Takashi Murakami at the ChÃ¢teau de Versailles
Takashi Murakami’s new exhibit in Versailles has recently opened (closes December 12th if you are of the jet set type) and from what I have heard and seen it is a show not to be missed if for no other reason then it’s striking contrast andÂ humorousÂ seemingly paradoxicalÂ existence. read more here
InauguralÂ Art Loop Open Competition Begins
From October 15-29, Art Loop Openâ€”Chicagoâ€™s new art competition (presented by the Chicago LoopÂ Alliance)â€”will transform ten venues throughout Chicagoâ€™s Loop into interactive public art exhibits (200 artists in total) having the public voting on the winner with 1stÂ receivingÂ $25,000 2nd: $15,000 & 3rd: $10,000. It looks to be a fun and smart program to engage the general public (which I still think we could do oh so much more in terms of) but sadly haven’t given it much promotion due to not knowing exactly how to aproach it. I will be looking forward to seeing how it plays out and more so to year two.
From what i canÂ gleamÂ the jury process was pretty solid and most of the artists involved I have either seen, worked with, known or interviewed so I wish them all good luck and more so remind them to forget the prizes this is a greatÂ opportunityÂ to rewrite the image of the Chicago artist with the general public so in short “don’t be obtuse, rude, impatient or a douche” also Check out Tom Burtonwood and Pamela M Johnson’s work here & here respectively. Read more here
Banksy does the TitleÂ SequenceÂ to the Simpsons
Interesting Video on How Printing Ink is Made
Having been a child in the heyday of Mister Rogers’Â Neighborhood I grew up with a love of lilting jazz music & seeing how everyday items are made (plus hand puppets but thats private) so it’s interesting to watch just how what I spend most of my money & art career touching plus half of my business career fighting with is made. watch it here
Race & Ethnicity Mapped By Block
As a footer for this week there is a visual map done by Bill Rankin using dots to show the more subtle changes across neighborhoods in ChicagoÂ using block-specific US Census data.Â Called a “taxonomy of transitions” it is quite interesting both visually and mentally but then again I am a data & logistics wonk so might just be me.Â read more here or even read about music preferences on Last.fm by gender here if you are so brave.
Due to time constraints little time was spent on the 12th Floor going through Art Chicago and a majority of these photos are from the Next Preview Opening. Which from the talk that I heard no one will complain about (even though what little I saw it looked to be better then previous years but Tomato TomÃ¤to).
Coming away from the Next show much can be said about the much smaller size, omni presence of Kavi Gupta’s Gallery & connections, growth of paid Marketing Partnerships in the show & the search for “Big” things to fill all the empty space. Having said that though I walked away with the feeling not of abuse but more how fragile this years Next really was, right or wrong. Any real complaignts I had seemed to fall more with the Marts operations side which seemed to either be skeleton staffed, temp hires or just poorly managed in general. A marked decline from previous years effort.
Best work of the show for me personally wasÂ surprisinglyÂ theÂ independentÂ groups and apartment galleries representation (which I couldn’t say in previous years) they reallyÂ steppedÂ up this year in both polish, substance, displaying actual works not items they want to convince you were finished works & energy. Also I don’t think enough can be said for the works in the show by Tony Tasset this year. They were well positioned, welcomedÂ surprisesÂ & overall great work by a artist who deserves his reputation.
This is the second and final apexart recap. Next week I will be posting about some of the things I saw while not installing the show. Â For this photo series we bring you a slew of opening night photos and some post party action at the Nancy Whisky. We had a stellar turn out. Really, I was shocked! And got a chance to see old friends, make some new ones, and meet some NYC bloggers.
A final note: A huge thank you to apexart ( Julian Gilbert-Davis,Â Cybele Maylone, and Steven Rand)Â for inviting us to partake in this experience and helping us put this thing together. We really had no idea what we were going to exhibit but it came together and we are all very pleased. Also, thank you to all the artists that contributed, obviously we could not have done it without you! Let’s see where else this takes us.
Don’t Piss on Me and Tell Me it’s Raining
Curated byÂ Bad at Sports
April 7 – May 22, 2010
291 Church Street
New York, NY 10013 USA
tel. +212 431 5270
fax. +646 827 2487
hours: tue – sat 11 – 6 pm
free admission to all programs and events
Four solid years of shows! Not one effing week missed! Duncan and Richard have yet to have a Beat-It style knife fight! Yes it is show #208. What, might you ask, do we have in store for show 208? Well I’ll tell you!
This week we are pleased to have Jim Duignan from the Stockyard Institute to talk about “The Cafeteria Sessions” program with The Multicultural Arts High School. The show opens with the students’ audio pieces. Next Duncan and Richard talk to Jim about the project, the Stockyard Institute, how we dragged him away from celebrating his wedding anniversary, and more!
From the Stockyard Institute’s website:
The Cafeteria Sessions
A series of lunch time recordings and radio workshops with adolescents on socially engaged artistic practice, utopian education and the future of Chicago. The Cafeteria Sessions will go on throughout the spring at the Multicultural Arts High School with Jim Duignan (S.I.), Ayana Contrares (vocalo) and Lavie Raven (University of Hip Hop).
This series culminated in a live radiocast from the Multicultural Arts High School on May 21, 2009. Read more