Top 5 Weekend! (1/17-1/19)

January 16, 2014 · Print This Article

1. Ghost Nature at Gallery 400

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Work by Sebastian Alvarez, Jeremy Bolen, Irina Botea, Agnes Meyer-Brandis, Robert Burnier, Marcus Coates, Assaf Evron, Carrie Gundersdorf, Institute of Contemporary Zoology, Jenny Kendler, Devin King, Stephen Lapthisophon, Milan Metthey, Rebecca Mir, Heidi Norton, Okosua Adoma Owusu, Katie Patterson, Tessa Siddle, and Xaviera Simmons with AOO.

Gallery 400 is located at 400 S. Peoria St. Reception Friday, 5-8pm.

2. Center of the Circle at Heaven Gallery

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Work by Sarah and Joseph Belknap

Heaven Gallery is located at 1550 N. Milwaukee Ave. Reception Friday, 6-9pm.

3. Pictures and Places at Links Hall

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Work by Edie Fake.

Links Hall is located at 3111 N. Western Ave. Reception Friday, 7-9pm.

4. Walking Driftward at Spudnik Press

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Work by Hannah Ireland.

Spudnik Pressis located at 1821 W. Hubbard St. Reception Saturday, 6-9pm.

5. Stone Throw at TRITRIANGLE

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Work by Jake Myers.

TRITRIANGLE is located at 1550 N. Milwaukee Ave. 3rd Fl. Reception Friday, 7-11pm.




EDITION #17

September 9, 2013 · Print This Article

Fall already freaking jam packed with openings

It’s official, Chicago artists are back from their residencies and vision quests and it is time for the fall gallery season. Inaugurated this weekend with about a million openings from River North to the ‘burbs and back again, we’re still reeling. Here are some photos while we iron out our thoughts:

Oh, this brave new art world! We didn’t know QR codes could actually do something but this interactive curiosity greets you at the entrance to Technoromanticism, a strictly new media show curated by Alfredo Salazar-Caro at Jean Albano Gallery on Friday night.

Performance finally showed some skin at the second iteration of THIS IS NOW A MAGAZINE: Dwyer/Fraccaro/Wylie in Logan Square last week. Things were anything but comfortable at the Comfort Station during a performance using CAM4 and something having to do with Buffalo Bill that we wish we could erase.

This pink combo stole our heart at LVL’s opening for Quandry on Saturday night.

Volume Gallery debuted their completely amazing and beautiful renovated space on Friday night with a show by Jonathan Muecke. Despite all the new space (or maybe because of it) the gallery was totally packed. This photo is from SightUnseen


Tyson Reeder’s opening at Peregrine Program celebrated some of Club Nutz greatest hits, and reminded us that we need to hit the beach one last time before fall!

Sterling Lawrence was super conceptual and all, but we thought these Alain Biltereyst pieces at Devening Projects + Editions were cute in a good way and would fit way better in my studio apartment.

Also, this?!

Reading is Fundamental

  • Cave of Lascaux blows everyones mind:
    Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum closed this weekend and if you didn’t make it we are truly sorry. This show had more new media than the SAIC BFA exhibition and we swear those cave paintings could be hanging in Shane Campbell and no one would bat an eye. We would go into greater detail, but fortunately for you, dear reader, Daniel Baird’s already wrote a piece on the exhibition and it is awesome. Who knew that ancient cave paintings were so totally superficial? Totes recommend you read it, we’ve been using Dan’s ideas to sound smart at openings all weekend.
  • Woman makes strong case for ladies:
    In case you couldn’t tell, WTT? loves the ladies, and we couldn’t be more excited to see the rest of the art world catching on. One lady show opened up this weekend with two to follow next week at Heaven and at the Frogman Gallery. “Lady Painters” curator, Gwendolyn Zabicki, sent us a hot tip on some required reading by participating artist, Sarah Weber. “Had I written a critical essay for Lady Painters, I would have liked to have written the very excellent one by Sarah Weber for Being a Woman in an All Woman Show.” WTT? couldn’t agree more. You can prep for both of these openings next weekend by reading Weber’s statement now.
  • Art Newspaper on artists in newspapers:
    Writer, Martin Bailey, covers the seriously late breaking news of Van Gogh’s ear incident after re-discovering an article from the Parisian paper Le Petite Journal published shortly after the incident on December 26, 1888. While doing research for his book on the artist, Bailey discovered the clipping, shedding new light on possibly the best artist gossip of all time. Making news in Paris all the way from Arles? Van Gogh is just lucky that the Impressionists didn’t have Facebook.
  • Extra, Extra: Art group travels to space, reports in NewCity?
    Speaking of newspapers, we almost forgot that people print those things anymore (oh wait, did we mention the newspaper we’re printing during EXPO?). Thankfully, we were reminded this week by the totally out of this world spread by Sarah Belknap, Marissa Lee Benedict and Joseph Belknap in NewCity. The photos are completely gorgeous and worth seeing in IRL.
  • Stop by LVL3’s MRKT and pick up a FREE copy of San Fransisco Arts Quarterly featuring an interview with the gallery’s director, Vincent Uribe, and artist, Josh Reames.

Reed’s drumkit.

Artists confused, think they are musicians

Last Thursday night WTT? made our first outing to Constellation. The venue’s unassuming brick facade under the overpass on Belmont and Western betrays the clean yet cozy interior of the bar. Intent on seeing live music on a Thursday night, Constellation was a great option. That is to say, the show was free. This art reporter was intrigued by the line-up: two reasonably well known visual artists (1/2 of Sonnenzimmer, Nick Bucher, and recent Hatch resident, Jordan Martins) performing with Constellation’s purveyor, Mike Reed, on drums.

Not to be mistaken for real musicians, the artists turnt virtuosos played an assortment of objects that would have made any dadaist proud.

Martins started the set playing guitar, but soon switched over to two broken guitar necks on a table which he “played” by jamming screwdrivers between the strings while strumming with chopsticks. Butcher wasn’t any more conventional “playing” a record player and what looked like a jumble of assorted cables that we’re not even sure were plugged in.

Even real musician, Mike Reed, got into the readymade spirit. It was weird enough that he played the drums with a tiny rake, but what was next to the drums was a regular Duchamp. Was it a rice cooker on a styrofoam cooler? Some instrument we’ve never seen before? We’re still not sure.

Despite using what appeared to be broken instrument pieces and household bric-a-brac, the trio was other wordly, playing a set that meandered through melodic ups and downs, punctuated by Butcher’s off beat electronics. Super chill for a Thursday night, I just wish they had better cocktails. (The Pimm’s cup was alright.)

Constellation is located at 3111 N Western Ave.

Header image is a photograph from inside Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum.

Got any T? email me!
(or get @ me on twitter)





“Weird Dude Energy” at Heaven Gallery, curated by Gurl Don’t Be Dumb

July 16, 2013 · Print This Article

by Chicago Artist Writers

Featuring a Guest Post by James Pepper Kelly

The following article was originally written for and published by Chicago Artist Writers // Editor: Jason Lazarus

 

Weird Dude Energy curators Gurl Don’t Be Dumb: Eileen Mueller and Jamie Steele
 
 
Andrew Mausert-Mooney & Nicholas Wylie, performance view
 

Acrostic, original formatting via PDF here. Sources liberally appropriated from the Internet. 

 

Walter Benjamin |   At the center of this exhibition is man. Present-day man; a reduced man, therefore, chilled in a chilly environment. Since, however, this is the only one we have, it is in our interest to know him. He is subjected to tests, examinations. What emerges is this: Weird Dude Energy (WDE), a layering of men, a group perspective on masculinity.

Wilde, Oscar |         But is WDE, as a meme/concept, actually on display in this show, or only in the title and statement? Is GDBD curating a show of WDE, or instead the passion of one’s friends? There’s crossover, and it may all be equal—those passions are the fascinating things IRL anyway. For me, the highlight was Andrew Mausert-Mooney & Nicholas Wylie’s performance of foot washing, massage, and chanting of “Poor Unfortunate Souls” from The Little Mermaid. It had the dignity of a ceremony, as well as its unreality, and combined the insincere character of a romantic movie with the wit and beauty that make such movies delightful to us. Is insincerity really such a terrible thing?

Weiner, Anthony |   It’s passion that’s a terrible thing, and let’s just forget about online WDE. Let’s recalculate, let’s talk this show. Now Andrew Doak’s photo: I don’t know where that photograph came from. I don’t know for sure what’s in it.  I don’t know for sure if it was manipulated. And I’m going to get to the firm bottom of that.

Eagleton, Terry |       Don’t know Doak? It’s a self-portrait as John Belushi’s character in Animal House, from the artist’s ongoing portraiture project. There are several orphaned pieces in WDE, but I’ll admit that this one does suffer the most for it. Oli Rodriguez’s photographic portrait integrates well with the other work, even though it is de-linked from the S&M series it’s part of. The problem is, what we consume now is not objects or events, but our experience of them. We buy an experience like we can pick up a GBDB beer coozie ($2.00 at the opening).

Immanuel, Kant |      Sure, there’s no doubt that all knowledge begins with experience. That’s why I bought three. But reading about the Weird Dude Energy Tumblr that was the inspiration for the show, I learned two things on the Hyperallergic comment thread: first, apparently no one reads my books anymore; and second, “Young people’s ideas about whatever is cool can have a conversation with contemporary art.” If you can’t deal with merch and memes, fine, how about Mike Rea’s virtuosic wood installation: jail cell/microphone/and, inevitably, glory hole? Out of the crooked timber of humanity, no straight thing was ever made.

Rahm, Emanuel |      Fucking retarded. Take your fucking tampon out and tell me what you have to say. Best was Ivan Lozano’s installation of glowing blue hands on poles. It reminds me of when I sliced off my finger working at Arby’s, went swimming in Lake Michigan, and got gangrene. That’s when I decided to become king of Chicago. Lozano fucked up his hand and made some casts based on not being able to move. Same idea, different goal. You should never let a serious crisis go to waste.

Derrida, Jacques |     Can we not talk about biography, please? Stick to the work! Look at how the hands’ blue glow syncs with Zak Arctander’s red tinted photo of the young man in a Vans cap, shown from his chest up. Whatever precautions you take so the photograph will look like this or that, there comes a moment when that photograph surprises you. It’s the other’s gaze that wins out and decides—which Arctander must be thinking about because look, he made sure the man’s eyes are covered by his cap! Rrose, with your own compromised intuitions, what did you like?

 

Duchamp, Marcel |    I just like—breathing. It’s so necessary that I don’t question it.

Umberto, Eco |         You are odd. Weird, I mean; but then, it’s only petty men who seem normal. Didn’t you like Alex Gartelmann’s limp aluminum baseball bat, bent over a wooden peg? A mash-up of your own readymades and an ‘80s sculptural phallus, a strong piece with good position.

Duchamp, Marcel |   I don’t believe in art, I believe in artists and the most interesting thing about artists is how they live. All this twaddle are pieces of a chess game called language.

Eco, Umberto |          Perhaps…. Maybe I’m—maybe all this is not as wise as it likes to think it is. And if Jacques’s right about epistemic plurality, is this some eternal zugzwang, as you chess people say? It’s true that the most interesting letters I receive are from people in the Midwest, people like the lone figure in John Opera’s lovely, desolate Wisconsin landscape. So let’s turn to their official sources instead!

 

Newcity Art (B. Stabler)| A variety of manly tensions are borne out by the juxtapositions in the group show “Weird Dude Energy.” In the end, there’s just nothing that says “competence” like a great curatorial concept enjoyably, even suavely, executed.

Rrose, Sélavy |           Fine, fine. You do have to have an official existence. Intermezzo. One more, back to the living, then the end.

Jason Foumberg |      Weird Dude Energy, a concept and an exhibition, probes the unkempt desires of men.  You know how guys act when they’re all together, without women around?  This show amplifies that vibe with work from 17 male artists.

You + Yr Friends |      _________________________________________________________________________

_________________________________________________________________________

_________________________________________________________________________.

END

Sources:  Walter Benjamin: “The Author as Producer”, Reflections. Wilde, Oscar: The Picture of Dorian Gray. Weiner, Anthony: “GPS Speech” to Springfield Community Church, et al.; Interview with Emily Miller, Washington Times. Eagleton, Terry: How to Read a Poem. Immanuel Kant: “Idea for a Universal History with a Cosmopolitan Purpose”. Rahm Emanuel: Comment on a liberal group’s concerns about Obamacare, Wall Street Journal; Response to a male staffer, New York magazine; Interview, Wall Street Journal. Derrida, Jacques: There is No “One” Narcissism, Interview with Didier Cahen. Duchamp, Marcel: Line for the character “Marcel Duchamp”, The Mysteries and What’s So Funny, David Gordon (referencing Interview with Jean Antoine, The Art Newspaper); Interview with Jean Antoine, The Art Newspaper. Umberto Eco: The Name of the Rose; Duchamp, Marcel: The Writings of Marcel Duchamp; Letter to Jehan Mayoux. Eco, Umberto: Interview with Nigel Farndale, The Daily Telegraph; Interview with Adam Langer, Book magazine. Newcity Art (Bert Stabler): “Review: Weird Dude Energy/Heaven Gallery”. Rrose Sélavy: Interview with Jean Antoine, The Art Newspaper; Jason Foumberg (Chicago Mag.com): “Weird Dude Energy Promises a Freaky Prelude to Father’s Day”. You+ Yr Friends: _________________________________.

