This week over on Â Center Field | Art in the Middle with Bad at Sports I had a chance to interview Nicholas Lowe, curator of Â Roger Brown: California U.S.A at the Hyde Park Art Center. Check out the teaser below and read the entire article over on art21.
After passing away in 1997, painter, sculptor, and notorious collector, Roger Brown bequeathed his homes and collections to his alma mater, the School of the Art Institute of Chicago (SAIC). His Chicago home located at 1926 N. Halsted became what is now theÂ Roger Brown Study Collection (RBSC). Known as an â€œartistâ€™s museum,â€ the study collection houses Brownâ€™s work and collection intact. His New Buffalo home, which was designed by his partner, architect George Veronda, has become an artistsâ€™ retreat for SAIC staff and faculty.
Unlike his other residences, Brownâ€™s home in La Conchita, California, was sold in 1998 and the contents were archived and moved to the RBSC. With the help of the study collectionâ€™s curator Lisa Stone, assistant curator James Connolly, and SAIC alum Dana Boutin, Chicago-based artist and curator Nicholas Lowe has organized an exhibition based on the work that Brown made and the objects he collected while living in California.Â Roger Brown: California U.S.A, currently on view at theÂ Hyde Park Art Center, explores Brownâ€™sÂ Virtual Still Lifepaintings and the intricate relations that formed while working in his home in California.
Meg Onli: How did this exhibition evolve and how did you decide to show Brownâ€™s collection outside of his homes?
Nicholas Lowe: This exhibition grew from a discussion about what would be the best way to show [Brown’s]Â Virtual Still Life object series. There are 27 of these [paintings] and they were all made [from] 1995 to 1996, while Brown was living in La Conchita, CA, in the house that he commissioned Chicago architect Stanley Tigerman to build. Brown died in November 1997, and the house was subsequently sold in 1998. The contents, including all Brownâ€™s personal possessions, from inside and outside the house were documented, cataloged, and packed. These items were placed in deep storage at the museum, and in 2008, Â with the help of Lisa Stone and her staff we began to unpack and assess the material.
Read the rest of article on art21.
Itâ€™s the night before Halloween â€“ the night when pranksters come out of the woodwork to wreak havoc on their neighbors. Itâ€™s called â€œMischief Night,â€ and this year artists are taking it over.
Artists are masters of constructing moments of subversion, spectacle and illusion. On Saturday, October 30, the Hyde Park Art Center is asking artists to create those moments. From 3pm until 10pm, they will have games, art-making workshops, and performances taking place in and around the Art Center â€“ all with the prankster in mind.
Sound interesting? They are looking for artists who would like to be a part of the mischievousness by concocting artist-run workshops, performances, temporary installations, public programs for kids and/or adults, or any other creative ideas you can scheme up. Â They are open to input. Â If youâ€™re interested, please send a proposal including:
- Your name and contact information
- Name and description of your event/workshop/prank/performance
- Any supplies you may need
Deadline for submissions is July 14. Please send your proposals to Crystal Pernell atÂ firstname.lastname@example.org.
Sorry for the missed week, I was rocking out in the lovely and exhausting Yosemite, climbing waterfalls, almost falling to my death (I shit you not, and it was completely my fault), looking at Pileated Woodpeckers (the Woody Woodpecker ones), drinking lots of Tecate and burning lots and lots of firewood. But now I’m back. It’s getting into that summer session, where things get lean. But as always quantity does not indicate quality, and following that, I give you my weekend picks. Mmmm, tasty!
Hyde Park Art Center is located at 5020 S Cornell Ave. Crit Friday, from 6-8pm.
Your last opportunity to see this month long event created by artist Kimmy Noonen.
Art on Armitage is located at 4125 W. Armitage Ave. Closing reception Friday, from 6-9pm.
How long has it been since you visited Lloyd Dobler Gallery? It’s been a while for me, so I’m heading back to one of the first galleries I visited in Chicago, and still one of my favorites.Solo show of Sebastian Vallejo.
Lloyd Dobler Gallery is located at 1545 W Division St, 2nd Fl. Reception Friday, from 6-10pm.
Monument 2 Gallery is located at 2007 N. Point St. Reception Saturday, from 6-10pm.
I’d make a joke about the title if it weren’t already such a depressing fucking joke. Bound to be some good work though. Work by Deborah Stratman, Jim Zimpel, Jesse Avina, Daniel Baird, Jake Myers and the Pentagon Education Collective.
Pentagon is located at 961 W 19th St., 1F. Reception Saturday, from 7-11pm.
