1. The Call Is Coming From Inside the House at Roots & Culture
Work by Elizabeth Allen-Cannon, Rachel Mesplay Helm, Matt Roche, Pat Egger, and Danni Parelman.
Roots & Culture is located at 1034 N. Milwaukee Ave. Reception Friday from 6-9pm.
2. Coriolis Effect at ACRE Projects
Work by Lisa Walcott, Sarah Mendelsohn and Fred Schmidt-Arenales.
ACRE Projects is located at 1913 W. 17th St. Reception Sunday from 4-8pm.
3. Layered and Exposed at Heaven Gallery
Work by Elizabeth Atterbury, Scott Cowan, Owen Kydd, Phillip Maisel and Erin Jane Nelson.
Heaven Gallery is located at 1550 N. Milwaukee Ave. 2nd Fl. Reception Friday from 7-11pm.
4. Thirty-Five Years of Public Art at the Chicago Cultural Center
Work by Anish Kapoor, Jacob Lawrence, Mary Brogers, and Kerry James Marshall.
The Chicago Cultural Center is located at 78 E. Washington St. Reception from 5:30-7:30pm.
5. Happy Sunshine Rainbow Company at Linda Warren Projects
Work by Chris Uphues.
Linda Warren Projects is located at 327 N. Aberdeen St. Reception Friday from 6-9pm.
1. Ghost Nature at Gallery 400
Work by Sebastian Alvarez, Jeremy Bolen, Irina Botea, Agnes Meyer-Brandis, Robert Burnier, Marcus Coates, Assaf Evron, Carrie Gundersdorf, Institute of Contemporary Zoology, Jenny Kendler, Devin King, Stephen Lapthisophon, Milan Metthey, Rebecca Mir, Heidi Norton, Okosua Adoma Owusu, Katie Patterson, Tessa Siddle, and Xaviera Simmons with AOO.
Gallery 400 is located at 400 S. Peoria St. Reception Friday, 5-8pm.
2. Center of the Circle at Heaven Gallery
Work by Sarah and Joseph Belknap
Heaven Gallery is located at 1550 N. Milwaukee Ave. Reception Friday, 6-9pm.
3. Pictures and Places at Links Hall
Work by Edie Fake.
Links Hall is located at 3111 N. Western Ave. Reception Friday, 7-9pm.
4. Walking Driftward at Spudnik Press
Work by Hannah Ireland.
Spudnik Pressis located at 1821 W. Hubbard St. Reception Saturday, 6-9pm.
5. Stone Throw at TRITRIANGLE
Work by Jake Myers.
TRITRIANGLE is located at 1550 N. Milwaukee Ave. 3rd Fl. Reception Friday, 7-11pm.
byÂ Chicago Artist Writers
Featuring a Guest Post by James Pepper Kelly
The following article was originally written for and published by Chicago Artist Writers //Â Editor: Jason Lazarus
Weird Dude Energy curators Gurl Don’t Be Dumb: Eileen Mueller and Jamie Steele
Andrew Mausert-Mooney & Nicholas Wylie, performance view
Acrostic, original formatting via PDFÂ here. Sources liberally appropriated from the Internet.Â
Walter Benjamin |Â Â At the center of this exhibition is man. Present-day man; a reduced man, therefore, chilled in a chilly environment. Since, however, this is the only one we have, it is in our interest to know him. He is subjected to tests, examinations. What emerges is this: Weird Dude Energy (WDE), a layering of men, a group perspective on masculinity.
Wilde, Oscar | Â Â Â Â But is WDE, as a meme/concept, actually on display in this show, or only in theÂ title and statement? Is GDBD curating a show of WDE, or instead the passion ofÂ oneâ€™s friends? Thereâ€™s crossover, and it may all be equalâ€”those passions are the fascinating things IRL anyway. For me, the highlight was Andrew Mausert-Mooney & Nicholas Wylieâ€™s performance of foot washing, massage, andÂ chantingÂ of â€œPoor Unfortunate Soulsâ€ from The Little Mermaid. It had the dignity of aÂ ceremony, as well as its unreality, and combined the insincereÂ character of aÂ romantic movie with the wit and beauty that make such moviesÂ delightful to us. IsÂ insincerity really such a terrible thing?
Weiner, Anthony | Â Itâ€™s passion thatâ€™s a terrible thing, and letâ€™s just forget about online WDE. Letâ€™sÂ recalculate, letâ€™s talk this show. Now Andrew Doakâ€™s photo: I don’t know whereÂ that photograph came from. I donâ€™t know for sure whatâ€™s in it. Â I donâ€™t know forÂ sure if it was manipulated. And Iâ€™m going to get to the firm bottom of that.
Eagleton, Terry | Â Â Â Donâ€™t know Doak? Itâ€™s a self-portrait as John Belushiâ€™s character in AnimalÂ House, from the artistâ€™s ongoing portraiture project. There are several orphaned pieces in WDE, but Iâ€™ll admit that this one does suffer the most for it. Oli Rodriguezâ€™s photographic portrait integrates well with the other work, evenÂ though it is de-linked from the S&M series itâ€™s part of. The problem is, what weÂ consume now is not objects or events, but our experience of them. We buy anÂ experience like we can pick up a GBDB beer coozie ($2.00 at the opening).
Immanuel, Kant | Â Â Â Sure, thereâ€™s no doubt that all knowledge begins with experience. Thatâ€™s why IÂ bought three. But reading about the Weird Dude Energy Tumblr that was theÂ inspiration for the show, I learned two things on the Hyperallergic comment thread: first, apparently no one reads my books anymore; and second, â€œYoungÂ people’s ideas about whatever is cool can have a conversation with contemporaryÂ art.â€ If you canâ€™t deal with merch and memes, fine, how about Mike Reaâ€™sÂ virtuosic wood installation: jail cell/microphone/and, inevitably, glory hole? OutÂ of the crooked timber of humanity, no straight thing was ever made.
