Local Boutique Sells Studio Floor Scraps; Calls it Art
Sofia Leiby’s Second Scrap Heap Sale Hits Tusk June 7th
WTT? is always on the lookout for a good bargain (aren’t we all?), and this fire sale is the cheapest/ best deal since Kate Ruggeri’s public drawing trade. After Scrap Heap’s drying rack debut was unfortunately dampened by rain last summer at Medium Cool, Sofia Leiby is back with an even bigger roster of artists willing to sell their tra$h for ca$h. Putting her scraps where her mouth is, Leiby will be hocking studio ephemera for $20 or less.
Delightfully affordable work by Leslie Baum for Scrap Heap II.
Flyer by Louis Doulas.
Featuring artists such as Ryan Travis Christian, Ron Ewert, Magalie Guerin, Ben Foch, Josh Ippel, Leslie Baum, Aron Gent, Emre Kocagil, Tyson Reeder and Aya Nakamura, the fragments and sketches will be available for a limited time only from 11-5PM, June 7th at TUSK.
Matisse much? Aya Nakamura’s painted scraps.
Already jealous of whoever picks up this glorious scrap by Edmund Chia.
More information and preview photos can be found on Leiby’s Facebook. All proceeds will go to participating artists. Tusk is located at 3205 W Armitage in Logan Square.
Shannon Straton dressed in Renovar for the Threewall’s Skywalker Benefit on June 7th VS Kimye’s post wedding gown.
The Weatherman Report
For Chicago IL
Alex Katz, Late Summer Flowers, 2013, 38 color silkscreen on 4-ply, 40 × 55 in, Edition of 50. Vertu Fine Art.
BREAKING: Fitzpatrick to Go Out with a Bang. And a Stage Show. And a Magazine Portfolio.
The artist plans his “sweet goodbye” to Chicago.
If you’ve been awe-struck and slack-jawed since Jason Foumberg broke the news of Tony Fitzpatrick’s departure in April, you may also be wondering where the artist will hold his final exhibition as a Chicago resident. Pick up your face, the wait is finally over: Fitzpatrick’s last show, The Secret Birds (knack for titles, huh?) will be held at the Poetry Foundation from July 1st – September 12th.
Fitzpatrick’s Ice Bird.
Formerly only a student of Studs Terkel and the streets, the 55 year old is leaving his lifelong home for the University of New Orleans. His interest in birds not confined to printmaking, Fitzpatrick will study ornithology and natural history in the fall. In addition to the exhibition in the Foundation’s gallery, Fitzpatrick will also produce a stage version of the show, drawn from his poetry and other writings, of the same name. The performance will feature Martha Lavey (Steppenwolf) and music by Frank Orrall (Poi-Dog Pondering). It will premiere on July 31.
Walk on the Wild Side (Drawing for Lou Reed)
In case you’re not totally Tony’d out, Poetry will also run a portfolio in the July/August dedicated to Lou Reed entitled “The Day Lou Reed Set Me Free.” After that it’s time for Fitzpatrick to update his bio before he spreads his wings and flies away.
Look out for info on the opening and performances related to The Secret Birds. Definitely serving high-quality snacks. The Poetry Foundation is located at 61 W Superior in River North.
T around Town
What you missed while you were at Kimye’s wedding.
Artist, Matt Schlagbaum, convinces viewers to stare at “blank” wall at the opening for In the land of thieves and ghosts at Heaven Gallery in Wicker Park.
GDBD bathed their viewers in their signature pink in and outside of the F&A.
T around Town Continued.
SPOTTED: Chris Hammes and Michelle Harris at In the land of thieves and ghosts.
More ethereal work by Matt Schlagbaum at Heaven Gallery.
Conceptual Artist Lecture Even More Perplexing Than His Work. Richard Tuttle speaks at The Logan Center on the evening of May 13th
A Tale of Two Anthony’s. Romero and Stepter outside the The Artists’ Congress held at Northwestern May 17th. If you missed your chance to discuss radical politics in the arts, you’ll have another chance June 22nd at the follow up picnic to be held at Mana Contemporary in Pilsen.
Good luck ever looking cool again if you missed the Chicago Looks Spring Swamp held at Elastic Arts Sunday May 18th. You already know we love a bargain! Featuring an unbelievable record swap, boozy punch and choice Buffalo Exchange worthy clothes all for free, the event also had local vendors like Leah Ball and Kokorokoko selling affordable duds and accessories. Shout out to the vivacious Isa Giallorenzo of Chicago Looks and the lovely Leah Ball for hooking it up!
Work by Sebastian Alvarez, Jeremy Bolen, Irina Botea, Agnes Meyer-Brandis, Robert Burnier, Marcus Coates, Assaf Evron, Carrie Gundersdorf, Institute of Contemporary Zoology, Jenny Kendler, Devin King, Stephen Lapthisophon, Milan Metthey, Rebecca Mir, Heidi Norton, Okosua Adoma Owusu, Katie Patterson, Tessa Siddle, and Xaviera Simmons with AOO.