Thanks to everyone for coming out to the “Social Media Strategies in Chicago’s Art Community” panel hosted by Art Critic Alicia Eler and Chicago Gallery News’ Ginny Berg at Art Chicago today. I loved talking with Karla Loring, Museum of Contemporary Art; Crystal Pernell, Hyde Park Art Center; and Carrie Heinonen, Art Institute of Chicago about all things tech &Â strategy and hope that it was useful or atleast entertaining for those of you in attendance. Every group on that dais has my upmost respect for the work they do in the Arts day in and out and it is an honor to have Bad at Sports counted among them.
As promised in the talk there is a program that is quite useful in Twitter to let you know who starts following you and more importantly who drops your account. At the time I was trying to think of Chirpstats and couldn’t get the word out but the great Crystal Pernell was kind enough to remind me of Qwitter which does more then Chirpstats by working to tie the drop to a specific tweet. This can beÂ extremelyÂ useful if at times a bit misleading but a great alternative to Chirpstats which is only a weekly update but less taxing on an email account.
The net is a wonderful place to meet, share, promote and wallow in all the things you love orÂ cherish and social media for me is a great tool to help accomplish & magnify those desires. I still say though the most important thing is to service the end users like they are your boss, anything less is putting the cart before the horse. Feed them data, facts, images & yes even sugar and rumors some days butÂ rememberÂ that twitter, facebook, digg, stumbleupon, and whatever is next are only a means to that end. It’s something that even we have to beÂ vigilantÂ to keep in perspective and doesn’t come easy for anyone especially when you have to answer to a comittee; I have deep sympathy there. I look forward to the next time we can get everyone together and have honest and open talks about how we go about trying to promote and grow this thing we love called Art.
Thanks again for coming out!
February 19, 2010 · Print This Article
Andreas Fischer, who is Associate Professor at Illinois State University’s College of Fine Arts, has concurrent shows of his latest paintings up right now at the Gahlberg Gallery at the College of DuPage and the Hyde Park Art Center. The Gahlberg Gallery show closes in two weeks (February 27th) so even though it may be a bit of a haul for those of us who live near Chicago, make a plan to get out there before it’s too late! Luckily, Fischer’s show at HPAC is up a little longer, through April 18th. These two exhibitions are comprised of related bodies of work, both of which I wrote about in the catalogue essay that accompanies them. Below is an excerpt from that text; I’m in the midst of a brain-squeezing allergy attack and can’t produce much in the way of original thought this morning, so this’ll have to do.
“In many ways, Andreas Fischerâ€™s recent paintings can be understood as ghost stories told with paint. Each of his works attempts to represent imaginative experiences that cannot be conveyed linguistically, often by taking the form of something they are not, be it a faded archival photograph or a snapshot of a picturesque Montana landscape. Using paint to weave together the factual and the ineffable, Fischer provides us with information that cannot be confirmed by a source outside of the painting: meaning must be intuited via the paint itself. Fischerâ€™s concurrent exhibitions at the Hyde Park Art Center and the Gahlberg Gallery at the College of Du Page consist of two separate but conceptually related groups of paintings: the first, titled Original Location, is a series of landscapes depicting various Montana settings, the second, titled Sunday Best, consists of portraits based on found tintype (also known as ferrotype) images of anonymous individuals dressed in 19thcentury-style attire.
Fischer draws on metaphors of historiography and the archive to explain how these two bodies of work relate to one another:
‘History often gets represented through a collection of fragments or an archive and it has been argued that what is important in archives is what is left out – what can’t be represented factually, actual experienceÂ in other words. Both parts of Ghost Town attempt to use painting to address this absence. Through material facts of paint these bodies of images attempt to extend beyond basic linguistic representation into broader experience. Both bodies of work are meant to mimic kinds of historical fragments. They pretend to document. More importantly, though,they attempt to use paint activity to tap into imaginative characteristics that make up subjective experience.’ “
I also highly recommend that you attend Andreas’ talk at the Hyde Park Art Center on Sunday, April 3rd at 3:00pm. He is so much fun to talk to: so curious, generous, and thoughtful — I enjoyed our studio visits tremendously and I can pretty much guarantee that this talk will not be a one-way lecture type thing.Â HPAC has billed it as “not your grandmother’s artist’s talk. Please come with plenty of questions and be ready to discuss painting techniques, research tips, points of interest and other spontaneous topics with Andreas.” Although when they were alive my own grandmothers wouldn’t have known what the heck an ‘artist’s talk’ was, much less given one, I do know they would have felt comfortable at Andreas’ because he is is so kind, generous and open with his own and other people’s musings on the subject of painting. Be there people!