 

Gartelmann, Arctander

Left: Alex Gartelmann, Over and Over and Over, 2011, installation view. Right: Zak Arctander, Firehouse, 2013

Ivan LOZANO, MILAGROS I, MILAGROS II, and MILAGROS III, 2012

Ivan LOZANO, MILAGROS I, MILAGROS II, and MILAGROS III,
2012, installation view

James Pepper Kelly likes words, images, and the plants in his apartment. He serves as Managing Director of Filter Photo and is studying to be a pataphysicist. For a little while, back in the early ‘00s, he was really good at Ms. Pac-man. 

Chicago Artist Writers is a platform that asks young studio artists and art workers to write traditional and experimental criticism that serves under-represented arts programming in Chicago. CAW was founded by Jason Lazarus and Sofia Leiby in 2012. This is our first guest post on Bad at Sports. www.chicagoartistwriters.com




Top 5 Weekend Picks! (6/14-6/16)

June 14, 2013 · Print This Article

1. Our Findings From Spaceship Earth at Roxaboxen Exhibitions

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Work by Sarah and Joseph Belknap.

Roxaboxen Exhibitions is located at 2130 W. 21st St. Reception Sunday, 6-10pm.

2. GBDB presents: Weird Dude Energy at Heaven Gallery

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Work by Zak Arctander, Jesse Butcher, Andrew Doak, Alan and Michael Fleming, Alex Gartelmann, Ethan Gill, Ivan Lozano, Andrew Mausert-Mooney, Casey McGonagle, John Opera, Auggie Oz, Benji Pearson, Mike Rea, Oil Rodriguez, Jonas Sebura, and Nicolas Wiley.

Heaven Gallery is located at 1550 N. Milwaukee Ave. Reception Friday, 7-10pm.

3. PSA Projects presents: Gavage at The Loneliness Chapel

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Work by David Cordero.

The Loneliness Chapel is located at Logan Center for the Arts, 915 E. 60th St. Screening Friday, 9-10pm.

4. Samantha Bittman and Gabriel Pionkowski at Thomas Robertello Gallery

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Work by both artists.

Thomas Robertello Gallery is located at 27 N. Morgan St. Reception Friday, 6-8pm.

5. Raven Girl at Printworks

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Work by Audrey Niffenegger.

Printworks is located at 311 W. Superior St. Reception Friday, 5:30-7:30pm.




Top 5 Weekend Picks! (3/29)

March 28, 2013 · Print This Article

1. Black Venus is on Fire! at Gagosian’t

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Work by Alexandria Eregbu.

Gagosian’t is located at 60 E. Monroe St. Reception Friday, 6-9pm.

2. THE CHURCH of CONTEMPORARY ART (CoCA) at Defibrillator Gallery

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Work by Jessica Allee, Stephanie Jardin, Wago Kreider, Jay Needham, Angela Watters, Nico Wood, Andrea Baldwin, and Cole Robertson.

Defibrillator Gallery is located at 1136 N. Milwaukee Ave. Performance Friday at 8pm. $10.

3. Johnny at Heaven Gallery

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Work by Claire Valdez, Charles Fogarty, and Ilene Godofsky.

Heaven Gallery is located at 1550 N. Milwaukee Ave. 2nd Fl. Reception Friday, 7-11pm.

4. HERZOGOUDREAULT at Lloyd Dobler Gallery

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Work by Jacob Goudreault and Alexander Herzog.

Lloyd Dobler Gallery is located at 1545 W. Division, 2nd Fl. Reception Friday, 6-10pm.

5. Surrounded at Roman Susan

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Work by AMTK, Rine Boyer, Michael Burmeister, Stephanie Del Carpio, Inah Choe, Melanie Deal, Predrag Djordjevic, Mary Flack, Gabriel Garcia, Anna Goraczko, Kim Guare, Jennifer Hines, Cynthia Hsieh, Joanne Jongsma, Brandy Kraft, Amy Kuttab, Tulika Ladsariya, Jessica Lucas, Lorette Luzajic, Deanna Mance, John McLaughlin, Gülşah Mursaloğlu, Klaus Pinter, Rhett Gérard Poché, Clare Rosean, Jake Saunders, Ashley Allen Short, Wade Thompson, Ruby Thorkelson, Polly Yates, and Christopher Zanoni.

Roman Susan is located at 1224 W. Loyola Ave. Reception Friday, 6-9pm.