Rahm, Emanuel | Â Â Â Fucking retarded. Take your fucking tampon out and tell me what you have toÂ say. Best was Ivan Lozanoâ€™s installation of glowing blue hands on poles. ItÂ reminds me of when I sliced off my finger working at Arbyâ€™s, went swimming in Lake Michigan, and got gangrene. Thatâ€™s when I decided to become king ofÂ Chicago. Lozano fucked up his hand and made some casts based on not beingÂ able to move. Same idea, different goal. You should never let a serious crisis goÂ to waste.
Derrida, Jacques | Â Â Â Can we not talk about biography, please? Stick to the work! Look at how theÂ handsâ€™ blue glow syncs with Zak Arctanderâ€™s red tinted photo of the young man in a Vans cap, shown from his chest up. Whatever precautions you take so the photograph will look like this or that, there comes a moment when thatÂ photograph surprises you. Itâ€™s the other’s gaze that wins out and decidesâ€”whichÂ Arctander must be thinking about because look, he made sure the manâ€™s eyes areÂ covered by his cap! Rrose, with your own compromised intuitions, what did youÂ like?
Duchamp, Marcel | Â Â I just likeâ€”breathing. Itâ€™s so necessary that I donâ€™t question it.
Umberto, Eco | Â Â Â Â Â You are odd. Weird, I mean; but then, itâ€™s only petty men who seem normal.Â Didnâ€™t you like Alex Gartelmannâ€™s limp aluminum baseball bat, bent over a wooden peg? A mash-up of your own readymades and an â€˜80s sculptural phallus, a strong piece with good position.
Duchamp, Marcel | Â I donâ€™t believe in art, I believe in artists and the most interesting thing aboutÂ artists is how they live. All this twaddle are pieces of a chess game calledÂ language.
Eco, Umberto | Â Â Â Â Â Perhapsâ€¦. Maybe Iâ€™mâ€”maybe all this is not as wise as it likes to think it is. And if Jacquesâ€™s right about epistemic plurality, is this some eternal zugzwang, asÂ you chess people say? Itâ€™s true that the most interesting letters I receive are from people in the Midwest, people like the lone figure in John Operaâ€™s lovely, desolate Wisconsin landscape. So letâ€™s turn to their official sources instead!
Newcity Art (B. Stabler)| A variety of manly tensions are borne out by the juxtapositions in the group show â€œWeird Dude Energy.â€ In the end, thereâ€™s just nothing that says “competence” like a great curatorial concept enjoyably, even suavely, executed.
Rrose, SÃ©lavy | Â Â Â Â Â Fine, fine. You do have to have an official existence. Intermezzo. One more, back to the living, then the end.
Jason Foumberg | Â Â Â Weird Dude Energy, a concept and an exhibition, probes the unkempt desires ofÂ men. Â You know how guys act when theyâ€™re all together, without womenÂ around? Â This show amplifies that vibe with work from 17 male artists.
You + Yr Friends | Â Â Â _________________________________________________________________________
Sources: Â Walter Benjamin: â€œThe Author as Producerâ€, Reflections. Wilde, Oscar: The Picture of Dorian Gray. Weiner, Anthony: â€œGPS Speechâ€ to Springfield Community Church, et al.; Interview with Emily Miller, Washington Times. Eagleton, Terry: How to Read a Poem. Immanuel Kant: â€œIdea for a Universal History with a Cosmopolitan Purposeâ€. Rahm Emanuel: Comment on a liberal groupâ€™s concerns about Obamacare, Wall Street Journal; Response to a male staffer, New York magazine; Interview, Wall Street Journal. Derrida, Jacques: There is No â€œOneâ€ Narcissism, Interview with Didier Cahen. Duchamp, Marcel: Line for the character â€œMarcel Duchampâ€, The Mysteries and What’s So Funny, David Gordon (referencing Interview with Jean Antoine, The Art Newspaper); Interview with Jean Antoine, The Art Newspaper. Umberto Eco: The Name of the Rose; Duchamp, Marcel: The Writings of Marcel Duchamp; Letter to Jehan Mayoux. Eco, Umberto: Interview with Nigel Farndale, The Daily Telegraph; Interview with Adam Langer, Book magazine. Newcity Art (Bert Stabler): â€œReview: Weird Dude Energy/Heaven Galleryâ€. Rrose SÃ©lavy: Interview with Jean Antoine, The Art Newspaper; Jason Foumberg (Chicago Mag.com): â€œWeird Dude Energy Promises a Freaky Prelude to Fatherâ€™s Dayâ€. You+ Yr Friends: _________________________________.
Left: Alex Gartelmann, Over and Over and Over, 2011, installation view. Right: Zak Arctander, Firehouse, 2013
Ivan LOZANO, MILAGROS I, MILAGROS II, and MILAGROS III,
2012, installation view
James Pepper Kelly likes words, images, and the plants in his apartment. He serves as Managing Director of Filter Photo and is studying to be a pataphysicist. For a little while, back in the early â€˜00s, he was really good at Ms. Pac-man.Â
Chicago Artist Writers is a platform that asks young studio artists and art workers to write traditional and experimental criticism that serves under-represented arts programming in Chicago. CAW was founded by Jason Lazarus and Sofia Leiby in 2012. This is our first guest post on Bad at Sports.Â www.chicagoartistwriters.com