Thanks to everyone for coming out to the “Social Media Strategies in Chicago’s Art Community” panel hosted by Art Critic Alicia Eler and Chicago Gallery News’ Ginny Berg at Art Chicago today. I loved talking with Karla Loring, Museum of Contemporary Art; Crystal Pernell, Hyde Park Art Center; and Carrie Heinonen, Art Institute of Chicago about all things tech &Â strategy and hope that it was useful or atleast entertaining for those of you in attendance. Every group on that dais has my upmost respect for the work they do in the Arts day in and out and it is an honor to have Bad at Sports counted among them.
As promised in the talk there is a program that is quite useful in Twitter to let you know who starts following you and more importantly who drops your account. At the time I was trying to think of Chirpstats and couldn’t get the word out but the great Crystal Pernell was kind enough to remind me of Qwitter which does more then Chirpstats by working to tie the drop to a specific tweet. This can beÂ extremelyÂ useful if at times a bit misleading but a great alternative to Chirpstats which is only a weekly update but less taxing on an email account.
The net is a wonderful place to meet, share, promote and wallow in all the things you love orÂ cherish and social media for me is a great tool to help accomplish & magnify those desires. I still say though the most important thing is to service the end users like they are your boss, anything less is putting the cart before the horse. Feed them data, facts, images & yes even sugar and rumors some days butÂ rememberÂ that twitter, facebook, digg, stumbleupon, and whatever is next are only a means to that end. It’s something that even we have to beÂ vigilantÂ to keep in perspective and doesn’t come easy for anyone especially when you have to answer to a comittee; I have deep sympathy there. I look forward to the next time we can get everyone together and have honest and open talks about how we go about trying to promote and grow this thing we love called Art.
Thanks again for coming out!
February 19, 2010 · Print This Article
Andreas Fischer, who is Associate Professor at Illinois State University’s College of Fine Arts, has concurrent shows of his latest paintings up right now at the Gahlberg Gallery at the College of DuPage and the Hyde Park Art Center. The Gahlberg Gallery show closes in two weeks (February 27th) so even though it may be a bit of a haul for those of us who live near Chicago, make a plan to get out there before it’s too late! Luckily, Fischer’s show at HPAC is up a little longer, through April 18th. These two exhibitions are comprised of related bodies of work, both of which I wrote about in the catalogue essay that accompanies them. Below is an excerpt from that text; I’m in the midst of a brain-squeezing allergy attack and can’t produce much in the way of original thought this morning, so this’ll have to do.
“In many ways, Andreas Fischerâ€™s recent paintings can be understood as ghost stories told with paint. Each of his works attempts to represent imaginative experiences that cannot be conveyed linguistically, often by taking the form of something they are not, be it a faded archival photograph or a snapshot of a picturesque Montana landscape. Using paint to weave together the factual and the ineffable, Fischer provides us with information that cannot be confirmed by a source outside of the painting: meaning must be intuited via the paint itself. Fischerâ€™s concurrent exhibitions at the Hyde Park Art Center and the Gahlberg Gallery at the College of Du Page consist of two separate but conceptually related groups of paintings: the first, titled Original Location, is a series of landscapes depicting various Montana settings, the second, titled Sunday Best, consists of portraits based on found tintype (also known as ferrotype) images of anonymous individuals dressed in 19thcentury-style attire.
Fischer draws on metaphors of historiography and the archive to explain how these two bodies of work relate to one another:
‘History often gets represented through a collection of fragments or an archive and it has been argued that what is important in archives is what is left out – what can’t be represented factually, actual experienceÂ in other words. Both parts of Ghost Town attempt to use painting to address this absence. Through material facts of paint these bodies of images attempt to extend beyond basic linguistic representation into broader experience. Both bodies of work are meant to mimic kinds of historical fragments. They pretend to document. More importantly, though,they attempt to use paint activity to tap into imaginative characteristics that make up subjective experience.’ “
I also highly recommend that you attend Andreas’ talk at the Hyde Park Art Center on Sunday, April 3rd at 3:00pm. He is so much fun to talk to: so curious, generous, and thoughtful — I enjoyed our studio visits tremendously and I can pretty much guarantee that this talk will not be a one-way lecture type thing.Â HPAC has billed it as “not your grandmother’s artist’s talk. Please come with plenty of questions and be ready to discuss painting techniques, research tips, points of interest and other spontaneous topics with Andreas.” Although when they were alive my own grandmothers wouldn’t have known what the heck an ‘artist’s talk’ was, much less given one, I do know they would have felt comfortable at Andreas’ because he is is so kind, generous and open with his own and other people’s musings on the subject of painting. Be there people!
Ok, so for those of you who don’t know yet, CAA (College Art Association) has dubbed Chicago worthy for it’s pedagogical adventures, and has settled in our fair city for the weekend. As a member of CAA, I’ll be cruising from lecture to lecture the next few days, trying to suck up as much strange knowledge as I can while the circus is in town. But I’m not the only one excited about the CAA crew. As a result of the conference, just about everyone else in town is trotting out something or other, much of which is AWESOME! As a result, I bring you The Biggest Top 5 You’ve Ever Seen! Rather than picking individual galleries for the Top 5, I’ve corralled a Top 5 of places (in no particular order) you should go this weekend. Hope ya’ll enjoy.
