly chimes off but before I do does anyone remember the word “Fun”?
If you work in the Art world in any capacity right now you could be easily making a better salary in say Print on mean average so if you’re still here it’s because you love it, chose it & in fact tell everyone else it chose you. So if we are not going to make a fortune, redefine art for the hundredth time this Century, rock the culture with something new or even agree what is the new Deer, Squid or Skull for this year can we at least agree to have some fun? I’m not saying fiddle while Rome burns. Do your due diligence and once that is done, share a laugh, have a meal with a large group, drink, dance, greet old friends from out of town or even Continent but cut the emo angst and smile (Even you Scott Speh).
Arts a joyful struggle, it never becomes a breeze & it is never the way we want it to be 100% so in the gap between perfection & worthlessness lets remember why we got into this and have some fun cause everyone from the unpaid gallery interns to Chris Kennedy is working hard believe it or not, I know.
Having now said that, there are reports coming in that the Merchandise Mart is looking to charge the exhibitors $49.99 a day for wifi access. Now I have personally worked to provide wifi access for over 100 exhibitors in a large space and can say it is a thankless task that is readily abused by 10% of the users, requires constant oversight if you have power fluctuations of any sort, is consistently reported down when in reality it works and the problem is exhibitor’s laptops running Chinese drivers, or Macs with more warez then actual programs.
Oh do I have sympathy but $49.99 a day let me say that again so that it sinks in $49.99 a day is “screw off” pricing that you do to chase away clients so that you don’t have to provide the service to many & the ones that you do it’s crazy profit. So is that where the business model is right now with the Mart? Are things so tight that we are looking to cut costs and services or gouge to bridge the gap? If so I am sorry for your troubles but if not this is beyond the pale pricing and even I am going to call bunk on that.
Change it before you open, it’s the best PR you can have with exhibitors stuck in one place for hours on end when you can provide reasonably priced internet. Trust me many would rather surf and email then sell, you think I’m joking but I’m not. There is no excuse for that price point unless we’re talking 10MBs up and down which I almost know we are not.
Lets do some good sales, make some good connections & remember have some fun. I’ve seen accountants smile more lately.
Does the Museum of Modern Art’s live feed of Marina Abramović’s performance “The Artist is Present” defeat the purpose of the piece, or enhance it? “The Artist is Present” is the title of both Abramović’s retrospective, which opened at MoMA on March 14th, as well as her new live performance, which takes place in MoMA’s Marron Atrium throughout the run of the exhibition. In her performance, Abramović sits on a wooden chair in front of a wooden table. The chair across from her is occupied by different museum visitors, who are invited to take a seat across from the artist and gaze at her while she gazes at them. Visitors are allowed to sit in the chair for as long as they want. (One man stayed for seven hours). MoMA’s exhibition website notes that the retrospective as a whole endeavors to “transmit the presence of the artist” by including “live re-performances” of Abramović’s works by other people, along with this new durational performance by the artist herself.
I couldn’t find any mention of how live streaming the performance fits into the exhibition’s overall attempts to “transmit the artist’s presence,” however. Ideally, of course, viewers will experience Abramović’s performance in a more direct fashion, either by sitting across from her or watching from the audience as other people share her gaze. But the existence of MoMA’s live streaming “marina-cam” (my nickname, not theirs) is downright puzzling. What’s the purpose of streaming a performance–one which purportedly explores what it means to “be present” in this particular historical moment — for the benefit of anonymous internet users who can engage with it only by staring at their computer screens for a few seconds at a time?
For a work of art that necessitates ‘presence’ in all the multivalent meanings of the term, I find it curious that Abramović agreed to the livecam broadcast in the first place. Read more
Proximity Magazine Names BaS “Best Website for Local Arts Coverage” and says some very kind words:
Bad at Sports should have received a a grant from the XYZ foundation last year to help them make their art podcast website a real day job. But the powers that be often sleep on what is engaging, innovative and important in favor of the familiar, lame and business as usual. Bad At Sports was our top local art resource of the year. Thank you guys.
No thank you Ed, Rachael & everyone at Proximity and the Public Media Institute. We really apriciate the kind words and look forward to 2010 and what Proximity Magazine has in the works.
Also we have taken your advice and hired a few free interns to track down this XYZ foundation and get that grant asap. I can only assume that the Xavier Young Ziebold award is biennial so maybe next year