Gallery 400 is located at 400 S. Peoria St. Reception Friday, 5-8pm.
It’s official, Chicago artists are back from their residencies and vision quests and it is time for the fall gallery season. Inaugurated this weekend with about a million openings from River North to the ‘burbs and back again, we’re still reeling. Here are some photos while we iron out our thoughts:
Oh, this brave new art world! We didn’t know QR codes could actually do something but this interactive curiosity greets you at the entrance to Technoromanticism, a strictly new media show curated by Alfredo Salazar-Caro at Jean Albano Gallery on Friday night.
Performance finally showed some skin at the second iteration of THIS IS NOW A MAGAZINE: Dwyer/Fraccaro/Wylie in Logan Square last week. Things were anything but comfortable at the Comfort Station during a performance using CAM4 and something having to do with Buffalo Bill that we wish we could erase.
This pink combo stole our heart at LVL’s opening for Quandry on Saturday night.
Volume Gallery debuted their completely amazing and beautiful renovated space on Friday night with a show by Jonathan Muecke. Despite all the new space (or maybe because of it) the gallery was totally packed. This photo is from SightUnseen
Tyson Reeder’s opening at Peregrine Program celebrated some of Club Nutz greatest hits, and reminded us that we need to hit the beach one last time before fall!
Sterling Lawrence was super conceptual and all, but we thought these Alain Biltereyst pieces at Devening Projects + Editions were cute in a good way and would fit way better in my studio apartment.
Cave of Lascaux blows everyones mind: Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum closed this weekend and if you didn’t make it we are truly sorry. This show had more new media than the SAIC BFA exhibition and we swear those cave paintings could be hanging in Shane Campbell and no one would bat an eye. We would go into greater detail, but fortunately for you, dear reader, Daniel Baird’s already wrote a piece on the exhibition and it is awesome. Who knew that ancient cave paintings were so totally superficial? Totes recommend you read it, we’ve been using Dan’s ideas to sound smart at openings all weekend.
Woman makes strong case for ladies:
In case you couldn’t tell, WTT? loves the ladies, and we couldn’t be more excited to see the rest of the art world catching on. One lady show opened up this weekend with two to follow next week at Heaven and at the Frogman Gallery. “Lady Painters” curator, Gwendolyn Zabicki, sent us a hot tip on some required reading by participating artist, Sarah Weber. “Had I written a critical essay for Lady Painters, I would have liked to have written the very excellent one by Sarah Weber for Being a Woman in an All Woman Show.” WTT? couldn’t agree more. You can prep for both of these openings next weekend by reading Weber’s statement now.
Art Newspaper on artists in newspapers:
Writer, Martin Bailey, covers the seriously late breaking news of Van Gogh’s ear incident after re-discovering an article from the Parisian paper Le Petite Journal published shortly after the incident on December 26, 1888. While doing research for his book on the artist, Bailey discovered the clipping, shedding new light on possibly the best artist gossip of all time. Making news in Paris all the way from Arles? Van Gogh is just lucky that the Impressionists didn’t have Facebook.
Stop by LVL3’s MRKT and pick up a FREE copy of San Fransisco Arts Quarterly featuring an interview with the gallery’s director, Vincent Uribe, and artist, Josh Reames.
Artists confused, think they are musicians
Visual artists do unthinkable and create sound
Last Thursday night WTT? made our first outing to Constellation. The venue’s unassuming brick facade under the overpass on Belmont and Western betrays the clean yet cozy interior of the bar. Intent on seeing live music on a Thursday night, Constellation was a great option. That is to say, the show was free. This art reporter was intrigued by the line-up: two reasonably well known visual artists (1/2 of Sonnenzimmer, Nick Bucher, and recent Hatch resident, Jordan Martins) performing with Constellation’s purveyor, Mike Reed, on drums.
Not to be mistaken for real musicians, the artists turnt virtuosos played an assortment of objects that would have made any dadaist proud.
Martins started the set playing guitar, but soon switched over to two broken guitar necks on a table which he “played” by jamming screwdrivers between the strings while strumming with chopsticks. Butcher wasn’t any more conventional “playing” a record player and what looked like a jumble of assorted cables that we’re not even sure were plugged in.
Even real musician, Mike Reed, got into the readymade spirit. It was weird enough that he played the drums with a tiny rake, but what was next to the drums was a regular Duchamp. Was it a rice cooker on a styrofoam cooler? Some instrument we’ve never seen before? We’re still not sure.
Despite using what appeared to be broken instrument pieces and household bric-a-brac, the trio was other wordly, playing a set that meandered through melodic ups and downs, punctuated by Butcher’s off beat electronics. Super chill for a Thursday night, I just wish they had better cocktails. (The Pimm’s cup was alright.)
Constellation is located at 3111 N Western Ave.
Header image is a photograph from inside Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum.