Endless Opportunities: Alternative Platforms

July 14, 2013 · Print This Article

Film still from Curate call for entry video. Courtesy Qatar Museums Authority and Fondazione Prada.

Film still from Curate call for entry video. Courtesy Qatar Museums Authority and Fondazione Prada.

1. THE SUB-MISSION 2014 APPLICATION PROCESS IS NOW OPEN. Deadline is August 19th. 

THE MISSION presents: THE SUB-MISSION, an alternative installation project space dedicated to the development of artists living and working in Chicago. Located below the main gallery, THE SUB-MISSION is a natural progression toward fulfilling our mission statement. Specifically, THE SUB-MISSION was created to showcase local artists, foster the investigation of new ideas and artistic processes, and facilitate an exchange between artists and the artistic community. Go here for details.

2. Curious about a residency at Harold Arts this summer? Check the website for information and email inquiries to 8550OHIO@GMAIL.COM

3. Apply to participate in this year’s Chicago Artists’ Month! The deadline is tomorrow, however (the 15th of July) so get cracking. The 18th annual Chicago Artists Month (CAM) is an open call to individual artists and organizations for events that feature Chicago-based artists, in a public venue in Chicago, during the month of October. A marketing initiative of the Chicago Department of Cultural Affairs and Special Events, CAM showcases the work Chicago’s independent artists and arts organizations, highlights arts activity in Chicago neighborhoods, drives tourism, encourages collaboration and provides opportunities for creative expression and education for all Chicagoans. Get the skinny here.  

4. Experimenta – the International festival of Moving Image Art in India seeks artists’ films and videos from any country that challenge popular and conventional modes of cinema. Abstract to obscure compositions produced on the margins of contemporary screen-culture are welcome. Innovative, cutting edge and non-traditional work that attempts to aesthetically extend the parameters of the mediums of film and video is encouraged.

Preview copies must be submitted for selection purposes. All lengths of film are considered. Please submit entries as soon as possible. The final deadline for receipt of submissions is 30 August 2013. The festival programme will be finalised by October 2013, at which time only those whose works are selected will be informed. EXPERIMENTA is a curated film festival, and will be held from November 27th – 1st December 2013 in Bangalore India. Here for deets.

5. If you are interested in curating shows elsewhere, check out Curate, a global competition organized by Qatar Museums Authority and Fondazione Prada to find new curating talent. The program is now accepting entries online at www.curateaward.org until 31 December 2013. Visit the site for more information.

 




Episode 263: Kehinde Wiley

September 12, 2010 · Print This Article

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263-Kehinde Wiley
This week: Duncan, Richard and guest co-host Dr. Amy Mooney, Associate Professor of Art History at Columbia College, talk with superstar artist Kehinde Wiley about his work and his exhibition “The World Stage: India-Sri Lanka” which just opened at the Rhona Hoffman Gallery (through October 23, 2010).

The following seemingly outdated bio was lifted from the New Museum of Contemporary Art.

Kehinde Wiley was born in Los Angeles in 1977. He received his BFA in 1999 from the San Francisco Art Institute and graduated from Yale University School of Art two years later. Wiley is viewed as the modern-day heir to a long line of portraitists –Reynolds, Gainsborough, Titian, Tiepolo– from whom he appropriates the symbols and visual language of heroism, power, and opulence in his realistic renderings of urban black men. While referencing specific old master paintings and fusing period elements– French Rococo ornamentation, Islamic architecture, West African textile design– into his portraits, the final works convey a very urban, contemporary aesthetic because of the subjects portrayed and their hip-hop influenced attire. Wiley succeeds in his intent to blur the boundaries between traditional and present-day modes of representation, as he says to “quote historical sources and position young black men within that field of power.”