The self-proclaimed Chicago Arts District is holding it’s monthly 2nd Fridays round of openings. Here’s the places I’d go if I were you:
Chicago Art Department – 1837 S. Halsted. Cultural Excavation, work by Christopher Piatt, Ben Valentine, Wayne Bertola, Virginia Broersma, Allison Rae Butkus, Seth Gershberg, Jennifer Hines, Jennifer Jackson, Sarah Leitten, Amanda Paulson, Aaron Wooten and others. Reception Friday, from 6-10pm.
ROOMS Gallery – 645 W 18th St. ORACLE:CHANNELING, with Marrakesh & Todd Frugia. Performance Friday, from 8-10pm.
Aspen Mays has been a busy woman with both aÂ 12×12 show at the MCA (February 6-28) and an installation at the Hyde Park Art Center (January 24-April 25). She was kindÂ enough to take some time out of her busy scheduleÂ to answer some of my questions about both exhibitions, her process, and her plans for her Fulbright Grant to Chile.
Recently you spoke at threewallsSALON in a discussion called The Doctoral Artist: Research & Practice. What role does research play in your practice? How do you typically begin a series/piece?
Research is often the catalyst for my work. I studied Anthropology as an Undergraduate student- that’s what my degree is in, and I think that sort of academic training has found its way into my practice mostly because I enjoy it so much. I’ve always been a really curious person, and I try to channel that as an artist.Â I love spending time in the library chasing down ideas, and I also try to get out and do a lot of hands-on research.Â Perhaps its my background in another field, but I read a lot of books about science and astronomy, and as an artist, I love speaking to folks in different research areas. A lot of projects start by tracking down experts in different fields that I’m interested in. I enjoy that interaction and these sort of “field trips” can be a great source of inspiration and potential collaboration. The video piece Larry, for example, was made with the help of the Adler Planetarium in Chicago. I contacted them after I’d been looking into weather ballooning, and I just started visiting the planetarium speaking to several of the astronomers that launch research balloons as part of the Astro Science Workshop each summer for high school students. I started attending the Workshop – for pleasure really because I thought it was all so interesting….one thing lead to another and I struck up a friendship with Mark Hammergren (an Astronomer there) and the video piece I ended up making sort of evolved out of all of that. That process is a pretty good example of my practice- I love seeking out that interaction. It makes making art feel a lot less solitary to me.
1. Dialogue: Presented by IRUS art (an intercultural collaborative art show between artists in Iran and the U.S.) at Co-Prosperity Sphere -
The crew down at Co-Pro are always working hard to put on events that are relevant withing AND beyond our little world of art. This is obviously no exception. And I quote, “Two teams of artists, one in Tehran and another in Denver have assembled under one name: IRUS (Iran â€“ United States). Starting with our mutual respect for art, we have established collaborative projects between our groups.” Friday night is the show reception, and Saturday is the discussion panel.
Co-Prosperity Sphere is located at 3219 S Morgan St. Reception is Friday from 7-10pm. Discussion is Saturday from 5-7pm.
2. M155 4m3r1c4 at Noble & Superior Projects –
Now, I will admit, I am rather partial to Noble and Superior Projects already, but that said, this show absolutely deserves a place in this weekend’s Top 5, regardless of my previous experience with ‘em. This show is a double whammy with Patrick Bobilin and Cara Anne Greene. Patrick’s work, and I quote, “M155 4m3r1c4 (Miss America), is a loose narrative which uses documentation and fiction together to create a broad self-portrait doubling as cultural commentary,” and involves video, photographs, and documents relating to the M155 4m3r1c4 narrative. And Cara Anne Greene, beautiful, beautiful Cara Anne Greene will be serving up cullinary complements to the story of M155 4m3r1c4. AWESOME!
Noble & Superior Projects is located at 1418 W Superior St 2R. Reception is Friday 6-10pm.
3. Closing Reception for Byron Roche –
Byron was one of the first gallerists I met in Chicago, and he set the bar high. He is endlessly knowledgeable and endlessly kind. It is, therefore,with a sad heart, that I make this addition to the Top 5. After 16 years with a public gallery, Byron is closing his space. He will continue to operate as a private art consultant, but no longer will there be that comforting island of Byron Roche Gallery in River North. No more box wine, no more Sweetheart Jewelry. So come down and say goodbye, this is your last chance.
Byron Roche is located 750 N. Franklin. Closing reception is Saturday from 11am-6pm.
4. Artist Talk with Adam Ekberg at Thomas Robertello Gallery –
The first of two not-to-be-missed artists’ lectures happening this weekend. The be-bearded countenance of Mr. Ekberg will be discussing his work at Thomas Robertello Gallery, amid his wall mounted work. And I quote, “continuing with the use of lens-based phenomena, humble celebratory gestures, and primitive constructs, Ekberg further develops two distinct bodies of work; images created in the woods or nature, and images using his apartment as stage set.” Be there or be square!
Thomas Robertello Gallery is located at 939 West Randolph St. The artist talk begins at 3pm.
5. Artist Talk with Aspen Mays at HPAC
The second not-to-be-missed artists’ lecture this weekend. Aspen Mays will be discussing works from her From the Office of Scientists exhibition currently on display at HPAC. And I quote, “Mays activates the office cubicle as a site for information production and general inquiry where â€œbig ideasâ€ are generated.” Sweet!
Hyde Park Art Center is located at 5020 S. Cornell Ave. The artist talk begins at 2pm.