In simplest terms BIG PICTURE is just that, a show of big pictures. The pictures â€“ all paintings â€“ are big in terms of size, subject matter, energy, ambition and visual generosity. Many are aggressive or even garish in the color, they are often over worked, heavy layer upon layer of paint, combining dissonant styles and subject matter. These paintings are big in that there is a hell of a lot to look at. Some of the pictures are so big in scope that they seem unresolved, open ended, too big for the canvas they are on.
Schneider & Sanford organized this show to make a case for a young generation of New York picture-making painters who have emerged over the past decade. We asked each of 19 painters that we invited for one big picture that would serve as a strong argument for that artistâ€™s position. Ostensibly, these paintings vary widely and wildly in style, subject matter, and point of view. However, when we look at the show, we like to view it in terms of the big picture.
These are all painters who make pictures of things, in that they all refer to the culture at large; their paintings are about painting, but they are about other things as well. The pictures deal with the biggest of universal themes, like Love, Sex and Death. The big subject matter is often juxtaposed with more idiosyncratic information about subculture or the extremely personal, political or emotional. These are painters of a generation to whom irony and collage-like juxtapositions are second nature, where high/low cultural distinctions are meaningless, to whom technology allows access to every image that has ever been seen or even imagined. These are painters who take advantage of the vastness of their surroundings, the open-endedness of their culture, and this Big Picture is reflected back in their work.
Featuring paintings by:
Kamrooz Aram, Colleen Asper, Paul Brainard, John Copeland, Holly Coulis, Justin Craun, Van Hanos, Dan Heidkamp, Aaron Johnson, Emily Noelle Lambert, Wes Lang, Liz Markus, Eddie Martinez, Brian Montuori, Lisa Sanditz, Tom Sanford, Ryan Schneider, Michael Williams, and Jeremy Willis
JULY 8 – AUG 7 OPENING PARTY JULY 8 6-9PM
Priska C. Juschka Fine Art
547 W 27th street, 2nd floor.
Opening Reception 7/8/2010 6-9 pm
Hey y’all. I’m back from my Kentucky adventures, and I’m going back out this weekend. I did manage to make it to Packer Schopf for 39 Verbs on Sunday, and glad I made it (even though I was still a bit muddy and got a touch of the culture shock). I’d never heard of Industry of the Ordinary (the organizers of 39 Verbs) but I’ll be keeping my eye on them in the future. This week I’ve got three relatively traditional (relatively being the operative word) venues, a 2-for-1, and a closing reception (get them while supplies last!). Without further ado, my 5 picks, in chronological/alphabetical order:
Truthfully, I like this work because it reminds me of the work of a friend of mine, Justin Storms. Now, I know, no one ever wants to be compared to anyone else, because we’re all unique and individual snowflakes, but WTF? I like the work ‘cus I like Storm’s work. Being somewhat obsessed with The Unicorn Tapestries as a kid probably didn’t hurt. Paintings by Gina Litherland, the show opens Friday from 5-9pm.
Corbett vs. Dempsey is located at 1120 N. Ashland, 3rd fl.
I guess this is also a bit of a 2-for-1, though not the one I was referring to in the introduction. I’m generally a fan of Linda’s gallery, and this round is not exception. Cline Ave, a series of paintings by Emmett Kerrigan, may appear benign, but the industrial/living-space rendered a bit cartoonishly is strange, if not instantaneously depressing (in the best possible way). Wow, I’m good at run on sentences. In the back room, AKA the Project Room, Front Porch Disasters and Other Open Secrets, work by Lora Fosberg adorns the walls. The two shows are in one of the best dialogs I’ve seen in a while at Linda’s place, I look forward to seeing it all in person. Reception is Friday, from 6-9pm.
Linda Warren Gallery is located at 1052 W. Fulton Market St.
Stephen Daiter is a bit of a hidden gallery. Unlike Edelman, the other major photo gallery in River North, Daiter is hidden upstairs, past an elevator that is incredibly slow and smells a bit of burnt plastic. Don’t let this deter you, however, because Dater is a place, especially if you’re into photography, that you need to get to. For this round at Datier, Private Views – Public Spaces, work by Barbara Crane is on display. Awkward Polaroids of 70s people? Why not? Crane does a variety of work, so this isn’t the most contemporary, but good none the less. Reception is Friday, from 5-8pm.
Stephen Daiter is located at 311 W. Superior St. #408
Both these venues are having entertaining events on Friday, and since they are literally down the hall from each other, I figure, go to one, go to both. I’d start at Western Exhibitions, which is showing Superfreaks, work by Eric Lebofsky & A Wildness of Edges, work by Melissa Oresky. When you’re done gawking at that, head for ThreeWalls for New Knowledge, a trivia night that is going on as part of In Search of the Mundane, a collaboration with Randall Szott and InCUBATE. Weird-ass paintings and drunken trivia? How could such a thing ever be wrong?
ThreeWalls and Western Exhibitions are both located on the 2nd Floor of 119 N. Peoria St.
NO PICTURE AVAILABLE! DON’T BLAME ME!
This is the closing reception I was talking about. Co-sponsored/co-produced by Heaven and Spudnik Press, the show features a bunch of work by Jeremy Lundquist, along side a group exhibition, A Unique Marquee, that was co-curated by Lundquist and Angee Lennard, the Director of Spudnik Press. Again with the run on sentences. A good nightcap if you ask me.Reception is Saturday from 6-9pm.
Heaven Gallery is located at 1550 N. Milwaukee Ave, 2nd Fl.
The Art Newspaper sat down with Jeff Koons, the antithesis of the Chicago Conceptual Art style to talk about the new work, his focus, the battalion of artists he has working for him to produce the work, the current exhibition at the Serpentine Gallery in London and his general take on art.
Read the full interview here.
“Thumbing granite rocks into the womb of a marshmallow mermaid, sopping granite compound orgiastic waterfalls on the cotton fields of heaven.”
That is how the press release opens. Woah. This Saturday, August 8th, Scott Projects is welcoming London based artists Sopping Granite (Ben Vickers and Sarah Hartnett) for the show The First Letter of Every Word is You. Apparently, they exchange ideas via telepathy. Definitely check out their website, which seems to serve as part portfolio, part research notebook, and part collage.
Here is the link to the Facebook event page. Hope to see you there!