Thinking about taxidermy, the ultimate “animal-made object” has substantially shaped my ideas on agency and passivity in contemporary art involving the non-human; whilst Jane Bennett’s and Graham Harman’s work have substantially expanded my views on objects and agency. I have also been thinking a lot about surfaces in contemporary art. Taxidermy is all surface—a practical and metaphorical totalization of animality whilst plants are all-surface in a more, “helpless” but nonetheless related way.
In any case, four or five centuries from now when the end of modernism seems as obvious a historical fact as the birth of it, I think Latour will be seen as the one who really put his finger on what is central to modernism: an artificial taxonomy of natural and cultural (or world and thought) in which the two realms are supposed to be purified from one another. The reason so many philosophers have a hard time appreciating this is that philosophers are still pursuing a modernist project even as other disciplines have been compelled to move beyond it. The Owl of Minerva flies at dusk, so it must not be dusk quite yet. We are still in the late afternoon of modernism.