EDITION #7

April 15, 2013 · Print This Article

Super pro-fesh and stylin’ rope jumper, artist, Miami native and three-time SAIC freshman, Walter Latimer after his mind blowing performance at this year’s Art Bash.

Say what!?

News broke this weekend that artist, Walter Latimer, is a former Junior Olympics jump rope record holder! Check out the soon to be viral video of his performance at the SAIC Art Bash.

Video courtesy of Jack Schneider.

T of the Town

Spotted: Matt Austin at the opening for Todd Diederich’s Luminous Flux opening at Johalla Projects with a proof of Diederich’s forthcoming book printed by LATITUDE and available through The Perch.

Spotted at the Katelyn Farstad opening: Julius Ceasar throwing shade at The Propeller Fund in their half-hearted donation appeal.

  • We heard there’s going to be a secret (not anymore!) extension of ACRE Residency’s April 15th Application deadline. So there’s really no excuse, APPLY TODAY! You won’t regret it. (Disclaimer: I didn’t.)
  • In a characteristic move, Pedro Velez calls out an unsuspecting Ryan Coffey on twitter. #RUDE
  • Chicago closet-cum-gallery, Queer Thoughts, holds successful benefit auction, city continues to wonder why?
  • Spotted: Independent Art Champion and Champion of the Arts, Anthony Stepter at the opening of Has the World Already Been Made? x4 by Daniel G. Baird & Haseeb Ahmed at Roots & Culture.

The Weatherman Report

Joan Mitchell, Minnesota, 1980 Oil on canvas (four panels), 102 1/2 x 243 inches (260.4 x 617.2 cm). Collection of the Joan Mitchell Foundation, New York.

Now on view at The Poetry Foundation.

Reading is Fundamental

  • SAIC Secret Admirers. Looks like SAIC has a crush on Prof. Fleischauer and butts. Also, this is probably the best work from the BFA show. (Courtesy of Sofia Leiby.)
  • You down with OPP? Chicago’s own artist-turned-entreprenuer, Jenny Kendler, is quoted in this fluffy piece about artist’s websites being not websites, but “constructing a narrative”. At least the photo of Kendler is cute.
  • Performing Audiences and Choreographing Coughs. Finally, some real journalism. NPR’s Alva Noë tackles the long-standing question of why audiences cough so damn much during live performances. “They are uncomfortable. They are uncertain. They are, very often, bored out of their minds.” What a surprise. In related news, Rapid Pulse is back for a 2013 installment.

AAM calls out Obama Budget

In an unusual turn of events, everyone is talking about the Obama Administration Budget Proposal for the 2014 Fiscal Year.

The American Alliance of Museums analysis of Obama’s proposed budget is less sexy than a big schmoozy gala, but actually worth reading. As is CultureGrrls somewhat-matter-of-fact budget post.

The AAM calls the proposed limit on charitable deductions “harmful,” but Bloomington’s Michael Ruston disagrees. Notable is his alternative suggestion of an equitable tax credit that would apply across donors, begging the question: should people in higher tax brackers really recieve more credit than those in a lower tax bracket if they are donating the same amount of money?

Ed Ruscha, We the People, 2 color lithograph, 14 x 14”, Courtesy of Gemini G.E.L. and “Artists for Obama.”

Surprisngly absent from the AAM document is a mention of the $59 million dollar increase to the Smithsonian Institution to fund, amongst many other initatives, The National Museum of African American History and Culture.

We’re most excited about the $500,000 proposed for building a telescope in Greenland to scope some black holes, but with a riveting 230 pages of FY14 Budget Proposal, there’s bound to be something for everyone. Right?

Artist Creates Black Hole in Roger’s Park

Abigal Deville’s opening at Iceberg Projects this weekend was TO DIE FOR. Iceberg’s normally crisp gallery was lost to a literal whirlwind of materials collected from Roger’s Avenue and transformed by the artist. More than worth the trip to Roger’s Park.

See XXXXXX now so you can say you knew Deville’s work before it was in Venice.

April 27th, 11am– 9pm. At Roots & Cul­ture 1034 N Mil­wau­kee Ave.

Serv­ing a menu of brunch, lunch all day, and dinner.Brunch 11am-2pm. Din­ner 6pm-8pm. Kitchen closes at 8. 10 seats avail­able at a time. First come, first serve. BYOB. Veg­e­tar­i­ans, of course, are welcome!




Endless Opportunities (Or Something)

June 9, 2012 · Print This Article

Lately there has been more grants and prizes than you can shake a stick at. Beginning with the Frieze prize, I’d say it’s the perfect time to devote yourself to writing. If you’re lazy like me though, you take pictures and should apply for the Humble grant for emerging photographers. If you’re just straight up post modern (read: into ‘net art) you should apply to the new Creative Commons prize, notably titled “The Liberated Pixel Cup.” If you’re a painter…well, I just don’t know what to tell you. More info below!

 
It’s also worth noting that there’s a new video up of the ENTIRE how-to-win-the-Propeller-Fund workshop AKA, “Funding and Creating Your Independent Projects.” Check it out here.

OR, be there in person:

Saturday, June 16, 2pm
Hyde Park Art Center
5020 South Cornell Avenue, Chicago

Wednesday, June 27, 6pm
Mess Hall
6932 North Glenwood Avenue, Chicago

Wednesday, July 18, 6pm
Gallery 400, UIC
400 South Peoria Street, Chicago

 

 

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Frieze Prize 2012
deadline: July 20th

Aspiring writers are invited to submit an unpublished 700-word review in English of a recent contemporary art exhibition. Applicants must be over 18 years old and must not have had more than three pieces of writing on art published in a newspaper or magazine. The winner will be awarded £2,000 (a lot of American dollars) and commissioned to write a review for an upcoming issue of frieze.

http://www.frieze.com/writersprize/

Humble Foundation’s New Photography Grant
deadline: June 29th

Given twice annually (fall and spring), the grant is a $1,000 cash award that recognizes the strongest new proposal in contemporary art photography as submitted to Humble Arts Foundation.
Funded projects can be new or ongoing and with visual strength and clarity of proposal.

http://hafny.org/grant/guidelines/

THE LIBERATED PIXEL CUP
deadline: June 30th

Liberated Pixel Cup is a two-part competition: make a bunch of awesome free culture licensed artwork, and then program a bunch of free software games that use it. Liberated Pixel Cup brings together some powerful allies: Creative Commons, Mozilla, OpenGameArt, the Free Software Foundation, and you.

http://lpc.opengameart.org/

 

 
p.s.

I definitely missed the Creative Capital | Warhol Foundation grant program for arts writers, but with that said, there is always next year. It’s basically amazing and I think everyone involved in the arts should enter.
http://artswriters.org/home.html