SHE IS RESTLESS: The Artist Books of Rebecca Mir Grady
How do you describe a hundred foot wave? What about a thousand foot wave? By translating those environmental catastrophes into a book—and a tiny book at that—the scale is exaggerated.
Why are we doing art at all? An interview with Eiko Honda
What does it mean to be modern? And can we possibly find a different kind of modernity by narrating our current issues and past events differently? Might that change the future as well? And of whom? How can we try to extend one’s imagination beyond our established conventions? The historiography of language—of one of the most fundamental commons—and of artistic practice that works with the human tool of imagination— might have some answers to the queries.
Performing Ecology, Pt.1 (Introduction)
SCENE 1. 1978, Wuppertal Opernhaus, Germany. A young dancer, her eyes closed, struggles to move freely in a darkened German kaffehaus, her movements made difficult by the walls that enclose her. Again and again, she hits the tables, she falls, she stumbles on the...
